Book Review: Mexican Gothic by Silvia Moreno-Garcia

Today I share a review of this historical gothic fantasy set in1950s Mexico.

Mexican Gothic by Silvia Moreno-Garcia

Mexican Gothic by Silvia Moreno-Garcia is a rich feast for lovers of gothic sinister-mansion stories.

Creepy, disturbing, sensuous, all the tropes are here. The story takes our main protagonist, Noemi Taboada, a lively socialite, into a truly menacing setting in a mountain landscape: a beautiful old house, a place of former grandeur, now showing ever-increasing signs of neglect. She has been drawn here by a frightened plea for help from her childhood friend and companion, Catalina, trapped in the house with her deeply unsettling husband, Virgil Doyle.

Noemi is greeted and ushered into the establishment by Florence, a sinister woman who reminds me of Mrs Danvers; and within the house we find the extremely handsome but unpleasant alpha male, Virgil, who controls the agenda. Above Virgil in the family hierarchy is his father Howard, a terrifying old man mostly confined to his room by an unnamed medical condition, who rarely appears, shows signs of extreme old age in a dead white face with startling intense blue eyes, and appears only to ask Noemi strange and suspicious questions about eugenics. Occupying the archetypal role of frail, vulnerable young victim, Catalina is held captive in the house and fed mysterious medications which alternately send her into manic frenzy or tip her into a drowsy semi-hypnotic state.

The heroine, beautiful and sassy Noemi, arrives as a visitor in this house of nightmares, intent on uncovering Catalina’s true situation and rescuing her. Noemi’s ally, Francis, is Virgil’s cousin, and appears to be the only warm, caring human being in the Doyle family; but we doubt his power to take action or provide any real help.

The story follows Noemi’s journey of discovery as she attempts to unravel the dark mysteries of the house, becoming increasingly persecuted by horrific sleepwalking dreams and waking visions.

She discovers beyond doubt that this is a sick house, emanating a toxic atmosphere which seeps into and distorts her own thoughts and desires. Decadent, depraved and magnetic, Virgil Doyle holds her in his power; Frances offers to help both young women escape, but we don’t know whether we can fully trust him either, as he too is held in the grip of the family’s terrible history.

The novel weaves an intense, compelling atmosphere which explodes in a phantasmagoria of gothic horror. My own taste does not extend to true horror, HP Lovecraft style, but that is what we encounter here. I enjoy trying out different genres, but horror would not be my genre of choice for further reading. If you love the gothic genre, complete with all its tropes, you will find that here, but be warned, the horror element is quite extreme! Nevertheless I enjoyed trying out a new author I had not encountered before.

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Book Review: ‘On This Day She’ by Jo Bell, Tania Hershman and Ailsa Holland

This is a book which will probably arouse many different emotional reactions in the reader: fascination, inspiration, astonishment, disgust, anger, depression… you name the life situation the reader is in, and that will determine his or her response to On This Day She by Jo Bell, Tania Hershman and Ailsa Holland.

Many different women, across all periods of history and many nations, continents and cultures, are represented in this book. Their lives and achievements encompass the full range of human endeavour, and the vast majority you may never have heard of, because history chose not to include them in its pages. But the cumulative effect of reading their biographies, all arranged under days of the calendar, is disturbing and uplifting by turns.

Some of these women were enormously successful and influential in their own individual spheres; others were treated with gross injustice and / or met untimely and tragic deaths. Some of them are indeed now acknowledged and recognised for their achievements – for example, the woman who invented the game of Monopoly (Lizzy Magie) but who never received either the credit or the income from her invention, which instead went to Charles Darrow.

I do believe there are signs of encouragement. In our world today, we all know about Greta, Malala, An Sang Su Chi, Nicola Sturgeon, Jacinda Ardern, Angela Merkel. Looking at history, we all know the names of such women as Elizabeth I, or Agatha Christie, or Florence Nightingale, or Jane Austen, or Mother Teresa. We do have a number of prominent women in the world today, whom we need to support and honour. This book reminds us that there have been many, many gifted women throughout history who have not been so honoured; in fact, far from that, they have been crushed and denigrated and marginalised. There is still a very long way to go before all members of the human race are treated equally, regardless of gender, and the many other factors which divide us.

Whilst reading this book, one of the many thoughts that came to my mind was this: JK Rowling, whom many admire, is strongly opinionated. She expresses her opinions fearlessly in the public arena, which she has every right to do. But would her opinions receive the same response if she was a man?

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This book makes you see history differently and through a new lens. Hard-hitting, discerning and sharp, the authors show us the way exceptional female movers and shakers have been rendered invisible by history. Much of this, the authors claim, is the consequence of a lazy use of “generic” language, and sentences framed to denigrate women and represent their role and purpose negatively. They give an example of this in the way in which Catherine of Aragon is summarised by history books as having “failed to provide Henry VIII with a male heir”. This can be rephrased as “Catherine and Henry had no surviving sons.” It’s still accurate, but the balance has been changed. Language needs to evolve to redress this false view of human life.

One astonishing quote in the book, from a man, explains that by ‘person’ he did not of course mean ‘woman’ – he only meant ‘man.’ This is certainly a step further from the assertion that of course the term ‘man’ is always taken by us all to mean ‘human beings.’ Personally I try to use the term ‘humankind’ as much as possible or ‘we’ or ‘human beings’. I do believe language has power; it determines our unconscious presumptions. The words we use do matter; they condition our attitude to the world, and lie behind all our prejudices and false judgements of others.

Among the entries in this books you will find archaeologists, nuclear physicists, mountaineers, peace activists, poets, novelists, artists, anti-slavery campaigners, environmentalists, human rights lawyers, anthropologists, fighter pilots, Viking warriors, nuclear scientist and many more. This book doesn’t presume that women have always been good. Tyrannical rulers are also included. The thesis of the book does not include moral judgements on that level; simply the invisibility of women in our histories.

You will find a woman who completed a course of undergraduate study at Cambridge University but were told she could not be awarded a degree because of being a woman; a female artist who created a famous self-portrait which was by default attributed to her husband; and numerous women who have been defined as ‘muses’ or ‘assistants’ to the more famous men in their lives, when they were in fact equal creators in their own right.

I highly recommend this book to all.

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Blog Tour and Book Review: The Healing by Joy Margetts

It is my pleasure today to be part of the blog tour for a beautiful new book from the publisher Instant Apostle, a book which is a debut novel for its author, Joy Margetts.

During the Covid19 pandemic many have spoken about the experience of lockdown, and some have felt it has been a time to reflect and step aside from all our normal busyness, and view life with new eyes..

Although I agree with that, nevertheless, I don’t think anything of what we have experienced can compare with the deep inner peace and healing that has for centuries been associated with the monastic lifestyle. In fact the two areas of spirituality seeing the most growth, are those associated with cathedrals and monasteries. Of course, a few years ago many of us enjoyed the TV Series The Monastery, when a group of people from all walks of life and varieties of faith or no faith, tried out life in a Benedictine monastery for a few weeks, to see the impact, if any, it might have on their lives.

Joy Margetts, author of The Healing

The Healing by Joy Margetts (published April 2021 by Instant Apostle)

Based partly on the author’s own experience, but transferred to 12th century France and Wales, this warm-hearted, compassionate and touching story draws the reader into the relationship between injured warrior/nobleman Philip de Braose (based on a real historical character) and his kind and compassionate mentor Brother Hywel of the Abbey Cymer in Wales.

We journey with Philip and Hywell from Philip’s near death on a French battlefield, and along the way we explore Philip’s traumatic past, and follow his path of healing and transformation, spiritual, emotional and psychological, as well as physical.

The book has the feel of a spiritual classic – a damaged, world-weary character meets a wise mentor who with gentleness and goodness opens up to him a new way of seeing the world and his place in it. Philip is a young man cast adrift, wounded in body, mind, and spirit, and his journey back to Wales with Hywell is a journey from despair to hope and new life. As the journey progresses, Hywel has many lessons to teach Philip, lessons in grace, humility, kindness, compassion and discernment.

Eventually we learn the back stories of both Hywel and Philip, and the tragedies, sorrows and regrets they have both suffered, and how they have come through them. The ability to move forward calls upon all their resources of forgiveness, both of others and of themselves.

Ultimately the story takes a surprising turn and rises to a very moving outcome.

Highly recommended.

The Healing by Joy Margetts is available from Instant Apostle, from the author’s own website http://www.joymargetts.com or from all online book retailers.

Joy’s social media links are as follows:

Website

Facebook Page

Spring 2021 Writing News


Spring is almost with us and new hope is rising.

What’s new here in Warwick, during what we hope will be the final months of the final lockdown?


I’m following lots of online courses  – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill.  And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!

I’ve also taken up acrylic painting. Having been inspired by the Grayson Perry Art Club I’m painting new pictures regularly in a naive style. Lockdown art has been my salvation. Now I have my eyes on the Royal Academy Summer Exhibition…. in my dreams at least!

I’m also well on my way through the last revision of my magical realist novel Director’s Cut.
I hope soon to start working on a new non-fiction book for Amberley.  This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.

In other news, I’ve been recording readings from my books Paranormal WarwickshireMystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel.  Do listen to the stories here.  The videos have been edited by my film  and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!

I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.

Signs of Spring

Jephson Gardens, Leamington Spa, offer the early signs of spring, and hope that we will move out of lockdown before too long and can perhaps look forward to a return to new life.

Snow in Warwickshire

Many of us love the arrival of snow – as long as it doesn’t last too long or lie too heavy or cause too much disruption…

When snow falls it creates an immediate transformation. We see the familar scenes in a different light. And many also associate it with fun – snowmen, toboggans, slides and snowball fights.

I love to see all the familiar trees and shrubs and objects set in sharp relief by the snow.

Guys Cliffe, the subject of chapter one in my new book, Paranormal Warwickshire, always takes on a fresh aura of mystery in the snow.

Guys Cliffe, Warwick

Paranormal Warwickshire is widely available online and via any bookshop.

Favourite Feel Good Action Heroes in Books and Cinema: TinTin and his Universal Appeal

During the Covid-19 Pandemic and throughout the three lockdowns in the UK, many have sought the consolation of escape – into books or films.  Every so often I return to one of my top favourites – The Adventures of TinTin: the Secret of the Unicorn. To my mind this film exemplifies classic story structure; but above all it centres upon a likeable, engaging young hero.  Each time I watch it I know again why I loved TinTin so much on TV during my teenage years.

The Adventures of TinTin movie poster
The Adventures of TinTin movie poster

The Adventures of TinTin: The Secret of the Unicorn (directed by Peter Jackson & Steven Spielberg) was released in 2011. So it’s been out a while.  But I write blog posts when something inspires or excites or moves me, and haunts me at night. And that’s what this TinTin story did.

I asked myself again, exactly what is the appeal of TinTin? He’s a totally beguiling hero. He’s Sherlock Holmes, James Bond and Spiderman all rolled into one fresh-faced boy hero – and of course his intrepid dog Snowy (originally named Milou by his creator, Herge).

As a child I loved adventure stories. I started with Enid Blyton and later I moved onto King Solomon’s Mines by Rider Haggard, and Prester John  by John Buchan and Moby Dick by Herman Melville. These stories have everything – at their best they not only excite and thrill, but also they move, and they teach you about this life, and they convey archetypal truths about human nature.

You can draw parallels with your own life, even if you don’t do exactly the same dangerous things. You can use the action hero’s experiences as a metaphor to help you clarify what has happened to you, and what attitude to take. This is the power of a great story.

Take the archetypal villain, who pursues his obsession to its bitter end.

There are people who live their lives like this. They’re all around us. They express it in their relationships. People who have never learned the art of letting go.

Their obsession leads to such things as ‘unfinished business’ when family members die; ‘skeletons’ that stay in cupboards for generations; vendettas that last decades, family members who don’t talk to each other for years.

The lesson the archetypal villain and his fate teaches is this: ‘People matter more than things’.

In this life, what matters most of all, above ‘due recompense’, above ‘getting satisfaction’, above ‘being right’, is human relationships – and of course this is the lesson the archetypal villain never learns, and which the hero instinctively honours, or the story wouldn’t satisfy us.

A hero learns, and changes. A villain never learns, and never changes.

TinTin is a hero who’s open to all that life has for him; he’s never held back by self-limiting beliefs; he’s ready to live on his wits, yet has an unerring instinct for a just cause, personified by a character who is flawed, but whose heart’s in the right place; then he throws in all his gifts on that character’s side.

Does this excite, inspire and move you, as it does me?

Magical light trail at Warwick Castle

On Wednesday 30th December at the end of the Covid year 2020, we visited the Light Trail at Warwick Castle.

As a local resident I have long been a frequent visitor to Warwick Castle, and of course it features in my latest book Paranormal Warwickshire.

Tonight the castle was especially magical. Merlin Entertainments really had excelled themselves.

Entering through the courtyard coach-house tea-rooms, we emerged out on the path to the castle.

Powerful beams intermittently bathed Guy’s Tower and the ramparts in mauve and green and blue, and the stalls of the Christmas Market were decked out in myriad lights.

As we entered the path to the light trail, I felt every trace of the anxiety and low spirits and fear and disappointment of this Covid-oppressed year melt away, and in its place all the excitement and wonder of childhood, at the magical vision that had been created in this iconic castle and its grounds.

We walked past the market stalls and along the trail, entering the castle courtyard through the arch to behold the battlements and gatehouse, Caesar’s Tower, the State Apartments, Time Tower and Elfrida’s Mound all washed by waves of alternating colours.

The voice of an actor broadcast around the courtyard the story of Sir Fulke Greville who after his arrival in 1604, transformed the castle into a grand palatial residence and created exquisite gardens here. He also, as a poet, entertained many famous literary figures here, among whose numbers William Shakespeare would have appeared.

Through the windows of the State Apartments we saw glimmering Christmas trees. Although visitors were not allowed to enter the Castle due to Covid restrictions, nevertheless we were able to gaze at the gorgeous decorations within the rooms.

Having circled the coutryard we left through the arch and made our way around past the Mound and down the slope and across the bridge to the island. In every aspect the castle and its grounds was transformed into something beyond this physical world. It is a beautiful, magical sight anyway, in broad daylight; but with the play of lights it was truly dreamlike.

Traversing the island and returning across the bridge we all climbed the slope to the left leading out into the fields beyond the Peacock Garden.

The giant trebuchet was irradiated with purple light, and the boathouse seemed like a gingerbread house from a child’s storybook.

All the while the full moon perfectly harmonised with the man-made light displays. The backdrop of trees glittered with rich colour, floodlit to set out in sharp relief the ones in front.

Every detail of the monkey puzzle tree glowed with crimson light.

There we passed numerous brightly coloured illuminated tents; and then a field of what looked like giant luminous fungi – in reality multi coloured open umbrellas on the grass.

We headed across the field to the illuminated tunnel where several couples couldn’t resist taking romantic selfies surrounded by the glittering lights.

We emerged into the peacock garden with is glowing Christmas tree and every feature of the garden delineated in lights.

Within the Orangery glittering Christmas Trees could be seen.

As we completed the trail and made our way out of the castle, an then on the long walk through the illuminated woodlands back to the car park, we took with us the joy and enchantment of this wonderful light trail.

Do check out more photos and many curious tales surrounding Warwick Castle in my book Paranormal Warwickshire.

Our Relentless Drive for Pursuit of Happiness Through Products – and the One Saving Grace

Happiness. An endless sandy beach, blissful sunshine, a turquoise sea spangled with silver, cocktails, a balmy breeze and… happiness? contentment? inner peace?

I was inspired to write this post by Andy Mort who runs Haven.

Andy occasionally sends out thought-provoking and discerning emails to his subscribers and I particularly agreed with him about the slippery soap that is our pursuit of happiness.

The pursuit of happiness puts me in mind of a brilliant book I read called “Finding Sanctuary” by Abbot Christopher Jamieson. In this book he talks about how we wear numerous masks during our lives, and in pursuit of happiness we constantly seek products which the advertising industry tells us are going to make us happy. We long for peace and a state of calm and inner contentment, and we seek it through more products, such as holidays. In fact we can never escape from the compulsion to seek the fulfilment of our ultimate longings within a product of some kind.

Being reflective about all this is such a good step on the journey to seeking some kind of release from this compulsive drive. It has been said by a doctor that everyone needs to go on retreat once a year (and of course Abbot Christopher was the one who featured in that TV programme The Monastery about the men who went on retreat). Though it could be argued that even a retreat is a product!!

I write this as I am busily selling a product myself …. a book called Paranormal Warwickshire – and I do my fair share of using marketing techniques tried and tested by the advertising industry – the Mr Bigs of this world. In fact when I think about it all, I could despair, except for the one saving grace that helps us keep it all in perspective – a sense of humour!

The Nature of Creative Inspiration and Practice – Inspiration from Hilary Mantel

Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.

Hilary Mantel with portrait of Thomas Cromwell

I loved what Hilary said about the process of writing.  It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and  I loved it.

I’ve read the first two novels in her Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies, and plan to read the final book of that trilogy, The Mirror and the Light.

In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.  

When you begin to write a novel, it can often be impossible to say  from which source the inspiration has come – and how far back in the past that inspiration had its source.

David Helfgott performing in Sydney
David Helfgott performing in Sydney

Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation

Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.

The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.

Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her.  He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.

The story awaits further editing, and I’d also welcome any willing beta readers!

Meanwhile I’m completing the sequel.

In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career. 

He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.

There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.

Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!