Spring 2021 Writing News


Spring is almost with us and new hope is rising.

What’s new here in Warwick, during what we hope will be the final months of the final lockdown?


I’m following lots of online courses  – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill.  And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!

I’ve also taken up acrylic painting. Having been inspired by the Grayson Perry Art Club I’m painting new pictures regularly in a naive style. Lockdown art has been my salvation. Now I have my eyes on the Royal Academy Summer Exhibition…. in my dreams at least!

I’m also well on my way through the last revision of my magical realist novel Director’s Cut.
I hope soon to start working on a new non-fiction book for Amberley.  This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.

In other news, I’ve been recording readings from my books Paranormal WarwickshireMystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel.  Do listen to the stories here.  The videos have been edited by my film  and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!

I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.

Signs of Spring

Jephson Gardens, Leamington Spa, offer the early signs of spring, and hope that we will move out of lockdown before too long and can perhaps look forward to a return to new life.

Snow in Warwickshire

Many of us love the arrival of snow – as long as it doesn’t last too long or lie too heavy or cause too much disruption…

When snow falls it creates an immediate transformation. We see the familar scenes in a different light. And many also associate it with fun – snowmen, toboggans, slides and snowball fights.

I love to see all the familiar trees and shrubs and objects set in sharp relief by the snow.

Guys Cliffe, the subject of chapter one in my new book, Paranormal Warwickshire, always takes on a fresh aura of mystery in the snow.

Guys Cliffe, Warwick

Paranormal Warwickshire is widely available online and via any bookshop.

Favourite Feel Good Action Heroes in Books and Cinema: TinTin and his Universal Appeal

During the Covid-19 Pandemic and throughout the three lockdowns in the UK, many have sought the consolation of escape – into books or films.  Every so often I return to one of my top favourites – The Adventures of TinTin: the Secret of the Unicorn. To my mind this film exemplifies classic story structure; but above all it centres upon a likeable, engaging young hero.  Each time I watch it I know again why I loved TinTin so much on TV during my teenage years.

The Adventures of TinTin movie poster
The Adventures of TinTin movie poster

The Adventures of TinTin: The Secret of the Unicorn (directed by Peter Jackson & Steven Spielberg) was released in 2011. So it’s been out a while.  But I write blog posts when something inspires or excites or moves me, and haunts me at night. And that’s what this TinTin story did.

I asked myself again, exactly what is the appeal of TinTin? He’s a totally beguiling hero. He’s Sherlock Holmes, James Bond and Spiderman all rolled into one fresh-faced boy hero – and of course his intrepid dog Snowy (originally named Milou by his creator, Herge).

As a child I loved adventure stories. I started with Enid Blyton and later I moved onto King Solomon’s Mines by Rider Haggard, and Prester John  by John Buchan and Moby Dick by Herman Melville. These stories have everything – at their best they not only excite and thrill, but also they move, and they teach you about this life, and they convey archetypal truths about human nature.

You can draw parallels with your own life, even if you don’t do exactly the same dangerous things. You can use the action hero’s experiences as a metaphor to help you clarify what has happened to you, and what attitude to take. This is the power of a great story.

Take the archetypal villain, who pursues his obsession to its bitter end.

There are people who live their lives like this. They’re all around us. They express it in their relationships. People who have never learned the art of letting go.

Their obsession leads to such things as ‘unfinished business’ when family members die; ‘skeletons’ that stay in cupboards for generations; vendettas that last decades, family members who don’t talk to each other for years.

The lesson the archetypal villain and his fate teaches is this: ‘People matter more than things’.

In this life, what matters most of all, above ‘due recompense’, above ‘getting satisfaction’, above ‘being right’, is human relationships – and of course this is the lesson the archetypal villain never learns, and which the hero instinctively honours, or the story wouldn’t satisfy us.

A hero learns, and changes. A villain never learns, and never changes.

TinTin is a hero who’s open to all that life has for him; he’s never held back by self-limiting beliefs; he’s ready to live on his wits, yet has an unerring instinct for a just cause, personified by a character who is flawed, but whose heart’s in the right place; then he throws in all his gifts on that character’s side.

Does this excite, inspire and move you, as it does me?

Magical light trail at Warwick Castle

On Wednesday 30th December at the end of the Covid year 2020, we visited the Light Trail at Warwick Castle.

As a local resident I have long been a frequent visitor to Warwick Castle, and of course it features in my latest book Paranormal Warwickshire.

Tonight the castle was especially magical. Merlin Entertainments really had excelled themselves.

Entering through the courtyard coach-house tea-rooms, we emerged out on the path to the castle.

Powerful beams intermittently bathed Guy’s Tower and the ramparts in mauve and green and blue, and the stalls of the Christmas Market were decked out in myriad lights.

As we entered the path to the light trail, I felt every trace of the anxiety and low spirits and fear and disappointment of this Covid-oppressed year melt away, and in its place all the excitement and wonder of childhood, at the magical vision that had been created in this iconic castle and its grounds.

We walked past the market stalls and along the trail, entering the castle courtyard through the arch to behold the battlements and gatehouse, Caesar’s Tower, the State Apartments, Time Tower and Elfrida’s Mound all washed by waves of alternating colours.

The voice of an actor broadcast around the courtyard the story of Sir Fulke Greville who after his arrival in 1604, transformed the castle into a grand palatial residence and created exquisite gardens here. He also, as a poet, entertained many famous literary figures here, among whose numbers William Shakespeare would have appeared.

Through the windows of the State Apartments we saw glimmering Christmas trees. Although visitors were not allowed to enter the Castle due to Covid restrictions, nevertheless we were able to gaze at the gorgeous decorations within the rooms.

Having circled the coutryard we left through the arch and made our way around past the Mound and down the slope and across the bridge to the island. In every aspect the castle and its grounds was transformed into something beyond this physical world. It is a beautiful, magical sight anyway, in broad daylight; but with the play of lights it was truly dreamlike.

Traversing the island and returning across the bridge we all climbed the slope to the left leading out into the fields beyond the Peacock Garden.

The giant trebuchet was irradiated with purple light, and the boathouse seemed like a gingerbread house from a child’s storybook.

All the while the full moon perfectly harmonised with the man-made light displays. The backdrop of trees glittered with rich colour, floodlit to set out in sharp relief the ones in front.

Every detail of the monkey puzzle tree glowed with crimson light.

There we passed numerous brightly coloured illuminated tents; and then a field of what looked like giant luminous fungi – in reality multi coloured open umbrellas on the grass.

We headed across the field to the illuminated tunnel where several couples couldn’t resist taking romantic selfies surrounded by the glittering lights.

We emerged into the peacock garden with is glowing Christmas tree and every feature of the garden delineated in lights.

Within the Orangery glittering Christmas Trees could be seen.

As we completed the trail and made our way out of the castle, an then on the long walk through the illuminated woodlands back to the car park, we took with us the joy and enchantment of this wonderful light trail.

Do check out more photos and many curious tales surrounding Warwick Castle in my book Paranormal Warwickshire.

Our Relentless Drive for Pursuit of Happiness Through Products – and the One Saving Grace

Happiness. An endless sandy beach, blissful sunshine, a turquoise sea spangled with silver, cocktails, a balmy breeze and… happiness? contentment? inner peace?

I was inspired to write this post by Andy Mort who runs Haven.

Andy occasionally sends out thought-provoking and discerning emails to his subscribers and I particularly agreed with him about the slippery soap that is our pursuit of happiness.

The pursuit of happiness puts me in mind of a brilliant book I read called “Finding Sanctuary” by Abbot Christopher Jamieson. In this book he talks about how we wear numerous masks during our lives, and in pursuit of happiness we constantly seek products which the advertising industry tells us are going to make us happy. We long for peace and a state of calm and inner contentment, and we seek it through more products, such as holidays. In fact we can never escape from the compulsion to seek the fulfilment of our ultimate longings within a product of some kind.

Being reflective about all this is such a good step on the journey to seeking some kind of release from this compulsive drive. It has been said by a doctor that everyone needs to go on retreat once a year (and of course Abbot Christopher was the one who featured in that TV programme The Monastery about the men who went on retreat). Though it could be argued that even a retreat is a product!!

I write this as I am busily selling a product myself …. a book called Paranormal Warwickshire – and I do my fair share of using marketing techniques tried and tested by the advertising industry – the Mr Bigs of this world. In fact when I think about it all, I could despair, except for the one saving grace that helps us keep it all in perspective – a sense of humour!

The Nature of Creative Inspiration and Practice – Inspiration from Hilary Mantel

Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.

Hilary Mantel with portrait of Thomas Cromwell

I loved what Hilary said about the process of writing.  It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and  I loved it.

I’ve read the first two novels in her Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies, and plan to read the final book of that trilogy, The Mirror and the Light.

In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.  

When you begin to write a novel, it can often be impossible to say  from which source the inspiration has come – and how far back in the past that inspiration had its source.

David Helfgott performing in Sydney
David Helfgott performing in Sydney

Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation

Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.

The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.

Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her.  He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.

The story awaits further editing, and I’d also welcome any willing beta readers!

Meanwhile I’m completing the sequel.

In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career. 

He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.

There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.

Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!

Extract from the Introduction to Paranormal Warwickshire

I have heard, but not believed,

The spirits of the dead

May walk again

William Shakespeare

So says William Shakespeare, through the lips of Antigonus in Act 3 Scene 3 of The Winter’s Tale.

William Shakespeare Engraving First Folio 1623 by Martin Droeshout
William Shakespeare Engraving First Folio 1623 by Martin Droeshout

Did Shakespeare believe in ghosts and spirits? Opinions are divided; Herbert,  Shakespearean actor, who led us around Stratford-upon-Avon one evening on the town ghost tour, maintained that Shakespeare did; whereas a distinguished Cambridge professor, examining the Bard’s use of paranormal manifestations throughout his plays, concluded that he believed these are all ‘emanations from the mind.’

Hamlet and his father's ghost. Shakespeare's Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
Hamlet and his father’s ghost. Shakespeare’s Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons.

We cannot say for sure what Shakespeare believed; but his works are full of ghosts and spirits. It is known that he himself played the part of his most famous and loquacious ghost, the spirit of Hamlet’s father, many times, and it was the top of his performance as an actor, according to his first biographer. This is the ghost of whom Hamlet says:

 The spirit that I have seen

May be a devil, and the devil hath power

To assume a pleasing shape.

William Shakespeare

And yet throughout the play Hamlet continues to explore and agonise over the true nature of the spirit he has seen, with the input of his sceptical friend Horatio; and he reaches different conclusions according to the state of his mind.

Whether because they made excellent dramatic devices, or because their presence in Shakespeare’s plays denotes something much deeper, more complex and hidden within the recesses of his own heart, it is true his county, Warwickshire, is saturated even today in strange events for which there is no scientific explanation.

Ghost Banquo at Feast. Shakespeare's Macbeth. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
The Ghost of Banquo at the Feast. Shakespeare’s Macbeth. Image sourced from Wikimedia Commons.

I’ve lived in Warwickshire for twenty-five years, at the time of writing.  I’ve grown to love and feel a deep connection with some of this county’s most iconic locations: castles, houses, and churches; and also some of its less familiar ones.

Thomas Oken House Warwick
Thomas Oken’s House Warwick – photo credit Jamie Robinson

All of these places have rich and complex stories to tell which span the full range of the emotional, moral and spiritual spectrum, as befits the county of Shakespeare.

Brutus & Caesar's Ghost 1802 Wikimedia commons Shakespeare Julius Caesar SC Skillman Paranormal Warwickshire
Brutus and the Ghost of Caesar from Shakespeare’s Julius Caesar. Painting dated 1802. Image sourced from Wikimedia Commons

But the stories here acknowledge that energy lingers in many places other than manor houses, abbeys and castles. They also tell of ordinary people going about their business in a very familiar, even mundane environment. It’s about shop owners and sales staff, families in terraced houses and busy commuters on a railway platform. Some of the stories you will find here are those that people kept to themselves, for a long time, for fear of being ridiculed.

Shakespeare monument Holy Trinity Church Stratford upon Avon
Shakespeare’s monument above his grave in Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

 Our task here is simply to listen to the stories that people tell, and, like Hamlet, to explore the nature of these strange experiences both with our hearts and our minds, and reach our own conclusions.

Paranormal Warwickshire is available everywhere good books are sold.

Virginia Woolf on the art of reading a book

Listening to an interview by Andrew Marr on BBC Radio 4 the other day, I was delighted to learn that Virginia Woolf‘s classic essay How Should One Read a Book? has been republished in a new edition (12 October 2020).

Virginia Woolf

I studied this text in school as part of my GCE ‘O’ level English Literature syllabus. Ironically, although I found Virginia Woolf’s novels quite challenging to read (although I loved Orlando), that is not the case for this essay. That’s probably because it was originally a talk given at a girls school in Sevenoaks in 1926. I still remember the impact Virginia’s words had on me. The essay is very accessible, and Virginia writes with passion on her subject.

One of her observations appeals to me: “you haven’t read a book properly until you’ve talked about it”. Brilliant! How that makes the heart of an author sing. Nowadays of course authors often look for their readers to “talk about” their books, either in book clubs, or by personal recommendation, or by posting an Amazon or Goodreads review online.

Authors and publishers also, of course, value professional reviews in the major periodicals and newspapers; and these reviews are often quoted at length in the front matter of very popular books. Personally, I prefer not to know the details of what other people think until I’ve read the book – or at least until I’m halfway through. I want to make my own response to the book.

But these are the days when everyday readers – all those out there who love reading books – have power, with their opinions and feelings. Every response to a book is valid. I remember my creative writing teacher at Lancaster University saying:

“Once you’ve written your book, and it’s published, and out in the world, it doesn’t belong to you any more. It becomes a Thing on the Table, for anybody to make what they want of it.”

This view is echoed by Philip Pullman , the author of His Dark Materials trilogy, who, in a recent very enjoyable Society of Authors webinar, said that while you are writing a book, it doesn’t matter what anybody else thinks. You write what you like and you don’t worry what anybody else thinks: they can mind their own business. When it’s published it’s a different matter. It’s not yours any more. The world can then make what it likes of your book.

Passion for reading, for the different worlds you may enter and explore when you are a voracious reader, shines out from Virginia’s essay.

Here is one quote from Virginia Woolf which many readers have seized upon, as it confirms the joy and the richness of being a great reader. I quote this near the end of my author talk on The Power of Story – for one of my goals is to enhance or re-awaken a love of reading.

“I have sometimes dreamt … that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards — their crowns, their laurels, their names carved indelibly upon imperishable marble — the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”

Virginia Woolf, in The Second Common Reader

SC Skillman

Psychological, paranormal and mystery fiction and non-fiction.

Paranormal Warwickshire was published 15th November 2020

Available everywhere good books are sold.

Paranormal Warwickshire is Now Live!

I’m delighted to announce that Paranormal Warwickshire has now been released by Amberley Publishing.

Paranormal Warwickshire by SC Skillman book cover
Paranormal Warwickshire by SC Skillman book cover

It was a very exciting moment when I received my box of books.

Author SC Skillman opening box of books Paranormal Warwickshire
Author SC Skillman opening box of books Paranormal Warwickshire

Here’s an early review from fellow author and blogger Ritu Bhathal, who received an advance review copy:

A fantastic book filled with tales of ghostly sightings across the county of Warwickshire.
SC Skillman has found some intriguing stories and researched their background and possible origins. The results are fascinating and eye-opening.
I especially loved the accompanying photographs, old and new, showing the different castles and buildings where these events are said to have taken place.
Warwickshire was where I grew up, and we regularly visited places like Warwick Castle, Kenilworth Castle, Stratford-Upon-Avon and Leamington Spa, so this book held an extra special interest for me.
Thank you to the author for providing me with an arc, for an honest review.

 

Thank you Ritu and I’m so glad you enjoyed the book!

Check out Ritu’s lovely blog here:

Another early reviewer, Marje Mallon, wrote this:

 

Thank you so much to the author for entrusting me with an advanced readers copy for an honest review.

I have always been fascinated by the paranormal and have had a far few ghostly and strange experiences myself, so this book by S. C. Skillman caught and kept my attention throughout.

It’s a well-researched, detailed and beautifully photographed book. Some of the images within are by S.C. Skillman herself.

If you like tales of haunted castles, churches, theatres, hotels, manor houses and many more locations beside, (a ghost can hang out anywhere they feel drawn to,) this is for you!

The collection begins in Warwick and moves on to various locations in Warwickshire: Kenilworth, Stratford-upon-Avon, Lapworth, Alcester, Rugby, Nuneaton (Birthplace of George Eliot,) and Leamington Spa.

Some of my favourite tales within included ghostly tales from theatres: in Stratford-upon-Avon, Royal Shakespeare Theatre. The ‘grey lady’ ‘is thought by by many to be the spirit of Elisabeth Scott, and is one of the theatre’s most well-known ghosts.’ ‘She appears so real she is often mistaken for a lost theatregoer.’ ‘It seems that many who have loved this theatre in their lifetimes cannot turn away from this magical and evocative place.’

And in Rugby Theatre: ‘One of the stories told here is of a woman seen floating down the stairs. It is thought she was an usherette in former times…’

It’s an interesting collection and one that will encourage you to explore the paranormal. After reading, you will want to visit these locations first hand to see if you experience the haunting visitations described within. Who knows, you might even want to become a paranormal investigator!
 

 

Thank you Marje for your review.  And for all who’d like to  visit Marje’s blog, it’s here.

And if you’d like the chance to hear me reading from the book and answering questions from those who came to my Facebook Live launch event, do check it out here:    https://www.facebook.com/scskillman

You can buy the book on all major online retail sites, and order it from your local bookshop. 

Here are a few places to go to buy the book: Waterstonesbookshop.org; Amazon; Hive.