Inside the mind of a writer www.scskillman.co.uk

I love to see how tropes specific to certain genres of story telling can cross boundaries into different genres.

one author's question about story tropes

one author’s question about story tropes

One example came to my mind recently whilst watching our DVD of Tintin and the Adventure of the Unicorn again.

This story centres around “an old Sea Captain’s estate”; we learn from the villain (an unreliable source) of “a shadow of ruin over the family for generations… we’re talking years of drinking and irrational behaviour.”  A few generations back, the villain declares to the hero Tintin, Sir Frances Haddock was “a failure and a hopeless reprobate. He was doomed to fail and he bequeathed that failure to his sons.” As soon as we know this is the opinion of the villain, an expectation is set up in us that the hero will work to quash this negative scenario.

In this story there are two policemen from Interpol who are on the trail of the same thing as Tintin, but with much less insight and inspiration.. They seem like a pair of fools / clowns, but at a later stage of the story they turn up at just the right moment and save the hero’s life.

The central question of the story is: Can Captain Haddock lay his demons in order to claim his inheritance and redeem the family fortunes and lift the intergenerational curse?

I feel that all these themes, beloved of the action adventure genre, can be translated into other genres too.

Genre is a fascinating subject; I write contemporary fiction but it has something of mystery, something of suspense, something of psychological thriller too. In my new novel there is the element of the paranormal and supernatural as well. How do we determine which genre predominates? Traditionally it’s the preserve of the traditional publisher to decide that, and this then becomes the cornerstone of how the novel is marketed and promoted.

In many ways, genre is all about the psychology of the readers, and their expectations.

Successful fiction touches the spirit of the readers in some way. But we cannot ever write to please others; only to please ourselves. And so, ultimately we must write for the love of it, and leave the response of the reader in the realms of the future unknown.

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Comments on: "Action Adventure Tropes and Powerful Archetypes in Stories" (2)

  1. You’re right – the marketing could make all the difference, depending on what a publisher chooses to focus on. Someone said to me, ‘Which shelf would your book appear on?’ and suggested that if I couldn’t pin it down, perhaps I hadn’t really thought things through. Maybe they were right!

    • Hi Fran. Yes, the question “What shelf would your book appear on?” annoys me. After all, if it’s fiction, and it’s not romance or sci fi or Young Adult, it’ll appear on the fiction shelf, won’t it? With my previous novel, I did suggest the “Mind Body and Spirit” shelf to the manager of the local Waterstones, and he looked at me askance. In fact the impression I got was, “Don’t you tell me what shelf it will go on. I’ll be the judge of that!” In the end, to my knowledge, it didn’t end up on any shelf at all. I now realise how tough you have to be in this game. Or perhaps we can’t win?…..

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