Many of us love the arrival of snow – as long as it doesn’t last too long or lie too heavy or cause too much disruption…
When snow falls it creates an immediate transformation. We see the familar scenes in a different light. And many also associate it with fun – snowmen, toboggans, slides and snowball fights.
I love to see all the familiar trees and shrubs and objects set in sharp relief by the snow.
Guys Cliffe, the subject of chapter one in my new book, Paranormal Warwickshire, always takes on a fresh aura of mystery in the snow.
Paranormal Warwickshire is widely available online and via any bookshop.
During the Covid-19 Pandemic and throughout the three lockdowns in the UK, many have sought the consolation of escape – into books or films. Every so often I return to one of my top favourites – The Adventures of TinTin: the Secret of the Unicorn. To my mind this film exemplifies classic story structure; but above all it centres upon a likeable, engaging young hero. Each time I watch it I know again why I loved TinTin so much on TV during my teenage years.
The Adventures of TinTin: The Secret of the Unicorn (directed by Peter Jackson & Steven Spielberg) was released in 2011. So it’s been out a while. But I write blog posts when something inspires or excites or moves me, and haunts me at night. And that’s what this TinTin story did.
I asked myself again, exactly what is the appeal of TinTin? He’s a totally beguiling hero. He’s Sherlock Holmes, James Bond and Spiderman all rolled into one fresh-faced boy hero – and of course his intrepid dog Snowy (originally named Milou by his creator, Herge).
As a child I loved adventure stories. I started with Enid Blyton and later I moved onto King Solomon’s Mines by Rider Haggard, and Prester John by John Buchan and Moby Dick by Herman Melville. These stories have everything – at their best they not only excite and thrill, but also they move, and they teach you about this life, and they convey archetypal truths about human nature.
You can draw parallels with your own life, even if you don’t do exactly the same dangerous things. You can use the action hero’s experiences as a metaphor to help you clarify what has happened to you, and what attitude to take. This is the power of a great story.
Take the archetypal villain, who pursues his obsession to its bitter end.
There are people who live their lives like this. They’re all around us. They express it in their relationships. People who have never learned the art of letting go.
Their obsession leads to such things as ‘unfinished business’ when family members die; ‘skeletons’ that stay in cupboards for generations; vendettas that last decades, family members who don’t talk to each other for years.
The lesson the archetypal villain and his fate teaches is this: ‘People matter more than things’.
In this life, what matters most of all, above ‘due recompense’, above ‘getting satisfaction’, above ‘being right’, is human relationships – and of course this is the lesson the archetypal villain never learns, and which the hero instinctively honours, or the story wouldn’t satisfy us.
A hero learns, and changes. A villain never learns, and never changes.
TinTin is a hero who’s open to all that life has for him; he’s never held back by self-limiting beliefs; he’s ready to live on his wits, yet has an unerring instinct for a just cause, personified by a character who is flawed, but whose heart’s in the right place; then he throws in all his gifts on that character’s side.
Does this excite, inspire and move you, as it does me?
On Wednesday 30th December at the end of the Covid year 2020, we visited the Light Trail at Warwick Castle.
As a local resident I have long been a frequent visitor to Warwick Castle, and of course it features in my latest book Paranormal Warwickshire.
Tonight the castle was especially magical. Merlin Entertainments really had excelled themselves.
Entering through the courtyard coach-house tea-rooms, we emerged out on the path to the castle.
Powerful beams intermittently bathed Guy’s Tower and the ramparts in mauve and green and blue, and the stalls of the Christmas Market were decked out in myriad lights.
As we entered the path to the light trail, I felt every trace of the anxiety and low spirits and fear and disappointment of this Covid-oppressed year melt away, and in its place all the excitement and wonder of childhood, at the magical vision that had been created in this iconic castle and its grounds.
We walked past the market stalls and along the trail, entering the castle courtyard through the arch to behold the battlements and gatehouse, Caesar’s Tower, the State Apartments, Time Tower and Elfrida’s Mound all washed by waves of alternating colours.
The voice of an actor broadcast around the courtyard the story of Sir Fulke Greville who after his arrival in 1604, transformed the castle into a grand palatial residence and created exquisite gardens here. He also, as a poet, entertained many famous literary figures here, among whose numbers William Shakespeare would have appeared.
Through the windows of the State Apartments we saw glimmering Christmas trees. Although visitors were not allowed to enter the Castle due to Covid restrictions, nevertheless we were able to gaze at the gorgeous decorations within the rooms.
Having circled the coutryard we left through the arch and made our way around past the Mound and down the slope and across the bridge to the island. In every aspect the castle and its grounds was transformed into something beyond this physical world. It is a beautiful, magical sight anyway, in broad daylight; but with the play of lights it was truly dreamlike.
Traversing the island and returning across the bridge we all climbed the slope to the left leading out into the fields beyond the Peacock Garden.
The giant trebuchet was irradiated with purple light, and the boathouse seemed like a gingerbread house from a child’s storybook.
All the while the full moon perfectly harmonised with the man-made light displays. The backdrop of trees glittered with rich colour, floodlit to set out in sharp relief the ones in front.
Every detail of the monkey puzzle tree glowed with crimson light.
There we passed numerous brightly coloured illuminated tents; and then a field of what looked like giant luminous fungi – in reality multi coloured open umbrellas on the grass.
We headed across the field to the illuminated tunnel where several couples couldn’t resist taking romantic selfies surrounded by the glittering lights.
We emerged into the peacock garden with is glowing Christmas tree and every feature of the garden delineated in lights.
Within the Orangery glittering Christmas Trees could be seen.
As we completed the trail and made our way out of the castle, an then on the long walk through the illuminated woodlands back to the car park, we took with us the joy and enchantment of this wonderful light trail.
Do check out more photos and many curious tales surrounding Warwick Castle in my book Paranormal Warwickshire.
Many of us share a fascination with the power of nature, and we love to gaze at storms and mighty waterfalls and erupting volcanos and turbulent seas and raging rivers – as long as we are in a safe viewing spot, and not in the middle of them.
And so we were among those drawn once again to the Saxon Mill, near to my home in Warwick. Our purpose: to gaze in wonder and exhileration, and experience the drama of the swollen river Avon. I felt as if we were on an island surrounded by the dynamic power of racing water.
The Saxon Mill is of course one of my haunted locations in my new book Paranormal Warwickshire. Do check it out here: http://bitly.ws/8xJJ
Here’s another of my haunted locations for Paranormal Warwickshire.
Abbey Fields in Kenilworth is much loved by the local people and I have continuously visited this atmospheric place ever since my children were young.
The ancient abbey ruins, the beautiful old church of St Nicholas and its enchanting churchyard, the view of Kenilworth Castle, the lovely lake and the Finham Brook that runs through Abbey Fields – all combine to make this a place that draws many back again and again.
Recently I walked along the path beside the Finham Brook, noticing how high and lively the waters ran, and an old lady turned to me and said she had come out from her home where she lived alone, and setting aside all worry about the ongoing pandemic, she found joy and consolation in gazing at these tumbling waters. She always finds it in Abbey Fields. She echoed my thoughts exactly.
A place haunted by many happy memories… and by other curious tales too which you might find in my new book Paranormal Warwickshire.
Out now, it may feed a curiosity about atmospheric places, enhance your knowledge of English history, and also provide a welcome retreat from the current woes of the UK, as you enjoy the many photographs. An ideal gift this Christmas, it’s available everywhere good books are sold.
Happiness. An endless sandy beach, blissful sunshine, a turquoise sea spangled with silver, cocktails, a balmy breeze and… happiness? contentment? inner peace?
I was inspired to write this post by Andy Mort who runs Haven.
Andy occasionally sends out thought-provoking and discerning emails to his subscribers and I particularly agreed with him about the slippery soap that is our pursuit of happiness.
The pursuit of happiness puts me in mind of a brilliant book I read called “Finding Sanctuary” by Abbot Christopher Jamieson. In this book he talks about how we wear numerous masks during our lives, and in pursuit of happiness we constantly seek products which the advertising industry tells us are going to make us happy. We long for peace and a state of calm and inner contentment, and we seek it through more products, such as holidays. In fact we can never escape from the compulsion to seek the fulfilment of our ultimate longings within a product of some kind.
Being reflective about all this is such a good step on the journey to seeking some kind of release from this compulsive drive. It has been said by a doctor that everyone needs to go on retreat once a year (and of course Abbot Christopher was the one who featured in that TV programme The Monastery about the men who went on retreat). Though it could be argued that even a retreat is a product!!
I write this as I am busily selling a product myself …. a book called Paranormal Warwickshire – and I do my fair share of using marketing techniques tried and tested by the advertising industry – the Mr Bigs of this world. In fact when I think about it all, I could despair, except for the one saving grace that helps us keep it all in perspective – a sense of humour!
Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.
I loved what Hilary said about the process of writing. It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and I loved it.
In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.
When you begin to write a novel, it can often be impossible to say from which source the inspiration has come – and how far back in the past that inspiration had its source.
Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation.
Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.
The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.
Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her. He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.
The story awaits further editing, and I’d also welcome any willing beta readers!
Meanwhile I’m completing the sequel.
In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career.
He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.
There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.
Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!
I have heard, but not believed,
The spirits of the dead
May walk again
So says William Shakespeare, through the lips of Antigonus in Act 3 Scene 3 of The Winter’s Tale.
Did Shakespeare believe in ghosts and spirits? Opinions are divided; Herbert, Shakespearean actor, who led us around Stratford-upon-Avon one evening on the town ghost tour, maintained that Shakespeare did; whereas a distinguished Cambridge professor, examining the Bard’s use of paranormal manifestations throughout his plays, concluded that he believed these are all ‘emanations from the mind.’
We cannot say for sure what Shakespeare believed; but his works are full of ghosts and spirits. It is known that he himself played the part of his most famous and loquacious ghost, the spirit of Hamlet’s father, many times, and it was the top of his performance as an actor, according to his first biographer. This is the ghost of whom Hamlet says:
The spirit that I have seen
May be a devil, and the devil hath power
To assume a pleasing shape.William Shakespeare
And yet throughout the play Hamlet continues to explore and agonise over the true nature of the spirit he has seen, with the input of his sceptical friend Horatio; and he reaches different conclusions according to the state of his mind.
Whether because they made excellent dramatic devices, or because their presence in Shakespeare’s plays denotes something much deeper, more complex and hidden within the recesses of his own heart, it is true his county, Warwickshire, is saturated even today in strange events for which there is no scientific explanation.
I’ve lived in Warwickshire for twenty-five years, at the time of writing. I’ve grown to love and feel a deep connection with some of this county’s most iconic locations: castles, houses, and churches; and also some of its less familiar ones.
All of these places have rich and complex stories to tell which span the full range of the emotional, moral and spiritual spectrum, as befits the county of Shakespeare.
But the stories here acknowledge that energy lingers in many places other than manor houses, abbeys and castles. They also tell of ordinary people going about their business in a very familiar, even mundane environment. It’s about shop owners and sales staff, families in terraced houses and busy commuters on a railway platform. Some of the stories you will find here are those that people kept to themselves, for a long time, for fear of being ridiculed.
Our task here is simply to listen to the stories that people tell, and, like Hamlet, to explore the nature of these strange experiences both with our hearts and our minds, and reach our own conclusions.
Paranormal Warwickshire is available everywhere good books are sold.
Listening to an interview by Andrew Marr on BBC Radio 4 the other day, I was delighted to learn that Virginia Woolf‘s classic essay How Should One Read a Book? has been republished in a new edition (12 October 2020).
I studied this text in school as part of my GCE ‘O’ level English Literature syllabus. Ironically, although I found Virginia Woolf’s novels quite challenging to read (although I loved Orlando), that is not the case for this essay. That’s probably because it was originally a talk given at a girls school in Sevenoaks in 1926. I still remember the impact Virginia’s words had on me. The essay is very accessible, and Virginia writes with passion on her subject.
One of her observations appeals to me: “you haven’t read a book properly until you’ve talked about it”. Brilliant! How that makes the heart of an author sing. Nowadays of course authors often look for their readers to “talk about” their books, either in book clubs, or by personal recommendation, or by posting an Amazon or Goodreads review online.
Authors and publishers also, of course, value professional reviews in the major periodicals and newspapers; and these reviews are often quoted at length in the front matter of very popular books. Personally, I prefer not to know the details of what other people think until I’ve read the book – or at least until I’m halfway through. I want to make my own response to the book.
But these are the days when everyday readers – all those out there who love reading books – have power, with their opinions and feelings. Every response to a book is valid. I remember my creative writing teacher at Lancaster University saying:
“Once you’ve written your book, and it’s published, and out in the world, it doesn’t belong to you any more. It becomes a Thing on the Table, for anybody to make what they want of it.”
This view is echoed by Philip Pullman , the author of His Dark Materials trilogy, who, in a recent very enjoyable Society of Authors webinar, said that while you are writing a book, it doesn’t matter what anybody else thinks. You write what you like and you don’t worry what anybody else thinks: they can mind their own business. When it’s published it’s a different matter. It’s not yours any more. The world can then make what it likes of your book.
Passion for reading, for the different worlds you may enter and explore when you are a voracious reader, shines out from Virginia’s essay.
Here is one quote from Virginia Woolf which many readers have seized upon, as it confirms the joy and the richness of being a great reader. I quote this near the end of my author talk on The Power of Story – for one of my goals is to enhance or re-awaken a love of reading.
“I have sometimes dreamt … that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards — their crowns, their laurels, their names carved indelibly upon imperishable marble — the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”Virginia Woolf, in The Second Common Reader
Psychological, paranormal and mystery fiction and non-fiction.
Paranormal Warwickshire was published 15th November 2020
Available everywhere good books are sold.