Cover Reveal for Relaunch of Mystical Circles Coming Soon!

Exciting news! Mystical Circles, the prequel to A Passionate Spirit, will be relaunched soon by Luminarie.

Logo and brand-name for Luminarie publishing company www.scskillman.com; www.luminarie.uk
Logo and brand-name for Luminarie publishing company http://www.scskillman.com; http://www.luminarie.uk

I already have the new cover design and it’s very exciting indeed! I love it and I hope and believe you will too.

The new cover will express a much darker mood, as does the cover design of A Passionate Spirit, A Passionate Spirit cover image with taglinewith some significant variations… this will update the branding of the two thriller suspense novels which explore strange and paranormal happenings in the same idyllic Cotswold location… a beautiful manor house in a hidden valley deep in Gloucestershire.

Watch this space – the brand new edition with its fabulous new cover will be available to pre-order on 1st August. And that’s the day when I’ll feature the Cover Reveal on this blog.

The publication date is 5th September.

Also out on 5th September from Luminarie will be the new edition of Perilous Path: A Writer’s Journey.

"Perilous Path A Writer's Journey" by SC Skillman ISBN: 9781999707323
“Perilous Path A Writer’s Journey” by SC Skillman ISBN: 9781999707323

This is my inspirational writer’s guide, packed full of helpful and encouraging tips, insights and reminders for writers.

Both these Luminarie editions will be available to pre-order on 1st August when I’ll have the cover reveal of Mystical Circles edition 3 for you.

And if you haven’t already ordered your copy of A Passionate Spirit, get the paperback here .

And here‘s where to get the ebook.

 

Guest Post and Review: Vivienne Tuffnell, Author of ‘Little Gidding Girl’

I’m delighted to host author Vivienne Tuffnell today on my blog. Front cover of novel "Little Gidding Girl" by Vivienne TuffnellI’ve followed Vivienne’s blog Zen and the Art of Tightrope Walking now for several years, and reblogged one of her posts here; I’ve also read four of her previous books: Depression and the Art of Tightrope Walking, Square Peg, Away With the Fairies and Hallowed Hollow. Today she is here to talk about her inspiration for her new novel Little Gidding Girl.

Here is the blurb for the story:

At seventeen, Verity lost the future she’d craved when Nick, her enigmatic and troubled poet boyfriend, drowned at sea. At thirty-five, in a safe, humdrum and uninspired life, she finds that snatches of the life she didn’t have begin to force their way into her real life. This other life, more vivid and demanding than her actual life, begins to gather a terrible momentum as she starts to understand that her un-lived life was not the poetic dream she had imagined it might be. Doubting her own sanity as her other life comes crashing down around her in a series of disasters, Verity is forced to re-examine her past, realign her present and somehow reclaim a future where both her own early creative promise and her family can exist and flourish together. Exploring the nature of time itself, the possibilities of parallel universes and the poetic expressions of both, Verity searches to understand why and how Nick really died and what her own lives, lived and un-lived, might truly mean. ‘From the unknown spaces between what is, was, and will be, messages and sendings break through into Verity’s life: are they nightmares of a parallel reality or projections from a love that has flown? Vivienne Tuffnell keeps us guessing with utmost artistry as we trace the interweaving way-marks in pursuit of the truth. Little Gidding Girl kept me enthralled until the very end.’ – Caitlín Matthews, author of Singing the Soul Back Home, and Diary of a Soul Doctor

Now it’s time for Vivienne to tell us how the ideas for this novel first came to her. You’ll find my 5 star review of the novel at the end of this post.

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AUTHOR VIVIENNE TUFFNELL:

“We’re all mad here,”- the inspirations behind Little Gidding Girl.

 

One of the questions most writers get asked from time to time is “Where do you get your ideas?” and it’s also the most difficult to answer because it varies enormously for each writer and for every book. But being asked, “What was the inspiration behind your book?” is often simpler because it’s more precise.  So when Sheila asked me about the inspiration behind Little Gidding Girl, the real difficulty was casting my mind back about fourteen years ago to a period when I was almost bursting with creativity and ideas and winnow out what really inspired that particular book.

We’d moved to a new area and that is something that is always unsettling and unnerving, and within a few months of arriving I began writing again. I’d turned my back on writing for all sorts of reasons. Roadblocks where agents and publishers would take up a book with interest and then reject it or ask me to rewrite and then reject it again, created such tension in me that I became ill, almost fatally so, and to save my health and my sanity, I stopped writing altogether. Eight years had passed where I’d written nothing longer than a letter, when a whole novel sprang to my mind and poured out almost uncontrollably in an unprecedented flood. More novels followed, Little Gidding Girl  being among them, but its origins lie (as almost always for me) within the unconscious mind.

I’d begun dreaming again. Powerful, vivid, compelling and often lucid dreams that left me exhausted and haunted. One afternoon, I had a snooze and thought I’d woken up, and was getting dressed in brand new jeans that required a coat-hanger to ease the zip up, when my son burst into the room demanding something or other. He hadn’t knocked and I was upset and cross with him, and humiliated because the jeans were so tight, I had visible muffin-tops of fat spilling over the waistband.

The thing is, I don’t have a son.

I’ve never had a son, only a daughter, who at that stage was in her early teens. I woke again, properly this time, rather shocked and shaken by this experience. I made a note of the dream and let it go. More odd dreams followed. In one I was in a school science lab, attempting to teach something I didn’t understand, when the lab bench started to fade in and out and be replaced by a flower bed. In another, I went to the bottom of my garden to discover a massive trench (like in Time Team) and a row of shelves with finds laid out on them. But the finds were all modern rubbish and not archaeology.

A whole series of extraordinary dreams occurred, leaving me spell-bound and baffled, because they all seemed to connect to a life I’d never had but might have done. Like many women, I’ve experienced the loss of pregnancy in miscarriages. I’ve never grieved much, for those potential babies, but I have always felt a tiny bit sad that life circumstances and the revelation that I’m not much good with babies and children led me to decide that one child was all I should have. In another universe I might have been one of those earth-mother types, perhaps, but not in this one.

Around the same time, I’d begun to be a bit obsessed with Four Quartets. I’d never studied it at university, and a quote somewhere set me to seek out a copy and read it. It seemed to hold so much, so much that science and religion in their blunter, less mystical forms, simply did not express in ways I could relate to. I began to think about the paths I never took, the doors I never opened, the rose gardens I never stepped into, and it felt like the dreams were showing me glimpses of those other realities that never happened. Any belief that other paths might have been nicer, sweeter or more successful than the one I did take soon began to crumble. In the Narnia books, Aslan says that no one is ever told what would have happened, and yet, sometimes I believe we are shown a tiny vision of the other lives we might have lived. Sometimes it’s to comfort us, sometimes it’s to inspire us but always it is to root us in the reality of what is  rather than what might have been.

In Little Gidding Girl, the might-have-beens become the growing focus of Verity’s attention, forcing their way through in powerful ways that leave her unsettled and unstable. My agent asked me if she was insane and I still don’t know how to answer that. It makes me think of Alice in Wonderland:

 “But I don’t want to go among mad people,” Alice remarked.
“Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.”
“How do you know I’m mad?” said Alice.
“You must be,” said the Cat, “or you wouldn’t have come here.”

Perhaps now, like the Alice speaking to the Mad Hatter, I’d say: “I’m afraid so. You’re entirely bonkers. But I’ll tell you a secret. All the best people are.”

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Thank you Vivienne – this gives a fascinating insight into the background to your novel. I too have long been interested in paying attention to and recording dreams, and to learn that you were inspired to write Little Gidding Girl by your dreams particularly intrigues me.

MY REVIEW OF LITTLE GIDDING GIRL

A very sensitive book which represents an unusual exploration of grief and blends it with the philosophy expressed by TS Eliot in his poem ‘Little Gidding’ from ‘The Four Quartets’. The main protagonist Verity is living with unresolved emotions from the accidental death of her boyfriend nineteen years earlier. Though her present-day marriage is ostensibly happy and her life relatively comfortable, she has never stopped engaging on an unconscous level with the life she imagines she would have lived, had that boyfriend not died. Vivienne Tuffnell handles the female relationships in Verity’s life with sharp perception and wit, and I loved her descriptions of the New Age shop that Verity works in, whilst being exploited by the rather unpleasant owner of the shop, manipulative therapist Juliet. Verity’s “visions” of that alternative life are also handled in such a way that the reader strongly feels their weirdness and they carry a considerable shock factor in the narrative. Earlier on in the story I found Verity’s present-day husband a little too gentle and calm and sympathetic, but later on we come to share some of his own turbulent feelings at the strange inner journey his wife is taking. I loved this quote near the end of the story: That’s what grief is. A little bit of us dies when our loved ones do. We go down into death with them while the grief endures. When the grief pales we return with what gifts our loved ones gave us in life. A very thoughtful and haunting novel.

5 stars

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About Vivienne Tuffnell

Vivienne is a writer, poet, explorer and mystic.

You can follow Vivienne on Twitter

or visit her blog

 

 

 

 

 

 

Book Review: “How To Craft Superbad Villains: 13 Steps to Evil” by Sacha Black

I found this book an excellent resource for writers, especially for those of us who may be at the stage I was in at the time of reading – nearing the end of the first draft of my WIP, Director’s Cut – which I have now finished.How To Craft Superbad Villains by Sacha Black

Sacha Black equips the writer with plenty of tools to sharpen up and deepen their understanding of villainy. She writes with the knowledge and insight of one who is trained and qualified in Psychology. At times I found her handling of the subject almost too dense and over-analytical – especially in areas such as complexes, which has been the subjec tof one of my past blog posts , based on the writings of Carl Jung.

But then I realised that I could only benefit from Sacha Black’s close attention to this subject; what she writes here repays careful study, because it is so important for a fiction author to understand exactly what constitutes villainy. She is particularly good on the subject of mental health in fictional villains; as she rightly points out, it is no good giving one’s villain a mental health issue and then ascribing their villainy to that issue. She helps the reader focus on how complex the human psyche is and reminds us once again that as writers we must be faithful students of human nature. In addition, her own personal style is very lively, which makes the book more accessible, too, to a popular audience. I highly recommend Sacha’s book.

To see my own book on the writing craft, Perilous Path – a selection of articles containing tips, insights and reminders for writers, including a chapter on how to develop villainous characteristics in a fictional characer – click here

To read my own series of blog posts on how the theories of Carl Jung can help novelists, here are a few for you to dip into:

The collective unconscious

Complexes

Universal Archetypes

Synchronicity

Fun and Excitement with Fantasy Authors at the UK Games Expo 2017

The UK Games Expo had not been on my radar until Richard Denning one of the Games Expo directors and a historical and fantasy novelist, kindly offered me space on the Authors Stand in the Birmingham NEC during the weekend Friday 2 – Sunday 4 June 2017.10

So there I was for three days, sharing a stand in a huge venue with some very popular and successful authors, as I displayed and sold copies of my three books, Mystical Circles, A Passionate Spirit and Perilous Path.

This was a fabulous opportunity. The gaming world is one that I haven’t paid too much attention to in the past, but the whole weekend was a revelation. The atmosphere was vibrant; colourful characters and a dazzling variety of games and gaming accessories abounded, all contributing to the fun and good humour which was evident among the exhibitors and visitors.

I met and learned from other authors on the stand:

Jonathan Green 4who writes sci fi, fantasy and adventure gamebooks;and Gareth Baker, children’s writer. 3

I also met Ian Livingstone, fantasy author and entrepreneur, and co-founder of the Fighting Fantasy series of gamebooks.6

He came to do a signing and long queues formed as his fans flocked to the stand to have their books signed and to chat to him.8

 

 

 

I had the chance to exchange ideas and learn better ways to promote myself as an author, and there was a great sense of camaraderie among all those exhibiting their books on the stand.

Meanwhile, many cosplay enthusiasts strolled past in wonderful costumes.20

Transformation was the name of the game as so many took on the personnas of multifarious game characters and archetypes.31.jpg

We also had a photo opportunity with a Dalek, who passed by the Authors stand and demanded, “What is A Passionate Spirit?” IMG_7839.JPG

The gaming world is one in which a vast number of “tropes”  flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…

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I gained some new insights into how my own WIP is indeed using some of the gaming tropes, for instance, the predicament of the main protagonist as she finds herself in a deadly situation from which she must escape – hidden chambers and secret passageways and dark rooms all find their place in my novel, and these elements are very popular in the gaming world.  17

Also the Gothic genre – which I now work within – has a close relationship with the gaming world. So there was an unexpected connection for me, together with the fact that I’m using paranormal and supernatural elements more and more in my fiction, and also would like to move more into fantasy in the future.

Perhaps I have inspired you to try the UK Games Expo yourself next year!33

My Dream Cast for “Mystical Circles”

Novelists, have you “dreamcast the film adaptation of your book? Many do! Film Adaptations of books If you do it early enough in the process of writing your novel, it can be very helpful. Though I understand that the reality of having your book turned into a film can sometimes not be a very pleasant experience. I was amused by this quote from the blog My Book, the Movie:

They would ask me what actors I saw in the roles. I would tell them, and they’d say, ‘Oh, that’s interesting.’ And that would be the end of it.   (Elmore Leonard, in 2000, on the extent of his input for Hollywood’s adaptation of his novels).

Here’s my dream cast for Mystical Circles:

Juliet, my main protagonist, who  hurries to the Cotswolds to rescue her sister from a charismatic cult leader:   Jennifer Lawrence

Zoe, Juliet’s younger sister:      Saoirse Ronan

Theo, a troubled priest:    Bradley James

Rory, a strange young man with a mysterious “thorn in the flesh”:    Johnny Depp

Edgar, obsessed with getting new recruits to fill out questionnaires:     Matt Smith

Al, an American visitor:     John Goodman

Llewellyn, a Welsh poet:     Rhys Ifans

Don, the cult leader’s disenchanted father:     Bill Nighy

Oleg, a Russian visitor:     David Tennant

Sam, a nervous youth, here on his GP’s recommendation to recover from an unhealthy mutually interdependent relationship with his twin brother:     Matt Baynton

Laura, flighty girl-woman of indeterminate age:     Sarah Hadland

Craig, the cult leader:     Tom Hiddleston

James, urbane and elegant, Craig’s former mentor from Edinburgh University who inspired him to set up the cult in the first place:     Benedict Cumberbatch

Patrick, an Irish handyman and gardener:     James Nesbitt

Beth, an insecure and tense young woman:      Zooey Deschanel

And having chosen the cast, here is my dream production company:  Working Title Films.

And the producers:  Duncan Kenworthy, Eric Fellner and Tim Bevan.

And finally, the Director: Debbie Isitt.

Look out for the third edition of Mystical Circles  with a new cover design. It will be published by Luminarie on 30 August 2017.

New Cover Design Coming for Edition 3 of Mystical Circles To Be Published by Luminarie on 31 August 2017

Mystical Circles will be published by Luminarie in a new third edition on 31 August.

Instead of the present cover, it will have a new cover created by the designer behind the cover of A Passionate Spirit.author SC Skillman at booksigning at King Edward VI School Christmas Fair SUA 3 Dec 2016

The cover design will be darker and more mysterious than that for edition 2, in keeping with the tone of the story, and will harmonise with A Passionate Spirit.

Both novels  share themes of psychological tensions, spiritual threat, religious cults, paranormal, and shape-shifters; and both are set in the same Cotswolds manor house. Although each story can be read and enjoyed as a stand-alone, the second does follow on from the first, and draws through a couple of the characters who appeared before. So to demonstrate more clearly the connection between the two, a thematic relationship will be seen in the two cover designs.

More later when I’ll be able to give the cover reveal!

In addition my book of encouraging  tips, insights and reminders for writers, Perilous Path: A Writer’s Journey, will be published in a second edition with Luminarie, on the same date – 31 August 2017.

The new edition of each of the above books will be available as a paperback and as an ebook. Mystical Circles paperback will be priced at £8.99 to bring it into line with A Passionate Spirit, and Perilous Path will be available for £4.99.

Meanwhile I’ve reached 70,581 words in my third novel, Director’s Cut. This will continue the themes of my first two novels, with a strong emphasis on modern Gothic. I know the way the story is to end – but my main antagonist is more frightening, subtle and cunning than those in my first two novels, and the power struggle with the chief protagonist is nearing that ‘black moment’ when it seems all is lost. I still don’t know how she is to survive or to prosper, through the things she will learn from this encounter.Expectations (2)  Perhaps that’s the best way for it to be, when creating a first draft; to maintain a dynamic relationship with the characters and their inner worlds, there must be a strong element of uncertainty. If the author is to defeat the reader’s expectations, she must first defeat her own!

 

 

Find Me on the Authors Stand at the UK Games Expo 2017 in Birmingham

From 2nd to 4th June 2017 logo for UK Games Expothere will be a big event for games players and lovers of fantasy, thrillers and roleplay at the NEC Birmingham.

There’ll be four authors at the Expo, of whom I am one. Click here to find out more about the authors Jonathan Green, Richard Denning, Gareth Baker and myself.

You’ll find us on Stand F11.

We’d love to see you at this exciting event! Click here to find out more about the show and how to book tickets.

Joan of Arc: Mystical Experiences and Empowerment

The other day I saw an encore screening of George Bernard Shaw’s play “St Joan” from National Theatre Live.St Joan National Theatre Live I studied this play at university. Then, as in my recent viewing, I was entranced by the character of Joan herself, and by the words Shaw puts into her mouth.

Joan has  special resonance for me because when I was young, as a member of a children’s choir, I sang in a performance of Honneger’s “Joan of Arc at the Stake” – an oratorio with words by Paul Claudel, a Catholic poet. The performance was at the Royal Albert Hall; Mia Farrow played Joan, and Andre Previn conducted the London Symphony Orchestra. We sang the part of the children of Lorraine.

The character of Joan had a strong impact upon me. I remember several words from “Joan of Arc at the Stake” and they are largely from Joan herself, in which she described her visions and her mystical inspiration, in terms that totally encompassed their reality.

To me the central thing about Joan of Arc was “empowerment”.

Joan was an illiterate peasant girl who claimed she heard a trio of saints speaking to her; and on the basis of this she believed God wanted her to lead the French army to fight and defeat the English, and place Charles II on the throne of France. In 1431, when she was nineteen years old, the English led by the Earl of Warwick tried her on numerous charges, one of which was blasphemy, and sentenced her to be burnt at the stake. The part of the saints were sung by soloists in the music drama; and I felt that Paul Claudel  handled the whole work from the viewpoint that Joan’s experiences were real.  The work has been accused by critics of being several things, including weird, bizarre, sentimental and heavily Roman Catholic, but I loved it, just as I love Elgar’s “The Dream of Gerontius”, another musical work which has in the past had the same accusations levelled against it.

When I reflect upon Joan and the fascination she holds for me, I see her as someone who was marginalised, who had religious experiences which empowered her, and who refused to be controlled by her circumstances:

  1. Whether or not a postmodern assessment concludes that her ‘voices’ may be accounted for by mental illness – perhaps schizophrenia, or psychosis –  she definitely had profound religious experiences.
  2. She acted upon these experiences.
  3. She derived from them courage, strength and vision to prevail again huge male-dominated interests in Church, State and Army. Both Shaw and Claudel show her as clear sighted, strong and single minded against her powerful interrogators.

I think of similar cases of young girls and women who have had profound religious experiences which then impact the future course of their lives and the lives of many others:  Bernadette of Lourdes, St Therese of Lisieux and Julian of Norwich.

Part of the fascination of these individuals to me is that between them they usually demonstrate one of a number of recurring features, which tend to marginalise: these elements include being young, female, poor / of peasant background or illiterate; and suffering from serious illness, whether bodily or mental. Another element that often appears is the gift of healing. There are many other examples, of whom a good proportion have had visions or extraordinary powers of insight, on the basis of which they have gained enormous influence, and have captured the imagination of future generations.

What do you think? Can you offer other examples of young female visionaries who have had a big impact on the world and may have captured your imagination?

 

The Laborious Art of Book Writing

I love this post by Lucy Mills and it echoes my own thoughts about the process of writing a book. Lucy is writing an inspirational book, not a novel, but she describes an experience common to all those who throw themselves heart and soul into writing a full-length work for publication. Lucy refers to the revision process; but I can testify that even getting that first draft written presents the same challenges. It can be compared to an artist, covering the canvas before they can begin to work on the details. Do read and comment on Lucy’s post.

Lucy Mills

“Reading through…I think it’s OK…so hard to tell when have seen it so much…but it might be OK, after all…If I can fix a few things and fill a few holes, I might even be pleased, in the end…”

I wrote those words on a recent Instagram post.

I’m still writing the book, balancing it with other editing work, which is proving an exercise in drawing lines, even more so than I already do.  Deadlines do have a tendency to congregate and with every new demand in my editing job, I have to take a deep breath and not panic.

Panic is the worst thing for creativity, for me, at least.

Undivided Heart is developing its personality and it won’t be taken lightly, taking me into deep questions of identity and meaning. I only hope it manages to balance the ‘depth’ with readability.  I continue to plug away at it…

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Whatever Happened to Small is Beautiful?

In 1993, E.F. Schmacher published a book entitled Small is Beautiful: A Study of Economics as if People Mattered. Small-Is-Beautiful-CoverIt was well received, and promised a potential revolution in ideas for capitalism and for the consumer society.

Recently I saw a plea from a Christian charity for us to invest in poor (“small” in economic terms) countries and help them develop their economies within their own culture. The benefits of this will radiate out to encompass all of us. The truth behind this is one that philosophers have clearly seen and expressed (in particular John Ruskin) yet it continually seems to bypass the greedy, the corporate, the leviathans of our consumer society.

I found myself relating it to the situation of the “indie” author.  Our society does not yet fully honour the idea that it is good to invest in small indie writers and help them in their businesses (comparable to “cottage industries”) and to develop within the ethos of their own culture. Instead “indie” writers are often made to feel that the only way they can ever progress in a meaningful way in their literary careers and move forward and make a breakthrough is by gaining the support of someone big, i.e. to link up with and/or become subsumed by one of the “Big Five” publishing houses. It’s all about empowerment.

I’d love to know your views on this. If you run a small business or if you are self-employed, either as an author or otherwise, how do you feel?  what is your experience of ‘small is  beautiful’?