Inspiration for Creative Writers From Grayson Perry in Grayson’s Art Club

Honesty and truthfulness – these are the outstanding virtues of a great artist. And as a creative writer I am currently finding inspiration from  artist Grayson Perry as he showcases “Covid-19 lockdown art” in his TV show “Grayson’s Art Club” on Channel 4.

Grayson makes use of our contemporary culture which he transforms into art –  tapestries, lithographs, glazed vases. One of my favourite items in a Grayson Perry exhibition in London was his “career advancement vase” upon which he had painted lots of different cliché words and phrases job seeker use on CVs.  These words are so evocative. They carry within them all sorts of pretensions, eagerness to impress, compulsion to present a false picture of oneself to the world.

In. another exhibition of Grayson’s works, I loved his “Walthamstow Tapestry

In Grayson Perry and Wendy Jones’ book “Portrait of the Artist as a Young Girl”, co-author Wendy Jones writes: “During the interviews Grayson appeared almost physically malleable. It seemed that sometimes he would look like a First World War pilot, then a mediaeval minstrel, then a housewife suffering from ennui, then an elegant hurdler. He was always morphing – I hadn’t come across that before and I doubt I shall see it often again.”

This capacity to morph strikes a chord in me as I watch Grayson’s Art Club, listen to his raucous laugh, and observe the change in his hairstyle between scenes. I also find myself imagining him as a young girl, in one of his many other personnas, I love the idea of a “fluid and flexible ego”, something I believe Grayson Perry has; and I used this idea myself in my novel “Mystical Circles” where it is eventually understood as part of the shapeshifting gifts of a shaman. Wendy Jones’ description was fascinating to me as I have known of those who morph in this fashion and have witnessed it myself and worked it into my own fiction.

Grayson Perry suggests that we “sit lightly to our beliefs”, and “let go of a compulsion to seek meaning – we will enjoy life in this world much more.” His art bears this out; everything is referred back to his childhood teddy Alan Measles, his “guiding spirit”; everything is set against that barometer of his childlike perceptions, even to the extent of  dressing as a little girl.

Grayson Perry  has important things to say, strong challenges to make to me. I cannot ignore these challenges as a creative writer.

Grayson Perry in one of his colourful alternative personnas
Artist Grayson Perry

Australia and New Zealand Mini Series Part 28: Queensland, Australia: from University Campus to Botanic Gardens and Iconic Lookout: Brisbane Highlights

This is the twenty-eighth and final post in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit.

Map of Australia and New Zealand

In my last post I wrote about our final visit in New Zealand: Auckland Botanic Gardens. Whilst there we enjoyed the outstanding Sculptures in the Gardens exhibition which continues to showcase and celebrate New Zealand sculptors and artists, through to March 2020..

After flying from Auckland to Brisbane, we were to catch up on some of Brisbane’s highlights in the closing days of our visit.

Promotional websites for Brisbane will point up a number of places to visitors as the “jewels in the city’s crown” but I think the University of Queensland campus certainly deserves to be one of them. I worked there in the School of External Studies, during the time I lived in Brisbane during the 1980s. Much has changed since then but I still enjoyed walking once more through the cloisters of the Great Court, and admiring the wonderful landscaping and of course the magnificent poincianna tree with profuse blossoms, and fragrant frangipani trees which you may see here. Among many other outstanding features, the campus also has a stunning art gallery.

Out last two visits in Brisbane were to the Look-Out and the Botanic Gardens at Mount Coot-tha.

The Lookout is one of Brisbane’s most popular tourist destinations, offering almost 360 degree views. I’ve been there many times in the past, and often a glorious blue sky and clear atmosphere makes this a joyful experience for visitors. However, on this occasion, at the summit the heat was fierce, and the smoke from bushfires was very much in evidence, filling the Brisbane skies.

For me this was a nostalgic, poignant visit, though it has always given me pleasure just to be there and do some tourist-watching! The views from this lookout must be the most popular place in Brisbane as a backdrop for photo opportunities, and at the height of the holiday season, myriads of holiday-makers from all around the world enjoy posing in happy and often artfully-arranged groups.

Our final visit was to Mount Coot-tha Botanic Gardens. These gardens, too, I have loved and often wandered around in the past; today, sadly, the temperatures and humidity were so high, we were unable to tour the gardens as there is much uphill walking, and again a lovely lookout at the highest point of the gardens.

Instead we did the Rainforest Trail: always a blessed relief and an excellent option in times of fierce heat and humidity!

I was also a pleasure afterwards to enter the air-conditioned atmosphere of the Sir Thomas Brisbane Planetarium. The day of our visit the Planetarium was offering as its midday show, “Cosmic Collisions” narrated by Robert Redford. I’ve been to the planetarium show too in the past and greatly enjoyed it.

It was a pleasure to return once more to Brisbane and to the many familiar haunts that I remembered from the four and a half years I spent living there in the 1980s. Inevitably there have been tremendous changes, and yet these simply serve to highlight and set in sharp relief those elements which endure, and arouse a sense of recognition, bringing again a sense of deep connection.

These can arise at unexpected moments, sometimes the subtropical forest of a mountain lookout, or a kookaburra sitting on a branch in front of the panorama of the Samford Valley; at other times the glimpse of a gracious colonial Queenslander with its iron lace balustrades; or the feeling of walking through spacious galleries and gazing at the water features of the State Library of Queensland or the Gallery of Modern Art, or the lovely landscaping of the South Bank Parklands.

Perhaps I may best end by highlighting an excellent presentation of the history of the city, in the Museum of Brisbane to be found in the City Hall in King George Square.

There, aboriginal people speak on video. They represent the ancestral owners of all the land upon which Brisbane is built.

“We believe the land respects us if we respect the land.”

Another said, very gently, of the great city that has risen up on this land: “We wish it wasn’t here. But times change.”

I thought of the corroboree spaces, the campsites, the burial grounds and other places of aboriginal life along the Brisbane river in the past. These were all vividly depicted on a timeline map of the Brisbane river, to be found on display in the museum.

“We believe the land respects us if we respect the land”.

Their words, and the feeling behind them made me feel sad. And yet, I reflected, if the feelings of the aboriginal people had been respected, and their land not taken from them and occupied…. I would never be here myself.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 27: North Island, New Zealand: Auckland Botanic Gardens

This is the twenty-seventh post in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit. Today concludes my account of a journey through New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

In my last post I wrote about our visit to the Coromandel Peninsula.

Map of the Coromandel Peninsula

I described our stay in Hahei, on the South Pacific coast, and our boat trip to Cathedral Cove: which appears as the first dramatic setting for the Pevensie children as they arrive unexpectedly in Narnia in the opening scene of the film Prince Caspian.

On the last day of our day we headed south again back to Auckland. Before returning to Auckland airport for our return flight to Brisbane, we visited the Auckland Botanic Gardens.

The entrance to the gardens featured lovely architecture, sculptures and water features.

Inside the entrance area we found an art gallery and cafe. Here in the Auckland Botanic Gardens, Sculpture in the Gardens will showcase and celebrate some great sculptors and artists through to March 2020. We found much to inspire, move and challenge us. I was particularly impressed by a white sculpture of a sad seated girl: poignant, graceful and evocative.

White sculpture of sad seated girl in the entrance area of Auckland Botanic Gardens

Another sculpture which fascinated me, by artist Oliver Stretton-Pow, represents a vision of a city. Called Just City, the artist created it in 2019 using wood, steel and found objects.

Just City, a sculpture in the entrance area of Auckland Botanic Gardens, created in 2019 by artist Oliver Stretton-Pow, using wood, steel and found objects.

Out in the gardens we found this intriguing installation by artist Jeff Thomson. Jeff is known as “Mr Corrugated Iron” and he called this installation Islands. Using corrugated iron, water, galvanised steel mesh, hay, wire, wetland and aquatic plants, he has re-created some of the 50-pus islands of the Haurakia Gulf. He hopes that by playing with positive and negative shapes, he will make us question the relationship between land and sea.

Later we wandered through an area of the garden which featured giant bees on honeycomb.

The ingenious use of arts and sculpture interwoven with colourful planting delighted us all.

Elsewhere in the gardens, we found an area devoted to demonstrating styles of garden design and planting suited to specific climates and location; I was interested to find a recommendation of “green manure” very similar to that seen in Ryton Organic Gardens in Warwickshire a year or so ago. ‘Green manure’ rules, in both the UK, and in New Zealand twenty six hours fight away!

We then set off for Auckland airport and so ended our tour of New Zealand’s North Island, a green and beautiful land full of majestic landscapes and sublime coastal scenery, along with outstanding tourist attractions and awesome geological wonders.

In my next post, the last in my ‘Australia and New Zealand’ series, I share more images of lovely botanic gardens: this time, on the slopes of Mount Coot-tha in Brisbane.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 25: North Island, New Zealand: Rotorua and the Tamaki Maori Village

This is the twenty-fifth in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit. Today is the eighth of my posts on New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

In my last post I wrote about our visit to Rotorua, and The Redwoods Treewalk, a tranquil experience, walking through the forest canopy among the graceful, majestic Redwood trees, along high swinging timber walks suspended from slings secured around the tree trunks.

The evening of our visit to the Redwoods Treewalk, we joined a busload of tourists to visit the Tamaki Maori village. All were expecting “a Maori cultural experience”. What we may not have expected was that we would become a Maori tribe for the evening, and one among us would be chosen as the Chief, and that person would need to memorise the name of our tribe along with certain Maori terms and also carry out the formal greetings required between one Maori chief and another.

One of our number, a Scandinavian visitor, volunteered to be Chief. Meanwhile, all of us needed to learn certain Maori terms; and I think I can guarantee that the one word we all did carry away with us from the experience was “Kia-ora” which was repeated so many times it would be difficult to forget! It translates as “have life” or “be healthy” and is used for “hello” or “hi”.

Before we arrived at the Maori village we were instructed that during the opening ceremony we were to be quiet, to remain unsmiling, and not to laugh or copy any of the Maori warriors’ actions; although we were allowed to take photos.

Each tourist group present had an elected Chief, and a tribal name. Our own Chief stepped forward, and the traditional greeting took place (nose rubbing)

As soon as the formalities had been completed, the atmosphere was transformed. The cheerful Maori Leader welcomed us and said we could all now laugh and smile as much as we liked, and then everyone relaxed and made ready for the most enjoyable experience ahead.

We moved forward into a lovely “Maori Village” environment; Maori huts were arranged around a forest glade, beside a creek with a traditional canoe in it. Each hut was a “station”, between which we moved to see demonstrations of warrior moves, games, cooking, basket-weaving, tattooing and its symbolism. Participation was strongly encouraged, and great fun was had by all.

After that, we moved on to see a demonstration of traditional Maori hangi: cooking foods using heated rocks buried in a pit oven.

Demonstration of traditional Maori ‘Hangi’ booking

Then we entered the “Ancestral Meeting Hall”, to watch a performance of song, dance and storytelling.

Finally we entered the dining hall for a feast and later on a choir sang to us Maori songs and gave another dance performance. A brilliant experience and I can thoroughly recommend the Tamaki Maori Village attraction to all visitors to Rotorua.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 19: North Island, New Zealand: Enchantment and Delight for ‘The Hobbit’ and ‘The Lord of the Rings’ Fans: Matamata and Hobbiton

This is the nineteenth in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit. Today is the third of my posts on New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

In my last post I wrote about Paihia and the Bay of Islands.

We set off from Paihia early in the morning and drove south through a landscape of velvety green hills uninterrupted by hedges or fences, dotted with a wide variety of trees, and occasionally by pretty white bargeboard houses in gardens. It felt as if we were surrounded by JRR Tolkien‘s hobbit country all the time: The Shire, that pastoral idyll which the hobbits called home. No wonder the makers of The Lord of the Rings and The Hobbit films settled upon this landscape as the ideal location for Hobbiton.

Further along in our journey we entered a region of verdant forest packed with trees so diverse and so attractively interspersed with giant tree ferns that they seemed planted by design.

arriving in Matamata close to the Hobbiton film set

When we arrived in Matamata we immediately saw the welcoming sign and those of us who have loved the world of Middle Earth for so long at once felt a sense of high excitement.

excitement at arriving in Matamata

Even the local visitor information centre has been turned into a nostalgic homestead reminiscent of the hobbits’ innocent world.

The visitor information centre in Matamata

And yet, as we were to discover again and again throughout our stay in Matamata and our visit to Hobbiton, you don’t even need to have read the books or have seen the films to be thrilled by what has been done here to recreate this romantic vision of pre-industrial rural England.

This of course was what inspired JRR Tolkien. The irony is that he was influenced by the countryside between Birmingham and Warwick, in the UK, and by Sarehole Mill – and his vision of Mordor came from the industrial wastes he found. So Tolkien’s inspiration is very close to where I live. But I went halfway across the world to find it recreated here in New Zealand!

Upon entering the visitor information centre we found a sculpture of Tolkien’s most insightful creation: the tragic and chilling figure of Gollum, who had, long before, been known as Smeagol, one of the river folk, until he came into possession of the One Ring, and had been enslaved and possessed by his lust for ‘the Precious’. The One Ring to bring them all and in the darkness bind them.

The sculpture of Gollum in the visitor information centre at Matamata

I can imagine Matamata itself was an unassuming little ‘one-horse settlement’ before Peter Jackson found his ideal location for the Hobbiton film set nearby. It is astonishing to reflect upon the power of an iconic fantasy epic to catch the imagination of millions and transform the fortunes of one small town.

We had dinner at a restaurant called The Redoubt which had, along with the town of Matamata, ‘fully embraced its Middle Earth credentials’! (a phrase borrowed from the Matamata section in the Lonely Planet Guide for New Zealand).

The Redoubt bar and eatery in Matamata

The menu and decor were based around characters from The Hobbit and The Lord of the Rings.

“Sneaky little hobbitses” – Gollum’s well-known catchphrase, up on the wall of The Redoubt bar and eatery in Matamata (photo credit Abigail Robinson)

We had a delightful meal in The Redoubt and it built up our excitement at the prospect of visiting Hobbiton the next day. It was also an opportunity to sample a range of New Zealand red wines!

Inside the Redoubt Bar and Eatery in Hobbiton

Early the next morning we arrived at The Shires Rest, a short distance outside Matamata, to join our tour of Hobbiton, led by a young man called James, who was, appropriately enough, English.

The tour bus took us through the rolling hills of the Alexander Farm, a vision of the undulating landscape of young children’s picture books, a perfect setting for the small, round, cheerful hobbits.

On the way James showed video clips of The Hobbit and The Lord of the Rings films, and also gave us plenty of fascinating facts about the making of the films, how this area came to be chosen as the site for the Hobbiton film-set, and why indeed there now exists here a perfect, robust and well-built rendition of hobbit country, for the delight of many thousands of visitors each year.

AS for Hobbiton itself, we all found it beyond our expectations, so perfectly realised, with exquisite attention to every detail: Bilbo’s sign on the gate announcing ‘No admittance except on party business’; the oak tree above Bag End, the line of washing, the wheelbarrows full of freshly harvested vegetables, the mill and bridge, the party field, Bilbo’s eleventy first birthday cake, the Green Dragon Inn and the tankards of beer.

Throughout Hobbiton we found exquisite English flower varieties, all in top condition. In fact, being here was indeed like being transported into JRR Tolkien’s original vision. It has been said that he wouldn’t have liked the idea of his books being turned into films, as he believed that the power of the imagination must determine how people see the world he created. Nevertheless I feel that he would have been awed by what has been achieved here. Hobbiton lacked only one thing: real life hobbits!

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 18: North Island, New Zealand: Paihia and the Bay of Islands; and Kawakawa and its Famous Hundertwasser Landmark

This is the eighteenth in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit. Today is the second of my posts on New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

In my last post I wrote about West Auckland and the spectacular beaches of Karekare and Piha . Today we head north from Auckland and our destination is Paihia and the Bay of Islands.

We drove north through a landscape of green hills and trees and bright flowers; the North Island of New Zealand in November reminded me of rural England at its best in spring and summer. No wonder the makers of The Lord of the Rings films settled upon this landscape as the ideal location for its idyllic, bucolic Hobbiton.

Stopping on the way at a delightful Honey Centre (New Zealand is famed for its Manuka honey), we arrived at the Top 10 Holiday Park in Paihia.

The holiday park was situated on the bay with tranquil views.

view of the bay from the Top 10 Holiday Park, Paihia
bayside view, Top 10 Holiday Park, Paihia

The following day we planned to cruise around the Bay of Islands. But before that we followed the Waitangi Loop with magnificent views of the Bay. This area is famed for the Waitangi Treaty Grounds, where the Treaty of Waitangi was signed in 1840. The two parties to the treaty were the Maori Chiefs and representatives of the British Crown.

We then visited the small town of Kawakawa, a town which celebrates its significance as the “Cultural Junction of the North“. It demonstrates this by ensuring that evidence of artistic inspiration is seen everywhere.

The town is famed for its unusual choice of venue to celebrate artistic genius: the public toilets designed by the Austrian designer, Friedensreich Hundertwasser. These toilets are on the tourist route and a visit there is mandatory!

After our visit to Kawakawa, we returned to Paihia, to stroll around the town. This very tourist-conscious community and its architecture reminded me of a film-set: hotels, motels and architect-designed houses nestled among restaurants, bistros and boutiques. We were struck by the church which is to be found here, looking incongruous amongst all the contemporary residences: St Paul’s Anglican Church, which was constructed of Kawakawa stone in 1925, on the site of the original mission church.

Properties in Paihia
view of Paihia village

I was interested to find a gravestone in the graveyard behind the church, inscribed to Ngaurupa Te Ngawa Korokoro with an epitaph in the Maori language. As we left the graveyard, we found that a large bottle of water was provided with a request for visitors to wash their hands on leaving the Rupa (graveyard) as a mark of respect to a sacred place.

Maori gravestone in graveyard of St Paul’s Anglican Church, built in 1925 on the site of the original mission church in Paihia

Inside the church I found a prayer-poem for those afflicted by earthquakes. I hope you can read it here.

Later we set off to board a cruise launch for a cruise around the Bay of Islands. But before we embarked, we looked around a fascinating exhibition in the visitor centre which told us that Russell, the small town across the bay from Paihia on Tapeka Point, was once known as ‘the Hell Hole of the Pacific’ because the sailors who docked there rampaged in it, until the missionaries came to sort them out!

Distant view of the Bay of Islands.

As we cruised round the Bay of Islands the weather was breezy and cool, and the captain told us he would only go out to the Hole in the Rock (Motukokako) if the weather conditions made it safe.

In fact we did go there, but were unable to sail right through the hole in the rock out to the waters of the South Pacific beyond as they were too turbulent.

The boat stopped as those on board took the oportunity to photograph this natural wonder, with the waves of the South Pacific crashing against it.

During the cruise we saw dolphins playing in the water around us. Truly a enchanting way to experience the Bay of Islands in this understandably very popular tourist destination.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 17: West Auckland, New Zealand: Piha and Karekare Beaches

This is the seventeenth in my series of short reflections on different places in Australia and New Zealand, which I visited in November 2019. Today is the first of my posts on New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

We flew into Auckland from Brisbane, and our first experience of the spectacular scenery was in West Auckland. Driving along the narrow, winding Piha Road, I was particularly struck by the rich, vibrant forests rising up high on either side of us, in which we identified giant tree ferns, casuarina, honeysuckle, callistemon and pandanus. The intense green reminded me of the paintings of Gaugin in Tahiti.

First we drove to the car park for visitors to Karekare Beach – where scenes were filmed for The Piano.

In fact, it’s hard to go to any spectacular New Zealand location that hasn’t already featured in a major film. Later on our trip we were to visit the Hobbiton movie set in Matamata that was used for The Lord of the Rings films, and the sublime Cathedral Cove which featured in the opening scene of Prince Caspian.

A scene on Karekare Beach from the film The Piano

The west coast of Auckland we also found to be a glorious setting, as we walked along the black sand track that leads to the beach, past rich flora and greenery.

Along the path to Karekare Beach
on the path to Karekare beach

Signs warned visitors of dangerous rip currents and advised swimmers only to use the area between the flags, when the lifesavers from the Karekare Surf Club were on duty.

Karekare is known by the Maori people as Wai Karekare, ‘the bay of the boisterous seas’, and we found there a carved Maori ‘pou‘, symbolising the spiritual guardianship of Karekare.

flowers alongside the path to Karekare Beach
Surf Lifesavers sign at Karekare Beach

Karekare Surf Club
The Bay of the Boisterous Seas
Carved Maori ‘Pou’ symbolising the spiritual guardianship of Karekare

Karekare Beach itself is awe-inspiring, despite the fact that, as you can see, the weather for us was rather more moody than when the film camera crew were here.

On Karekare Beach (image credit Jamie Robinson)
Karekare Beach looking towards the Tasman Sea, photo credit Jamie Robinson

Late we drove to Piha village, and walked on Piha beach crowned by Lion rock. Another amazing location, which is also a Tsunami evacuation zone, as warning signs made us well aware.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 16: Queensland Maritime Museum, Brisbane

This is the sixteenth in my series of short reflections on different places in Australia and New Zealand, which I visited in November 2019.

Map of Australia and New Zealand

In my last post I wrote about the Brisbane City Botanic Gardens which may be found inside a big loop of the Brisbane River, opposite the Kangaroo Point cliffs on the south bank.

Having walked through the City Botanic Gardens, you will reach the Brisbane riverstage. There you will find the Goodwill Bridge, a footbridge which spans the Brisbane River, and takes you directly to the Queensland Maritime Museum on the south bank.

view of the dry dock where the Diamantina is displayed at the Queensland Maritime Museum, Brisbane

This is a fascinating museum run mostly by volunteers, where you may find not only a gallery full of intriguing maritime history and objects, but also a World War 2 ship, The Diamantina, outside in the dry dock, together with Brisbane’s favourite tug, the Forceful.

The Diamantina is a Royal Australian Navy frigate built in Queensland and commissioned in 1945 and one of the last remaining World War II river class frigates in the world.

The Diamantina at the Queensland Maritime Museum, Brisbane

I love exploring historical ships like this and it was fascinating to go round all the rooms below decks and to imagine what life was like for the crew when the ship saw service during the 2nd World War.

The quarterdeck of the Diamantina, Queensland Maritime Museum Brisbane

Also on display is The Forceful, Brisbane’s favourite tug.

Information sign on the quarterdeck of the Diamantina at the Queensland Maritime Museum, Brisbane
View of The Forceful and the Brisbane river, taken from the Queensland Maritime Museum
Information sign about The Forceful, at the Queensland Maritime Museum, Brisbane

The Forceful’s propeller, on display at the Queensland Maritime Museum, Brisbane
view of the Brisbane river from the Stokehouse bar and restaurant

Afterwards we strolled a short way along the south bank to one of Brisbane’s newest restaurant and bars, The Stokehouse, where we enjoyed an apple cider, seated on bar stools overlooking the river.

Here you may explore fascinating exhibitions on such themes as “Antarctica: Endurance and Survival” and “The Land of Dreams… Over the Seas to Queensland.”

Allow at least two or more hours to do justice to all the exhibits and to enable you to explore the ships.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 15: Brisbane City Botanic Gardens

This is the fifteenth in my series of short reflections on different places in Australia and New Zealand, which I visited in November 2019.

Map of Australia and New Zealand

In my last post I wrote about the Dorrigo Rainforest Centre in New South Wales with panoramic views over the pristine rainforest, a glimpse into Gondwana, the remnant of the vast continent which existed before Australia broke off from Antarctica and began to drift north.

City Lookout, Brisbane City Botanic Gardens

After our tour of the New South Wales coastal region, we returned once again to Queensland, and its capital city of Brisbane. Even here, in the midst of a major metropolis, we may find many ways to respect and honour, co-operate and harmonise with the natural world.

Banyan Fig Tree in Brisbane City Botanic Gardens

Today I share some images of the wonderful Brisbane City Botanic Gardens. You may find these gardens inside a big loop of the Brisbane River, opposite the Kangaroo Point cliffs on the south bank.

As the ancient rainforests are our magnificent heritage on this planet, I have been particularly struck by the imagination, expertise, dedication and hard work of landscape architects who within the city environment have recreated lush rainforest areas.

In the gardens you will find the Gardens Club Cafe, which is within the restored Curators Cottage. I can recommend this lovely cafe, situated close to the Rainforest Area, and a perfect place for lunch as you take a break from your stroll around the botanic gardens.

Lunch in the Gardens Club Cafe, Brisbane City Botanic Gardens

You may also walk along the riverside path and enjoy the views of the Brisbane river and the many boats, beyond which rises the city skyline of the south bank.

riverside view from the Brisbane City Botanic Gardens

I also love walking through mangrove swamps.

a walk beside the mangroves at the edge of the river, Brisbane City Botanic Gardens

I was fascinated, too, to learn from an interpretative sign along the walk how vital mangroves are to our ecology: and in particular, their potential to offset some of the negative effects of climate change.

Interpretative sign about ecological significance of mangroves, mangrove river walk, Brisbane City Botanic Gardens

In particular, mangroves are an important wetland type, and perform many functions such as:

protecting – acting as a buffer zone between land and tidal waters, storm surges and wind;

providing – habitat and nursery areas for fish, crabs, prawns and birds;

purification of water – a settling area for nutrients and sediments;

Mangroves are now better recognised for their economic value and potential for climate change mitigation through coastal protection and carbon sequestration and offsetting.

storing – mangrove ecosystems are among the most efficient carbon sinks on earth, storing carbon at a rate six times more than that of an undisturbed Amazon forest.

walking beside the mangroves along the riverside path in Brisbane City Botanic Gardens

I find these facts amazing, moving and inspiring. I love walking among mangrove swamps because of their lush, cool, shady, mysterious atmosphere; but now I know of their immense value for the survival of our planet, I am even more in awe of them.

So when we visit places of renewal and restoration in the natural world, we find that our own relationship with “the green and the blue” encapsulates so much more than simply “a good feeling.”

This heals and uplifts us on an emotional and psychological level; and then we find that the discoveries of science accord with our own inner experience.

Our planet, our mental health, our survival as a species depends upon so many delicate, interconnecting threads: and among these, the precious resources of the natural world: mangroves and rainforests and so much more.

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Australia and New Zealand Mini Series Part 14: Dorrigo Rainforest Centre, New South Wales: a Glimpse into Ancient Gondwana

This is the fourteenth in my series of short reflections on different places in Australia and New Zealand, which I visited in November 2019.

Map of Australia and New Zealand

In my last post I wrote about the charming small New South Wales town of Bellingen with its colonial-style buildings, its church with beautiful stained glass windows and its precious colony of grey-headed flying foxes on Bellingen Island.

A climb into the mounttins north of Bellingen brings us to Dorrigo Rainforest Centre. Here visitors may take the Skywalk, with panoramic views over the pristine rainforest. This rainforest gives us a glimpse into Gondwana, the remnant of the vast continent which existed before Australia broke off from Antarctica and began to drift north.

Gondwana Rainforest
Gondwana Rainforest

Dorrigo was one of the few national parks open in the region at the time of our visit, because of the tragic bushfires sweeping Australia. The sky was blue and clear as we drove higher, but later became misty and the atmosphere filled with the smell of smoke, carried by the wind from the epicentres of the bushfires. As I write, bushfires are still burning in areas of Australia; and yet we may see signs of hope, in the power of nature to fight back against our interference in the world’s ecosystems.

In the Visitor Centre, regularly updated information was on display about the national park closures in the area, reminding us all of the vulnerability of this, one of our planet’s greatest treasures: the rainforest.

When we took the Skywalk and the Lyrebird walk through the rainforest, interpretative signs provided all sorts of fascinating information about the history, geography, biology and anthropology associated with the rainforest. We heard the high fluting call of the lyrebirds as we walked.

We learned that local Gumbaynggirr aboriginal people describe the rainforest canopy as “a protective blanket over the land.

Farmers clearing land for agriculture have called it “the impenetrable scrub.

Citysiders wanting to escape from the big smoke name it “the ultimate green.”

Conservationists agree the rainforest is “our magnificent heritage.”

Later after lunch in the Visitor Centre café we saw a film which told us that only 20% of the world’s rainforests survive; in regard to climate change we may already be past the tipping point; the rainforests are crucial to the health and quality of life on this planet.

Rainforests are our most precious natural resource.

Although some experts believe we may be ‘past the tipping point’ we must never give up doing all we can to save them.

View of the rainforest from the Dorrigo Rainforest Centre Skywalk, New South Wales
Interpretative sign at Dorrigo Rainforest Centre, New South Wales, showing a map of the Dorrigo National Park and surrounding area
Interpretive sign on the Lyrebird Walk, Dorrigo Rainforest Centre, New South Wales, “Not all Rainforests Are the Same”
A glimpse of ancient Gondwana

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.