A few images from Dunham Massey, a National Trust property in Cheshire. These were taken on 19th February – just at that time of the year for us in England where the spring flowers are arriving, heralds of joy and new hope.
Did you know my very first published work under the name of SC Skillman was a cry from the heart, in the form of a poem which appeared in print courtesy of The Beatles?
Here it is, a cry from the heart of a frustrated fan, as it first appeared in Beatles Monthly edition no. 64, testifying to my obsession with Paul McCartney and my shameless dedication to turning up at Paul’s House in St John’s Wood, London, in the hope of catching a glimpse of him. The poem is addressed to Johnny Dean, who was the editor of the Beatles Book.
Here is the transcript of the poem:
This poem sums up what I feel at the moment!
HOW NOT TO MEET PAUL (BY, HOWEVER, AN OPTIMIST)
If I go to Paul’s house
He’ll either come back from Greece two hours after I’ve gone,
Or he’ll have just gone off to India.
Whenever Paul goes
To Regents Park or Hyde Park
He makes sure I’m not there.
Whenever Paul takes
Martha for a walk,
Before he does so, he
Makes sure Sheila Skillman isn’t outside.
And doesn’t get a chance of seeing him.
When Paul records at the EMI studios
He makes sure I’m not hanging around;
When I phone up the EMI studios,
It’s one of the secretary’s uncooperative days,
Or she doesn’t know, or
She’s got no idea, luv.
When Paul’s at the Apple offices,
he makes sure I’m not going to be in the vicinity,
And then decides it’s safe to turn up.
When the Beatles, ages ago went to Sevenoaks,
They made sure that
When they were driving up Court Road through Orpington,
S. Skillman wasn’t taking her dog for a walk
At the same time
(Because she lives just off there.)
In short, S. Skillman Has Ways Of Not Meeting Paul.
But don’t worry, she’ll do it one day.
Hope you like it
There were, of course, usually many fans congregating outside Paul’s house, and I will admit I have had some fascinating conversations with people there. It’s also known that in the early days of his ownership of the house, Paul might often pop outside the front gate and get the fans to take his dog Martha for a walk, or do other tasks for him.
Nothing like that happened, alas, when I was there. But the poem I wrote about it, within the Beatles Monthly magazine no. 64, remains a part of Beatles folklore, and it forms part of my extensive collection of Beatles memorabilia, along with several other editions of the Beatles Monthly magazine.
I will always remember how I felt when I saw my poem had been printed. I first heard about it from Leslie, a friend of my parents, whose daughter Sarah was also a Beatles fan. Leslie said to me slyly one day, “I see you’ve flown into print, my dear.” I was surprised and didn’t know what he was talking about. He mentioned Sarah, and Beatles Monthly. Shortly afterwards I shot down the road to the newsagent, procured my copy, and began walking up the road. flipping through the magazine. I opened it to the letters page and saw my poem. The feeling I had then may be compared to that of a first time novelist who gains their first contract of publication with a commercial publishing house. An over-the-top reaction perhaps… but that’s how I felt. I walked up the road to my home in a golden haze.
After this poem was published I received an extensive response from other Beatles fans/ readers of Beatles Monthly, based in the UK and the USA, of which these letters form a small part:
These responses were the equivalent to comments on a tweet or a blog post now.
I also began long pen pal correspondences with two of the writers from the USA and one of them sent me a ticket from the Beatles’ famous concert at Shea Stadium on 15 August 1965, as well as original prints of photos she’d taken of the Beatles; she later visited London and I had the pleasure of meeting up with her. Being American she was much more upfront than me and had met the Beatles and pushed herself forward on occasions when I would have hung back shyly in the background! Chrissy O’Brien, if you read this blog, it would be lovely to hear from you again!
The comments I received in some of these letters are given below:
I saw the letter you wrote… and I said to myself, Hey! There goes a girl with the kind of luck I have! Sort of a kindred spirit you might say (Delana from Detroit, Michigan)
In case you’re wondering how I got your name it was from Beatles Book 64 (how else?). Well at least Paul knows you exist, a privilege shared by few. (Graham, from Swanley, Kent)
I read your letter in Beatles Monthly and I entirely agree with you. When I go to see Paul he is never in. (Sue from Cricklewood, London NW2)
You seem to be enquiring how to meet Paul.. maybe I can help, if you care to write, as I have a telegram from Paul when I met him at London Airport in July 1965. (Brian from Orpington, Kent)
I know this is idiotic but… I just read your poem in Beatles Monthly. It was about Paul Boy. If only I could write one to George like that!!! Enclosed is a photostat copy of a letter I received from Paul thanking me for my letter…. As you can see it isn’t much but it is Paul. And of course I wish it was George’s instead. Foul of me, I know. (Sherry from Eugene, Oregon, USA)
I saw your name in Beatles Monthly so I thought I’d write to you… (Anna from California).
I became a member of the Official Beatles Fan Club a couple of years after it started, and included in my memorabilia collection you may find most of the Beatles’ original Christmas records for Fan Club members, all four Beatles’ autographs, an interesting collection of news cuttings covering the major events of the Beatles’ career from the time my interest began, up until George Harrison’s death; and several newsletters and personal letters from Freda Kelly, former secretary to Brian Epstein, and the first Beatles Fan Club Secretary, who did so much to help Beatles fans during her time as the fan club secretary
Open this link to read all about the 2013 film about Freda Kelly Good Ol’ Freda.
Click here to read another of my posts on Paul McCartney, the first in my blog series People of Inspiration.
I’d love to hear your Beatles thoughts and memories. Please do share in the comments!
On Saturday 23rd December 2017 I went to see the exhibition “Living with Gods: peoples, places and worlds beyond” at the British Museum in London. The exhibition curator Jill Cook had set out to show the development of religious symbols through physical objects which people in widely diverse cultures and historical periods have used to denote their relationships with a spiritual reality beyond nature.
The exhibition ranged from a 40,000 year old sculpture of a lion man, through a Buddhist wheel of life held in the claws of the god of death, via a Japanese Shinto household shrine, to a Soviet communist poster of an astronaut with a rather inane grin on his face floating in space and declaring “There is no God.” On the Buddhist wheel of life the artist had depicted instances of human and animal suffering and wickedness of all types, which I must confess reminded me of Dan Brown’s description of Dante’s Inferno…
I was also interested to learn that the image of the many-armed creator/destroyer god Lord Shiva is on display outside CERN in Switzerland, as a symbol of the atom.
However, inevitably much was missing from the exhibition. For instance, I found no reference to the aboriginal image of the Rainbow Serpent said to be one of earliest of religious symbols, in this case symbolising Creation. Neither did I find the spirituality of the North American Indians, nor the mystical system of the ancient Chinese Book of Changes, the I Ching.
The whole tapestry and landscape of humankind’s attempts to build and sustain a relationship with spiritual reality beyond the observed world is so vast and complex, this exhibition inevitably could give just a small representative taste alongside a dispassionate commentary. In reality each religious outlook and philosophical system deserves its own special in-depth study in order to do anything like justice to it – and the curious investigator can find many books to help.
But one of the most moving parts of the exhibition for me was the display about the Japanese persecution of Christianity in the 17th century, during the time of the Portuguese Jesuit mission to Japan, a story told in the brilliant novel Silence by Shusako Endo, upon which was based the 2016 film starring Andrew Garfield.
I remember the impact the book made on me, when those being persecuted were ordered to trample the fumi-e – a bronze plaque showing Christ on the cross. I found myself gazing in awe at an authentic fumi-e and thought again of the powerful end to the novel Silence.
One of the most interesting things about that novel was the way it showed how Christianity may be introduced into what may seem an alien culture and how those within that culture may take on the Christian faith and understand it within their own cultural terms. I remember a scene in the novel where Japanese Christians were being tortured by being tied to stakes on a beach while the tide rolled in and out around them. They gained the stength to endure by continually singing, We are going to the temple, going to the temple of God.
If there is any lesson at all to be learned from an exhibition of this type, perhaps it is that we have the challenge ahead of us to communicate what we believe to be the truth, whilst also respecting other human beings and where they are in terms of their own worldview.
On Friday 15 December we went to an Enchanted Kenilworth event at our local English Heritage castle in Kenilworth.
As English Heritage members we’ve visited this castle many times but it was so beautiful to see the trees, castle ruins and grounds illuminated with imaginative light displays. We particularly enjoyed the large projected image of Elizabeth I
on the side of Leicester’s Building – which was constructed specially to accommodate the royal party and all the guests during Elizabeth’s famous 19-day visit to Kenilworth Castle in July 1575, during which Sir Robert Dudley, Earl of Leicester, made his last attempt to win her hand in marriage.
Also we loved “the ghostly party” in John of Gaunt’s Great Hall.
Dancing figures of light appeared on the walls, and before us a banqueting table was laid out with goblets – just a mere shadow of the lavish parties which John of Gaunt threw here during the 1360’s having turned the fortress castle into a palace.
The Elizabethan Garden looked enchanting with the central statue on the fountain fully illuminated and lights dancing and playing in the garden.
Sir Robert Dudley missed a trick when he tried to impress Elizabeth I with his creation of the original garden here – if he’d put on a light display like that after dark, I think he might have succeeded in winning her hand after all…
When thick snow arrives it transforms our world, for as long as it stays on the ground and on the trees, on the rivers and ponds.
The fascinating thing about snow – as an occasional visitor to our familiar landscape – is how it acts as a catalyst for the negative and the positive in human nature. However you see life, seems to be encapsulated in how you react to the sudden arrival of snow. As a child I was very romantic about snow. I never saw the negative side. But as adults we can see inconvenience, closure of schools and colleges, cancellation of social events, cars skidding and sliding, accidents and piles of dirty slush.
Or we can choose to see it as millions of exquisite, miraculous ice crystals, as an agent for transformation, as a way of seeing the world through new eyes, even if only for a relatively short period of time.
Near our home, the Saxon Mill pub, Warwick, is a popular venue. Situated on the river Avon by a bridge over a weir, with the atmospheric ruins of Guys Cliffe house on the horizon, it is a romantic, historical place to which people are attracted in huge numbers – at certain times of year. I love visiting it at any time of year but especially in the snow.
This is the eighth in a series of blog posts in which I re-publish the articles on that blog tour.
INTENSE RELATIONSHIPS IN CLOSED COMMUNITIES, AND THE STRESS AND TENSIONS OF LIFE
I was inspired to write Mystical Circles by, among other things, the challenge and the dual effect of family relationships; family relationships which seek to protect and encourage and advise, and which sometimes turn in a negative direction, when they may stultify and suffocate and control.
I had an idea in my mind of an older sister shocked and horrified by a decision her impetuous young sister had made – a decision which could impact on the rest of her life, and which might lead her down a path the older sister thought destructive.
So I began my tale of Juliet, a freelance journalist who has begun to establish herself well in life, horrified by unexpected news from younger sister Zoe, fresh out of university, no plans in mind for a career, who has been captivated by a new spiritual outlook – and a very seductive cult leader – or so it appears to Juliet.
Of course, when a novelist sets out to create a story, real people influence fictional characters. And then those characters take off, and develop a mind of their own, and soon they are controlling the plot and driving the novelist along certain paths. I have long been fascinated by human personality and the ways in which different individuals interact with each other, either leaching energy from or building up those who they come into contract with. Likewise, the whole area of group dynamics is a source of inspiration for me. I have been in many different groups of people throughout my life – whether that be within a family gathering, an office environment, a structured workshop or psychological therapy group, or a new age spiritual group like the one portrayed in Mystical Circles – or, indeed, a writing workshop or conference.
Another of my inspirations for Mystical Circles was an Arvon Foundation writing course I attended at Totleigh Barton farmhouse in Devon. I’ve been to many other other writing weekends and courses too, which have fed into the events of my own novels. Look no further than a group of writers, if you want to plumb the depths of emotional anguish, and numerous psychological tensions such as jealousy, euphoria, new hope, the depths of despair. I like the idea of exploring the intense relationships that develop in closed communities and certainly a week closeted together with other writers in a remote farmhouse gives plenty of fuel for such a scenario as the one I develop in Mystical Circles.
The Wheel of Love, the new age spiritual group which Zoe has joined, is a claustrophobic hothouse environment. Here in this close circle, as the blurb says, intrigues, liaisons and relationships flare and flourish or fizzle out quickly. This acts as a strong challenge to Juliet who is a freelance journalist and who starts out intending to remain objective…
Mystical Circles is out in a new edition with a new cover design on 5 September 2017.
Publisher: Luminarie; edition 3 (5th September 2017)
“Hi, you in crowded, stressed old London from me in the peaceful, perfect Cotswolds. Massive change of plan. I’m in love. Craig’s gorgeous, sexy, intelligent. Paradise here. Staying forever.”
Juliet, concerned that her younger sister has fallen in love with the charismatic Craig, leader of the Wheel of Love, sets off for the Cotswolds to investigate, fearful that Zoe has become entangled with a religious cult.
She arrives at Craig’s community hoping to rescue Zoe. But intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.
About the author…..
SC Skillman lives in Warwickshire, and her two thriller suspense novels Mystical Circles and A Passionate Spirit are set in the beautiful Cotswolds hills, not far from her present home. She has also written Perilous Path: A Writer’s Journey, a book of encouraging advice, tips and reminders for authors. Sheila was born and brought up in Orpington, Kent, and has loved writing stories most of her life; inspired by the adventure stories of Enid Blyton, she started writing adventure stories at the age of seven.
Sheila studied English Literature at Lancaster University, and her first permanent job was as a production secretary with the BBC. Later she lived for nearly five years in Australia before returning to the UK. She has now settled in Warwick with her husband David, son Jamie and daughter Abigail. Nearby are three of England’s most famous destinations: the Royal Shakespeare Theatre at Stratford-upon Avon and the two great castles at Kenilworth and Warwick.
She completed two full-length adult novels before turning to psychological suspense with Mystical Circles. Her paranormal thriller, A Passionate Spirit, inspired by Susan Howatch and Barbara Erskine, was published by Matador on 28 November 2015.
On 7th September 2017 on the seventh day of my Mystical Circles blog tour, MJ Mallon published an article by me on her blog which has the wonderful title of Kyrosmagica.
This is the seventh in a series of blog posts in which I re-publish the articles on that blog tour.
Inspiration, Motivation and Keeping to the Path
Being an author in today’s world is a much tougher journey than one might ever believe, when one first conceives the desire to write stories.
I was inspired at the age of seven by the adventure stories of Enid Blyton and wanted to write exciting stories like hers. Essentially my desire was to write about girls my own age doing thrilling and dangerous and intrepid things quite out of my own daily experience. I created two girls called Marilyn and Sylvia and wrote many stories about them. They were good, brave, beautiful, clever and talented, everything I wanted to be. In other words, the desire was for transformation.
And this is why I believe we read fiction. Our longing is to be transported from out of our own lives, our own minds, into the mind and heart of someone else, to enter into a different world, to be inside someone else’s skin, to share his or her joys and sorrow and hopes and dreams.
Listening to conversations and observing people and the interaction of their personalities has long fascinated me and is a large part of my desire to write. I wrote a detailed daily journal throughout my teens and twenties, which ran to many volumes, and in it I would often record conversations I had been a part of or had overheard, and observations about people I knew, including family relationships.
The changes in the publishing scene over the past couple of decades have held out a seductive allure to independent authors, offering power and autonomy. Yet the snares along the path are even greater. We have all these opportunities, but also there are many people pursuing the same dream, and recording their success and offering their advice on social media. This can prove overwhelming for sensitive, introverted creative people – which is the case with many writers.
So it can prove a lifeline when we find inspiring quotes to strengthen and uplift us. Here’s one, from St Paul: But one thing I do: forgetting what is behind and straining towards what is ahead, I press on towards the goal to win the prize. And he also encouraged his readers with these words: Only let us live up to all we have attained.
Knowing that others have struggled for years and eventually, with persistence, won through, is a very helpful reminder for us when we start to doubt the value of our past achievements and allow it to weaken our faith in what we are capable of achieving in the future. My non-fiction book Perilous Path, an inspirational writers’ guide, contains several chapters which help authors to overcome obstacles in their path, and suggest how to use art and music as therapy as well as a source of fresh inspiration.
So, finally, what makes us carry on? We need to draw the water of inspiration and motivation from a reliable well. I found one particular saying of Sir Winston Churchill very powerful. When invited to speak to an audience of school pupils, who were all waiting to hear wise words from the great man, he said, I only have five words to give you. Never, never, never give up.
SC SKILLMAN AUTHOR
I was born and brought up in Orpington, near south London. As a child I was inspired by Enid Blyton. I started writing adventure stories at the age of seven; the love of writing that her stories first instilled into me has strengthened over the years.
I studied English Literature at Lancaster University, and my first permanent job was as a production secretary with the BBC. Later I lived for nearly five years in Australia before returning to live in the UK. I now live in Warwickshire with my husband David, son Jamie and daughter Abigail. Nearby are three of England’s most famous destinations: the Royal Shakespeare Theatre at Stratford-upon Avon and the two great castles at Kenilworth and Warwick.
My two thriller suspense novels Mystical Circles and A Passionate Spirit are set in the beautiful Cotswolds hills, not far from my present home. I’ve also written Perilous Path: A Writer’s Journey, a book of encouraging advice, tips and reminders for authors.
I am currently working on the second draft of my new novel, Director’s Cut. I’ve always been fascinated by the interaction of different complex personalities, an inexhaustible source of inspiration for a writer!
And my advice to anyone who wants to be a writer? Read a lot, listen to people’s conversations, be observant about the details of your world, and especially about human behaviour and interaction, and persist in your writing, being single-minded to the point of obsession… never give up, always believe in yourself despite all evidence to the contrary, and hold out for what you first dreamed of.
This is the fifth in a series of blog posts in which I re-publish the articles in that blog tour.
So here’s the piece Sue first published on her blog on 5th September.
Inside a Spiritual Hothouse
My inspiration for Mystical Circles came from a wide variety of spiritual practices, philosophies and worldviews which I have myself explored over the past decades. I wanted to tell a tale of family relationships, and how they are affected when one member of a family becomes captivated by a new spiritual outlook. Inevitably as in the case of most fiction authors, I have drawn extensively on my own life and experience.
Also I believe it is true to say that when novelists create characters, although we certainly use real people we have met, most often those characters are a composite of different individuals. But one thing remains true: often there is a little bit of the author in every character. And that is true for Mystical Circles.
In my novel, I introduce my reader to Craig, the leader of the spiritual group Circle of Love. And Craig would be impossible for me to create if there wasn’t a little bit of me in him, in his beliefs, his ideals, his longings, the spiritual outlook he wants to share with others.
Craig’s teachings are based on three main strands:
- The Toltec Philosophy of the Yaqui Indian Sorcerers, as presented to a Western audience in the writings of Carlos Castaneda (whose book The Teachings of Don Juan: A Yaqui Way of Knowledge fascinated me). In this outlook, there are several different paths one may take, and one of those paths is the Path of the Warrior. There is a special group of skills which belong to the Warrior alone and one of those is to learn to erase your personal history. Craig takes up this concept, and aims to use it to teach his followers to move on from the past. For so many of us, the root of emotional and mental instability is that we persist in taking an emotional position about the past.
- Shamanism – this plays a part in Tibetan Dream Yoga which I explored during my years living in Australia. Shamanism in our own culture derives from Celtic times and incorporates the idea of shapeshifting – which also makes an appearance in my novel.
- The Human Potential Movement – the idea that we can be anything we want to be, if only we believe in ourselves, if only we master the arts of creative visualisation and positive thinking. I believe, from much experience, that this whole area, though extremely beguiling, must be handled with care… and we see some of its outworkings in my novel.
My own past experiences include exploration of such practices as past life visualisation using crystals (in Australia), attendance of lectures on Reincarnation and many workshops at the Theosophical Society in London; and floating in an isolation tank (again in Australia), along with many other investigations into spiritualism, Buddhism , Transcendental Meditation and Transpersonal Psychology among others.
In Craig, all this is presented in an extremely attractive and appealing Western package. The package incorporates a long-term stay in a gracious Cotswold manor house which many of us, myself included, might consider a highly desirable place to live, if only we had the money: an idyllic Country Homes type lifestyle. Craig himself dresses like a former cricket star turned TV personality, not like a traditional eastern guru at all. The lifestyle his followers lead is a rather indulgent one with lavish dinner parties and champagne. This hugely seductive package for his followers rests upon, we presume, though it is not stated, the fact that they have made over all their financial resources to Craig.
In fact Craig, though full of idealism, is dependent for his material survival upon his own personal dysfunctional relationship with his wealthy businessman father. He relies on his father’s major weakness: a compulsion to try and buy his son’s love.
In presenting the story of Juliet’s investigations at the Wheel of Love, and how the impetuous Zoe reacts to her older sister’s interference, I take a non-didactic approach. I myself have shared the hopes and dreams (and for some of them, the emotional damage) of the characters in this novel. Dramatic tension is high. One reader wrote that it was “the dangerous group dynamics” which intrigued her most. If Mystical Circles sounds like your taste do try it!
This is part of a series in which I reblog the articles from that blog tour. So today’s post is the article Rosie Amber first published online, called:
On the Art and Inexact Science of a Good Ending to a Novel
Recently a fellow blogger piqued my interest with a piece about online book reviews. Amongst the observations she made, she referred to the attitude authors take to their reviews. She noted that many people have different interpretations of the star-ratings. Specifically she mentioned that she had experienced some asking her to take down three star reviews which they interpreted as negative.
As an author and reviewer myself, I review every book I read on Amazon and Goodreads. I will give a book 5 stars only if it hooked me, kept me enthralled, made me want to read on, answered the questions the author posed, AND delivered a strong, satisfying end. If all those things above are present, but the end does not satisfy, I will downgrade a star rating. I think you can in some way define an author’s theme, worldview, mindset (at the time of writing, anyway) from the way they choose to end a novel.
But having said this, I will admit to a challenge when I came to write the end of my novel Mystical Circles (out in a new edition with a new cover on 5 September). Ideally I would have liked to give two alternative endings, as John Fowles did in his novel The French Lieutenant’s Woman.
I don’t like an ending which ties up all the loose strands, and which is unequivocally happy or sad. My ideal ending is bittersweet. As in life, I believe that when all our dreams are fulfilled there will always be other aspects of the situation which have the potential to cause disruption in the future. One of my favourite endings is that to Jane Austen’s Pride and Prejudice, because although the central story question is answered positively, it is also bristling with ironic little hints that life is not necessarily going to run smoothly for the main protagonist hereafter.
How I chose to end Mystical Circles was full of challenges because the raison d’etre of the story – a hothouse community called Wheel of Love who have gathered around a charismatic leader to learn how to achieve an ideal existence – derives all its emotional charge and dangerous dynamics from the psychological instability of the group members – and its leader. The situation I outline in the novel – the attempt by a young woman journalist to rescue her younger sister from a mystical cult – could have a number of outcomes.
I think the key to a successful ending is that it must satisfy, whether it is happy, sad, tragic or bittersweet. I am conscious, too, that an unsatisfying end can undo much of the good work of an author. As novelists the best we can do is to remain true to ourselves, to what we are trying to say within our stories. Though I admit we often don’t even know what we’re trying to say, until we’ve said it!
And back to reviews again; I love reviews of any star-rating where the reader has clearly read the book thoughtfully, and has genuine opinions to offer about plot, characterisation, theme. On Amazon the healthiest star-rating profile is a triangle with its broad side at the top. I am afraid I feel suspicious of books that have only five stars. Also I am often attracted to the one star reviews. I want to know, “What is the worst that can be said about this novel?” And, quixotically, some of the things said by the one star reviewers make me want to read the book. Human opinions are incredibly diverse, especially about books, and we must all respect that.
This is part of a series when I shall be re-blogging those articles from that blog tour. So today’s post is the article Jenny first published, called:
Genre: what is it exactly?
As a writer, I believe we should be willing to explore new areas, and to step outside our comfort zone. And that applies very closely to us as readers too. I read a wide variety of books, both non-fiction, and fiction of all genres. I admit I do like psychological insight but I believe all good writers in every genre should incorporate that in their novels anyway.
I find that the way I think about genre is influenced by my own eclectic reading habits. I did have quite a bit of trouble trying to work out what genre I was writing in myself. Writers are given an enormous amount of advice these days, mostly from online sources, and amongst them is this adage: Write the kind of book you most love reading. But if you read a wide variety of books, how does this help?
Another piece of advice we find floating around the internet (perhaps propagated by the commercial publishing fraternity) is that an author should, when writing a pitch to a literary agent, be clear what genre he or she is working in, so the agent reading the letter can immediately think, “Whereabouts in the bookshop will this book will go?” Another piece of advice suggests you should name a few established authors to whom your novel could be compared.
All this is anathema to me – and to many other writers, I suggest. Yet we are forced into this kind of mindset.
So now, for the benefit of the readers of this article, I shall say that Mystical Circles is psychological suspense with a flavour of paranormal.
An example of my willingness to go into new areas is my recent attendance of the UK Games Expo, as one of five writers on the Authors Stand; and for a while, we were alongside a bestselling author and his legion of fans queuing up for signed copies: Ian Livingstone, the successful creator of the fighting Fantasy gamebooks series. So what do fighting fantasy and roleplay games have to do with books such as the ones I write?
I admit I knew nothing of the UK Games Expo until I was invited by the organiser, author Richard Denning, through his father John (a friend of mine) to come and exhibit/sell my books on the Authors Stall all weekend last June at the Birmingham NEC. It was a fabulous opportunity. The gaming world is one that I haven’t paid too much attention to, but the whole weekend was a revelation.
The atmosphere was wonderful, there was so much fun and good humour. I met and made contact with new authors, I had the chance to chat and learn better ways to promote myself as an author, and there was a great sense of camaraderie. The gaming world is one in which a vast number of “tropes” flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…
I gained some new insights into how my own work is indeed using some of those tropes, for instance, the predicament of the main protagonist as she finds herself in a deadly situation from which she must escape. Hidden chambers and secret passageways and dark rooms all find their place in the gaming world. There was an unexpected connection for me.
Mystical Circles is set in the real world but the world Craig inhabits moves further and further into a world of impossible ideals – and the paranormal, an area in which he has special gifts. Hidden chambers and secret passageways and dark rooms all act as symbols for states of mind – and thus their connection to the world of psychological suspense fiction. And finally, family relationships, which play a strong role in my novel. Problematic relationships between father and son, between two sisters, between twin brothers, between mother and son… I find these provide a fertile ground upon which the action of my novels can be played.
Which leaves me still with a fluid situation as regards genre; though now I write psychological suspense, the paranormal element is getting stronger, and maybe in the future I could move into areas of fantasy and magical realism. All is possible.