Modern-Day Angel Encounters – With or Without Wings. (Angel Encounters Mini Series: Part 1)

What does a modern day angel look like?

Michael Sheen as the angel Aziraphale in 'Good Omens' by Terry Pratchett & Neil Gaiman
Michael Sheen as the angel Aziraphale in ‘Good Omens’ by Terry Pratchett & Neil Gaiman

Like the fussy angel played by Michael Sheen in the deliciously funny and clever ‘Good Omens’ by Neil Gaiman and Terry Pratchett?

More, perhaps like this angel depicted by Vincent Van Gogh? 

Half-Figure of an Angel, After Rembrandt – by Vincent Van Gogh

or maybe like the powerful and moving Knife Angel that appeared at Coventry Cathedral in 2019?

The Knife Angel at Coventry Cathedral

 

Or perhaps even, the guardian angel Clarence.

guardian-angel-clarence-from-its-a-wonderful-lifeI

We met him in the 1946 film It’s a Wonderful Life.

In the TV sitcom Rev, the main character Adam Smallbone (played by Tom Hollander) reaches a point where he has been betrayed, lost his church, his self-respect, and his vocation, and feels he has failed all those who believed in and depended on him.

In a state of despair, he goes up a hill carrying the cross intended for the Easter Sunday service. At the top of the hill he meets a homeless man (played by Liam Neeson) who dances and sings with him, knows and understands what’s going on for him, and offers consolation and hope. He transforms how Adam feels about his situation. Then he disappears.

This kind of encounter takes on the shape of what I would call an angel encounter.

This I would define as:  a situation where you are in personal crisis of some kind, and you are helped in a timely manner by a person who appears unexpectedly, transforms your situation, and then disappears quietly. Throughout the encounter, this stranger seems surrounded by an aura of graciousness, gentleness and kindness.

I’m starting a new series of occasional posts here on my blog, entitled:

Angel Encounters.

I know many people hold on to belief in angels  – whether they be guardians, guides, or  protectors – even in this supposedly secular, materialistic society in which we live here in the UK.

In 2019 I attended an author talk as part of the Warwick Words History Festival, held in the church of St Mary Magdalene in Warwick. Author Peter Stanford spoke about his latest book Angels: A Visible and Invisible History 

In this book Peter Stanford gives a history of humankind’s belief in angels, beginning long before the historical origins of the Christian faith, and continuing right up to the present day, with the interest in angels ever popular through folk religion and other spiritual outlooks.

Peter Stanford uncovers much intriguing material, and also includes an examination of the appearance of angels in great art. Throughout he maintains an objective, academic approach which he combines with his own views.

Today, many of those who believe in angels see them as ‘independent agents’, outside traditional faith structures.

As Stanford says, People have… believed in angels for millennia… the only difference today is that this reliance on angels as dwellers in time and space is happening outside of organised religion… Angels once… largely belonged in religious narratives and institutions… but… have somehow detached themselves from the declining institutions and are now thriving on their own.

At the end of the book Stanford remarks: I have lost count while researching and writing the book of how many times I have been asked if I “believe” in angels. 

Many other authors too have written on the subject of angels, from a wide variety of viewpoints. A popular author on the subject is Theresa Cheung and I blogged about her book Angel On My Shoulder  on 28 February 2017 

The book is full of authentic first-person accounts. Several things fascinated me about these:

1) I could identify with a number of them from my own experience, though I’ve tended to think of them as synchronicity;
2) Each one had a distinct element of the supernatural;
3) Far than being sentimental, they all demonstrate strength and simplicity.

Several describe sudden and shocking bereavement. In each case the narrator of the story has experienced a compelling supernatural intervention which has totally changed their attitude to the tragedy and to death itself, and has provided the sort of comfort and reassurance that others might achieve only through long-term counselling or psychotherapy.

The author’s stance in relating the stories is measured and balanced. She fully accepts those who take a “reductionist” view of these events and prefer a rational explanation, and she invites us to make up our own minds.

I found the whole book very convincing, not least because of the cumulative effect of so many testimonies from different people unknown to each other, who have all had similar experiences. It had the same effect upon me as another book I’ve reviewed called Miracles by Eric Metaxas.

In her summing up, Teresa Cheung refers to organised religion no longer providing the structure and certainty that it used to (maybe because so many feel it doesn’t meet their needs, and appears irrelevant to their lives). The stories in this book suggest, to one way of thinking, that many may be connecting with “the divine” totally outside the confines of “church” – through angels.

This, interestingly, is the same conclusion that Peter Stanford comes to.

In this occasional series on my blog, I’ll consider modern-day angel encounters.

Next week I’ll start this off with my own story describing an experience which took place several years ago.

What do you think? Do you believe you have a guardian angel?  Have you a story of an “angel encounter”? Do share in the comments below.

Guardian Angel Clarence (played by Henry Travers) with George Bailey (played by James Stewart), in the 1946 movie It’s a Wonderful Life

 

Cover Reveal: ‘Paranormal Warwickshire’ by SC Skillman

I’m delighted to be able to bring you the cover reveal for my new book, Paranormal Warwickshire, which is due to be released by Amberley Publishing on 15th November 2020.

PARANORMAL WARWICKSHIRE by SC Skillman
Paranormal Warwickshire by SC Skillman

I’ve been looking forward to this for several months, as I wondered which of the photos (taken either by myself, by my son Jamie or my daughter Abigail) would be chosen for the front cover! Would it be the very atmospheric night shot of St Mary’s Warwick against an inky blue sky, the path into the graveyard to the left, and light spilling out from the windows? Would it be that iconic view of Warwick Castle that everyone sees as they cross the bridge into Warwick? Would it be one of our moody images of mysterious Guy’s Cliffe?

Well, now I know, and I’m thrilled with the cover. I hope you too find that it intrigues you, and stirs your imagination.

Warwickshire is a county steeped in the supernatural, as befits the county of Shakespeare and the many ghosts and spirits that he conjured up in his works.

The towns and villages of Warwickshire, its castles, houses, churches, theatres, inns and many other places both grand and everyday have rich and complex stories to tell of paranormal presences.

In this book I investigate the rich supernatural heritage of this county at the heart of England in places such as Guy’s Cliffe House, the Saxon Mill, Kenilworth Castle, Warwick Castle, St Mary’s Church in Warwick, Nash’s House in Stratford-upon- Avon, the Royal Shakespeare Theatre and Stoneleigh Abbey, as well as in the towns of Rugby, Nuneaton and Leamington Spa.

I explore the spiritual resonance of each location, recounting the tales of paranormal activity associated with it and examining the reasons for this within the history of the place.

Paranormal Warwickshire takes the reader into the world of ghosts and spirits in the county, following their footsteps into the unknown. These tales of haunted places, supernatural happenings and shadowy presences will delight the ghost hunters, and fascinate and intrigue everybody who knows Warwickshire.

I hope that whets your appetite for the book; and don’t forget to get your pre-order in! You can choose Amazon UK or Amazon US or Waterstones or Amberley’s own website. But as an alternative, as a tribute to Warwickshire, may I encourage you to order from our lovely indie bookshops, Warwick Books or Kenilworth Books.

#SocialDistancing #Walks in Enchanted Woodlands

I admit I rather like taking nature walks where everyone we meet is social distancing… with a polite smile, other walkers withdraw into the shrubbery or the bracken and we pass each other by at a safe distance, or with jokes about whether we are on the right route and whether we’re going round in circles and have seen each other before.

So it was in Thickthorn Wood, Kenilworth. Only the sound of cars rushing past on the A46 between Warwick and Coventry in a newly-loosened lockdown slightly detracted from the exquisite melody of the birdsong.

Glorious rhododendrums and bluebells gave this woodland the feeling of an enchanted forest. I could almost imagine Merlin and Arthur making their way along the track on white horses, searching for Nimue to try and persuade her to cancel one of her magical conspiracies against the inhabitants of Camelot….

Inspiration for Creative Writers From Grayson Perry in Grayson’s Art Club

Honesty and truthfulness – these are the outstanding virtues of a great artist. And as a creative writer I am currently finding inspiration from  artist Grayson Perry as he showcases “Covid-19 lockdown art” in his TV show “Grayson’s Art Club” on Channel 4.

Grayson makes use of our contemporary culture which he transforms into art –  tapestries, lithographs, glazed vases. One of my favourite items in a Grayson Perry exhibition in London was his “career advancement vase” upon which he had painted lots of different cliché words and phrases job seeker use on CVs.  These words are so evocative. They carry within them all sorts of pretensions, eagerness to impress, compulsion to present a false picture of oneself to the world.

In. another exhibition of Grayson’s works, I loved his “Walthamstow Tapestry

In Grayson Perry and Wendy Jones’ book “Portrait of the Artist as a Young Girl”, co-author Wendy Jones writes: “During the interviews Grayson appeared almost physically malleable. It seemed that sometimes he would look like a First World War pilot, then a mediaeval minstrel, then a housewife suffering from ennui, then an elegant hurdler. He was always morphing – I hadn’t come across that before and I doubt I shall see it often again.”

This capacity to morph strikes a chord in me as I watch Grayson’s Art Club, listen to his raucous laugh, and observe the change in his hairstyle between scenes. I also find myself imagining him as a young girl, in one of his many other personnas, I love the idea of a “fluid and flexible ego”, something I believe Grayson Perry has; and I used this idea myself in my novel “Mystical Circles” where it is eventually understood as part of the shapeshifting gifts of a shaman. Wendy Jones’ description was fascinating to me as I have known of those who morph in this fashion and have witnessed it myself and worked it into my own fiction.

Grayson Perry suggests that we “sit lightly to our beliefs”, and “let go of a compulsion to seek meaning – we will enjoy life in this world much more.” His art bears this out; everything is referred back to his childhood teddy Alan Measles, his “guiding spirit”; everything is set against that barometer of his childlike perceptions, even to the extent of  dressing as a little girl.

Grayson Perry  has important things to say, strong challenges to make to me. I cannot ignore these challenges as a creative writer.

Grayson Perry in one of his colourful alternative personnas
Artist Grayson Perry

Inspiration from Fantasy Novelist Philip Pullman, President of the Society of Authors

During the Covid19 lockdown, the Society of Authors are presenting a number of webinars with notable authors, and the other day I attended “Afternoon Tea with Philip Pullman”.

I was keen to hear from the author of a fantasy trilogy that captivated me, “His Dark Materials“. 500 of us attended, all waiting with drinks and snacks to hear what the President of the Society of Authors might have to say to us from his Oxford study. When he came on, he showed us his working space; untidy, spilling over with miscellaneous items such as his jacket slung over an open box of labels, files and paper and books. I was greatly encouraged to see this; no compulsion to tidy up his workspace there!

He was asked what the Society of Authors means to him, and he said, “It simply means that I am part of a body of people who have experienced some of the disappointments and hopes and occasional successes that I have.

On his wall is a giant map of the world and it seems this is a major inspiration for him. He says he doesn’t plan his novels. As he starts his thoughts might be as vague as, “I think she should go north” or “It would be rather nice if she went to Central Asia.”

He loves maps, and for one of his earlier novels, “The Ruby and the Smoke” (another novel I love) he sourced ordnance survey maps of London in 1872.

I myself have a giant map of Warwickshire which I plan to put up on the wall near my working area. It helped me for my book “Paranormal Warwickshire” (due to be published by Amberley 15 November 2020) and I hope it will be useful for my next book too (more of that later).

Philip Pullman came over as a genial, laidback, engaging schoolmaster-like character – after all, he was an English teacher in an Oxford school for several years – and his approach was helpful and encouraging.

I enjoyed his reply to the question: “Do you have a particular age group in mind as a target audience when you begin to write?”

His answer was:

“No. I don’t. When you write a book you should do what you want to do; ignore everybody’s advice. It’s none of their business. When your book’s out, it becomes democratic. Then, everybody’s totally entitled to think exactly what they want to about the book.”

He told us that, before starting “His Dark Materials”, the concept of the daimons (which may be defined as ‘the external physical manifestation of a person’s inner self, that takes the form of an animal’) was in his mind for a while but he had no idea what to do with it.

Then one day he was wandering in the garden and near a rock when he thought, “Children’s daemons change, adult’s daemons don’t.”

“That was the most exciting moment I’ve ever experienced as a storyteller.”

It was (just like the idea about the boy wizard that came to J K Rowling on that train journey), the key to unlock his unconscious – and, for him, all the characters and actions and events of Lyra’s alternative world followed.

There is a powerful lesson for authors here: we must listen to that first instinctive prompt, hold onto it, and follow through, even if other voices try to break in and interrupt it. That’s one of the reasons why I don’t feel it’s wise to seek other people’s opinions on a work-in-progress. Finally, his most practical answer came in reply to the perennial question posed to authors:

“Where do your ideas come from?”

“I don’t know where they come from but I know they come to my desk, and if I’m not there they go away.”

Enchantment in the Natural World in this Time of Lockdown

As the days of the lockdown pass, I’m becoming more aware of a new and powerful sense of renewal in the natural world.

Not only have I noticed this on my daily walks but I am hearing it from other people too.

“It’s like going back 50 years. Everyone is so much more ‘together’ and more friendly.”

“The sky is much bluer, the water in the River Avon is much clearer. The birdsong is outstanding.”

“Air quality has improved. There are no longer any chem-trails from planes flying over.”

I myself on my walks feel that nature is much brighter and more intense and more abundant than I have ever known before.

The light keeps shining on delicate buds and new baby leaf sprays about to burst open. The green is rich, the white is intense. It is all very spiritual.

I find myself being constantly ‘surprised.’ As I returned home from one walk, everything became more golden and more green until it was almost overwhelming.

Nature has flourished because human activity has been subdued.

This isn’t just the open countryside, it’s the pockets of green and the pathways and small areas of parkland nestled in between and alongside houses and canal and roads.

This is how it appears to me because we are all slowing down, the streets are quiet, we are not all engaging in frenzied activity and chasing achievement and Doing and Aquiring Things as we normally do.

“May this heal us from the sickness that brings death to the body; may this heal us from the sickness that brings death to the soul.”

#covid19walks #socialdistancing – A Strange New Name for Local Walks in the Springtime

A strange new title for local walks in the springtime has emerged. Steering clear of other walkers, whilst wandering along in the balmy spring afternoon, seems dreamlike…

Paranormal Warwickshire Cover Reveal Coming Soon

I hope you are all well, and staying home, except for your one-daily-piece-of-exercise here in the middle of the COVID-19 crisis.

I must admit I’m finding plenty to do as a writer. ‘Paranormal Warwickshire’ has a new publication date: 15 Nov 2020. I’ve just returned the corrected proofs to my publisher, Amberley. Meanwhile I’m working on another novel and researching a new non-fiction book (more details in a few months’ time).

As for my daily exercise… what better location than one of those featured in my upcoming book ‘Paranormal Warwickshire’: The Saxon Mill, on the Guy’s Cliffe estate, Warwick; just 10 minutes walk from my home.

The Saxon Mill, on the River Avon, Warwick.

‘Paranormal Warwickshire’ can be pre-ordered here.

Australia and New Zealand Mini Series Part 19: North Island, New Zealand: Enchantment and Delight for ‘The Hobbit’ and ‘The Lord of the Rings’ Fans: Matamata and Hobbiton

This is the nineteenth in my series of short reflections on different places in Australia and New Zealand, as experienced during my November 2019 visit. Today is the third of my posts on New Zealand’s North Island.

map of New Zealand
map of New Zealand
Map of Australia and New Zealand

In my last post I wrote about Paihia and the Bay of Islands.

We set off from Paihia early in the morning and drove south through a landscape of velvety green hills uninterrupted by hedges or fences, dotted with a wide variety of trees, and occasionally by pretty white bargeboard houses in gardens. It felt as if we were surrounded by JRR Tolkien‘s hobbit country all the time: The Shire, that pastoral idyll which the hobbits called home. No wonder the makers of The Lord of the Rings and The Hobbit films settled upon this landscape as the ideal location for Hobbiton.

Further along in our journey we entered a region of verdant forest packed with trees so diverse and so attractively interspersed with giant tree ferns that they seemed planted by design.

arriving in Matamata close to the Hobbiton film set

When we arrived in Matamata we immediately saw the welcoming sign and those of us who have loved the world of Middle Earth for so long at once felt a sense of high excitement.

excitement at arriving in Matamata

Even the local visitor information centre has been turned into a nostalgic homestead reminiscent of the hobbits’ innocent world.

The visitor information centre in Matamata

And yet, as we were to discover again and again throughout our stay in Matamata and our visit to Hobbiton, you don’t even need to have read the books or have seen the films to be thrilled by what has been done here to recreate this romantic vision of pre-industrial rural England.

This of course was what inspired JRR Tolkien. The irony is that he was influenced by the countryside between Birmingham and Warwick, in the UK, and by Sarehole Mill – and his vision of Mordor came from the industrial wastes he found. So Tolkien’s inspiration is very close to where I live. But I went halfway across the world to find it recreated here in New Zealand!

Upon entering the visitor information centre we found a sculpture of Tolkien’s most insightful creation: the tragic and chilling figure of Gollum, who had, long before, been known as Smeagol, one of the river folk, until he came into possession of the One Ring, and had been enslaved and possessed by his lust for ‘the Precious’. The One Ring to bring them all and in the darkness bind them.

The sculpture of Gollum in the visitor information centre at Matamata

I can imagine Matamata itself was an unassuming little ‘one-horse settlement’ before Peter Jackson found his ideal location for the Hobbiton film set nearby. It is astonishing to reflect upon the power of an iconic fantasy epic to catch the imagination of millions and transform the fortunes of one small town.

We had dinner at a restaurant called The Redoubt which had, along with the town of Matamata, ‘fully embraced its Middle Earth credentials’! (a phrase borrowed from the Matamata section in the Lonely Planet Guide for New Zealand).

The Redoubt bar and eatery in Matamata

The menu and decor were based around characters from The Hobbit and The Lord of the Rings.

“Sneaky little hobbitses” – Gollum’s well-known catchphrase, up on the wall of The Redoubt bar and eatery in Matamata (photo credit Abigail Robinson)

We had a delightful meal in The Redoubt and it built up our excitement at the prospect of visiting Hobbiton the next day. It was also an opportunity to sample a range of New Zealand red wines!

Inside the Redoubt Bar and Eatery in Hobbiton

Early the next morning we arrived at The Shires Rest, a short distance outside Matamata, to join our tour of Hobbiton, led by a young man called James, who was, appropriately enough, English.

The tour bus took us through the rolling hills of the Alexander Farm, a vision of the undulating landscape of young children’s picture books, a perfect setting for the small, round, cheerful hobbits.

On the way James showed video clips of The Hobbit and The Lord of the Rings films, and also gave us plenty of fascinating facts about the making of the films, how this area came to be chosen as the site for the Hobbiton film-set, and why indeed there now exists here a perfect, robust and well-built rendition of hobbit country, for the delight of many thousands of visitors each year.

AS for Hobbiton itself, we all found it beyond our expectations, so perfectly realised, with exquisite attention to every detail: Bilbo’s sign on the gate announcing ‘No admittance except on party business’; the oak tree above Bag End, the line of washing, the wheelbarrows full of freshly harvested vegetables, the mill and bridge, the party field, Bilbo’s eleventy first birthday cake, the Green Dragon Inn and the tankards of beer.

Throughout Hobbiton we found exquisite English flower varieties, all in top condition. In fact, being here was indeed like being transported into JRR Tolkien’s original vision. It has been said that he wouldn’t have liked the idea of his books being turned into films, as he believed that the power of the imagination must determine how people see the world he created. Nevertheless I feel that he would have been awed by what has been achieved here. Hobbiton lacked only one thing: real life hobbits!

SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.

Cornwall mini series Part 10: Tintagel

This is the tenth in a series of short reflections on places in Cornwall.

There will be few words, and mainly images.

Tintagel may be found just along the coast north east of Port Isaac. A rocky headland became an island – and between the 5th and 7th century AD it was an important stronghold, and probably a residence of rulers of Cornwall.  It looked like the perfect place for King Arthur ‘s court of Camelot. And so Richard Earl of Cornwall built a castle here in the 1230s.

Now you may reach the island by a dramatic, elegant new bridge constructed by English Heritage, who own the site.

Spectacular coastal views, the chance to visit Merlin’s cave down on the beach, and simply the glorious experience of being in such a sublime location, will uplift and transport you to another world.

SC Skillman

psychological, paranormal and mystery fiction and non-fiction.

My next book ‘Paranormal Warwickshire’ will be published on 15th June 2020 by Amberley Publishing.