Taste the Spirit of Warwickshire – A Shakespeare-Inspired Spiritual Travel Guide

My proposed new non-fiction book, Spirit of Warwickshire, is currently in the early stages of its journey into the world.

St Peter's Church Wootton Wawen: The Saxon Sanctuary photo credit Abigail Robinson
St Peter’s Church Wootton Wawen: The Saxon Sanctuary photo credit Abigail Robinson

Richly illustated with full colour photos by photographer Abigail Robinson, the book contains twenty short pieces about places  in Warwickshire that I love, visit often, and believe to have spiritual presence.

I define a place of spiritual presence in these terms:  “it affords us an opportunity to reflect upon the lives of those long dead, the interweaving of fate and destiny, and explore dynamic equivalents within our own lives.” As this suggests, many of the places I describe have strong historical character.

Enchanted Kenilworth Castle photo credit Abigail Robinson
Enchanted Kenilworth Castle photo credit Abigail Robinson

Because I love Shakespeare, and Warwickshire is Shakespeare’s county, I have headed each chapter with an appropriate quotation from the Bard that I feel corresponds either in spirit or in specifics to what I have independently written about each place.

Here’s a taste of what you may find in the book, visually: a sneak peek at some of the beautiful and high quality illustrations to be included.

Milverton Hill, Warwick, in June - photo credit Abigail Robinson
Milverton Hill, Warwick, in June – photo credit Abigail Robinson

 

 

 

 

Inspiring Archbishop Justin Welby in Brilliant Celebrations at Coventry Cathedral for #Cov100

Between 3rd and 5th May 2018 Coventry Diocese celebrated their 100th anniversary – and the Archbishop of Canterbury Justin Welby played a key role at the centre of the celebrations.

Archbishop Justin Welby at Coventry Cathedral 5 May 2018
Archbishop Justin Welby at Coventry Cathedral 5 May 2018

Over the course of the three days I attended three events – the first in a Warwickshire farm, the second in the Nuneaton church where Justin was curate 1992-1995, and finally the Centenary Festival at Coventry Cathedral on Saturday 3rd May.

During all these events I was enormously impressed by Archbishop Justin. He engaged his audience with warmth and self-deprecating humour, telling several funny anecdotes; he answered questions with compassion, humility and wisdom; he told some astonishing stories about dangerous situations he has entered into around the world, during his reconciliation work.

Bishop of Coventry and Archbishop of Canterbury at Coventry Cathedral 5 May 2018
Bishop of Coventry and Archbishop of Canterbury at Coventry Cathedral 5 May 2018

He has visited some of the most dangerous places in the world and put his own life at risk (incuding an occasion when he was kidnapped). Above all, throughout these three days, he has been inspiring, encouraging and uplifting.

During the event on Friday 4th May Justin answered questions from people in their 20s and 30s and the first event of the day at the Cathedral was a Q and A session with teenagers.

It is so difficult to pick out any one thing among all the things I’ve heard him say during those three days, but one answer struck me in particular on Saturday morning. He had been describing his travels in countries torn by brutal conflict, who are in desperate need of the reconciliation work for which Coventry’s Cross of Nails ministry is famous. He was asked, “What is the greatest spiritual threat you’ve ever faced?”

Motionhouse dancers at Coventy Cathedral 5 May 2018
Motionhouse dancers at Coventy Cathedral 5 May 2018

He replied, “Sometimes I have met bad people – deeply evil people. And I have found that often these people can also be deeply charming, delightful and interesting. The danger then is that you might find yourself sucked into a collusive relationship. That’s why you need to be in a team, to guard against that – to ensure compromise doesn’t go too far.”

He said risk is essential to reconciliation. And certainly he has often taken extreme risks in his own reconciliation work. He also said that sometimes he is overwhelmed by the sorrow of the situations he encounters. His wisest word on the subject of reconciliation work?   “You must start by reconciling yourself to God.”

Drama at Coventry Cathedral 5 May 2018
Drama at Coventry Cathedral 5 May 2018

 

New Book: Spirit of Warwickshire

Now I’ve begun work on my new book Spirit of Warwickshire, here’s a taster of what you’ll find in it.Baddesley Clinton 26 Mar 18 image 2

The book, which I plan to release later this year with Luminarie, will contain a selection of articles about places in Warwickshire which I’ve visited and which have spiritual resonance. These will be places which carry meaning, places which have power, and places which set off chains of reflections, memories, dreams.

Each of my articles will be accompanied by a full colour original photo of the location by my photographer daughter Abigail Robinson.

This will not be a traditional tourist guide, but an individual take on various places that visitors to Warwickshire may well want to include on their itinerary. This is a guide for travellers of spirit, not just tourists. Here’s a glimpse of just some of the places that will be on my list of contents:

  • Holy Trinity Church, Morton Bagot: Water, Rock, Moon & Ancient Stone
  • Guys Cliffe House: Romantic Ruin
  • St Peter’s Church, Wootton Wawen: Saxon Sanctuary
  • Upton House: A Watered Garden
  • The Saxon Mill, Warwick: a Writer’s Delight
  • The Saxon Mill, Warwick: A Snowy Walk
  • Enchanted Kenilworth
  • Kenilworth Castle: Boxing Day
  • Kenilworth Castle: Queen Elizabeth’s Privy Garden
  • Kenilworth Castle : Christmas Wreath Making
  • Kenilworth Castle: A Dream Arising from Ruins
  • Kenilworth Castle: Elizabeth and Dudley
  • St Mary’s Church, Warwick: Inspiration from the Tower
  • Spring at Baddesley Clinton
  • Shakespeare’s , New Place, Stratford-upon-Avon: Garden of Curious Amusements
  • The Royal Shakespeare Theatre, Stratford-upon-Avon: Sir Antony Sher and Shakespeare
  • Folk Festival, Warwick
  • St James’s Church, Old Milverton: Country Graveyard
  • House of Bread, Shipston-upon-Stour: Sheep and Lamb
  • Compton Verney: Capability Brown Landscape
  • The Castle Inn, Edgehill

An Inspirational Circular Garden Design with an Equestrian Theme by Pershore College

Here is the design that my son Jamie’s team at Pershore College have put forward for The Young Gardeners of the Year competition at the Ascot Spring Show  13-15 April 2018 in Windsor Great Park.

Personally I love a circular garden design. My ideal is winding paths, leading off behind shrub and trees so that the eye is led forward and the imagination stirred; what lies round that next bend?

Of course we’re all influenced by great gardens that we’ve visited. The genius of the garden designer is to find a pleasing design and planting scheme that will suit the individal size, shape, soil, orientation and circumstances of a particular plot.

No wonder Paradise is imagined as a garden in different world mythologies and religions. My dream garden is one with sweeping velvet lawns, and wide paths disappearing behind massive banks of rhododendrums and azaleas in full bloom (perpetually!)

Perhaps I’ve been influenced by the gardens of great stately homes, tended by teams of highly-trained, devoted and hardworking gardeners. And why not? The ultimate joy of a great garden is, in Paradise and Eden mythology, a place of perfection and supreme reward  for those who have the luxury of wandering and resting in it and being nourished by it: and for us, here on earth, a place to dream in.

Other posts by SC Skillman about paradise gardens:

Try this one about lovely gardens in Kenilworth, or this one about Dunham Massey, or perhaps this one about Hidcote Manor Gardens.

An Amazing Speaker on Issues of Domestic Abuse, Human Trafficking and Forced Marriage in the UK: Raj Holness

Yesterday ( Monday 12th February 2018) at St Paul’s Church, Leamington Spa, I heard an amazing speaker Raj Holness who runs an organisation called Break the Silence Uk (BTSUK) which seeks to protect and support women who have suffered domestic abuse, human trafficking and forced marriages, and also to  provide a refuge for them alongside educating the community about the issues involved.The Only Arranged Marriage by Raj Holness pub Open Scroll Publications 2006

Raj was born into a Sikh family in Birmingham and suffered severe domestic abuse for twenty years. She eventually found the courage to break away from her abusers, took on the Christian faith, and founded the BTSUK.  She named the book I Dared To Call Him Father as one of the books which had  a powerful influence on her, and helped her to make a radical transformation in her life. She herself has subsequently published a book called The Only Arranged Marriage under her maiden name Raj Jarrett. I bought the book after Raj’s talk and it’s next on my reading list – I’ll publish my review here on my blog.

Rah is now an assured public speaker and is married with a young daughter. Her story of emotional, physical and sexual abuse is truly horrifying and she is in herself an astonishing example of a woman who has come through the worst of circumstances into a new life where she has embraced a whole new vision of herself and of her place in the world.

I’ve begun to read “The Only Arranged Marriage” and I do recommend it to you if you haven’t come across it before.  If you have read it, please let me know what you think!

Spiritual and Unifying: the Dramatic and Emotional Appeal of Brahms’ Requiem for All Who Love Choral Singing

King Henry VIII School, Coventry (well known as representing Gordon Shakespeare’s school in the 2009 Christmas film Nativity!) was the scene on Saturday where a large number of local singers and musicians gathered together for a “Scratch” rehearsal and performance of Brahms’ RequiemCHOIR SINGING

As with all scratch performances of course the majority of participants had sung/ played this music before.

From my place in the choir (Spires Philharmonic Chorus augmented by many other singers) I saw several other singers had crisp clean hired copies – but not me! That’s because I’d brought my tattered, much-used score: inside the front page, every previous date on which I’d sung it before, using this score: June 1978 with the London Choral Society; August 1989 with the Brisbane Chorale, Australia; April 1997 and November 2009 with the Warwick & Kenilworth Choral Society.

Despite having last sung it nine years ago, it’s amazing how easily the music came back to me, along with the (sometimes exasperated!) directions given by previous conductors.

Our Chorus Director Jack Lovell is great fun and has a natural and humorous approach.  He’s always full of imaginative images to describe how he’d like us to sing. In one part he said, “Here, I want you to think smoky Viennese ballroom. You need to sound like the viola coming in.” Elsewhere we were to sing like a posh velvet cushian, the type you can push right in and then it comes out again very smoothly and slowly, not like one of those cheap foam cushians. Later he stopped us, saying that sounds like an Ikea cushian.

Brahms’ Requiem has special associations for me.  My father was a choral singer, and this requiem was one of his great favourites. I first heard it performed when I was 12; my father sang in a local choir the Orpington Chorale, and my attendance on that occasion was, I daresay, not voluntary! I remember sitting in the audience listening to it and not being very impressed!

Over the years my father shared his love of music with us, particularly choral music, and that included several of the most celebrated Requiems. A family friend with a great sense of humour, teased him about the choir: Why is everything you sing so miserable? You should be called The Undertaker Singers!  “Book us now for your funeral.”

The emotional and dramatic appeal of these major works is very strong, irrespective of any religious convictions on the part of either performers or audience. As a choir member observed in the comments on this very interesting blog , “this music is a celebration of our inner spirit whether you are religious or not.”

Brahms’ Requiem, as with all great works of art, encompasses a very wide emotional range. His music is set around words from the bible which express touching and powerful yearnings of the human spirit.

From the mysterious and sombre opening in Movement 1, onto the sumptuous, swishing, spine-chilling chords of “all flesh is as grass”, with Movement 2 Brahms sweeps through brighter and more hopeful moods, via passages of triumph, to the most glorious moments of serenity, floating and ecstatic.  All of human life is here; pleading, urgent and driving; desperation, the restoration of confidence. Movement 4, “How lovely art thy dwellings fair”, is blissful and luminous, ending on a rapturous idyll. It’s thought that Brahms wrote it during  time spent among the glaciers and blue lakes of Zurich which inspired him. The requiem returns to a mournful, reflective mood in Movement 6 , and its transitions take us through intense, vigorous and energetic passages, defiance, triumph and rejoicing; and finally in Movement 7 we regain bliss, comfort, peace and reassurance.

As another choral singer has said, “I see it all as metaphor, I sing it lustily and I celebrate and share the uplifting aspirations that inspired the music in the first place. If we can share the ideals, connect through the values expressed in the words, and join in singing them together, what could be more spiritual and unifying?”

Reflection Upon The Nativity film 2010

Tatiana Masleny as Mary and Andrew Buchan as Joseph in The Nativity film 2010
Tatiana Masleny as Mary and Andrew Buchan as Joseph in The Nativity film 2010

I recently watched again “The Nativity”, the TV mini series first broadcast by the BBC at Christmas 2010 but this time I watched the entire film on DVD.

I remember the series had a strong impression on me when I first viewed it and we could hardly wait for each new episode. Seeing it as a continuous story was a different experience from viewing it in episodes;  I found it much more challenging and harrowing, especially the scenes in which Mary is judged and reviled both by her fellow villagers in Nazareth, and by householders and innkeepers in Bethlehem.

Tatiana Masleny and Andrew Buchan both gave brilliant performances as Mary and Joseph  and I must confess John Lynch came over as a very handsome and rugged Gabriel.

Here’s a Youtube link to a beautiful and moving song by Kate Bush with clips from The Nativity film.

Seeing this very realistic re-imagining of the Nativity story again, I realised afresh how divisive the story is, for all those who engage with it, whatever they believe.  To see Mary portrayed like this when she has been so revered by Catholics over the millennia with titles like Queen of Heaven and Mother of God, is certainly very challenging. And it makes me wonder again about the assertions of Christian theology, most notably the question of how God could have chosen to bring his Son into the world by causing Mary so much suffering … huge issues arise from this, and provide much material for argument and discussion. Once again this brings up the question that many have struggled with, of why Jesus could not be the son of God and also born naturally by Joseph.

I thought this portrayal of the story has the power either to strengthen and enhance the faith of the viewer or make them lose it. It all depends on the stance the viewer takes before they come to the story.

Certainly I remember the leader of our group at an Alpha course a few years ago beginning the discussion by saying he did not believe in the virgin birth.

But in this film version, we see Joseph as key. His ability to wholeheartedly believe what Mary was telling him, saved her from the judgementalism and hatred and rejection of all those around her – which, without the protection of Joseph, may even have resulted in her death before Jesus was even born.

This gives us much to reflect upon.

 

 

 

A Diversity of Spiritual Outlooks Through Time at the British Museum in London

The Great Court, British Museum, London
The Great Court, British Museum, London

On Saturday 23rd December 2017  I went to see the exhibition “Living with Gods:  peoples, places and worlds beyond” at the British Museum in London. The exhibition curator Jill Cook had set out to show the development of religious symbols through physical objects which people in widely diverse cultures and historical periods have used to denote their relationships with a spiritual reality beyond nature.

 

The exhibition ranged from a 40,000 year old sculpture of a lion man, through a Buddhist wheel of life held in the claws of the god of death, via a Japanese Shinto household shrine, to a Soviet communist poster of an astronaut with a rather inane grin on his face floating in space and declaring “There is no God.” On the Buddhist wheel of life the artist had depicted instances of human and animal suffering and wickedness of all types, which I must confess reminded me of Dan Brown’s description of Dante’s Inferno…

I was also interested to learn that the image of the many-armed creator/destroyer god Lord Shiva is on display outside CERN in Switzerland, as a symbol of the atom.

However, inevitably much was missing from the exhibition. For instance, I found no reference to the aboriginal image of the Rainbow Serpent said to be one of earliest of religious symbols, in this case symbolising Creation. Neither did I find the spirituality of the North American Indians, nor the mystical system of the ancient Chinese Book of Changes, the I Ching.

The whole tapestry and landscape of humankind’s attempts to build and sustain a relationship with spiritual reality beyond the observed world is so vast and complex, this exhibition inevitably could give just a small representative taste alongside a dispassionate commentary. In reality each religious outlook and philosophical system deserves its own special in-depth study in order to do anything like justice to it – and the curious investigator can find many books to help.

But one of the most moving parts of the exhibition for me was the display about the Japanese persecution of Christianity in the 17th century, during the time of the Portuguese Jesuit mission to Japan, a story told in the brilliant novel Silence by Shusako Endo, upon which was based the 2016 film starring Andrew Garfield.

I remember the impact the book made on me, when those being persecuted were ordered to trample the fumi-e – a bronze plaque showing Christ on the cross. I found myself gazing in awe at an authentic  fumi-e and thought again of the powerful end to the novel Silence.

One of the most interesting things about that novel was the way it showed how Christianity may be introduced into what may seem an alien culture and how those within that culture may take on the Christian faith and understand it within their own cultural terms. I remember a scene in the novel where Japanese Christians were being tortured by being tied to stakes on a beach while the tide rolled in and out around them. They gained the stength to endure by continually singing, We are going to the temple, going to the temple of God.

If there is any lesson at all to be learned from an exhibition of this type, perhaps it is that we have the challenge ahead of us to communicate what we believe to be the truth, whilst also respecting other human beings and where they are in terms of their own worldview.

 

 

A Deep Spirituality and Wisdom That Touches the Heart, from Some of the World’s Greatest Mystics

Imagine you could step into the Monastery right now – perhaps like the one which we saw in the 2005 TV series, or even the one in this image – and move apart from all the frantic busyness and stress and tension of your life, and receive some deep wisdom from the heart of the mystics.Annaya Monastery

Yesterday I received something very similar at a Quiet Day in St Mark’s Church Leamington Spa where I heard three talks from Bishop John Stroyan, Bishop of Warwick – a man imbued in the literature of some of the world’s greatest mystics. Bishop John is someone who speaks in a lowkey way and yet treasures of spiritual wisdom emerge almost as asides.  There is no stridency, nothing is declaimed; but those listening cannot but be aware that he speaks of the true underlying structure which drives our behaviour, our motivation and our attitudes and the way we react to events and circumstances in our lives.

During his talk he referred to the Martin Luther Memorial Church in Berlin –  which he described as “the most shocking church” he had been into. Figures of Nazi soldiers and members of the Hitler Youth are interspersed with figures from the Nativity, and an Aryan family of the type Hitler wanted in his Master Race also adorn the church. In addition, a strong, muscular, Aryan Christ is seen on the cross. It’s one of  the hundred churches Hitler built, the only one that has survived, intentionally as a chilling reminder of how evil systems can recruit the Christian faith to their cause. Apparently, the Bishop said, both the Nazis and the apartheid regime used Christian clothing for their causes – making God in their images, recruiting Him to serve their agendas.

This is a very strong warning to us, as the Bishop said: “Beware of what we think we know.”

Some of the wisdom the Bishop shared with us included  the observation that “you’ve faced the darkness and come through it, and God will use that as a gift to help others who struggle.”

How often do we see that those who have suffered the most are in the best position to support and comfort those who now suffer in the same way?

He said that pearls are tears shed around grit that irritates the oyster. Some people, as we know, become hard and embittered and resentful around that grit in their lives.

But the Bishop spoke about the weaving of God’s good purposes through events in our lives that we would never choose to happen. “Crises can be the bearers of grace.”

Julian of Norwich said, “In falling and rising again we are always held close in one love.”

An image the Bishop likes to use in his talks is one taken from his life as a dog-lover. He may be taking his two dogs for a walk and when they get the smell of an exciting rabbit, they rush off away from him after the rabbit. He calls loudly for them to come back. They know his voice. And yet they practice what we all do:  “selective deafness”.

Another image comes from the bird world. The mother eagle puts sharp pointed uncomfortable things in the nest to make the eaglets fly..  Otherwise they would stay cosy in the nest. This is the only thing that makes them leave the nest, take wing and soar on the thermals.

An Interview on Linda’s Book Bag About My Newly Released Edition of Mystical Circles

On 9th September 2017 on the last day of my Mystical Circles blog tour, fellow blogger Linda Hill published an interview with me on her blog Linda’s Book BagBlog tour ad as at 26 August 2017 This is the final one in a series of  nine blog posts, in which I re-publish the stops on my blog tour.

So with my thanks to Linda, here’s the interview she first published on her blog on Saturday 9th September 2017:

An Interview with SC Skillman, Author of Mystical Circles

Mystical Circles cover

I know we shouldn’t judge a book by its cover but Mystical Circles by SC Skillman really appeals to me and so I’m delighted to be featuring it on Linda’s Book Bag today as part of the launch celebrations. I have an interview with SC Skillman that sheds light on Mystical Circles in a very enlightening way!

Published by Luminarie, Mystical Circles is available for purchase here.

Mystical Circles

Mystical Circles cover

“Hi, you in crowded, stressed old London from me in the peaceful, perfect Cotswolds. Massive change of plan. I’m in love. Craig’s gorgeous, sexy, intelligent. Paradise here. Staying forever.”

Juliet, concerned that her younger sister has fallen in love with the charismatic Craig, leader of the Wheel of Love, sets off for the Cotswolds to investigate, fearful that Zoe has become entangled with a religious cult.

She arrives at Craig’s community hoping to rescue Zoe. But  intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.

An Interview with SC Skillman

Welcome to Linda’s Book Bag. Firstly, could you tell me a little about yourself?

I was born and brought up in Orpington, near south London. As a child I was inspired by Enid Blyton. I started writing adventure stories at the age of seven; the love of writing that her stories first instilled into me has strengthened over the years. I studied English Literature at Lancaster University, and my first permanent job was as a production secretary with the BBC.

Later I lived for nearly five years in Australia before returning to live in the UK.

I now live in Warwickshire with my husband David, son Jamie and daughter Abigail. Nearby are three of England’s most famous destinations: the Royal Shakespeare Theatre at Stratford-upon Avon and the two great castles at Kenilworth and Warwick.

Without giving away the plot, please could you tell us a bit about Mystical Circles?

Mystical Circles is set in the beautiful Cotswolds hills, not far from my present home. It’s a psychological suspense with a hint of paranormal. When freelance journalist Juliet learns that her sister Zoe has fallen for the charismatic leader of a mystical cult in the Cotswolds, she sets off to investigate, and to rescue Zoe. But she is unprepared for what her investigations will uncover. Intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.

(This sounds really intriguing!)

Your writing considers the themes of spirituality and human psychology. Why do you choose to write about these themes?

I’ve always been fascinated by the interaction of different complex personalities, an inexhaustible source of inspiration for a writer. The general inspiration for Mystical Circles arises largely from the advice I give an aspiring writer: read a lot, listen to people’s conversations, be observant about the details of your world, and especially about human behaviour and interaction.

More specifically, for the story, themes and characters of this novel, I drew upon my own past experience of “hunting in ‘Guru Land’”. My journey has led me from the insights of the late Laurens Van Der Post and the inspirational writings of the late Dr Raynor Johnson via a mystical mountain in the Himalayas (Mount Neelkanth near Badrinath) to a dream yoga course in Brisbane Forest Park.

I lived in Bayswater in London for eight years and during my time there I attended courses and lectures at the Theosophical Society in Gloucester Place, and investigated spiritualism at the Spiritualist Association in Belgrave Square and at the White Eagle Lodge, Kensington. I also became a member of the Centre for Spiritual & Psychological Studies which met at the Royal Overseas League, St James’s Street and spent a weekend with the group at Hawkwood College near Stroud in Gloucestershire. I additionally studied the teachings of Bhagwan Sri Rajneesh at his Body Centre in Belsize Park and at his Hertfordshire branch Medina Rajneesh. In both places I experienced Dynamic Meditation and his own brand of group therapy.

My most quirky New Age experience was in Australia, walking backwards through the rainforest as part of a residential Dream Yoga weekend held at Cosmos Lodge, Mount Nebo, Brisbane Forest Park.  It was on this occasion that the course leader, a dream interpretation guru called Greg, spoke the memorable words: ‘If you master the art of lucid dreaming, death will be a breeze.’  Something from all these experiences has played into Mystical Circles.

Many reviewers refer to the wonderful quality of your characterisation. Which is more important to you as a writer, character or plot and why?

I believe that character and their motivations and relationships drives plot, and plot often arises as you get to know your characters really well and watch them responding to and reacting against each other. An essential task when one plans a novel is to create a ‘bible’ for each character. I love observing people and listening to conversations and also I love writing dialogue. It’s one of my favourite things about writing fiction. From the point of view of a reader, I believe the greatest joy in reading novels is to be inside the heads of fictional characters. When we feel we are living inside the mind and heart of someone else, when we feel we share their joys and sorrows, and understand how they think, this is the greatest transformation of which a novelist is capable.

(Oh yes. You’ve summed that up beautifully. That’s exactly the experience I want as a reader.)

You’ve lived in Australia which has a strong aboriginal tradition of Dreamtime and now live in an area of the UK steeped in history. How far do you think living location impacts on a writer?

It has a strong impact. I have known of several novelists for whom “the spirit of place” is of paramount importance. Everywhere I have lived I have sought out these things: water (in rivers and lakes), trees and forests, beautiful gardens, castles and historical sites, high viewpoints with panoramic vistas.  All these things have a powerful emotional effect upon me.  Nevertheless I am aware, that wherever you go in the world ‘you’ are still there. You can never escape from yourself.

I set out to develop this idea in Mystical Circles, as I brought together several troubled individuals, many with problematic family relationships, in an idyllic location. All the members of the Wheel of Love (the cult group) have escaped from their normal lives, to come apart and find something special, a spiritual haven. Yet the one thing they cannot escape is themselves: their own hearts and minds and, most importantly, the emotional position they take about their past. I believe our greatest challenge in life is to understand ourselves, and understand the human heart. Being in a beautiful geographical location can impact us strongly, but not in the way we might hope, if we are trying to escape ourselves. In aboriginal spirituality, human lives and every aspect of the land have been so intimately linked over many centuries, that it was only the incursion of an alien culture which introduced negative influences. I have been deeply moved by aboriginal spirituality, through some of the places I’ve visited in Australia, and hope to incorporate this in a future novel.

When you’re not writing, what do you choose to read?

I read a wide variety of books both fiction and non-fiction, of different genres, and I always review them on Amazon and Goodreads. I have just finished reading How To Think Like Churchill by Daniel Smith and am halfway through a novel called The Life of Elves by Muriel Barber, and have several physical books and kindle books on my TBR piles. I will read Young Adult, thrillers, fantasy, comedy, historical, suspense, psychological, crime, paranormal, romance…  I love the novels of Phil Rickman, Susan Howatch, Dan Brown, CS Lewis, JRR Tolkien, JK Rowling and many others. In my teens I read through Thomas Hardy, Emile Zola, Dostoyevsky, Tolstoy, Dickens. And I also love Jane Austen and the Brontes.

If you could choose to be a character from Mystical Circles, who would you be and why?

I’d choose to be Theo. He is something fresh coming in from the outside into the hothouse environment of the group, and he is all about people on spiritual journeys and he believes in coming alongside them, without judging. He listens to people and helps them to see themselves differently and how they might move forward in their journeys of self-knowledge. But also he is someone whose background hides a mystery and that creates an extra sense of intrigue about him.

If Mystical Circles became a film, who would you like to play Zoe and why would you choose them?

This is easy because, as a keen film buff and TV drama fan, I have plenty of ideas for my dream cast! Currently, to play the part of Zoe, I feel I would like Sophie Turner (who plays Sansa in Game of Thrones). Firstly she looks right – she has long auburn hair and is physically my idea of Zoe.  She is a diverse actress, who used to be in Playbox Warwick near where I live – a wonderful youth theatre which my children attended – and can play a young naive, excitable character, which is how Zoe is when she precipitates the action of this novel.

If you had 15 words to persuade a reader that Mystical Circles should be their next read, what would you say?

Like troubled family relationships infused with spiritual and psychological tension? This book is for you.

Thanks so much for telling us a bit more about Mystical Circles and your interesting life!

About SC Skillman

SC Skillman Author photo WEB

SC Skillman studied English Literature at Lancaster University. She has previously worked within a BBC radio production office and later spent four years in Australia. She now lives in Warwickshire with her husband David, their son Jamie and daughter Abigail.

You can find SC Skillman on Facebook and follow her on Twitter. You can also visit her blog.

There’s more with these other bloggers too:

Blog tour ad as at 26 August 2017