Book Review: The Thorn of Truth by S.L. Russell

Today I am pleased to be reviewing an Advance Review copy of the latest novel by author S.L. Russell: The Thorn of Truth.

The Thorn of Truth by S.L. Russell published by Lion Fiction 21st May 2021

Having read three of this author’s previous novels I see her as a writer who opens up major ethical issues in our contemporary society, in such a way that they present a spiritual challenge to the main protagonist – and also engage us in our own dilemmas.

In each of S.L. Russell’s previous novels I have learned many new things about a profession which had formerly been a mystery to me: in her novel The Healing Knife I felt I was in the operating theatre with a senior surgeon, understanding all the details of major surgery; in this novel I found myself in a world of barristers and judges and courtrooms and the Inns of Court and the Middle Temple.

Our main protagonist Anna, a barrister, is faced with a direct personal challenge; a corrupt police officer is keen to use a new court case to put away a man he has long believed to be a drug-lord – and Anna is required to defend him in this case which she believes weak, and in which she feels convinced he is innocent. Yet she herself has strong personal reasons to get this man put down for a long time: he may well be responsible for a life-altering tragedy in her own close family.

Anna must put her own personal feelings aside and do what is right.

In this author’s previous novels, I have come to see her as a novelist who always surprises the reader with the direction in which she ultimately takes her story.

Each time, for me, the focus of the story has shifted. I think the novel is about one thing; and then it changes, and becomes something else entirely. Yet the focus on the central ethical issue remains strong.

In The Thorn of Truth, our main protagonist Anna takes a decision to defend Leaman, a man who might be a Mr Big in the drug world. She must do this despite the fact that her family may condemn her for her actions. Then her own personal involvement is complicated by her daughter’s new and growing friendship with Leaman’s own daughter. Later on the story becomes less about the guilt or innocence of this man in regard to the drugs, and instead focuses on the true killer in the current case, and the shocking and unexpected risk to her daughter Millie’s life.

In this story too, S.L. Russell interweaves the lives of three characters from her previous novel, as Anna meets and builds up a relationship with Rachel, the main protagonist of The Healing Knife, and Rachel’s husband Michael and step-son Jasper.

I found Anna’s relationship with her daughter Millie the strongest element of the novel, and was gripped by the crisis that flares up.

Ultimately this is a novel of big moral issues causing agonising ethical dilemmas which test the spiritual values of the main protagonist.

Another challenging and powerful novel from S.L. Russell.

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Book Review: Spirited by Julie Cohen

Today I share with you my review of Spirited by Julie Cohen, published by Orion July 2020.

Spirited by Julie Cohen

I loved this book; I found it enchanting, and it gripped me throughout. Set in the mid nineteenth century in England and India, the story covers spiritualism, so-called “spirit photography”, the oppression of women in Victorian times, and the power of women to assert their identity and to triumph over suffocating prejudice.

The novel reminded me of Affinity by Sarah Waters, published by Virago, another book which captivated me.

Affinity by Sarah Waters

Fans of that book will love this one. Curiously, the colour and design of the covers on both books is very similar.

Julie Cohen’s mastery of atmosphere is compelling and as she builds the sense of mystery, the sympathy of the reader must surely rest with all three main characters, with Jonah who has returned to England from tragic events in India; with Viola, who responds to her grief at her father’s death by giving herself heart and soul to her photography; and to Henriette, strong and resilient, who rises above the cruelty and abuse she has received in the past.

Blended into all this is an intelligent and powerful debate about life after death and the various things we cling to in order to uphold our beliefs. Very highly recommended.

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Book Review: ‘Hamnet’ by Maggie O’Farrell

I waited quite a long time for Waterstones to send me this book; and having received it, I spent the next few hours devouring this story of William Shakespeare’s family and the tragic death of his 11 year old son Hamnet.

Book cover of Hamnet by Maggie O’Farrell

Living as I do near Stratford-upon-Avon I have visited all the Shakespeare properties a number of times. I will never experience Shakespeare’s Birthplace the same way again, now I have read this book. As I enter the rooms, I will imagine Ann Hathaway giving birth here, to her twins Judith and Hamnet; and in another room I will think of her laying out Hamnet’s body with loving care, sewing him into his shroud; and in another, of John Shakespeare browbeating William, or of his sister questioning or advising him.

Ann in this story is called Agnes; William himself is never named but called either ‘the Latin Tutor’ or ‘her husband’ or ‘their father / brother’. So we think of him in his relationships as an ordinary family man, rather than being distracted by the weight of his awesome reputation, over five centuries later.

The story initially moves back and forwards between two time-frames: the time of Agnes’ pregnancy with Suzanne, and the turbulent reaction of the families, and her subsequent marriage to Will; and then to the final 24 hours of Hamnet’s life, 13 years later as he falls victim to the Bubonic Plague. Life and death, beginnings and endings, are constantly interwoven, folding back on each other.

I found the book very intense, full of exquisite moment-by-moment accounts of highly emotional events, and the long period of Agnes’ grief, while her husband is in London on one of his long absences.

Will’s sister Eliza is the go-between in that she, unlike Agnes, is literate and can write the letters Agnes dictates and read the letters Will sends in return. Some have thought William Shakespeare very unloving to his wife and family, spending so much time away from them; but in this story we are offered a much more sympathetic picture. Will asks Agnes to come to London to live with him but she refuses as she fears Judith’s delicate health will suffer in the disease ridden city streets.

Ultimately with his London money Will is able to buy the gracious mansion at New Place; and I loved the descriptions of Agnes creating her dream garden there, planting many fruit trees and medicinal herbs and keeping bees and a host of cats.

The epiphany in this story comes with Agnes’ realisation of the true significance of her husband’s new tragedy ‘Hamlet’.

This is a book which will certainly have you scurrying to Google to check up on the known facts of William Shakespeare’s life and family members. You will see him in a new light and may also be deeply moved by the reality of life and death in 15th & 16th century England. A very highly recommended book.

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Book Reviews: The Poetry of Phil Hill

Today, I’m pleased to be able to bring you my reviews of a collection of poetry books written by local Leamington Spa poet Phil Hill, which will be of interest not only to all those who love cutting edge contemporary poetry, but also to those who wish to gain a deeper insight into mental health issues in our society.

The books are as follows and may be purchased through Phil’s own poetry website Phil Hill Poetry – Books, Amazon Books, Books, Poems

Beyond the Wilderness by PM Hill pub 2018 chipmunkapublishing

Love/Resistance/Rebellion by PM Hill pub 2020 chipmunkapublishing

The End of A Rainbow by Phil Hill pub Jem Stone Publications

Hero by Phil Hill pub Jem Stone Publications

The Heroine by Phil Hill pub Jem Stone Publications

The Heroine

This is a very touching, insightful and vivid collection of poems commemorating the life of Geraldine, the author’s wife, who suffered much from mental illness, and from whose struggles we can all learn, described in spare, unsentimental lines of poetry by Phil Hill.

The poems chart Geraldine’s life from the time she and Phil met through their growing relationship, through some of the challenges of their twenty year marriage and Geraldine’s eventual tragic death, too young.

I found many of the poems very touching and poignant, often giving real insight into how it feels to go through the ill health that Geraldine suffered, with such distressing experiences as panic attacks and obsessive eating binges.

Yet within the poems there are flashes of humour, in the poet’s sharp observations of daily life. His admiration and love for Geraldine shines through. Highly recommended to all those who like the Own Voice genre of literature and who value poems which shine a light on areas of life many may fear to contemplate or would prefer to avoid. If we have never suffered as Geraldine did, we can count ourselves blessed and we can learn from reading of her brave life.

The Hero

Phil Hill is a poet whose observations of contemporary society are both sharp and discerning. He covers major themes such as loss, regret, integrity, conformity and commercial manipulation.

His voice is sensitive, emotionally stirring and both raw and vulnerable. In these poems we see our society reflected back to us, with all its irony, its disposable values, social conditioning and its shaky hold on truth. With touches of humour and flashes of anger, this poet’s voice is one to listen to, and he offers a testimony  from which we may leamany orn much.

In many of Phil’s poems, his own voice shines through: strong, powerful and challenging: often showing us how the judgement and labels of others is the very worst thing of all.


Greater education and communication and knowledge and understanding are still  desperately needed, although mental health issues are becoming much more prominent on the public agenda. There is a long way to go, for this to infiltrate people’s minds throughout society, but the more people learn about it and gain new understanding and share imaginative and engaging media about it, the more things will improve: ignorance is our greatest enemy.


Phil’s poems are often very emotionally stirring: sharp, and relevant to  the emotional and psychological landscape of the times we are living through. 

His poem about lockdown conveys the feeling of insecurity, fear, disconnection, uncertainty, with very few words. It opens our eyes to the profound psychological effect this will have on so many, long after we have got R down to zero (if we ever do).  I look forward to Phil’s first poem when he clearly sees light at the end of the tunnel!

Other poems are sad and yet touching, written with Phil’s characteristic simplicity and economy of words.  These are dangerous and uncertain times for all of us.

And Phil writes from a deep place within himself.

The books may be purchased from Shop | Phil Hill Poetry

I recommend Phil’s poetry to you, and to all those who wish to gain a deeper insight into mental health issues.

Spring 2021 Writing News


Spring is almost with us and new hope is rising.

What’s new here in Warwick, during what we hope will be the final months of the final lockdown?


I’m following lots of online courses  – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill.  And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!

I’ve also taken up acrylic painting. Having been inspired by the Grayson Perry Art Club I’m painting new pictures regularly in a naive style. Lockdown art has been my salvation. Now I have my eyes on the Royal Academy Summer Exhibition…. in my dreams at least!

I’m also well on my way through the last revision of my magical realist novel Director’s Cut.
I hope soon to start working on a new non-fiction book for Amberley.  This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.

In other news, I’ve been recording readings from my books Paranormal WarwickshireMystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel.  Do listen to the stories here.  The videos have been edited by my film  and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!

I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.

Favourite Feel Good Action Heroes in Books and Cinema: TinTin and his Universal Appeal

During the Covid-19 Pandemic and throughout the three lockdowns in the UK, many have sought the consolation of escape – into books or films.  Every so often I return to one of my top favourites – The Adventures of TinTin: the Secret of the Unicorn. To my mind this film exemplifies classic story structure; but above all it centres upon a likeable, engaging young hero.  Each time I watch it I know again why I loved TinTin so much on TV during my teenage years.

The Adventures of TinTin movie poster
The Adventures of TinTin movie poster

The Adventures of TinTin: The Secret of the Unicorn (directed by Peter Jackson & Steven Spielberg) was released in 2011. So it’s been out a while.  But I write blog posts when something inspires or excites or moves me, and haunts me at night. And that’s what this TinTin story did.

I asked myself again, exactly what is the appeal of TinTin? He’s a totally beguiling hero. He’s Sherlock Holmes, James Bond and Spiderman all rolled into one fresh-faced boy hero – and of course his intrepid dog Snowy (originally named Milou by his creator, Herge).

As a child I loved adventure stories. I started with Enid Blyton and later I moved onto King Solomon’s Mines by Rider Haggard, and Prester John  by John Buchan and Moby Dick by Herman Melville. These stories have everything – at their best they not only excite and thrill, but also they move, and they teach you about this life, and they convey archetypal truths about human nature.

You can draw parallels with your own life, even if you don’t do exactly the same dangerous things. You can use the action hero’s experiences as a metaphor to help you clarify what has happened to you, and what attitude to take. This is the power of a great story.

Take the archetypal villain, who pursues his obsession to its bitter end.

There are people who live their lives like this. They’re all around us. They express it in their relationships. People who have never learned the art of letting go.

Their obsession leads to such things as ‘unfinished business’ when family members die; ‘skeletons’ that stay in cupboards for generations; vendettas that last decades, family members who don’t talk to each other for years.

The lesson the archetypal villain and his fate teaches is this: ‘People matter more than things’.

In this life, what matters most of all, above ‘due recompense’, above ‘getting satisfaction’, above ‘being right’, is human relationships – and of course this is the lesson the archetypal villain never learns, and which the hero instinctively honours, or the story wouldn’t satisfy us.

A hero learns, and changes. A villain never learns, and never changes.

TinTin is a hero who’s open to all that life has for him; he’s never held back by self-limiting beliefs; he’s ready to live on his wits, yet has an unerring instinct for a just cause, personified by a character who is flawed, but whose heart’s in the right place; then he throws in all his gifts on that character’s side.

Does this excite, inspire and move you, as it does me?

The Nature of Creative Inspiration and Practice – Inspiration from Hilary Mantel

Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.

Hilary Mantel with portrait of Thomas Cromwell

I loved what Hilary said about the process of writing.  It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and  I loved it.

I’ve read the first two novels in her Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies, and plan to read the final book of that trilogy, The Mirror and the Light.

In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.  

When you begin to write a novel, it can often be impossible to say  from which source the inspiration has come – and how far back in the past that inspiration had its source.

David Helfgott performing in Sydney
David Helfgott performing in Sydney

Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation

Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.

The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.

Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her.  He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.

The story awaits further editing, and I’d also welcome any willing beta readers!

Meanwhile I’m completing the sequel.

In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career. 

He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.

There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.

Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!

Extract from the Introduction to Paranormal Warwickshire

I have heard, but not believed,

The spirits of the dead

May walk again

William Shakespeare

So says William Shakespeare, through the lips of Antigonus in Act 3 Scene 3 of The Winter’s Tale.

William Shakespeare Engraving First Folio 1623 by Martin Droeshout
William Shakespeare Engraving First Folio 1623 by Martin Droeshout

Did Shakespeare believe in ghosts and spirits? Opinions are divided; Herbert,  Shakespearean actor, who led us around Stratford-upon-Avon one evening on the town ghost tour, maintained that Shakespeare did; whereas a distinguished Cambridge professor, examining the Bard’s use of paranormal manifestations throughout his plays, concluded that he believed these are all ‘emanations from the mind.’

Hamlet and his father's ghost. Shakespeare's Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
Hamlet and his father’s ghost. Shakespeare’s Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons.

We cannot say for sure what Shakespeare believed; but his works are full of ghosts and spirits. It is known that he himself played the part of his most famous and loquacious ghost, the spirit of Hamlet’s father, many times, and it was the top of his performance as an actor, according to his first biographer. This is the ghost of whom Hamlet says:

 The spirit that I have seen

May be a devil, and the devil hath power

To assume a pleasing shape.

William Shakespeare

And yet throughout the play Hamlet continues to explore and agonise over the true nature of the spirit he has seen, with the input of his sceptical friend Horatio; and he reaches different conclusions according to the state of his mind.

Whether because they made excellent dramatic devices, or because their presence in Shakespeare’s plays denotes something much deeper, more complex and hidden within the recesses of his own heart, it is true his county, Warwickshire, is saturated even today in strange events for which there is no scientific explanation.

Ghost Banquo at Feast. Shakespeare's Macbeth. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
The Ghost of Banquo at the Feast. Shakespeare’s Macbeth. Image sourced from Wikimedia Commons.

I’ve lived in Warwickshire for twenty-five years, at the time of writing.  I’ve grown to love and feel a deep connection with some of this county’s most iconic locations: castles, houses, and churches; and also some of its less familiar ones.

Thomas Oken House Warwick
Thomas Oken’s House Warwick – photo credit Jamie Robinson

All of these places have rich and complex stories to tell which span the full range of the emotional, moral and spiritual spectrum, as befits the county of Shakespeare.

Brutus & Caesar's Ghost 1802 Wikimedia commons Shakespeare Julius Caesar SC Skillman Paranormal Warwickshire
Brutus and the Ghost of Caesar from Shakespeare’s Julius Caesar. Painting dated 1802. Image sourced from Wikimedia Commons

But the stories here acknowledge that energy lingers in many places other than manor houses, abbeys and castles. They also tell of ordinary people going about their business in a very familiar, even mundane environment. It’s about shop owners and sales staff, families in terraced houses and busy commuters on a railway platform. Some of the stories you will find here are those that people kept to themselves, for a long time, for fear of being ridiculed.

Shakespeare monument Holy Trinity Church Stratford upon Avon
Shakespeare’s monument above his grave in Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

 Our task here is simply to listen to the stories that people tell, and, like Hamlet, to explore the nature of these strange experiences both with our hearts and our minds, and reach our own conclusions.

Paranormal Warwickshire is available everywhere good books are sold.

Paranormal Warwickshire Extracts Part 9: Nuneaton

This is the ninth in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.

George Eliot Hotel in Nuneaton (photo credit Jamie Robinson)

Nuneaton is strongly associated with one of the greatest of English novelists, George Eliot, who was born on the Arbury Hall estate here and brought up in Nuneaton; this background afforded her the opportunity to meet people in all walks of life, the ‘high-born’ and also the working people. From these she found much inspiration and demonstrated her insight through her many fictional characters. George Eliot is rightly celebrated in the town of her birth and upbringing. In harmony with her own literary focus, I found that some of the most extraordinary tales in my book come from working people in their everyday environment.

60 & 62 Queens Road Nuneaton, during the time the property was owned and managed by Angela Collings as The Entertainment Exchange

Here’s an extract from Paranormal Warwickshire.

As we have seen, George Eliot was a radical intellectual; her novella ‘The Lifted Veil’ (an example of the Victorian horror genre), published in July 1859, is unique amongst her works for its supernatural premise. It explores themes of extra-sensory perception, the essence of physical life, the possibility of life after death, and the power of fate.

  I believe that if George Eliot had been alive and writing her novels 200 years later she would have been keen to bring her spirit of enquiry into the extraordinary series of events reported by ordinary working people in their workplaces at Queens Road, Nuneaton, in the late 20th/early 21st century.

   Queens Road was in former times the main street of the town until it was split into two parts by the Nuneaton ring road. In Queens Road, strange events are reported by the staff of several retail businesses – and none more so than those who have worked at number 62. Angela, the former lessee, experienced supernatural disturbances there for several years along with many staff members and customers,

   Angela first bought no. 60 Queens Road in order to start up a business with her partner Dawn, selling video games and movies.

    Having made a success of this, they leased 62 and turned their business into a big two floor music store. Entertainment Exchange opened in 1994 and became the biggest music / gaming / film collectors store in the West Midlands. This culminated at the height of the business in their having twenty-five staff on the rota at any given time.

   Both buildings are extremely historic and atmospheric; Angela’s account focuses on  62 where she spent most of her time during the twenty years she traded there. As from 2014, Angela no longer owned or operated from either of these two buildings.

   Angela’s story begins on the day before her store opened at 62, when she spent four hours upstairs alone in the shop, with the door to the street locked, pricing vinyl and laying out displays. As she was putting LP’s in racks, she saw something in the corner of her eye in the direction of the old office: a small dumpy woman dressed in black with dark hair which she wore in a bun at the back of her head. Shocked, Angela turned her head straight to the store room door and the image vanished in front of her.

from Paranormal Warwickshire by SC Skillman

Angela’s story is developed further in my book, and this experience was the first in a series of astonishing events, experienced independently by herself and her partner, many of her customers and staff, and by those who had worked in the building during the decades before her ownership

Find out the full story in Paranormal Warwickshire.

Paranormal Warwickshire Extracts: Part 3 The Thomas Oken Tea Rooms, Warwick.

This is the third in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.

Thomas Oken’s House is one of Warwick’s most enchanting Tudor buildings. It was built by and is associated with a benevolent gentleman, one of those wealthy Elizabethan merchants who stewarded his money wisely, made a hugely generous bequest to his town, and whose gift is still doing good five hundred years later for the local people.

Numerous curious tales are told of Thomas Oken’s House; and many of them from those who either work in or enjoy a meal in the tea rooms.

Afternoon Tea in The Thomas Oken Tea Rooms, Warwick (photo credit Sheila Robinson)

Here’s an extract from my book Paranormal Warwickshire.

   As soon as Jo took over the tea rooms in November 2011, she started to hear tales of odd goings-on from her young staff. But first, let us backtrack to Jo’s curious conversation with the previous owner of the business.

   “He said to me, ‘You won’t want to hang around too long on your own after closing time, I can tell you.’”  Curious, Jo nevertheless took a sceptical view of this. The vendor added that he had seen door latches shaking up and down on their own. But since Jo took over, she has felt nothing but a friendly presence there. “Thomas Oken was a wonderful man,” she says. The affection with which she speaks of him is testament to the enduring reputation of this good-hearted and far-sighted Elizabethan merchant.

   Jo continues, “I have a lot of young staff who seem to experience strange things in the house much more than I do. I believe that younger people are more spirit-sensitive. Several customers have reported seeing a dignified gentleman with fine clothes and a stick who saunters into the room going from table to table and smiling benevolently at the customers there. One visitor told me that she was sitting in the big upper room and the chatter faded away, whereupon she heard the sounds of a medieval street market: carts and horses, vendors shouting their wares.

from Paranormal Warwickshire by SC Skillman
The menu in the Thomas Oken Tea Rooms, Warwick. Photo credit: Sheila Robinson

To find out more preorder Paranormal Warwickshire here.

And if you like listening to podcasts, you can listen to me here, talking to radio presenter Tony Lloyd about my books on Tony Lloyd’s podcast Human Stories.