Compton Verney is one of my favourite places in Warwickshire, and it features in my current WIP, Illustrated Tales of Warwickshire. A gracious Georgian mansion set in a Capability Brown landscape with a tranquil lake, it has a fascinating history. During the course of the twentieth century, this brought it through a variety of owners, into a state of near dereliction, and on to its ultimate rescue by a major arts foundation who renovated the building and transformed it into a well-loved arts centre and magnificent art gallery. Amongst many other artworks in its permanent exhibition, it houses an outstanding British Folk Art collection, which I love.
Here is a selection of photos taken at Compton Verney. Here, I have tried to show the wilder aspects of the planting around the grounds.
Isn’t it lovely how many different moods and themes can be captured by garden designers and landscape architects?
A week ago I was speaking to the guide who led our tour around Highgrove Gardens about how HRH The Prince of Wales viewed Capability Brown. And the answer was that he realises in some contexts the ideas of that great eighteenth century garden designer might be appropriate, but personally it’s not his “sort of thing”. For when Capability Brown was brought in to transform the surroundings of a stately home, he would be thinking of sweeping lawns flowing seamlessly into the extensive parklands via the ha-ha, dotted with majestic parkland trees, and would of course throw in a cunningly-situated lake, which would create a perfect vista from the house. This is a profoundly different approach to that of the sequence of interconnected rooms full of quirky and unexpected things, which is itself a very popular style of garden design among the great gardeners (such as Vita Sackville West with Sissinghurst Castle Garden, of course).
However yesterday I was in one of my favourite Capability Brown landscapes at Compton Verney in Warwickshire
And again I thought how calming and uplifting it is to be in this spacious parkland, which wraps around the house perfectly, providing an ideal setting.
But there’s now a new feature in the landscape, of which HRH the Prince of Wales would wholeheartedly approve: a new wildflower meadow on the West Lawn, with mown paths running through it corresponding to a William Morris design, relating directly to the theme of the excellent Arts and Crafts exhibition currently showing inside the house.
As we visited it on the last day of August the wildflowers were long past their best; apart from a single patch which gave some idea of what the entire meadow will look like next May:
It is a dream… of what has never been… true, it has never been, and therefore, since the world is alive, and moving yet, my hope is the greater that it one day will be… dreams have before now come about of things so good… we scarcely think of them more than the daylight, though once people had to live without them, without even the hope of them.
These words are from William Morris the great Victorian designer. His dream was that everyone would “have his share of the best”; he longed to see art at the centre of everyone’s lives so that they might “always have pleasure in the things that they use.”
Right now (June-September 2015), there is an exhibition of the work of William Morris and his contemporaries at Compton Verney, an art gallery very close to where I live in Warwick, a place I love visiting.
I love William Morris designs (as you’ll see from a former post on this blog) and have just bought a tapestry shoulder-bag with the Strawberry Thief design on it.. True, art and design in our lives often has a monetary value; this seems to be the nature of human life.
But to me, William Morris’s dream of everyone having his or her “share of the best” is the ultimate democracy, the democracy of ‘value’ and quality of life, above all else, whatever our circumstances. As we know this dream is very far from being realised in our world. But how inspiring William Morris’s words are, and how encouraging his vision, for those of us who dream, and have high ideals.