Thank you for visiting my blog! I write psychological, paranormal and mystery fiction and non fiction.
I’m a member of the Society of Authors and the Association of Christian Writers.
My new book Paranormal Warwickshire is out now from Amberley Publishing. It’s available everywhere good books are sold. If you’d like a signed copy sent to any UK address, just pay £12.50 here and include a note of your postal address, and any requests for a special message, and I’ll post you a signed copy at once.
Subscribe to my mailing list and get a free epub Pursuing Your Creative Passion, a taster from my inspirational writer’s guide Perilous Path: A Writer’s Journey – packed with encouraging tips, insights and reminders for writers.
Sign up here.
Here on my blog, I post weekly. I love to have your comments so please keep them coming! And if you’d like to know more about my next novel Director’s Cut, which I’m working on right now, do sign up for my mailing list here.
I studied English Literature at Lancaster University, and my first permanent job was as a production secretary with the BBC. Later I lived for nearly five years in Australia. I now live in Warwickshire with my husband David and son Jamie, and my daughter Abigail is studying for a Masters at university in Australia.
I completed two full-length adult novels before writing Mystical Circles. I’ve always been fascinated by the interaction of different complex personalities, an inexhaustible source of inspiration for a writer!
And my advice to anyone who wants to be a writer? Read a lot, listen to people’s conversations, be observant about the details of your world, and especially about human behaviour and interaction, and persist in your writing, being single-minded to the point of obsession…never give up, always believe in yourself despite all evidence to the contrary,(Click to Tweet) and hold out for what you first dreamed of.
Thank you for reading this. And if you want to be first to hear about my next novel, which is currently in progress, do sign up on my email list here.
We’ve reached the time of year for the Christmas List – and the round robin newsletter. I remember the very first time my parents ever received one of these newsletters from a family friend. It was the cause of much fascination and amusement. But since then, the idea has caught on amongst the UK population with the speed of – dare I say it – a pandemic.
I’m revisiting my subject of the Christmas List for several reasons. Amongst these are the sheer poignancy of the subject, and the fact that since then I have published a revised version of the piece in a Christmas Anthology – available here to buy on Amazon. But one major motive was the delightful contribution by novelist Alexander McCall Smith the other day which I heard on BBC Radio 4 Today programme. This wonderful Scottish author – whose 44 Scotland Street novels I love – was talking about the Round Robin Newsletter, and making some points about the tendency to boast in these newsletters. We were shaking with laughter as we listened to him.
Who else finds writing Christmas cards the cause not just of gladness but pain and sorrow? I put off “doing” my Christmas list until I’m in the mood – and light a candle and have a glass of sherry or wine to help create that mood. Why? Because each year I have to engage with the major change in people’s lives; the gap of a year between communications throws those changes – for good and for bad – into sharp relief.
There are those who must now be addressed The … Family, because a new baby has been born. You remember the mother as a tiny blonde cherub herself. Then there are the divorces, where you refer back to the previous year’s Christmas newsletter and gaze at the photo of the mother with her two tall sons, and remember when you rejoiced at her marriage, at the news of the arrival of their first baby… and now “he” has disappeared from their lives, and is no longer referred to. Then there’s the lady whose previous husband beat her up – a fact she communicated to you in a Christmas newsletter 5 years ago – and who sent you the news 3 years ago that she was marrying someone else she only referred to by his first name – and hasn’t been in touch since. You’d like to try and restore the lines of communication, but you only have the surname of the ex-husband. You presume she’s now living with the new man – unless that relationship too has broken up – but you’re not quite sure, and you have to address her in such a way that takes account of different possible scenarios.
And there are the couples whose children have now grown up and left home and started their own families, so you can now revert to sending cards to the couple alone, without their children’s names… and that feels sad too, despite the fact that this has been in many ways a happy change.
Then there are the people who have died, and whose names have to be crossed off your Christmas list and out of your address book – a task that always feels callous to me, every time I do it. And the people you’re going to send a card to who may well have died, but nobody has told you, so you won’t know, unless your card is returned to you by some helpful relative in the New Year.
So much change for good or bad. Then it occurs to me that at least my own family unit is “the same as last year” and perhaps that fact alone is a cause for at least one small flare of gladness and relief in the hearts of those who receive our greetings.
But should it be? For those on our Christmas list often only communicate the stark facts that will affect the way we address our envelopes to them next year. Behind it all lies the complex reality of their lives. As a novelist I know what is in my characters’ hearts; but not in the hearts of everyone on my Christmas list – the new parents, the newly-bereaved, the freshly-betrayed, the lonely, the divorced, even those who superficially appear to have everything in order, even those who claim success and triumph all round for every member of the family… their lives are far more complex than can ever be conveyed in the artificial confines of the Christmas card or newsletter.
Perhaps the candle flame is there to remind me of that.
Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.
I loved what Hilary said about the process of writing. It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and I loved it.
In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.
When you begin to write a novel, it can often be impossible to say from which source the inspiration has come – and how far back in the past that inspiration had its source.
Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation.
Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.
The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.
Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her. He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.
The story awaits further editing, and I’d also welcome any willing beta readers!
Meanwhile I’m completing the sequel.
In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career.
He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.
There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.
Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!
I have heard, but not believed,
The spirits of the dead
May walk again
So says William Shakespeare, through the lips of Antigonus in Act 3 Scene 3 of The Winter’s Tale.
Did Shakespeare believe in ghosts and spirits? Opinions are divided; Herbert, Shakespearean actor, who led us around Stratford-upon-Avon one evening on the town ghost tour, maintained that Shakespeare did; whereas a distinguished Cambridge professor, examining the Bard’s use of paranormal manifestations throughout his plays, concluded that he believed these are all ‘emanations from the mind.’
We cannot say for sure what Shakespeare believed; but his works are full of ghosts and spirits. It is known that he himself played the part of his most famous and loquacious ghost, the spirit of Hamlet’s father, many times, and it was the top of his performance as an actor, according to his first biographer. This is the ghost of whom Hamlet says:
The spirit that I have seen
May be a devil, and the devil hath power
To assume a pleasing shape.William Shakespeare
And yet throughout the play Hamlet continues to explore and agonise over the true nature of the spirit he has seen, with the input of his sceptical friend Horatio; and he reaches different conclusions according to the state of his mind.
Whether because they made excellent dramatic devices, or because their presence in Shakespeare’s plays denotes something much deeper, more complex and hidden within the recesses of his own heart, it is true his county, Warwickshire, is saturated even today in strange events for which there is no scientific explanation.
I’ve lived in Warwickshire for twenty-five years, at the time of writing. I’ve grown to love and feel a deep connection with some of this county’s most iconic locations: castles, houses, and churches; and also some of its less familiar ones.
All of these places have rich and complex stories to tell which span the full range of the emotional, moral and spiritual spectrum, as befits the county of Shakespeare.
But the stories here acknowledge that energy lingers in many places other than manor houses, abbeys and castles. They also tell of ordinary people going about their business in a very familiar, even mundane environment. It’s about shop owners and sales staff, families in terraced houses and busy commuters on a railway platform. Some of the stories you will find here are those that people kept to themselves, for a long time, for fear of being ridiculed.
Our task here is simply to listen to the stories that people tell, and, like Hamlet, to explore the nature of these strange experiences both with our hearts and our minds, and reach our own conclusions.
Paranormal Warwickshire is available everywhere good books are sold.
Listening to an interview by Andrew Marr on BBC Radio 4 the other day, I was delighted to learn that Virginia Woolf‘s classic essay How Should One Read a Book? has been republished in a new edition (12 October 2020).
I studied this text in school as part of my GCE ‘O’ level English Literature syllabus. Ironically, although I found Virginia Woolf’s novels quite challenging to read (although I loved Orlando), that is not the case for this essay. That’s probably because it was originally a talk given at a girls school in Sevenoaks in 1926. I still remember the impact Virginia’s words had on me. The essay is very accessible, and Virginia writes with passion on her subject.
One of her observations appeals to me: “you haven’t read a book properly until you’ve talked about it”. Brilliant! How that makes the heart of an author sing. Nowadays of course authors often look for their readers to “talk about” their books, either in book clubs, or by personal recommendation, or by posting an Amazon or Goodreads review online.
Authors and publishers also, of course, value professional reviews in the major periodicals and newspapers; and these reviews are often quoted at length in the front matter of very popular books. Personally, I prefer not to know the details of what other people think until I’ve read the book – or at least until I’m halfway through. I want to make my own response to the book.
But these are the days when everyday readers – all those out there who love reading books – have power, with their opinions and feelings. Every response to a book is valid. I remember my creative writing teacher at Lancaster University saying:
“Once you’ve written your book, and it’s published, and out in the world, it doesn’t belong to you any more. It becomes a Thing on the Table, for anybody to make what they want of it.”
This view is echoed by Philip Pullman , the author of His Dark Materials trilogy, who, in a recent very enjoyable Society of Authors webinar, said that while you are writing a book, it doesn’t matter what anybody else thinks. You write what you like and you don’t worry what anybody else thinks: they can mind their own business. When it’s published it’s a different matter. It’s not yours any more. The world can then make what it likes of your book.
Passion for reading, for the different worlds you may enter and explore when you are a voracious reader, shines out from Virginia’s essay.
Here is one quote from Virginia Woolf which many readers have seized upon, as it confirms the joy and the richness of being a great reader. I quote this near the end of my author talk on The Power of Story – for one of my goals is to enhance or re-awaken a love of reading.
“I have sometimes dreamt … that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards — their crowns, their laurels, their names carved indelibly upon imperishable marble — the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”Virginia Woolf, in The Second Common Reader
Psychological, paranormal and mystery fiction and non-fiction.
Paranormal Warwickshire was published 15th November 2020
Available everywhere good books are sold.
I‘m delighted to share with you some more early reviews of my new book Paranormal Warwickshire.
This one is from Kerrie, on her blog iloved readingthis.com.
I am fascinated by ghosts and the paranormal and have a couple of books detailing the haunted places local to me as well as going on a very creepy ghost tour of Hampton Court Palace, at night, where we had to walk alone, in the dark through the Haunted Gallery, where there have been numerous reports of sightings of Catherine Howard, running to find Henry the VIII begging for mercy at the time of her arrest. We didn’t see anything but the fascination remains and for that reason, despite not really reading digital books, I agreed to be involved in this blog tour.
This was an informative book providing not only an account of paranormal sightings and experiences in Warwickshire but a brief history of the places covered. Shakespeare’s Stratford featured and throughout the book quotes from the playwright were used as chapter highlights, which was a nice touch. Stunning pictures gave visual context for those less familiar with Warwickshire and I was struck as I was reading this book that it would make a nice accompaniment for a visit to Warwickshire.
I read this as a digital book, but in my opinion it is definitely a book that would be better experienced in physical form in terms of an easier ability to flick back through the pages and refer back, as I like to do. Nonetheless an interesting little book which should appeal to anyone with an interest in Warwickshire and it’s history and most definitely anyone interested in the county’s history of paranormal activity.Kerrie, on her blog ilovedreadingthis
Another early reader, Anne T, said this:
I’ve just finished the book Paranormal Warwickshire. Being born and bred in Leamington Spa, I wasn’t sure what I would learn from this book. I loved the book, and was especially interested in the final article in the Leamington chapter. Not only does the author visit the more familiar buildings with all the stories attached, told by the people living or working there, but also many less well known. I certainly recommend this well- presented book, packed full of photographs.
Paranormal Warwickshire is available on all major online book retail sites and everywhere good books are sold.
I’m delighted to announce that Paranormal Warwickshire has now been released by Amberley Publishing.
It was a very exciting moment when I received my box of books.
Here’s an early review from fellow author and blogger Ritu Bhathal, who received an advance review copy:
A fantastic book filled with tales of ghostly sightings across the county of Warwickshire.
SC Skillman has found some intriguing stories and researched their background and possible origins. The results are fascinating and eye-opening.
I especially loved the accompanying photographs, old and new, showing the different castles and buildings where these events are said to have taken place.
Warwickshire was where I grew up, and we regularly visited places like Warwick Castle, Kenilworth Castle, Stratford-Upon-Avon and Leamington Spa, so this book held an extra special interest for me.
Thank you to the author for providing me with an arc, for an honest review.
Thank you Ritu and I’m so glad you enjoyed the book!
Check out Ritu’s lovely blog here:
Another early reviewer, Marje Mallon, wrote this:
Thank you so much to the author for entrusting me with an advanced readers copy for an honest review.
I have always been fascinated by the paranormal and have had a far few ghostly and strange experiences myself, so this book by S. C. Skillman caught and kept my attention throughout.
It’s a well-researched, detailed and beautifully photographed book. Some of the images within are by S.C. Skillman herself.
If you like tales of haunted castles, churches, theatres, hotels, manor houses and many more locations beside, (a ghost can hang out anywhere they feel drawn to,) this is for you!
The collection begins in Warwick and moves on to various locations in Warwickshire: Kenilworth, Stratford-upon-Avon, Lapworth, Alcester, Rugby, Nuneaton (Birthplace of George Eliot,) and Leamington Spa.
Some of my favourite tales within included ghostly tales from theatres: in Stratford-upon-Avon, Royal Shakespeare Theatre. The ‘grey lady’ ‘is thought by by many to be the spirit of Elisabeth Scott, and is one of the theatre’s most well-known ghosts.’ ‘She appears so real she is often mistaken for a lost theatregoer.’ ‘It seems that many who have loved this theatre in their lifetimes cannot turn away from this magical and evocative place.’
And in Rugby Theatre: ‘One of the stories told here is of a woman seen floating down the stairs. It is thought she was an usherette in former times…’
It’s an interesting collection and one that will encourage you to explore the paranormal. After reading, you will want to visit these locations first hand to see if you experience the haunting visitations described within. Who knows, you might even want to become a paranormal investigator!
Thank you Marje for your review. And for all who’d like to visit Marje’s blog, it’s here.
And if you’d like the chance to hear me reading from the book and answering questions from those who came to my Facebook Live launch event, do check it out here: https://www.facebook.com/scskillman
You can buy the book on all major online retail sites, and order it from your local bookshop.
This is the tenth and final post in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.
The town of Royal Leamington Spa underwent a dramatic transformation beginning from the early 1700s when the 4th Earl of Aylesford discovered a mineral spring on his land. Subsequently, a few further twists and turns of the story raised the fortunes of this sleepy little village called Leamington Priors, until it had attained the highest reputation with The Beau Monde, and re-invented itself as a desirable Regency health resort. Aristocrats and the wealthiest members of society would flock here, to take the waters. The town met with the approval of Queen Victoria, which is why she’s celebrated with a statue in front of the Town Hall.
I found several curious anecdotes and strange tales in Leamington Spa; these surround the railway station, which plays a significant role in Leamington Spa’s history from the 19th century on; the elegant building, formerly known as the Masonic Halls, now known as Victoria House; and a certain residential property in Leam Terrace which was proving difficult to sell.
Here’s an extract from Paranormal Warwickshire:
Throughout the 18th and early 19th centuries, you could only reach Leamington Spa by Crown Prince stagecoach, and the journey from London took nine hours. But in 1844 everything changed with the formal opening of the Warwick and Leamington Branch Railway, and the first railway station in the town. This brought Leamington Spa within four hours journey of London. That station building was replaced in 1852. Posters advertised the town as a “Modern Holiday and Cure” resort. In 1939, despite initial negative reaction stirred up by the local press, the Great Western Railway opened an Art Deco station to replace the original building of 1852. The building is listed Grade II.
Both passengers and station staff report paranormal occurrences. Stephen worked there from 2012 to 2016.
“My job was night-time security officer,” he says……
Stephen has several stories to tell of strange events in the station at night, when the station is closed to passengers, and no trains run.
“Once, at about three or four in the morning, across the tracks I saw a lady on Platform 2. I challenged her. ‘Excuse me, what are you doing in the station? How did you get in here?’ She looked at me as if she’d heard me, turned away and carried on walking. I ran down underneath and up the stairs to find her, and she had gone. So I got onto the CCTV and there was nothing there. But I had seen her clearly. I had to make a phone call to report her so as to make sure there was no danger of someone being on the track. We have to cover ourselves.
“Another time, I was walking around when I saw that a door I had previously locked was standing open. So I went to check the door. It was on Platform 1. The door slammed on me as I went to it. I thought it must have been the wind, and locked it.
“A lot of paranormal activity takes place in the offices upstairs. I went upstairs to check the place out and the door was open. I went back, and the door was closed.”
This is corroborated by other members of staff who regularly see and hear things including doors slamming and electrical equipment turning on and off.
One staff member said, “When we first moved into the top floor offices the people who had been there previously had obviously left in a hurry. I regularly have paperwork thrown about. Doors are left open and I hear footsteps. I find it is often a quick way to end a meeting having a door slam for no logical reason. I’ve now learned to live in harmony with the ghosts.”from Paranormal Warwickshire by SC Skillman
To find out more, do order your copy of Paranormal Warwickshire.
This is the ninth in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.
Nuneaton is strongly associated with one of the greatest of English novelists, George Eliot, who was born on the Arbury Hall estate here and brought up in Nuneaton; this background afforded her the opportunity to meet people in all walks of life, the ‘high-born’ and also the working people. From these she found much inspiration and demonstrated her insight through her many fictional characters. George Eliot is rightly celebrated in the town of her birth and upbringing. In harmony with her own literary focus, I found that some of the most extraordinary tales in my book come from working people in their everyday environment.
Here’s an extract from Paranormal Warwickshire.
As we have seen, George Eliot was a radical intellectual; her novella ‘The Lifted Veil’ (an example of the Victorian horror genre), published in July 1859, is unique amongst her works for its supernatural premise. It explores themes of extra-sensory perception, the essence of physical life, the possibility of life after death, and the power of fate.
I believe that if George Eliot had been alive and writing her novels 200 years later she would have been keen to bring her spirit of enquiry into the extraordinary series of events reported by ordinary working people in their workplaces at Queens Road, Nuneaton, in the late 20th/early 21st century.
Queens Road was in former times the main street of the town until it was split into two parts by the Nuneaton ring road. In Queens Road, strange events are reported by the staff of several retail businesses – and none more so than those who have worked at number 62. Angela, the former lessee, experienced supernatural disturbances there for several years along with many staff members and customers,
Angela first bought no. 60 Queens Road in order to start up a business with her partner Dawn, selling video games and movies.
Having made a success of this, they leased 62 and turned their business into a big two floor music store. Entertainment Exchange opened in 1994 and became the biggest music / gaming / film collectors store in the West Midlands. This culminated at the height of the business in their having twenty-five staff on the rota at any given time.
Both buildings are extremely historic and atmospheric; Angela’s account focuses on 62 where she spent most of her time during the twenty years she traded there. As from 2014, Angela no longer owned or operated from either of these two buildings.
Angela’s story begins on the day before her store opened at 62, when she spent four hours upstairs alone in the shop, with the door to the street locked, pricing vinyl and laying out displays. As she was putting LP’s in racks, she saw something in the corner of her eye in the direction of the old office: a small dumpy woman dressed in black with dark hair which she wore in a bun at the back of her head. Shocked, Angela turned her head straight to the store room door and the image vanished in front of her.from Paranormal Warwickshire by SC Skillman
Angela’s story is developed further in my book, and this experience was the first in a series of astonishing events, experienced independently by herself and her partner, many of her customers and staff, and by those who had worked in the building during the decades before her ownership
Find out the full story in Paranormal Warwickshire.
This is the eighth in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.
Rugby has a picturesque town centre rich with history, as I found when I joined an entertaining historical and paranormal tour there. Not only did we learn a lot about Rugby, and about English history, but we also heard several colourful tales recounted by a highly skilled raconteur.
Here’s an extract from Paranormal Warwickshire:
On Henry Street you will find Rugby Theatre, with which several paranormal tales are associated. In 1946 the Rugby Amateur Theatre Society was formed with the intention of founding a permanent theatre in the town. In 1949 the Society obtained a former cinema on the current site, and set about converting it into a theatre.
One of the stories told by the theatre fraternity here is that of the ghostly figure of a woman who is seen floating down the stairs. It is thought she was an usherette in former times, who is still taking tickets and escorting people to their seats once they have come past the box office.
Another story concerns the Circle. This is believed to be haunted by the apparition of a man who fell over the balcony and died. He loved the theatre so much he is often seen in his former place and people have actually got out of his way when he went to the seats.from Paranormal Warwickshire by SC Skillman
To find out more curious tales about this theatre, and several other locations in Rugby, why not preorder Paranormal Warwickshire, out from Amberley Publishing on 15th November 2020.
This is the seventh in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.
Warwick Castle, currently owned and looked after by Merlin Entertainments, is not only a spectacular sight for all who enter Warwick from the south, but it is also a treasure-house of stories: both historical, and some perhaps owing their provenance more to the imagination.
I attended a fascinating evening there several months ago when we discovered how the castle historians find out the truth of the numerous intriguing objects within the castle walls. We learned that a few of those objects owed their story more to the imagination of the Greville Earls of Warwick, than to any historical evidence (Guy of Warwick’s punch bowl being one of those artefacts).
Here is an extract from Paranormal Warwickshire.
In 914, Ethelfleda, daughter of Alfred the Great, built the first fortification on the land where Warwick Castle now stands, to keep out the Danes. After 1066 William the Conquerer took it over as a site for one of the many motte and bailey forts he established throughout England.
The mound on which these fortifications stood remains today as a prized element of the estate; and indeed when Francis Greville, Earl of Warwick from 1759 to 1773, commissioned Lancelot ‘Capability’ Brown to landscape the grounds, he suggested making the mound an important aesthetic feature, ordering ornamental trees to be planted down its slopes surrounding the spiral path.
Today, many stories are told of paranormal experiences around the Castle. One of the most well-known tales describes the apparition of Sir Fulke Greville in Watergate Tower. However, the story is no more than one hundred years old, and is not mentioned at all in the writings of Daisy, Countess of Warwick in the 1890s and early 1900s. Being a keen spiritualist, Daisy would have been well-motivated to repeat a spooky tale if it came to her ears. Strong circumstantial evidence suggests it may have been invented to increase tourism to the Castle. A documentary report published in 1996 concluded: “Little trace of Fulke Greville’s alterations survive in the tower…. It is unlikely that he ever lived in it.”
Sir Fulke held the Castle between 1604 and 1628 and made many alterations to improve and beautify the castle and gardens. His death was a sad one: stabbed at his house in London by a resentful manservant, he lingered on for the next four weeks, suffering at the hands of inept doctors, before he died in agony. His body was brought back to Warwick and he was buried in the Chapter House of St Mary’s Church Warwick, where you may see his tomb.from Paranormal Warwickshire by SC Skillman
To find out more, and read some of the many curious anecdotes about Warwick Castle which are not so easily dismissed, do order your copy of Paranormal Warwickshire, out on 15th November 2020.