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Archive for April, 2016

Rummaging For Reality at the Hayes Conference Centre, Swanwick

Here I am, a psychological suspense writer,  at a conference for psychotherapists, healers, counsellors and creative people – and together with them  I am rummaging for reality.

This is  very brief post in a spare hour before I go off to a workshop this afternoon. But already I feel I am working my way towards a new clarity and insight both into this life and into my new novel.  One came this morning. It was very simple: only these words: “We are exploring different parts of the same reality at different stages of our lives.”

A few days before coming on this conference I was doing some of my own rummaging, through a file of newspaper clips which I’ve kept for about 3 decades now – just to see what jumped out at me in my current situation, a new work-in-progress before me.

 

And it was an article from the Sunday Times 10/5/92 written by the novelist Wendy Perriam called ‘Heaven Can Wait’. It was subtitled Do bad Catholics make good writers? And considered the fact that many great writers – e.g. Greene, Joyce, Spark, Waugh, O’Brien and Lodge – either lapsed, or struggling with their faith, poured out words as once they poured out prayers.

In this article Wendy Perriam says many things which touch me profoundly, despite the fact that I am not a Catholic, present or lapsed. I’ll quote just one point here, which I resonate with, and which shone out at me from my ‘rummaging’:

 

‘A sense of religion does give a depth and resonance to fiction, and if our characters have immortal souls, they’re surely more important, more valuable to their creator, than if they’re regarded as mere accumulations of vibrating molecules.’

Hopefully I may have some more insights from my rummaging to share with you in next week’s post!

 

Thoughts on Three Dimensional Characters in Films and Novels – Inspired by Hugh Grant

On the Graham Norton Show which was broadcast on BBC One on Friday 16th April 2016, Meryl Streep and Hugh Grant in Florence Foster Jenkinsactor Hugh Grant said he took on the role of St Clair Bayfield in the newly-released film Florence Foster Jenkins against his previous intentions, because a) the script was so good and b) because he was attracted by the three dimensional character he was being invited to play – which implies he thinks all his previous characters were one dimensional.

Hugh said that the character he plays, St Clair Bayfield, is “a failed actor” who has chosen to protect Florence (played by the wonderful Meryl Streep) from true self-knowledge because he loves her. In the film, this character goes to extraordinary lengths to collude with Florence’s self-deception, by covering up her lack of ability as a singer and paying off bad reviewers and hiding her from the truth.  In other words he does what seems to be cowardly, morally weak, wrong and even cruel, for complex reasons that are not straightforwardly immoral, and because he is emotionally invested in supporting her and upholding her in the dream she believes in.

I haven’t seen the film yet and so cannot offer a review, but I was fascinated by the point Hugh Grant was making. Many love the characters Hugh has played so far during his film career, but his comments brought me back again to the vital importance of three dimensional characters, not only in persuading major actors to take on film roles, but also in winning success for a novel.

Three dimensional characters in fiction are those whose actions, words, relationships, behaviour and inner life all work together to win our empathy.  Just as the hallmark of a great leader is the ability to win people’s confidence, the sign of a great character in fiction is that we care for them deeply, whether their actions are “good” or “bad” or far less easily defined. Whilst reading a recent novel I was starting to intensely dislike a certain character, when his actions and behaviour were depicted from the viewpoint of someone else. But then the author took me into his viewpoint – and my attitude to him was transformed.

I believe we only need to see and understand someone’s inner life, to feel that empathy for them.

Do share in the comments. Which are your favourite three dimensional characters in fiction, and why?

Reflections on Crime, Wickedness, and Redemption from the Crime Museum Uncovered, Museum of London

On Thursday 31st March 2016 I read many stories at the Crime Museum Uncovered, an enthralling exhibition currently showing at the Museum of London, London Wall.  Crime cases from Victorian times to 1975, solved by the Metropolitan Police. Most of the criminals were hanged; some were miscarriages of justice; vulnerable people, who today would have received 10 years in jail and might then have turned their lives around and gone on to achieve great things.

Others were people we might think “deserved to die” because the crimes they had committed were so ruthless and wicked (for instance the woman who, under the guise of running a care service for children of the poor, murdered 15 babies).

In some cases, black and wicked hearts were exposed, hearts “as hard and merciless as rock”; and victims whose names we only know by the terrible manner of their deaths, and the disposal of their bodies by their murderers.  People, it seems, who we were to define by the way they died.  And yet, as a novelist, I am convinced that no-one is ever defined by the manner of their death.  We are all complex beings, mind, body and spirit, with our joys, sorrows, memories, dreams, passions and impulses. We don’t define the greatest by their deaths; neither Mozart, nor Shakespeare, nor any other. So why should we define the lives of anyone in that way, no matter how obscure, how ‘ordinary’ they were during their lives on this earth.  This exhibition set out to ‘give the victims a voice’ and yet I did feel it fell into the trap of defining the individual victims by the manner of their deaths.

I am fascinated by human wickedness and this will impact upon the theme and plot of my third novel, following on from “Mystical Circles” and “A Passionate Spirit”. I touched on an aspect of evil in “A Passionate Spirit” but will go much deeper in my next novel. I’m not sure yet whether the paranormal will be there, but psychological suspense certainly will, and so will crime, setting the characters a huge challenge.

The Christian faith teaches that no-one is beyond redemption.

This is just one Christian concept I, along with, I suspect, many others, struggle with.

Alexander Solzenitsyn in his great book The Gulag Archipelago , which I read in my teens, describes  what he calls “the threshold magnitude of evil”. Evildoing also has a threshold magnitude. Yes, a human being hesitates and bobs back and forth between good and evil all his life. He slips, falls back, clambers up, repents, things begin to darken again. But just so long as the threshold of evildoing is not crossed, the possibility of returning remains, and he himself is still within reach of our hope. But when, through the density of evil actions, the result either of their own extreme danger or of the absoluteness of his power, he suddenly crosses that threshold, he has left humanity behind, and without, perhaps, the possibility of return.”

Every so often, over the years since reading that book, I have been brought back to Solzenitsyn’s observations.  Whenever I read books about the Nazi Holocaust, his words come to mind.

Yet have we ever considered that, when Jesus took upon his shoulders the sins of the world, as Christian theology teaches, he at that moment was the worst person in the world.

It is a mind-blowing thought.  We read of wicked acts in our news every day, and (unless we are suffering from compassion fatigue) we shudder.

Yet Jesus was the most wicked person in the world, at that time of darkness, before his resurrection.

It shows once again the huge paradox that is the Christian faith. “The foolishness of God is wiser than the wisdom of men.”

 

 

 

 

A Passionate Spirit 99p on Kindle from 1 April for 1 week only

My publisher Matador have just dropped the price of my kindle ebook for one week.

Take the chance to snap up my new paranormal thriller “A Passionate Spirit” on Kindle at the special price of 99p.

COVER DESIGN A PASSIONATE SPIRIT pub Matador

The deal ends on Friday 8th April when the price will revert to its usual level of £3.99. So this is a great opportunity.

And if you read and enjoy, do consider leaving a review on Amazon. Reviews are critical to an author’s success!

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