What might walking backwards through the Australian rainforest have to do with a mystery romance novel set in the Cotswolds? It was all part of my “unconscious research”. And it was a long research journey too, I admit. If you’re intrigued, go to Martin Willoughby’s blog to read my guest post on how “Dream Yoga” played a role in the creation of the story of “Mystical Circles”.
Among his many theories, Carl Jung includes “the Collective Unconscious”. This “collects and organises personal experiences in a similar way with each member of the species.” If we consider a book to which millions have responded in a similar positive way, for instance Jane Austen’s “Pride and Prejudice”, we may then see that the story touches upon areas of human experience which are universal. This may be described as an author “touching the Spirit of the Age.”
Recently (and probably through the workings of synchronicity!) an explanation from Quantum Theory fell into my hands, from a scientist who told me he spent a lot of time in the past with a group of fellow-scientists discussing “Life, the Universe and Everything”. He concluded that we have free will but are limited in what we do; using the analogy of a chess game, each piece has a limited freedom of movement. We are not aware of the existence of the laws which infuence our every action, and each individual in limited in a unique way. Tolstoy understood this principle perfectly, reminding us in “War and Peace” that when we learned the earth orbits the sun we had to surmount the sensation of unreal immobility in space. In just the same way he says, we must renounce a freedom that does not exist and recognise a dependence of which we are not conscious.
How can we see this working out in some well-known stories? Let me suggest a few examples from my own fiction reading.
1. A thirst for truth – as exemplified by Winston Smith in George Orwell’s novel 1984. Winston Smith is a clerk in the Records Department of the Ministry of Truth; truth is the central issue in this story and the reader instinctively knows it is being subverted. And that is why Winston Smith’s struggle to undermine the Party’s monopology on Truth has struck such a deep chord with so many.
2. A craving for intimacy – the 5-year old boy narrator of Emma Donoghue’s novel Room shares an intimacy with his mother which is ultimately broken after their escape from captivity. To me this paradox is central to the power of this novel.
3. A fear of death or the unknown: It is the unknown we fear when we look upon death and darkness, nothing more, says Albus Dumbledore to Harry Potter. It is worth noting that JK Rowling said she could never have written the Harry Potter books if it wasn’t for the fact that she loved her mother, and her mother died. This was clearly a persistent theme throughout Harry’s story.
I believe authors achieve this kind of power in their stories by working with the limited freedom of movement in their own lives and trusting themselves to the unconscious.