I found this an immensely varied collection of pieces, both prose and poetry. It was very moving to reflect upon how differently people react to the onslaught of Covid-19 upon the world.
The range of moods and outlooks among the 220 writers is fascinating: funny, sharply satirical, melancholy, fearful, heartbreaking, hopeful.
Some of the lively contributions from very young writers stood out for me: for instance ‘Riddle’ by 9 year old Cailin Abercromby Gemmell:
“Look out, look out, one and all, whether you’re big, or whether you’re small / Because I cannot be seen at all, and I won’t catch you when you fall.”
I admired some exceptional observational writing, for example in this piece by Angela Cheveau:
“A man walks down the street, hands in pockets, his dreams emptying onto the pavement like loose change.”
Many of the writers give us precious insights into their lives and circumstances, as in the case of Nick Cox who volunteers in a shelter home in Snehalaya, India. All through the pandemic he has remained there, protecting and supporting women and children rescued from slum and red light areas.
We are given glimpses into so many different worlds: for some positive, for others negative: a kaleidoscope of the human heart, here a terrible struggle, there a gift, elsewhere, new opportunities; but very close by, grief and loneliness.
Some have lost weight, some have gained weight, because of the same event. The experience of one writer has been heartrending, as in “A Dog’s Life” by Alexa James; and for another writer a time of longing, as in the beautiful poem by Sheila Johnson, “A Piece of Thyme.”
Every one of the contributions is a window into the lives of others: sad and touching; philosophical; desperate; chilling; witty; satirical; moving.
The book ends with a few harrowing accounts from health professionals: doctors, nurses, a hospice nursing director. Their courage, strength and compassion shine through.
A highly recommended book. Every sale supports the Rennie Grove Hospice Care.
Today I am delighted to be taking part in the blog tour for the brand new edition of this fantasy adventure book by MJ Mallon.
I found the book captivating and full of curious magical elements. Here is my review:
This is an intriguing novel for all those interested in magic, supernatural, fantasy and myth. I found it highly readable and was intrigued by the author’s magical ideas, and by the fluency of her descriptive passages. Curious events and characters abound in this story. I particularly liked the idea of Esme, the girl trapped in the mirror.
In several scenes the author’s words seem to take wing. She has packed many different fascinating ideas into this one novel, which will need to be teased out and further developed through the promised series. I found myself speculating about Ryder and who and what he truly is. This will certainly whet the appetite of the reader for further revelations ahead.
I did feel a little unsure about the overall shape of the story structure, and yet consider this perhaps a consequence of introducing so many quixotic ideas into this, the first book of the series. And perhaps it’s appropriate too for a series whose overarching theme is The Curse of Time.
The many exceptional scenes in the story will be more than enough to captivate readers who love all things magical, paranormal and fantastic. The author’s own varied interests and her creativity promise well for her future books.
Here is a brief biographical note the author has written about herself:
M J Mallon was born in Lion city Singapore, a passionate Scorpio with the Chinese Zodiac sign of a lucky rabbit. She spent her early childhood in Hong Kong. During her teen years, she returned to her father’s childhood home, Edinburgh where she spent many happy years, entertained and enthralled by her parents’ vivid stories of living and working abroad. Perhaps it was during these formative years that her love of writing began inspired by their vivid storytelling. She counts herself lucky to have travelled to many far-flung destinations and this early wanderlust has fuelled her present desire to emigrate abroad. Until that wondrous moment, it’s rumoured that she lives in the UK, in the Venice of Cambridge with her six-foot hunk of a rock god husband. Her two enchanting daughters have flown the nest but often return with a cheery, heart-warming smile to greet her.
MJ’s writing credits also include a multi-genre approach: paranormal, best-selling horror, supernatural short stories, flash fiction, and poetry. She worked with some amazing authors and bloggers compiling an anthology/compilation set during the early stages of COVID-19 entitled This Is Lockdown and she has written a spin off poetry collection, Lockdown Innit.
She’s been blogging for many moons at her blog home Kyrosmagica, (which means Crystal Magic,) where she celebrates the spiritual realm,her love of nature, crystals and all things magical, mystical, and mysterious.
MJ’s motto is…
To always do what you Love, stay true to your heart’s desires, and inspire others to do so too, even if it appears that the odds are stacked against you like black hearted shadows.
Her favourite genre to write is
Fantasy/magical realism because life would be dull unless it is sprinkled with a liberal dash of extraordinarily imaginative magic!
Her fantasy series The Curse of Time is published by Next Chapter Publishing. Book 2 in the series will follow soon.
Here is the blurb for the novel:
Bloodstone – The Curse of Time Book 1
Genre: Fantasy Adventure Fiction
Fifteen-year-old Amelina Scott lives in Cambridge with her dysfunctional family, a mysterious black cat, and an unusual girl who is imprisoned within the mirrors located in her house.
When an unexpected message arrives inviting her to visit the Crystal Cottage, she sets off on a forbidden path where she encounters Ryder: a charismatic, perplexing stranger.
With the help of a magical paint set and some crystal wizard stones, can Amelina discover the truth about her family?
A unique, imaginative mystery full of magic-wielding and dark elements, Bloodstone is a riveting adventure for anyone interested in fantasy, mythology or the world of the paranormal.
An angry voice screeched, ‘paint me, paint me,’ repeating the words until they echoed in my head. I couldn’t stand it any longer. I surrendered. Driven by a buzz of immediate energy that surged through me, I dipped the tip of the brush into the White Moonstone paint. As my paintbrush touched the canvas, the crystal’s heady orchid scent hit me in the face full force. My mind raced in an intoxicating whirl. I began to sweat, and the humidity of the room increased, becoming so stifling I could hardly breathe.
Sucking the air into my lungs hastily, the canvas and I became one succession of bold, mysterious strokes. As the painting took shape, I recognised the view of the winter’s sky I’d seen through the kitchen window the day I’d met Ryder.
The Black Obsidian paint pot called me next, beseeching me to open it. Just like before, it refused to do so. In frustration, I slammed it down hard. The pot exploded with a loud bang like a child’s burst balloon.
As I dipped the brush into the paint, a gripping sensation overcame me. I painted in haste with a multitude of dissolving crystal paint flecks staring back at me from the canvas. A dark grey, bluish black, sinister tinge blemished the artwork. Shades of varying hues moved across the painting, competing for supremacy in a powerful duality of light and darkness.
I tipped over in my chair, toppling to the ground with a loud crash. Wiping the sweat from my brow, I stood and righted my chair. Thoughts and questions swirled in my head. I peered at the canvas and wondered why I’d drawn all those strange black flecks dominating the painting.
My attention turned to the window. The sky had become dark and oppressive, as if etched with the murkiest ink. I felt an uneasiness in the air. It reminded me of the feeling I got when an eclipse of the sun had just taken place. I experienced a dull sensation in my temples.
A swift wave of dizziness and nausea hit me hard. The room spun, and I fought for control. With difficulty, I closed my eyes, willing the strange spinning to stop. Tentatively, my eyes opened, and a narrow tunnel of faded images came toward me in a giddy whirl. First, I saw a misty image of my dad playing his guitar, with my mum laughing by his side. In slow motion, I watched a replay of the day my father had disappeared, followed by the day he returned. The images swirled and blended until everything went black.
I’m pleased to be hosting a stop today on the blog tour for Maressa Mortimer’s new Young Adult novel Beyond the Hills.
Beyond the Hills is book 2 in the Elabi Chronicles series, and it was published on 18th June 2021. I read the opening book in the series on 8th February this year, and here is the first paragraph of my review.
This is an intriguing Young Adult novel set in a dystopian world which employs some curious combinations of futuristic technology and elements from the distant past. Gax enters the controlled, conformist society of the City of Elabi, on a mission from the free world to bring love, emotion and a spiritual vision back to the repressed people of this city state.
In the sequel, Beyond the Hills, our main protagonist is Macia, and here is the blurb:
Macia Durus, daughter of the well known Brutus Durus AMP, works hard to achieve a life of honour and prestige in her beloved Elabi. When a so-called “friend” challenges her priorities, Macia’s confusion threatens her carefully constructed plans. And her decision to investigate a forbidden book could have serious consequences for Macia as well as her family, turning their lives upside down.
In Walled City, I was particularly struck by the compelling description of life inside a repressed society. The novel is set in a dystopian future, but the society the author shows us reminded me of what I imagine life to have been like in East Berlin or indeed for some people today in North Korea. It is a society from which all emotion and religion has been stamped out. The society is run by a shadowy “council”; it values physical fitness and compliance highly but keeps all its citizens closely watched and controlled with some very sinister methods of punishment and social control, especially in regard to areas like marriage, disabilities and weakness and euthanasia. This results in a society of tense, closely watched, sullen, withdrawn, guarded, joyless people, and the author presents this very well, with some quite chilling moments.
I have met Maressa, both on and offline, and she is a lovely, bubbly, very supportive and encouraging member of our author community. She inspires us with her prolific output of books and her enthusiastic approach to life and to the whole business of being a writer. Maressa is Dutch; she grew up in the Netherlands, and moved to England soon after finishing her teaching training college. Married to Pastor Richard Mortimer, she lives in a Cotswold village with their four children. She is a homeschool mum, enjoying the time spent with the family, travelling, reading and turning life into stories. Maressa says, “I want to use my stories to show practical Christian living in a fallen world.”
Here’s a Q & A with Maressa, about her life as a writer, and how she came to start writing her series about Elabi.
1.What first drew you to write a novel?
I loved exploring character, and at the same time processing questions I had. Before I knew it, I got to 100,000 words! Home-schooling my children means that for me, sitting down to write is a time to concentrate and focus; to be in the moment.
2.When you first started writing did you find it hard to get publisher interest?
Yes, because the market for Christian fiction is very small in Britain. After Sapphire Beach, which was done through a hybrid publisher, I decided to self publish.
3.What kind of research have you have to undertake for this novel?
I used Roman food for Elabi, so I looked into that. Then there was paddle-boarding, so I learned about that. The factories Beyond the Hills are cotton factories, so I read a lot about old mills and the accidents that could happen.
4.Do you have a particular favourite scene in the book and why?
There are a few passages I like, but my favourite is probably about Macia stumbling through the tunnel with the dog, with the old man singing behind her…
5.If you can, would you give us a sneaky peak into any future novels you might have planned?
I’m writing a novel about teens, with under-earth dwellers that kidnap baby girls to combat inbreeding, as well as plotting book 3 in the Elabi Chronicles about Downstream. I’m also plotting a series about Vikings and time travelling. So lots of fun to come!
I look forward to reading Beyond the Hills and hope this has whetted your appetite to buy a copy or download onto your kindle.
Hello! On today’s blog I share what I’m up to at the moment – writing, researching, editing, promoting. I have two books on the go, which makes life interesting!
Firstly, I’m working on my new non-fiction book for Amberley Publishing, Illustrated Tales of Warwickshire. The fully completed manuscript has to be delivered by the end of this year. It will be another highly illustrated volume, including 100 images, as with Paranormal Warwickshire. My tales will cover, amongst others, the following topics: Strange and Spooky Tales, Extraordinary True-life Stories, Tales of Warwickshire Witchcraft, Mysterious Murders and Other Crimes, Intriguing People, Strange Happenings and Mysteries, Curious Place Names, Ancient Legends, Folklore and Folk Customs, Ancient Ceremonies and Strange Rituals, and the Magical Forest of Arden.
I have been out and about gathering photos, interviewing people, and finding new stories. My son Jamie takes many of the photos as he has a good camera and an eye for an excellent view, The other day we travelled up to north Warwickshire in search of one story, and found material for three others, which was very exciting.
Alongside my work on Illustrated Tales of Warwickshire I’ve also been editing my new novel Director’s Cut. This novel is to be the first of a series starring gifted young musical rebel Dylan Rafferty. Director’s Cut is set in south London. I’ve written half of the sequel, which is called Standing Ovation and is set in Stratford-upon-Avon.
Director’s Cut should appeal to all those interested in the world of actors and filming; and in the reputation of actors to be superstitious, sensitive souls. Here is a quote from Geraldine Beskin, owner of London’s most mystical bookshop, Atlantis Books, for the Ghost Club, on 15 May 2021. What she says encapsulates how I feel about actors, and why my fascination with them has fed into this novel.
Geraldine Beskin emphasises the very human side of the acting profession with both its quicksilver triumphs and equally cataclysmic failures. ON and off stage, actors and actresses are known for their sensitive and emotional natures Drama is not confined to the theatre (or the filmset). Many thespians exist in a state of high tension, surviving on the margins, experiencing intense peaks and troughs of personal emotion, often alone.
As I’ve edited the novel, this theme has woven itself more deeply into my plot. Initially, the world of acting was to have simply provided the presenting situation for Dylan; but now, following several interviews during research, and a deeper understanding, it has an organic relationship to the unfolding of the story. The word liminal also plays a central part in the novel. Liminal means: ‘occupying a position at, or on both sides, of a boundary or threshold’.
One of the best illustrations of this theme lies in the closing speech of Shakespeare’s play A Midsummer Night’s Dream. Puck, the mischievous spirit who stirred up all the emotional tumult at the behest of Oberon King of the Fairies, says this as he comes to address the audience:
One of the points he makes is that the word shadows may also be taken to mean actors. Therefore, the interplay between actors and spirits is one that Shakespeare felt deeply. Another famous Shakespeare quote also demonstrates this:
As Prospero the magician says in The Tempest:
Our revels now are ended, these our actors,
As I foretold you, were all spirits
In Director’s Cut, Dylan, gifted young musical rebel, discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion, and he crashes the set to meet her. Upon arrival at Trident Court he discovers a deeply dysfunctional family haunted by an intergenerational curse, and a troop of ghostly actors in the garden doomed to perpetually rehearse A Midsummer Night’s Dream. Meanwhile actors, directors and film crew in the house are all swept up into the family’s strange world. Dylan comes to believe he alone can save them through the power of his musical genius. But he learns he must team up with the local priest to discover the family’s secrets. As they delve deeper into the family’s traumatic backstory Dylan encounters a supernatural being and finds he must cross the boundary between this world and another dimension.
As I near the end of my editing work on the novel, I seek beta readers before I pitch to publishers. In particular I am unsure about genre, whether the novel is paranormal mystery, magical realism or gothic. So I welcome any offers from prospective beta readers who may be able to clear up the mystery for me!
Today I am pleased to be reviewing an Advance Review copy of the latest novel by author S.L. Russell: The Thorn of Truth.
Having read three of this author’s previous novels I see her as a writer who opens up major ethical issues in our contemporary society, in such a way that they present a spiritual challenge to the main protagonist – and also engage us in our own dilemmas.
In each of S.L. Russell’s previous novels I have learned many new things about a profession which had formerly been a mystery to me: in her novel The Healing Knife I felt I was in the operating theatre with a senior surgeon, understanding all the details of major surgery; in this novel I found myself in a world of barristers and judges and courtrooms and the Inns of Court and the Middle Temple.
Our main protagonist Anna, a barrister, is faced with a direct personal challenge; a corrupt police officer is keen to use a new court case to put away a man he has long believed to be a drug-lord – and Anna is required to defend him in this case which she believes weak, and in which she feels convinced he is innocent. Yet she herself has strong personal reasons to get this man put down for a long time: he may well be responsible for a life-altering tragedy in her own close family.
Anna must put her own personal feelings aside and do what is right.
In this author’s previous novels, I have come to see her as a novelist who always surprises the reader with the direction in which she ultimately takes her story.
Each time, for me, the focus of the story has shifted. I think the novel is about one thing; and then it changes, and becomes something else entirely. Yet the focus on the central ethical issue remains strong.
In The Thorn of Truth, our main protagonist Anna takes a decision to defend Leaman, a man who might be a Mr Big in the drug world. She must do this despite the fact that her family may condemn her for her actions. Then her own personal involvement is complicated by her daughter’s new and growing friendship with Leaman’s own daughter. Later on the story becomes less about the guilt or innocence of this man in regard to the drugs, and instead focuses on the true killer in the current case, and the shocking and unexpected risk to her daughter Millie’s life.
In this story too, S.L. Russell interweaves the lives of three characters from her previous novel, as Anna meets and builds up a relationship with Rachel, the main protagonist of The Healing Knife, and Rachel’s husband Michael and step-son Jasper.
I found Anna’s relationship with her daughter Millie the strongest element of the novel, and was gripped by the crisis that flares up.
Ultimately this is a novel of big moral issues causing agonising ethical dilemmas which test the spiritual values of the main protagonist.
Another challenging and powerful novel from S.L. Russell.
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Today I share with you my review of Spirited by Julie Cohen, published by Orion July 2020.
I loved this book; I found it enchanting, and it gripped me throughout. Set in the mid nineteenth century in England and India, the story covers spiritualism, so-called “spirit photography”, the oppression of women in Victorian times, and the power of women to assert their identity and to triumph over suffocating prejudice.
The novel reminded me of Affinity by Sarah Waters, published by Virago, another book which captivated me.
Fans of that book will love this one. Curiously, the colour and design of the covers on both books is very similar.
Julie Cohen’s mastery of atmosphere is compelling and as she builds the sense of mystery, the sympathy of the reader must surely rest with all three main characters, with Jonah who has returned to England from tragic events in India; with Viola, who responds to her grief at her father’s death by giving herself heart and soul to her photography; and to Henriette, strong and resilient, who rises above the cruelty and abuse she has received in the past.
Blended into all this is an intelligent and powerful debate about life after death and the various things we cling to in order to uphold our beliefs. Very highly recommended.
I waited quite a long time for Waterstones to send me this book; and having received it, I spent the next few hours devouring this story of William Shakespeare’s family and the tragic death of his 11 year old son Hamnet.
Living as I do near Stratford-upon-Avon I have visited all the Shakespeare properties a number of times. I will never experience Shakespeare’s Birthplace the same way again, now I have read this book. As I enter the rooms, I will imagine Ann Hathaway giving birth here, to her twins Judith and Hamnet; and in another room I will think of her laying out Hamnet’s body with loving care, sewing him into his shroud; and in another, of John Shakespeare browbeating William, or of his sister questioning or advising him.
Ann in this story is called Agnes; William himself is never named but called either ‘the Latin Tutor’ or ‘her husband’ or ‘their father / brother’. So we think of him in his relationships as an ordinary family man, rather than being distracted by the weight of his awesome reputation, over five centuries later.
The story initially moves back and forwards between two time-frames: the time of Agnes’ pregnancy with Suzanne, and the turbulent reaction of the families, and her subsequent marriage to Will; and then to the final 24 hours of Hamnet’s life, 13 years later as he falls victim to the Bubonic Plague. Life and death, beginnings and endings, are constantly interwoven, folding back on each other.
I found the book very intense, full of exquisite moment-by-moment accounts of highly emotional events, and the long period of Agnes’ grief, while her husband is in London on one of his long absences.
Will’s sister Eliza is the go-between in that she, unlike Agnes, is literate and can write the letters Agnes dictates and read the letters Will sends in return. Some have thought William Shakespeare very unloving to his wife and family, spending so much time away from them; but in this story we are offered a much more sympathetic picture. Will asks Agnes to come to London to live with him but she refuses as she fears Judith’s delicate health will suffer in the disease ridden city streets.
Ultimately with his London money Will is able to buy the gracious mansion at New Place; and I loved the descriptions of Agnes creating her dream garden there, planting many fruit trees and medicinal herbs and keeping bees and a host of cats.
The epiphany in this story comes with Agnes’ realisation of the true significance of her husband’s new tragedy ‘Hamlet’.
This is a book which will certainly have you scurrying to Google to check up on the known facts of William Shakespeare’s life and family members. You will see him in a new light and may also be deeply moved by the reality of life and death in 15th & 16th century England. A very highly recommended book.
Today, I’m pleased to be able to bring you my reviews of a collection of poetry books written by local Leamington Spa poet Phil Hill, which will be of interest not only to all those who love cutting edge contemporary poetry, but also to those who wish to gain a deeper insight into mental health issues in our society.
Beyond the Wilderness by PM Hill pub 2018 chipmunkapublishing
Love/Resistance/Rebellion by PM Hill pub 2020 chipmunkapublishing
The End of A Rainbow by Phil Hill pub Jem Stone Publications
Hero by Phil Hill pub Jem Stone Publications
The Heroine by Phil Hill pub Jem Stone Publications
This is a very touching, insightful and vivid collection of poems commemorating the life of Geraldine, the author’s wife, who suffered much from mental illness, and from whose struggles we can all learn, described in spare, unsentimental lines of poetry by Phil Hill.
The poems chart Geraldine’s life from the time she and Phil met through their growing relationship, through some of the challenges of their twenty year marriage and Geraldine’s eventual tragic death, too young.
I found many of the poems very touching and poignant, often giving real insight into how it feels to go through the ill health that Geraldine suffered, with such distressing experiences as panic attacks and obsessive eating binges.
Yet within the poems there are flashes of humour, in the poet’s sharp observations of daily life. His admiration and love for Geraldine shines through. Highly recommended to all those who like the Own Voice genre of literature and who value poems which shine a light on areas of life many may fear to contemplate or would prefer to avoid. If we have never suffered as Geraldine did, we can count ourselves blessed and we can learn from reading of her brave life.
Phil Hill is a poet whose observations of contemporary society are both sharp and discerning. He covers major themes such as loss, regret, integrity, conformity and commercial manipulation.
His voice is sensitive, emotionally stirring and both raw and vulnerable. In these poems we see our society reflected back to us, with all its irony, its disposable values, social conditioning and its shaky hold on truth. With touches of humour and flashes of anger, this poet’s voice is one to listen to, and he offers a testimony from which we may leamany orn much.
In many of Phil’s poems, his own voice shines through: strong, powerful and challenging: often showing us how the judgement and labels of others is the very worst thing of all.
Greater education and communication and knowledge and understanding are still desperately needed, although mental health issues are becoming much more prominent on the public agenda. There is a long way to go, for this to infiltrate people’s minds throughout society, but the more people learn about it and gain new understanding and share imaginative and engaging media about it, the more things will improve: ignorance is our greatest enemy.
Phil’s poems are often very emotionally stirring: sharp, and relevant to the emotional and psychological landscape of the times we are living through.
His poem about lockdown conveys the feeling of insecurity, fear, disconnection, uncertainty, with very few words. It opens our eyes to the profound psychological effect this will have on so many, long after we have got R down to zero (if we ever do). I look forward to Phil’s first poem when he clearly sees light at the end of the tunnel!
Other poems are sad and yet touching, written with Phil’s characteristic simplicity and economy of words. These are dangerous and uncertain times for all of us.
What’s new here in Warwick, during what we hope will be the final months of the final lockdown?
I’m following lots of online courses – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill. And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!
I’m also well on my way through the last revision of my magical realist novel Director’s Cut. I hope soon to start working on a new non-fiction book for Amberley. This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.
In other news, I’ve been recording readings from my books Paranormal Warwickshire, Mystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel. Do listen to the stories here. The videos have been edited by my film and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!
I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.
During the Covid-19 Pandemic and throughout the three lockdowns in the UK, many have sought the consolation of escape – into books or films. Every so often I return to one of my top favourites – The Adventures of TinTin: the Secret of the Unicorn. To my mind this film exemplifies classic story structure; but above all it centres upon a likeable, engaging young hero. Each time I watch it I know again why I loved TinTin so much on TV during my teenage years.
The Adventures of TinTin: The Secret of the Unicorn (directed by Peter Jackson & Steven Spielberg) was released in 2011. So it’s been out a while. But I write blog posts when something inspires or excites or moves me, and haunts me at night. And that’s what this TinTin story did.
I asked myself again, exactly what is the appeal of TinTin? He’s a totally beguiling hero. He’s Sherlock Holmes, James Bond and Spiderman all rolled into one fresh-faced boy hero – and of course his intrepid dog Snowy (originally named Milou by his creator, Herge).
As a child I loved adventure stories. I started with Enid Blyton and later I moved onto King Solomon’s Mines by Rider Haggard, and Prester John by John Buchan and Moby Dick by Herman Melville. These stories have everything – at their best they not only excite and thrill, but also they move, and they teach you about this life, and they convey archetypal truths about human nature.
You can draw parallels with your own life, even if you don’t do exactly the same dangerous things. You can use the action hero’s experiences as a metaphor to help you clarify what has happened to you, and what attitude to take. This is the power of a great story.
Take the archetypal villain, who pursues his obsession to its bitter end.
There are people who live their lives like this. They’re all around us. They express it in their relationships. People who have never learned the art of letting go.
Their obsession leads to such things as ‘unfinished business’ when family members die; ‘skeletons’ that stay in cupboards for generations; vendettas that last decades, family members who don’t talk to each other for years.
The lesson the archetypal villain and his fate teaches is this: ‘People matter more than things’.
In this life, what matters most of all, above ‘due recompense’, above ‘getting satisfaction’, above ‘being right’, is human relationships – and of course this is the lesson the archetypal villain never learns, and which the hero instinctively honours, or the story wouldn’t satisfy us.
A hero learns, and changes. A villain never learns, and never changes.
TinTin is a hero who’s open to all that life has for him; he’s never held back by self-limiting beliefs; he’s ready to live on his wits, yet has an unerring instinct for a just cause, personified by a character who is flawed, but whose heart’s in the right place; then he throws in all his gifts on that character’s side.
Does this excite, inspire and move you, as it does me?