When you saw that title what did you imagine? A scene from Alice through the Looking Glass?
One of those high speed reverse sequences in a magical fantasy film, when everything rewinds? Or perhaps a time-slip scenario?
Or simply an image of mirror writing?
Would it be wonderful if we could indeed start at the end and then proceed to the beginning? Or would it rather be a nightmare? Of course, TS Eliot encapsulated this idea when he wrote: The end of all our exploring will be to arrive where we started and know the place for the first time.
In one of the chapters of my book Perilous Path I looked at the seemingly paradoxical idea of writing a book in reverse. In many ways this idea appeals to me. After all, when we consider the obstacles a writer confronts during the creation of a novel, it seems that all the problems are wrapped up in the tyranny of time. The journey of a novel is often about getting to know your characters and allowing them to reveal to us what we’re writing about.
Robert McKee in his excellent book Story says every story has a controlling idea; and the controlling idea is embedded in the final climax of the story. In fiction, controlling ideas are below the surface. So in one sense the process of writing a story does indeed involve travelling backwards, on an unconscious level. You will find more about this in my chapters in Perilous Path inspired by the theories of Carl Jung.
Our controlling idea, I believe, may not necessarily be fully worked out on a conscious level. It is hidden deep in the unconscious and the act of writing a work of fiction may simply be the working out of this, and the process of bringing it to the surface, and out into the light. Thus on an unconscious level we do indeed write backwards.
Some novelists start a first draft with their characters, and begin telling the story, and go where their characters take them. Finally the controlling idea is revealed. Then we might say they go into reverse, moving back again, and imposing structure in subsequent drafts. Others plan the novel out in detail using the 3-act structure, plotting out the story points before they begin writing. Perhaps, for them, the controlling idea is already out in the light and clearly defined.
Examples of controlling ideas include: ‘Goodness triumphs when we outwit evil’ (The Witches of Eastwick by John Updike). ‘Justice prevails when an everyman victim is more clever than the criminals.’ (The Firm by John Grisham).’To love with integrity requires personal worldview transformation’ (Pride and Prejudice by Jane Austen). Here are some very helpful blogs upon the subject of The Controlling Idea by Shawn Coyne and Steven Pressfield.
My writers guide Perilous Path may also be helpful; signed copies are available and may be ordered from this website.
Honesty and truthfulness – these are the outstanding virtues of a great artist. And as a creative writer I am currently finding inspiration from artist Grayson Perry as he showcases “Covid-19 lockdown art” in his TV show “Grayson’s Art Club” on Channel 4.
Grayson makes use of our contemporary culture which he transforms into art – tapestries, lithographs, glazed vases. One of my favourite items in a Grayson Perry exhibition in London was his “career advancement vase” upon which he had painted lots of different cliché words and phrases job seeker use on CVs. These words are so evocative. They carry within them all sorts of pretensions, eagerness to impress, compulsion to present a false picture of oneself to the world.
In Grayson Perry and Wendy Jones’ book “Portrait of the Artist as a Young Girl”, co-author Wendy Jones writes: “During the interviews Grayson appeared almost physically malleable. It seemed that sometimes he would look like a First World War pilot, then a mediaeval minstrel, then a housewife suffering from ennui, then an elegant hurdler. He was always morphing – I hadn’t come across that before and I doubt I shall see it often again.”
This capacity to morph strikes a chord in me as I watch Grayson’s Art Club, listen to his raucous laugh, and observe the change in his hairstyle between scenes. I also find myself imagining him as a young girl, in one of his many other personnas, I love the idea of a “fluid and flexible ego”, something I believe Grayson Perry has; and I used this idea myself in my novel “Mystical Circles” where it is eventually understood as part of the shapeshifting gifts of a shaman. Wendy Jones’ description was fascinating to me as I have known of those who morph in this fashion and have witnessed it myself and worked it into my own fiction.
Grayson Perry suggests that we “sit lightly to our beliefs”, and “let go of a compulsion to seek meaning – we will enjoy life in this world much more.” His art bears this out; everything is referred back to his childhood teddy Alan Measles, his “guiding spirit”; everything is set against that barometer of his childlike perceptions, even to the extent of dressing as a little girl.
Grayson Perry has important things to say, strong challenges to make to me. I cannot ignore these challenges as a creative writer.
During the Covid19 lockdown, the Society of Authors are presenting a number of webinars with notable authors, and the other day I attended “Afternoon Tea with Philip Pullman”.
I was keen to hear from the author of a fantasy trilogy that captivated me, “His Dark Materials“. 500 of us attended, all waiting with drinks and snacks to hear what the President of the Society of Authors might have to say to us from his Oxford study. When he came on, he showed us his working space; untidy, spilling over with miscellaneous items such as his jacket slung over an open box of labels, files and paper and books. I was greatly encouraged to see this; no compulsion to tidy up his workspace there!
He was asked what the Society of Authors means to him, and he said, “It simply means that I am part of a body of people who have experienced some of the disappointments and hopes and occasional successes that I have.“
On his wall is a giant map of the world and it seems this is a major inspiration for him. He says he doesn’t plan his novels. As he starts his thoughts might be as vague as, “I think she should go north” or “It would be rather nice if she went to Central Asia.”
He loves maps, and for one of his earlier novels, “The Ruby and the Smoke” (another novel I love) he sourced ordnance survey maps of London in 1872.
I myself have a giant map of Warwickshire which I plan to put up on the wall near my working area. It helped me for my book “Paranormal Warwickshire” (due to be published by Amberley 15 November 2020) and I hope it will be useful for my next book too (more of that later).
Philip Pullman came over as a genial, laidback, engaging schoolmaster-like character – after all, he was an English teacher in an Oxford school for several years – and his approach was helpful and encouraging.
I enjoyed his reply to the question: “Do you have a particular age group in mind as a target audience when you begin to write?”
His answer was:
“No. I don’t. When you write a book you should do what you want to do; ignore everybody’s advice. It’s none of their business. When your book’s out, it becomes democratic. Then, everybody’s totally entitled to think exactly what they want to about the book.”
He told us that, before starting “His Dark Materials”, the concept of the daimons (which may be defined as ‘the external physical manifestation of a person’s inner self, that takes the form of an animal’) was in his mind for a while but he had no idea what to do with it.
Then one day he was wandering in the garden and near a rock when he thought, “Children’s daemons change, adult’s daemons don’t.”
“That was the most exciting moment I’ve ever experienced as a storyteller.”
It was (just like the idea about the boy wizard that came to J K Rowling on that train journey), the key to unlock his unconscious – and, for him, all the characters and actions and events of Lyra’s alternative world followed.
There is a powerful lesson for authors here: we must listen to that first instinctive prompt, hold onto it, and follow through, even if other voices try to break in and interrupt it. That’s one of the reasons why I don’t feel it’s wise to seek other people’s opinions on a work-in-progress. Finally, his most practical answer came in reply to the perennial question posed to authors:
“Where do your ideas come from?”
“I don’t know where they come from but I know they come to my desk, and if I’m not there they go away.”
I hope you are all well, and staying home, except for your one-daily-piece-of-exercise here in the middle of the COVID-19 crisis.
I must admit I’m finding plenty to do as a writer. ‘Paranormal Warwickshire’ has a new publication date: 15 Nov 2020. I’ve just returned the corrected proofs to my publisher, Amberley. Meanwhile I’m working on another novel and researching a new non-fiction book (more details in a few months’ time).
As for my daily exercise… what better location than one of those featured in my upcoming book ‘Paranormal Warwickshire’: The Saxon Mill, on the Guy’s Cliffe estate, Warwick; just 10 minutes walk from my home.
‘Paranormal Warwickshire’ can be pre-ordered here.
We set off from Paihia early in the morning and drove south through a landscape of velvety green hills uninterrupted by hedges or fences, dotted with a wide variety of trees, and occasionally by pretty white bargeboard houses in gardens. It felt as if we were surrounded by JRR Tolkien‘s hobbit country all the time: The Shire, that pastoral idyll which the hobbits called home. No wonder the makers of The Lord of the Rings and The Hobbit films settled upon this landscape as the ideal location for Hobbiton.
Further along in our journey we entered a region of verdant forest packed with trees so diverse and so attractively interspersed with giant tree ferns that they seemed planted by design.
When we arrived in Matamata we immediately saw the welcoming sign and those of us who have loved the world of Middle Earth for so long at once felt a sense of high excitement.
And yet, as we were to discover again and again throughout our stay in Matamata and our visit to Hobbiton, you don’t even need to have read the books or have seen the films to be thrilled by what has been done here to recreate this romantic vision of pre-industrial rural England.
This of course was what inspired JRR Tolkien. The irony is that he was influenced by the countryside between Birmingham and Warwick, in the UK, and by Sarehole Mill – and his vision of Mordor came from the industrial wastes he found. So Tolkien’s inspiration is very close to where I live. But I went halfway across the world to find it recreated here in New Zealand!
Upon entering the visitor information centre we found a sculpture of Tolkien’s most insightful creation: the tragic and chilling figure of Gollum, who had, long before, been known as Smeagol, one of the river folk, until he came into possession of the One Ring, and had been enslaved and possessed by his lust for ‘the Precious’. The One Ring to bring them all and in the darkness bind them.
I can imagine Matamata itself was an unassuming little ‘one-horse settlement’ before Peter Jackson found his ideal location for the Hobbiton film set nearby. It is astonishing to reflect upon the power of an iconic fantasy epic to catch the imagination of millions and transform the fortunes of one small town.
We had a delightful meal in The Redoubt and it built up our excitement at the prospect of visiting Hobbiton the next day. It was also an opportunity to sample a range of New Zealand red wines!
Early the next morning we arrived at The Shires Rest, a short distance outside Matamata, to join our tour of Hobbiton, led by a young man called James, who was, appropriately enough, English.
The tour bus took us through the rolling hills of the Alexander Farm, a vision of the undulating landscape of young children’s picture books, a perfect setting for the small, round, cheerful hobbits.
On the way James showed video clips of The Hobbit and The Lord of the Rings films, and also gave us plenty of fascinating facts about the making of the films, how this area came to be chosen as the site for the Hobbiton film-set, and why indeed there now exists here a perfect, robust and well-built rendition of hobbit country, for the delight of many thousands of visitors each year.
AS for Hobbiton itself, we all found it beyond our expectations, so perfectly realised, with exquisite attention to every detail: Bilbo’s sign on the gate announcing ‘No admittance except on party business’; the oak tree above Bag End, the line of washing, the wheelbarrows full of freshly harvested vegetables, the mill and bridge, the party field, Bilbo’s eleventy first birthday cake, the Green Dragon Inn and the tankards of beer.
Throughout Hobbiton we found exquisite English flower varieties, all in top condition. In fact, being here was indeed like being transported into JRR Tolkien’s original vision. It has been said that he wouldn’t have liked the idea of his books being turned into films, as he believed that the power of the imagination must determine how people see the world he created. Nevertheless I feel that he would have been awed by what has been achieved here. Hobbiton lacked only one thing: real life hobbits!
SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.
‘Less than Ordinary‘, published by Instant Apostle, is a non-fiction inspirational self-help book, an account of one woman’s journey from low self-esteem and negative self-limiting beliefs to a place of wholeness where she is able to blossom, nurture her relationships, rejoice in her own inherent worth, and offer her gifts to the world.
A quote attributed to Nelson Mandela: As we let our own lights shine we unconsciously give others permission to do the same.
During the early part of the book, as I read Nicki’s story, I found myself wondering where all these ideas about herself had come from. What messages was she given when she was a young child? But later I thought that maybe the people who gave her those messages had no idea they were doing something so destructive; perhaps no such intention lay behind their words.
And then I realised I was identifying with some of her experiences, and I recognised the mindset. It may be that cultural presumptions about the role of women have something to do with it – even in our society, male/female equality still has a long way to go – but I also know there are men who feel as Nicki describes in these pages.
On a lighter note, I might mention that PG Wodehouse’s novels are full of young men browbeaten by domineering aunts and other authority figures, who are too shy and timid to express their true feelings, or be assertive. Light or not, the issues Nicki shares with us are not just a female thing.
What interested me in the book was Nicki’s description of how she came out of all this. She says that she ‘gradually began to consider…’ or ‘it occurred to’ her that… or she ‘slowly realised….’
For me the process was the same. Observation of people and experience of life eventually teaches you a stunning truth: that many of those who appear confident are not, underneath; that probably the majority of people shrink from meeting strangers; and that, in fact, when we humans seek to achieve our goals, we seem to be hard-wired to take what Robert McKee describes, in his book Story, ‘the most conservative action first.’
In Story, McKee points out that when constructing a plot, the author sets the main protagonist a challenge to overcome, a goal to achieve. Then the protagonist considers how to get what they want. And they always take the most conservative action first. In other words, they expend the least amount of energy to get what they want. This seems a rule of human nature and in the natural world too.
And if that works, good. But if it doesn’t – then you’ve got to spend a bit more energy, exercise more ingenuity, and do something a bit less conservative. And so on, until only the most extreme measures will do. It’s often only when people are pushed to the limit that they conquer great challenges.
So we can apply this rule of life to what Nicki says in her book Less Than Ordinary. All her early presumptions about herself were utterly false; and when the truth of human nature and behaviour finally broke in on her, she threw those false ideas away and she let her light shine.
I do believe there is great value for us when an author describes this process as well as Nicki does. If you feel this book sounds like one that would speak to you, I’d recommend reading it and pausing every once in a while to think about it, as you go through Nicki’s story.
Courage doesn’t consist of being naturally ‘confident’, and having high self-esteem written into your DNA and grasping challenges eagerly.
Courage is all about those who go on a long journey from out of a dark place, and discover the truth through life experience, then change in the light of it using the new knowledge to transform their lives.
I first heard of this book via my local independent bookshop Warwick Books, and planned to go to an evening with Gaby Koppel, to hear her talking about ‘Reparation‘.
The subject of the book – a young Jewish woman’s research into her mother’s past as a survivor of Nazi persecution during World War II – immediately appealed to me, but in the end I wasn’t able to get to that evening. Instead I ordered the book later, and now having read it, how I wish I had been there to see Gaby Koppel and hear her talk about her inspiration for the novel. When you’ve finished reading a novel, that’s when you are hungry to find out details about the author’s personal biography.
This is one of those books which will surely increase your knowledge in a number of areas, not least insights into how Hungary is currently addressing its baleful wartime past, and a vivid description of the fiercely insular life of the Hasidic Jewish community in Stamford Hill, in London; and indeed into how a modern Jewish person with no religious belief feels.
Alongside that, it is a heartfelt and passionate exploration of a mother daughter relationship. And the book helps you to understand wherein Jewish identity lies. It is undoubtedly based on the author’s real life experience of her Hungarian mother and her German father. And the main protagonist, Elizabeth, works in TV production just as Gaby does in real life.
As I began the story, for some time I found the first person narrator’s attitude to her mother Aranca very judgmental and sardonic, expressed in waspish style. Then gradually I began to see how Elizabeth had developed this attitude, and to understand the pressure on her of her mother’s volatile and temperamental behaviour and alcoholic episodes.
As my reading of the novel progressed I liked Elizabeth more and more, with her sharp and sassy wit, and her habit of always saying exactly what she thinks. She is a character who never wears a mask, and I often felt myself identifying with her thoughts and feelings.
As for Aranca herself, known always as Mutti to Elizabeth, she comes over as very challenging and exasperating, but the more we understand what she has suffered in the past, the more we empathise with her. And I was captivated not only by her quest to seek reparation from the Hungarian government for her past losses, but also by Elizabeth’s accounts of her relationships with Dave and with Jon, and by her exploration of how being Jewish profoundly affects every area of life.
I was fascinated by what we learn in the story about the Jews, about their feelings, beliefs and attitudes, and in particular about the Hasidic Jewish community. Reading this book opens up the lives of others to us, and I believe stories like this teach us to respect and accept our differences, and the various ways in which people seek to express their identity.
Psychological, paranormal, mystery
fiction and non-fiction
Author of Mystical Circles, A Passionate Spirit and Perilous Path
My next book Paranormal Warwickshire will be published by Amberley Publishing in June 2020
I’m pleased to announced that I have signed a contract with history publishers Amberley Publishing for a book about Warwickshire to be published in June 2020. This will be a highly illustrated book full of stories arranged under themes from Shakespeare’s ghosts and spirits.
The book will explore some of the supernatural and spiritual stories in the region. It describes a number of Warwickshire’s most iconic locations which I believe have spiritual resonance and which I’ve visited many times.
I’m weaving into this insights from Shakespeare’s ghosts and spirits. And I’ve also been out and about interviewing and listening to people closely associated with the properties who have rich and fascinating stories to tell.
More news on this to follow!
psychological, paranormal, mystery fiction
Author of Mystical Circles, A Passionate Spirit & Perilous Path
At the UK Games Expo 219 a vast array of games creators and players gathered together to celebrate the joy of roleplay and fantasy. Amid an atmosphere buzzing with excitement a team of novelists gathered on the Author Stand selling and signing books in a variety of genres: YA fantasy, historical adventure, time travel, psychological suspense and paranormal thrillers.
Alongside the wonderful parade of cosplay characters, we enjoyed the atmosphere and somehow a jolly musketeer and Professor Snape managed to infiltrate our team of authors.
Professor Snape certainly managed to attract the book-buyers.
I can recommend the UK Games Expo to you for next year, if you love playing games, and can keep up the hectic pace for three days in the Birmingham NEC.
Psychological, paranormal, mystery fiction
Author of Mystical Circles, A Passionate Spirit and Perilous Path
Once again the Birmingham NEC will be taken over by the UK Games Expo this year at the end of May.
And between Friday 31st May and Sunday 2nd June 2019 there will be a fabulous atmosphere and loads of fun for all those who love games, fantasy, roleplay, cosplay and… books about adventure, fantasy, history, scifi, paranormal, or suspense.
Once again I’ll be there on the Author Stand signing books – along with a colourful medley of fellow-authors.
We’ll be on Stand 572 in Hall 2.
Come and say hello, and chat to us and browse the books!
Psychological, paranormal, mystery fiction
Author of Mystical Circles, A Passionate Spirit and Perilous Path