We recently visited Charlestown, a beautiful little Cornish seaport, which opened up several stories for me. Not only did we explore the moving and compelling tales of numerous historical shipwrecks and recovered artefacts in the Shipwreck Treasure Museum: but also I learned the poignant story of the man who created, designed and built Charlestown: Charles Rashleigh.
Along with the history of Charles Rashleigh’s rise and fall, we have numerous heartrending accounts of shipwrecks in the museum. As we wander through the museum gazing at the recovered treasures and reading of the sea tragedies we may reflect once again on the high risks humans take, for the chance of adventure and the dream of making their fortune. Some succeed; others perish. In no other sphere of human aspiration can we best reflect upon fate than in the realm of sea voyages. The sea remains powerful, mysterious, cruel and merciless: yet a source of unending wonder and attraction.
Charles started building the seaport in 1790. It was completed by 1804 and has changed little since: now it is popular among film location scouts and has appeared as a film location on several occasions.
The poignancy of Charles’s story lies in the fact that he created Charlestown out of his own personal wealth and was a hugely gifted man, for the port was highly successful: yet in later life he formed an attachment to 2 young men, Joseph Dingle and Joseph Daniel, who betrayed him and brought him to bankruptcy. The whole story is told in the book ‘Charlestown: a guide to Charlestown and the Shipwreck Treasure Museum’ by Richard and Bridget Larn.
I’m pleased to be hosting a stop on the blog tour today for an exciting new anthology for writers, Creativity Matters, the third of a series published by Scott and Lawson, and compiled by Wendy H Jones.
Wendy H Jones is a fellow author who has been a great encouragement to me and many other authors, and for this book she has invited a number of writers to contribute chapters. So you will find a wide variety of different types of writing represented here, together with varied outlooks and themes. This makes for a stimulating collection of encouraging pieces which seems set to be very popular among aspiring writers.
Wendy H Jones is the Amazon #1 international best-selling author of the award winning DI Shona McKenzie Mysteries. Her Young Adult Mystery, The Dagger’s Curse was a finalist in the Woman Alive Readers’ Choice Award. She is also The President of the Scottish Association of Writers, an international public speaker, and runs conferences and workshops on writing, motivation and marketing. Wendy is the founder of Crime at the Castle, Scotland’s newest Crime Festival. She is the editor of a Lent Book, published by the Association of Christian Writers and also the editor of the Christmas Anthology from the same publisher. Her first children’s book, Bertie the Buffalo, was released in December 2018. Motivation Matters: Revolutionise Your Writing One Creative Step at a Time, was released in May 2019. The Power of Why: Why 23 Women Took the Leap to Start Their Own Business was released on 29th June, 2020. Marketing Matters: Sell More Books was released on 31st July 2020. Bertie Goes to the Worldwide Games will be released on 5th May, 2022, and the third book in the Fergus and Flora Mysteries will be published in 2021. Her new author membership Authorpreneur Accelerator Academy launched in January 2021. Creativity Matters: Find Your Passion for Writing, the third book in her Writing Matters Series, is published in September 2021.
Have you always thought about writing a book but don’t know where to start? Are you an experienced author and want to spread your wings? Are you looking for inspiration for every step in your writing journey? This is a book for everyone who wants to write, whether history or contemporary, science fiction or humour, local fiction or set in a made-up world, fiction, non-fiction, memoir, there’s something here for you. Join thirteen authors as they share their passion for why you should write in their genre and find your own passion as you read.
It’s time for you to spread your wings, follow your dreams and find your passion for writing.
MY REVIEW OF CREATIVITY MATTERS
This book brings us the work of several different authors, who have each contributed a chapter about the particular genre in which they write, and why they love it. The editor and compiler, Wendy H Jones, herself provides three chapters: on writing Humour, Crime and Non-fiction. In her introduction, she promises “ideas will be popping up and exploding all around you.” She encourages the readers to have confidence in their ability to try new genres.
I enjoyed the array of authors who share their passion in this anthology. Sheena McLeod opens up the subject of historical non-fiction; she was first motivated by a desire to convey little known stories about Scotland’s history.
Next, Janet Wilson sets out her thoughts and feelings about children’s books; what she writes is powerful and inspiring, and it rings with truth.
Allison Symes writes flash fiction, and I will certainly be following her recommendation to polish up my writing exercises, turn them into flash fiction and submit to writing competitions.
Fay Rowland offers a witty and funny piece about scriptwriting. Joy Margetts expresses her own passion for historical fact-based fiction; her dedication to research is evident. Kirsten Bett writes Cat Tales, and again her passion for this genre shines through. Jennifer Ngulube’s piece on writing memoir is challenging and stirring.
Maressa Mortimer provides two chapters: in the first, on writing faith-based fiction, I found her arguments moving, convincing and thought-provoking. The second, on writing novels set in a different world, sparkles with infectious enthusiasm, and fills the reader with a “can-do” attitude.
Nanette Fairley moves and excites us with her thoughts on writing in the ‘Third Age’. Andrew Chamberlain’s chapter on Science Fiction and Fantasy, I found fascinating, and it may well be the chapter that most inspires me.
Wendy H Jones writes in a stimulating and enjoyable way about crime and mystery; she gives good practical tips on the topic of writing Humour; and makes some intriguing points on the subject of writing Romance.
I love the quote at the end of the book, under the title “What Now?”
“Fortune favours the brave and the future belongs to those who are not afraid to step out.”
This is certainly a book which will awaken fresh enthusiasm and new ideas in its readers and encourage writers to try out new genres.
AMAZON LINK TO BUY
Please include the hashtag #CREATIVITYMATTERS and the following social media handles when you are sharing your posts about the book. Wendy’s website may be found here.
As a writer, I believe we should be willing to explore new areas, and to step outside our comfort zone. And that applies very closely to our lives as readers too.
I read a wide variety of books, both non-fiction, and fiction of all genres. I admit I do like psychological insight but I believe all good writers in every genre should incorporate that in their novels anyway. I find that the way I think about genre is influenced by my own eclectic reading habits. Now, as I work on a new novel I still have trouble trying to work out what genre I’m writing in.
I have just received reports from five beta readers and am considering their thoughts, and working on polishing and sharpening my final draft. One of the big questions has been: what genre do they consider this novel to be?
Writers are given an enormous amount of advice these days, mostly from online sources, and amongst them is this adage: Write the kind of book you most love reading. But if you read a wide variety of books, how does this help? Another piece of advice we find floating around the publishing scene is that an author should, when pitching to a literary agent, be clear what genre he or she is working in, so the agent reading the letter can immediately think, “Whereabouts in the bookshop will this book will go?”
Another piece of advice suggests you should name a few established authors to whom your novel could be compared. All this is anathema to me – and to many other writers, I suggest. Yet we are forced into this kind of mindset. So now, for the benefit of the readers of this blog, I shall say that my WIP is most likely to be gothic mystery. An example of my willingness to go into new areas is my recent attendance of the UK Games Expo at the Birmingham NEC, as one of three writers on the Authors Stand.
So what do fighting fantasy and interactive and roleplay games have to do with books such as the ones I write? The atmosphere at the Games Expo is always wonderful, there’s a great sense of fun, excitement and good humour. The gaming world is one in which a vast number of “tropes” flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…
My own fiction is indeed using some of those tropes, for instance, the predicament of the main protagonist as he finds himself in a deadly situation from which he must escape. Hidden chambers and secret passageways and dark rooms all find their place in the gaming world. There is an unexpected connection for me. Hidden chambers and secret passageways and dark rooms all act as symbols for states of mind – and thus their connection to my fiction genre. Family relationships also play a strong role in my novels… I find these provide a fertile stage upon which the action can be played. Which leaves me still with a fluid situation as regards genre; sometimes magical realism, paranormal, ghost story, gothic mystery, psychological suspense … all is possible.
This year we were delighted that the UK Games Expo went ahead ‘in real life’ at the Birmingham NEC.
Three authors displayed their books on the Author Stand; Philip S Davies, Richard Denning and myself. Covid passes were required for all who attended, and everything was much more spaced out than usual.
The atmosphere was warm and friendly, and visitors seemed delighted to be able to come and immerse themselves in a vast array of games, have fun and dress up in quirky clothes and cosplay once more.
I also enjoyed going to the Viking encampment outside and chatting to one of the Vikings who was keen to clear up a few historical errors about his life and times!
Here are a few photos to give a flavour of the weekend.
Hello! On today’s blog I share what I’m up to at the moment – writing, researching, editing, promoting. I have two books on the go, which makes life interesting!
Firstly, I’m working on my new non-fiction book for Amberley Publishing, Illustrated Tales of Warwickshire. The fully completed manuscript has to be delivered by the end of this year. It will be another highly illustrated volume, including 100 images, as with Paranormal Warwickshire. My tales will cover, amongst others, the following topics: Strange and Spooky Tales, Extraordinary True-life Stories, Tales of Warwickshire Witchcraft, Mysterious Murders and Other Crimes, Intriguing People, Strange Happenings and Mysteries, Curious Place Names, Ancient Legends, Folklore and Folk Customs, Ancient Ceremonies and Strange Rituals, and the Magical Forest of Arden.
I have been out and about gathering photos, interviewing people, and finding new stories. My son Jamie takes many of the photos as he has a good camera and an eye for an excellent view, The other day we travelled up to north Warwickshire in search of one story, and found material for three others, which was very exciting.
Alongside my work on Illustrated Tales of Warwickshire I’ve also been editing my new novel Director’s Cut. This novel is to be the first of a series starring gifted young musical rebel Dylan Rafferty. Director’s Cut is set in south London. I’ve written half of the sequel, which is called Standing Ovation and is set in Stratford-upon-Avon.
Director’s Cut should appeal to all those interested in the world of actors and filming; and in the reputation of actors to be superstitious, sensitive souls. Here is a quote from Geraldine Beskin, owner of London’s most mystical bookshop, Atlantis Books, for the Ghost Club, on 15 May 2021. What she says encapsulates how I feel about actors, and why my fascination with them has fed into this novel.
Geraldine Beskin emphasises the very human side of the acting profession with both its quicksilver triumphs and equally cataclysmic failures. ON and off stage, actors and actresses are known for their sensitive and emotional natures Drama is not confined to the theatre (or the filmset). Many thespians exist in a state of high tension, surviving on the margins, experiencing intense peaks and troughs of personal emotion, often alone.
As I’ve edited the novel, this theme has woven itself more deeply into my plot. Initially, the world of acting was to have simply provided the presenting situation for Dylan; but now, following several interviews during research, and a deeper understanding, it has an organic relationship to the unfolding of the story. The word liminal also plays a central part in the novel. Liminal means: ‘occupying a position at, or on both sides, of a boundary or threshold’.
One of the best illustrations of this theme lies in the closing speech of Shakespeare’s play A Midsummer Night’s Dream. Puck, the mischievous spirit who stirred up all the emotional tumult at the behest of Oberon King of the Fairies, says this as he comes to address the audience:
One of the points he makes is that the word shadows may also be taken to mean actors. Therefore, the interplay between actors and spirits is one that Shakespeare felt deeply. Another famous Shakespeare quote also demonstrates this:
As Prospero the magician says in The Tempest:
Our revels now are ended, these our actors,
As I foretold you, were all spirits
In Director’s Cut, Dylan, gifted young musical rebel, discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion, and he crashes the set to meet her. Upon arrival at Trident Court he discovers a deeply dysfunctional family haunted by an intergenerational curse, and a troop of ghostly actors in the garden doomed to perpetually rehearse A Midsummer Night’s Dream. Meanwhile actors, directors and film crew in the house are all swept up into the family’s strange world. Dylan comes to believe he alone can save them through the power of his musical genius. But he learns he must team up with the local priest to discover the family’s secrets. As they delve deeper into the family’s traumatic backstory Dylan encounters a supernatural being and finds he must cross the boundary between this world and another dimension.
As I near the end of my editing work on the novel, I seek beta readers before I pitch to publishers. In particular I am unsure about genre, whether the novel is paranormal mystery, magical realism or gothic. So I welcome any offers from prospective beta readers who may be able to clear up the mystery for me!
The story of All the Light We Cannot See tells of Marie Laure, a blind girl living in Paris in the 1930s with her father, a museum locksmith and miniaturist. Marie Laure’s father creates a model of the city to help his daughter make her way around the streets; and every birthday his gift to her includes a puzzle box which needs skill and ingenuity for her to open, and find the gift within. Thus she gains skills in orienteering and in construction projects requiring dexterity and ingenuity; both of which will be invaluable to her survival, not only in peace, but during the coming war, the Nazi occupation of France, and especially when she finds herself alone and vulnerable in St Malo during Allied bombing.
The story is told in two time frames, early 1940s, and then on to the final stages of the War, and also shifts back and forth between Marie Laure’s story and that of Werner, a German boy, who is an expert at constructing radios, and who is compelled to join the Military Training Academy for young people, whose methods are often cruel and ruthless and sadistic. We meet Frederick, Werner’s friend at the academy, who openly defies the cruelty, and suffers for it. Ultimately Werner and Marie Laure will meet; grief, tragedy but also love and hope is ahead for them.
The novel creates for its readers an immersive experience, of what it would feel like to be part of the French Resistance in St Malo. I was totally absorbed in Marie Laure’s world, her challenges and threats, her relationships, her courage and resourcefulness.
Werner too aroused my compassion and I understood what it must have been like to be swept along by the Nazi machine, compelled to participate. Even though his sister Jutta shows evidence of a free spirit, people like her within Nazi Germany would have needed to be extremely discrete and subtle about their dissent.
I found the story slow-moving to start with and difficult to get into; then, when the War starts, it becomes totally immersive, as young Marie Laure and her father escape from Paris to her great uncle Etienne’s house in St Malo, while 8 year old Werner in Berlin with his sister Jutta discovers how to make a radio.
In St Malo Marie Laure and her father are cared for by the kindly Madame Manech who gathers together a group of ladies to resist the Nazi occupiers by ingenious means. Madame Manech sets about persuading Etienne to use the one remaining radio in the house – which he has cunningly hidden in the attic, away from the Nazis – to transmit messages to the Allies from the Resistance.
The reader needs to get used to the switches of time-scale from 1940 and then on to 1944 when the Americans are bombing St Malo in a last attempt to flush the Nazi occupiers out, and Werner is hunting for illegal radio operators in occupied France, with orders from the Nazis to kill all those he finds in possession of radios.
In 1944 Marie Laure, blind and totally reliant on her own strength, courage and instincts, is trapped in the house in St Malo. The people who have loved and protected her are absent: Madame Manech has died; her father has been seized by the Germans whilst visiting his Paris Museum; and her great-uncle Etienne has vanished.
Back in 1940 Frederick invites Werner to join him on a visit to his mother at his privileged and wealthy home in Berlin. The two boys are friends; and yet Werner feels powerless to help when Frederick is persecuted for voicing his dissent from the Nazi creed.
In 1944 Werner is told he has been at the Military Training Academy under false pretences, and we fear he will be killed; instead he is sent to “a special technology division of the Wehrmacht.” Werner is pressed into service in France, tracking illegal radio transmissions by members of the Resistance, using his transceiver.
From this point the story moves forward relentlessly, with high emotional stakes and jeopardy for both Marie Laure and Werner. How they come together is something you will discover when you read the book.
This is the kind of book which is so immersive you are with the people of the story, experiencing the danger and the emotional and psychological challenges alongside them; and indeed the kind of book which has you scurrying for Google to refresh yourself on such areas of knowledge as the Allied bombing of St Malo; the activities of the French Resistance; and the shocking facts about systematic rape of German girls and women by Russian soldiers for three years after the 2nd World War ended.
The story shows the resilience of the human spirit and the prevalence of love, goodness and kindness, along with courage and ingenuity; whilst also inevitably opening our eyes to the sheer wickedness and evil of war.
Today I share a review of this historical gothic fantasy set in1950s Mexico.
Mexican Gothic by Silvia Moreno-Garcia is a rich feast for lovers of gothic sinister-mansion stories.
Creepy, disturbing, sensuous, all the tropes are here. The story takes our main protagonist, Noemi Taboada, a lively socialite, into a truly menacing setting in a mountain landscape: a beautiful old house, a place of former grandeur, now showing ever-increasing signs of neglect. She has been drawn here by a frightened plea for help from her childhood friend and companion, Catalina, trapped in the house with her deeply unsettling husband, Virgil Doyle.
Noemi is greeted and ushered into the establishment by Florence, a sinister woman who reminds me of Mrs Danvers; and within the house we find the extremely handsome but unpleasant alpha male, Virgil, who controls the agenda. Above Virgil in the family hierarchy is his father Howard, a terrifying old man mostly confined to his room by an unnamed medical condition, who rarely appears, shows signs of extreme old age in a dead white face with startling intense blue eyes, and appears only to ask Noemi strange and suspicious questions about eugenics. Occupying the archetypal role of frail, vulnerable young victim, Catalina is held captive in the house and fed mysterious medications which alternately send her into manic frenzy or tip her into a drowsy semi-hypnotic state.
The heroine, beautiful and sassy Noemi, arrives as a visitor in this house of nightmares, intent on uncovering Catalina’s true situation and rescuing her. Noemi’s ally, Francis, is Virgil’s cousin, and appears to be the only warm, caring human being in the Doyle family; but we doubt his power to take action or provide any real help.
The story follows Noemi’s journey of discovery as she attempts to unravel the dark mysteries of the house, becoming increasingly persecuted by horrific sleepwalking dreams and waking visions.
She discovers beyond doubt that this is a sick house, emanating a toxic atmosphere which seeps into and distorts her own thoughts and desires. Decadent, depraved and magnetic, Virgil Doyle holds her in his power; Frances offers to help both young women escape, but we don’t know whether we can fully trust him either, as he too is held in the grip of the family’s terrible history.
The novel weaves an intense, compelling atmosphere which explodes in a phantasmagoria of gothic horror. My own taste does not extend to true horror, HP Lovecraft style, but that is what we encounter here. I enjoy trying out different genres, but horror would not be my genre of choice for further reading. If you love the gothic genre, complete with all its tropes, you will find that here, but be warned, the horror element is quite extreme! Nevertheless I enjoyed trying out a new author I had not encountered before.
This is a book which will probably arouse many different emotional reactions in the reader: fascination, inspiration, astonishment, disgust, anger, depression… you name the life situation the reader is in, and that will determine his or her response to On This Day She by Jo Bell, Tania Hershman and Ailsa Holland.
Many different women, across all periods of history and many nations, continents and cultures, are represented in this book. Their lives and achievements encompass the full range of human endeavour, and the vast majority you may never have heard of, because history chose not to include them in its pages. But the cumulative effect of reading their biographies, all arranged under days of the calendar, is disturbing and uplifting by turns.
Some of these women were enormously successful and influential in their own individual spheres; others were treated with gross injustice and / or met untimely and tragic deaths. Some of them are indeed now acknowledged and recognised for their achievements – for example, the woman who invented the game of Monopoly (Lizzy Magie) but who never received either the credit or the income from her invention, which instead went to Charles Darrow.
I do believe there are signs of encouragement. In our world today, we all know about Greta, Malala, An Sang Su Chi, Nicola Sturgeon, Jacinda Ardern, Angela Merkel. Looking at history, we all know the names of such women as Elizabeth I, or Agatha Christie, or Florence Nightingale, or Jane Austen, or Mother Teresa. We do have a number of prominent women in the world today, whom we need to support and honour. This book reminds us that there have been many, many gifted women throughout history who have not been so honoured; in fact, far from that, they have been crushed and denigrated and marginalised. There is still a very long way to go before all members of the human race are treated equally, regardless of gender, and the many other factors which divide us.
Whilst reading this book, one of the many thoughts that came to my mind was this: JK Rowling, whom many admire, is strongly opinionated. She expresses her opinions fearlessly in the public arena, which she has every right to do. But would her opinions receive the same response if she was a man?
This book makes you see history differently and through a new lens. Hard-hitting, discerning and sharp, the authors show us the way exceptional female movers and shakers have been rendered invisible by history. Much of this, the authors claim, is the consequence of a lazy use of “generic” language, and sentences framed to denigrate women and represent their role and purpose negatively. They give an example of this in the way in which Catherine of Aragon is summarised by history books as having “failed to provide Henry VIII with a male heir”. This can be rephrased as “Catherine and Henry had no surviving sons.” It’s still accurate, but the balance has been changed. Language needs to evolve to redress this false view of human life.
One astonishing quote in the book, from a man, explains that by ‘person’ he did not of course mean ‘woman’ – he only meant ‘man.’ This is certainly a step further from the assertion that of course the term ‘man’ is always taken by us all to mean ‘human beings.’ Personally I try to use the term ‘humankind’ as much as possible or ‘we’ or ‘human beings’. I do believe language has power; it determines our unconscious presumptions. The words we use do matter; they condition our attitude to the world, and lie behind all our prejudices and false judgements of others.
Among the entries in this books you will find archaeologists, nuclear physicists, mountaineers, peace activists, poets, novelists, artists, anti-slavery campaigners, environmentalists, human rights lawyers, anthropologists, fighter pilots, Viking warriors, nuclear scientist and many more. This book doesn’t presume that women have always been good. Tyrannical rulers are also included. The thesis of the book does not include moral judgements on that level; simply the invisibility of women in our histories.
You will find a woman who completed a course of undergraduate study at Cambridge University but were told she could not be awarded a degree because of being a woman; a female artist who created a famous self-portrait which was by default attributed to her husband; and numerous women who have been defined as ‘muses’ or ‘assistants’ to the more famous men in their lives, when they were in fact equal creators in their own right.
I highly recommend this book to all.
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It is my pleasure today to be part of the blog tour for a beautiful new book from the publisher Instant Apostle, a book which is a debut novel for its author, Joy Margetts.
During the Covid19 pandemic many have spoken about the experience of lockdown, and some have felt it has been a time to reflect and step aside from all our normal busyness, and view life with new eyes..
Although I agree with that, nevertheless, I don’t think anything of what we have experienced can compare with the deep inner peace and healing that has for centuries been associated with the monastic lifestyle. In fact the two areas of spirituality seeing the most growth, are those associated with cathedrals and monasteries. Of course, a few years ago many of us enjoyed the TV Series The Monastery, when a group of people from all walks of life and varieties of faith or no faith, tried out life in a Benedictine monastery for a few weeks, to see the impact, if any, it might have on their lives.
The Healing by Joy Margetts (published April 2021 by Instant Apostle)
Based partly on the author’s own experience, but transferred to 12th century France and Wales, this warm-hearted, compassionate and touching story draws the reader into the relationship between injured warrior/nobleman Philip de Braose (based on a real historical character) and his kind and compassionate mentor Brother Hywel of the Abbey Cymer in Wales.
We journey with Philip and Hywell from Philip’s near death on a French battlefield, and along the way we explore Philip’s traumatic past, and follow his path of healing and transformation, spiritual, emotional and psychological, as well as physical.
The book has the feel of a spiritual classic – a damaged, world-weary character meets a wise mentor who with gentleness and goodness opens up to him a new way of seeing the world and his place in it. Philip is a young man cast adrift, wounded in body, mind, and spirit, and his journey back to Wales with Hywell is a journey from despair to hope and new life. As the journey progresses, Hywel has many lessons to teach Philip, lessons in grace, humility, kindness, compassion and discernment.
Eventually we learn the back stories of both Hywel and Philip, and the tragedies, sorrows and regrets they have both suffered, and how they have come through them. The ability to move forward calls upon all their resources of forgiveness, both of others and of themselves.
Ultimately the story takes a surprising turn and rises to a very moving outcome.
What’s new here in Warwick, during what we hope will be the final months of the final lockdown?
I’m following lots of online courses – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill. And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!
I’m also well on my way through the last revision of my magical realist novel Director’s Cut. I hope soon to start working on a new non-fiction book for Amberley. This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.
In other news, I’ve been recording readings from my books Paranormal Warwickshire, Mystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel. Do listen to the stories here. The videos have been edited by my film and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!
I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.