Isn’t it lovely how many different moods and themes can be captured by garden designers and landscape architects?
A week ago I was speaking to the guide who led our tour around Highgrove Gardens about how HRH The Prince of Wales viewed Capability Brown. And the answer was that he realises in some contexts the ideas of that great eighteenth century garden designer might be appropriate, but personally it’s not his “sort of thing”. For when Capability Brown was brought in to transform the surroundings of a stately home, he would be thinking of sweeping lawns flowing seamlessly into the extensive parklands via the ha-ha, dotted with majestic parkland trees, and would of course throw in a cunningly-situated lake, which would create a perfect vista from the house. This is a profoundly different approach to that of the sequence of interconnected rooms full of quirky and unexpected things, which is itself a very popular style of garden design among the great gardeners (such as Vita Sackville West with Sissinghurst Castle Garden, of course).
However yesterday I was in one of my favourite Capability Brown landscapes at Compton Verney in Warwickshire
And again I thought how calming and uplifting it is to be in this spacious parkland, which wraps around the house perfectly, providing an ideal setting.
But there’s now a new feature in the landscape, of which HRH the Prince of Wales would wholeheartedly approve: a new wildflower meadow on the West Lawn, with mown paths running through it corresponding to a William Morris design, relating directly to the theme of the excellent Arts and Crafts exhibition currently showing inside the house.
As we visited it on the last day of August the wildflowers were long past their best; apart from a single patch which gave some idea of what the entire meadow will look like next May: