The Nature of Creative Inspiration and Practice – Inspiration from Hilary Mantel

Recently I watched and listened to Hilary Mantel speaking at an online event from the Stratford-upon-Avon Literary festival, following the publication this year of her two newest books The Mirror and the Light and Mantel Pieces.

Hilary Mantel with portrait of Thomas Cromwell

I loved what Hilary said about the process of writing.  It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and  I loved it.

I’ve read the first two novels in her Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies, and plan to read the final book of that trilogy, The Mirror and the Light.

In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.  

When you begin to write a novel, it can often be impossible to say  from which source the inspiration has come – and how far back in the past that inspiration had its source.

David Helfgott performing in Sydney
David Helfgott performing in Sydney

Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation

Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.

The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.

Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her.  He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.

The story awaits further editing, and I’d also welcome any willing beta readers!

Meanwhile I’m completing the sequel.

In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career. 

He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.

There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.

Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!

Extract from the Introduction to Paranormal Warwickshire

I have heard, but not believed,

The spirits of the dead

May walk again

William Shakespeare

So says William Shakespeare, through the lips of Antigonus in Act 3 Scene 3 of The Winter’s Tale.

William Shakespeare Engraving First Folio 1623 by Martin Droeshout
William Shakespeare Engraving First Folio 1623 by Martin Droeshout

Did Shakespeare believe in ghosts and spirits? Opinions are divided; Herbert,  Shakespearean actor, who led us around Stratford-upon-Avon one evening on the town ghost tour, maintained that Shakespeare did; whereas a distinguished Cambridge professor, examining the Bard’s use of paranormal manifestations throughout his plays, concluded that he believed these are all ‘emanations from the mind.’

Hamlet and his father's ghost. Shakespeare's Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
Hamlet and his father’s ghost. Shakespeare’s Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons.

We cannot say for sure what Shakespeare believed; but his works are full of ghosts and spirits. It is known that he himself played the part of his most famous and loquacious ghost, the spirit of Hamlet’s father, many times, and it was the top of his performance as an actor, according to his first biographer. This is the ghost of whom Hamlet says:

 The spirit that I have seen

May be a devil, and the devil hath power

To assume a pleasing shape.

William Shakespeare

And yet throughout the play Hamlet continues to explore and agonise over the true nature of the spirit he has seen, with the input of his sceptical friend Horatio; and he reaches different conclusions according to the state of his mind.

Whether because they made excellent dramatic devices, or because their presence in Shakespeare’s plays denotes something much deeper, more complex and hidden within the recesses of his own heart, it is true his county, Warwickshire, is saturated even today in strange events for which there is no scientific explanation.

Ghost Banquo at Feast. Shakespeare's Macbeth. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
The Ghost of Banquo at the Feast. Shakespeare’s Macbeth. Image sourced from Wikimedia Commons.

I’ve lived in Warwickshire for twenty-five years, at the time of writing.  I’ve grown to love and feel a deep connection with some of this county’s most iconic locations: castles, houses, and churches; and also some of its less familiar ones.

Thomas Oken House Warwick
Thomas Oken’s House Warwick – photo credit Jamie Robinson

All of these places have rich and complex stories to tell which span the full range of the emotional, moral and spiritual spectrum, as befits the county of Shakespeare.

Brutus & Caesar's Ghost 1802 Wikimedia commons Shakespeare Julius Caesar SC Skillman Paranormal Warwickshire
Brutus and the Ghost of Caesar from Shakespeare’s Julius Caesar. Painting dated 1802. Image sourced from Wikimedia Commons

But the stories here acknowledge that energy lingers in many places other than manor houses, abbeys and castles. They also tell of ordinary people going about their business in a very familiar, even mundane environment. It’s about shop owners and sales staff, families in terraced houses and busy commuters on a railway platform. Some of the stories you will find here are those that people kept to themselves, for a long time, for fear of being ridiculed.

Shakespeare monument Holy Trinity Church Stratford upon Avon
Shakespeare’s monument above his grave in Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

 Our task here is simply to listen to the stories that people tell, and, like Hamlet, to explore the nature of these strange experiences both with our hearts and our minds, and reach our own conclusions.

Paranormal Warwickshire is available everywhere good books are sold.

Virginia Woolf on the art of reading a book

Listening to an interview by Andrew Marr on BBC Radio 4 the other day, I was delighted to learn that Virginia Woolf‘s classic essay How Should One Read a Book? has been republished in a new edition (12 October 2020).

Virginia Woolf

I studied this text in school as part of my GCE ‘O’ level English Literature syllabus. Ironically, although I found Virginia Woolf’s novels quite challenging to read (although I loved Orlando), that is not the case for this essay. That’s probably because it was originally a talk given at a girls school in Sevenoaks in 1926. I still remember the impact Virginia’s words had on me. The essay is very accessible, and Virginia writes with passion on her subject.

One of her observations appeals to me: “you haven’t read a book properly until you’ve talked about it”. Brilliant! How that makes the heart of an author sing. Nowadays of course authors often look for their readers to “talk about” their books, either in book clubs, or by personal recommendation, or by posting an Amazon or Goodreads review online.

Authors and publishers also, of course, value professional reviews in the major periodicals and newspapers; and these reviews are often quoted at length in the front matter of very popular books. Personally, I prefer not to know the details of what other people think until I’ve read the book – or at least until I’m halfway through. I want to make my own response to the book.

But these are the days when everyday readers – all those out there who love reading books – have power, with their opinions and feelings. Every response to a book is valid. I remember my creative writing teacher at Lancaster University saying:

“Once you’ve written your book, and it’s published, and out in the world, it doesn’t belong to you any more. It becomes a Thing on the Table, for anybody to make what they want of it.”

This view is echoed by Philip Pullman , the author of His Dark Materials trilogy, who, in a recent very enjoyable Society of Authors webinar, said that while you are writing a book, it doesn’t matter what anybody else thinks. You write what you like and you don’t worry what anybody else thinks: they can mind their own business. When it’s published it’s a different matter. It’s not yours any more. The world can then make what it likes of your book.

Passion for reading, for the different worlds you may enter and explore when you are a voracious reader, shines out from Virginia’s essay.

Here is one quote from Virginia Woolf which many readers have seized upon, as it confirms the joy and the richness of being a great reader. I quote this near the end of my author talk on The Power of Story – for one of my goals is to enhance or re-awaken a love of reading.

“I have sometimes dreamt … that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards — their crowns, their laurels, their names carved indelibly upon imperishable marble — the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”

Virginia Woolf, in The Second Common Reader

SC Skillman

Psychological, paranormal and mystery fiction and non-fiction.

Paranormal Warwickshire was published 15th November 2020

Available everywhere good books are sold.

Paranormal Warwickshire is Now Live!

I’m delighted to announce that Paranormal Warwickshire has now been released by Amberley Publishing.

Paranormal Warwickshire by SC Skillman book cover
Paranormal Warwickshire by SC Skillman book cover

It was a very exciting moment when I received my box of books.

Author SC Skillman opening box of books Paranormal Warwickshire
Author SC Skillman opening box of books Paranormal Warwickshire

Here’s an early review from fellow author and blogger Ritu Bhathal, who received an advance review copy:

A fantastic book filled with tales of ghostly sightings across the county of Warwickshire.
SC Skillman has found some intriguing stories and researched their background and possible origins. The results are fascinating and eye-opening.
I especially loved the accompanying photographs, old and new, showing the different castles and buildings where these events are said to have taken place.
Warwickshire was where I grew up, and we regularly visited places like Warwick Castle, Kenilworth Castle, Stratford-Upon-Avon and Leamington Spa, so this book held an extra special interest for me.
Thank you to the author for providing me with an arc, for an honest review.

 

Thank you Ritu and I’m so glad you enjoyed the book!

Check out Ritu’s lovely blog here:

Another early reviewer, Marje Mallon, wrote this:

 

Thank you so much to the author for entrusting me with an advanced readers copy for an honest review.

I have always been fascinated by the paranormal and have had a far few ghostly and strange experiences myself, so this book by S. C. Skillman caught and kept my attention throughout.

It’s a well-researched, detailed and beautifully photographed book. Some of the images within are by S.C. Skillman herself.

If you like tales of haunted castles, churches, theatres, hotels, manor houses and many more locations beside, (a ghost can hang out anywhere they feel drawn to,) this is for you!

The collection begins in Warwick and moves on to various locations in Warwickshire: Kenilworth, Stratford-upon-Avon, Lapworth, Alcester, Rugby, Nuneaton (Birthplace of George Eliot,) and Leamington Spa.

Some of my favourite tales within included ghostly tales from theatres: in Stratford-upon-Avon, Royal Shakespeare Theatre. The ‘grey lady’ ‘is thought by by many to be the spirit of Elisabeth Scott, and is one of the theatre’s most well-known ghosts.’ ‘She appears so real she is often mistaken for a lost theatregoer.’ ‘It seems that many who have loved this theatre in their lifetimes cannot turn away from this magical and evocative place.’

And in Rugby Theatre: ‘One of the stories told here is of a woman seen floating down the stairs. It is thought she was an usherette in former times…’

It’s an interesting collection and one that will encourage you to explore the paranormal. After reading, you will want to visit these locations first hand to see if you experience the haunting visitations described within. Who knows, you might even want to become a paranormal investigator!
 

 

Thank you Marje for your review.  And for all who’d like to  visit Marje’s blog, it’s here.

And if you’d like the chance to hear me reading from the book and answering questions from those who came to my Facebook Live launch event, do check it out here:    https://www.facebook.com/scskillman

You can buy the book on all major online retail sites, and order it from your local bookshop. 

Here are a few places to go to buy the book: Waterstonesbookshop.org; Amazon; Hive.

 

 

Glimpses of Paranormal Warwickshire Part 16: Holy Trinity Church, Stratford-upon-Avon

This is the sixteenth in a series of glimpses into my new book Paranormal Warwickshire which will be published by Amberley Publishing on 15th November 2020.

Holy Trinity Church, Stratford-upon-Avon is known as Shakespeare’s Church, because the Bard was baptised there, and because he is buried there. The story of his association with this church, and the presence of several clues that he may have drawn direct inspiration from the church and its graveyard for his literary works, makes this church a place of pilgrimage for those who love Shakespeare.

Holy Trinity Church Stratford upon Avon
Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

The church is located beside the River Avon beyond the Royal Shakespeare Theatre, and it has strong spiritual resonance, for many reasons beside the fact that it is a place of worship, and has been a centre of holiness for centuries.

William Shakespeare Engraving First Folio 1623 by Martin Droeshout
William Shakespeare Engraving First Folio 1623 by Martin Droeshout

Speculating about Shakespeare’s own faith, and his position on matters of religion, has long been a fruitful area of debate and enquiry among Shakespeare scholars, and it is fascinating to hunt for evidence of his own beliefs within his works – and to draw our own conclusions from this.

Shakespeare monument Holy Trinity Church Stratford upon Avon
Shakespeare’s monument above his grave in Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

Since he lived in times of great religious turbulence, it has been speculated that his own father had true Catholic sympathies (despite the fact that at the reformation, he was forced to whitewash over the medieval splendour on the walls of the Guild Chapel). It is known, too, that during Shakespeare’s period of schooling, the young boy destined for literary greatness would have come under the influence of a schoolmaster who was a strong Catholic.

Shakespeare's grave Holy Trinity Church Stratford upon Avon
Shakespeare’s grave in Holy Trinity Church Stratford-upon-Avon (photo credit Jamie Robinson)

As in matters of politics, so in matters of religion – and since they were inextricably bound up with one another, Shakespeare would have needed to tread a delicate tightrope as he wrote his plays. What he wrote cannot be seen in isolation from the pressures that would have been placed upon him by Elizabeth I and James I. And yet his originality of thought, his humanity and profound insight into human nature shone through all this.

Clopton Chapel Holy Trinity Church Stratford upon Avon
Clopton Chapel, Holy Trinity Church, Stratford-upon-Avon (photo credit Jamie Robinson). One of the paranormal tales told of this church concerns a young girl who was a member of the Clopton family.

One of the most often-told tales of this church concerns the inscription upon Shakespeare’s grave.

Inscription on Shakespeare's grave Holy Trinity Church Stratford upon Avon
Inscription upon Shakespeare’s grave in Holy Trinity Church Stratford-upon-Avon forbidding anyone to disturb his bones – so far the warning has been honoured, despite applications for permission to investigate his grave to find manuscripts which are rumoured to be buried with the Bard

Discover more about the intriguing history, the curious anecdotes, and the many poignant associations with Shakespeare at Holy Trinity Church Stratford-upon-Avon in my book Paranormal Warwickshire.

Do check out my other posts in this series, which I began on 14th August 2020 with Shakespeare’s Ghosts and Spirits, and which brings us up to the publication date of my book Paranormal Warwickshire – 15th November 2020.

Warwick Castle

Guy’s Cliffe, Warwick

Gaveston’s Cross and the Saxon Mill, Warwick

St Mary’s Warwick

Kenilworth Castle

Abbey Fields, Kenilworth

Leamington Spa

Baddesley Clinton

Stoneleigh Abbey

Thomas Oken’s House and Lord Leycester Hospital, Warwick

Rugby locations

Nuneaton locations

Ettington Park

Coughton Court, Alcester

Glimpses of Paranormal Warwickshire Part 13: Nuneaton

This is the thirteenth in a series of glimpses into my new book Paranormal Warwickshire which will be published by Amberley Publishing on 15th November 2020.

George Eliot Hotel Nuneaton
George Eliot Hotel Nuneaton (photo credit Sheila Robinson). The great novelist George Eliot is celebrated in Nuneaton as she was born and brought up here.

My visits to Nuneaton have uncovered some truly astonishing stories. Nuneaton is strongly associated with the great novelist George Eliot, who lived there during the first part of her life, before she moved to London. She was inspired by the working people of Nuneaton and surrounding area. Her father was a land agent at Arbury Hall. She accompanied him on his business journeys to the hall and around the area, and she gained extraordinary insight into the hearts and minds of the working people as well as the aristocrats who lived in Arbury Hall.

Griff House Nuneaton
Griff House, Nuneaton, former home of George Eliot (photo credit Sheila Robinson)

George Eliot is considered among the greatest of all novelists. I love her books: Middlemarch is one of my all-time favourites.

Several curious tales are associated with one of the locations she would have visited: The Griffin Inn, just down the road from her former home.

The Griffin Inn Nuneaton
A view of The Griffin Inn, at Griff near Nuneaton, near to George Eliot’s former home – many curious tales are told of this inn

The most compelling stories emerge from among the working people in whom George Eliot was so interested: in this case, those who worked for decades in very unassuming commercial premises in Queens Road.

Commercial premises at 62 Queens Road Nuneaton
Commercial premises at 60-62 Queens Road Nuneaton, during the time they were occupied by Entertainment Exchange.

In fact I regard the anecdotes that emerge from the business owners and employees at 62 Queens Road as one of the most convincing paranormal sagas I’ve ever come across: simply because there have been so many individual witnesses, experiencing similar things quite independently of each other, over a number of decades.

Discover the full story in my book Paranormal Warwickshire.

Do check out my other posts in this series, which I began on 14th August 2020 with Shakespeare’s Ghosts and Spirits, and which brings us up to the publication date of my book Paranormal Warwickshire – 15th November 2020.

Warwick Castle

Guy’s Cliffe, Warwick

Gaveston’s Cross and the Saxon Mill, Warwick

St Mary’s Warwick

Kenilworth Castle

Abbey Fields, Kenilworth

Leamington Spa

Baddesley Clinton

Stoneleigh Abbey

Thomas Oken’s House and Lord Leycester Hospital, Warwick

Rugby locations

The other posts in the series will cover the following locations:

Ettington Park Hotel, Stratford-upon-Avon

The Royal Shakespeare Theatre, Stratford-upon-Avon

Holy Trinity, Stratford-upon-Avon

Coughton Court, Alcester

Glimpses of Paranormal Warwickshire Part 1: Shakespeare’s Ghosts and Spirits

This is the first of a series giving you a few tasters from my book Paranormal Warwickshire which will be released by Amberley Publishing on 15th November 2020.

Paranormal Warwickshire by SC Skillman cover design. Published Amberley 15 November 2020
Paranormal Warwickshire by SC Skillman cover design. Published Amberley 15 November 2020

Warwickshire is a county steeped in the supernatural, as befits the county of Shakespeare and the many ghosts and spirits that he conjured up in his works. In Paranormal Warwickshire I investigate the rich supernatural heritage of this county at the heart of England in places both grand and everyday, including Guy’s Cliffe, the Saxon Mill, Kenilworth Castle, Warwick Castle, Stoneleigh Abbey, and the Royal Shakespeare Theatre, as well as in the towns of Rugby, Nuneaton and Leamington Spa.

When I began my book, I was inspired by the spiritual resonance of so many locations in Shakespeare‘s county of Warwickshire. It seemed entirely appropriate to draw all the stories together through the central theme of Shakespeare’s ghosts and spirits.

Shakespeare’s plays are full of these supernatural encounters and characters. In Julius Caesar, Brutus, tormented by guilt, is haunted by the ghost of murdered Caesar.

Brutus & Caesar's Ghost 1802 Wikimedia commons Shakespeare Julius Caesar SC Skillman Paranormal Warwickshire
Brutus and the Ghost of Caesar from Shakespeare’s Julius Caesar. Painting dated 1802. Image sourced from Wikimedia Commons

In Hamlet, the Prince of Denmark, grief-stricken and betrayed, agonises over whether or not he is visited by the spirit of his father.

Hamlet and his father's ghost. Shakespeare's Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
Hamlet and his father’s ghost. Shakespeare’s Hamlet. Painting by John Gilbert. Image sourced from Wikimedia Commons.

In Macbeth , the king of Scotland (whose name many actors are too superstitious to mention), cannot believe he is the only person who sees Banquo’s spirit at the feast…

Ghost Banquo at Feast. Shakespeare's Macbeth. Image sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
The Ghost of Banquo at the Feast. Shakespeare’s Macbeth. Image sourced from Wikimedia Commons.

Alongside those who witness the apparitions, we have some wonderful sceptical foils or sounding boards. Cassius in Julius Caesar is convinced Brutus’s vision was just the power of his imagination. In Hamlet, Horatio tells his troubled friend that it is but a fantasy. Antigonus in The Winter’s Tale says he has heard but not believed the spirits of the dead may walk again.

And as for spirits, either they are serving the will of the magician Prospero in The Tempest

Prospero, Ariel & Miranda from Shakespeare's The Tempest. Paiting by William Hamilton Image sourced from Wikipedia. SC Skillman Paranormal Warwickshire
Prospero, Ariel & Miranda from Shakespeare’s The Tempest. Painting by William Hamilton. Image sourced from Wikipedia.

or setting out, like Puck in A Midsummer Night’s Dream, to accomplish the task of teasing mortals…

Puck a Sprite. Painting by Arthur Rackham. sourced from Wikimedia Commons. SC Skillman Paranormal Warwickshire
Puck, a Sprite. Painting by Arthur Rackham. Image sourced from Wikimedia Commons.

But in the end, are they but airy nothing, to which the poet’s pen gives a local habitation and a name?

Whether they are purely dramatic devices, or whether Shakespeare himself believed in ghosts and spirits, we cannot definitively say. Scholars and Shakespearean actors and lovers of the Bard differ in their views. But one thing we can say for sure; they fired Shakespeare’s imagination to the highest degree, and he lavished upon them great poetry, humour, playfulness and mischief, the heights of powerful drama, the depths of despair, guilt and existential angst, and his most discerning observations of mental distress.

Throughout my book Paranormal Warwickshire I have used quotes from Shakespeare. In every case I found a quote which I believe resonates with how I feel about the place.

Perhaps Shakespeare would have been surprised to know that four hundred and twenty years into the future, a belief in ghosts and spirits would prevail with such strength in our society. Or perhaps he wouldn’t. He reached to the heart of the human condition, and the emotions and dilemmas he presents are fresh and vivid and relevant to us today. So I confirmed when I toured many places in his county, Warwickshire, and found not only spiritual resonance from the rich stories associated with these places, but many people who have tales to recount, of experiences for which they can find no scientific explanation.

Check out some of my previous posts on the subject of Shakespeare:

Shakespeare and the Plague

The Brightest Heaven of Invention

Our wills and fates

In my next post I will share some photos and discoveries at Warwick Castle.

Paranormal Warwickshire by SC Skillman will be published by Amberley on 15th November 2020. Pre-order now either online or from your local bookstore.

Angel Encounters Mini Series Part 1. Modern-Day Angel Encounters – With or Without Wings.

What does a modern day angel look like?

Michael Sheen as the angel Aziraphale in 'Good Omens' by Terry Pratchett & Neil Gaiman
Michael Sheen as the angel Aziraphale in ‘Good Omens’ by Terry Pratchett & Neil Gaiman

Like the fussy angel played by Michael Sheen in the deliciously funny and clever ‘Good Omens’ by Neil Gaiman and Terry Pratchett?

More, perhaps like this angel depicted by Vincent Van Gogh? 

Figure of an angel, painted in blue, with a disturbing facial expression, by Vincent Van Gogh
Half-Figure of an Angel, After Rembrandt – by Vincent Van Gogh

or maybe like the powerful and moving Knife Angel that appeared at Coventry Cathedral in 2019?

The Knife Angel displayed at Coventry Cathedral in 2019 made of thousands of knives confiscated by police
The Knife Angel at Coventry Cathedral

 

Or perhaps even, the guardian angel Clarence.

guardian-angel-clarence-from-its-a-wonderful-lifeI

We met him in the 1946 film It’s a Wonderful Life.

In the TV sitcom Rev, the main character Adam Smallbone (played by Tom Hollander) reaches a point where he has been betrayed, lost his church, his self-respect, and his vocation, and feels he has failed all those who believed in and depended on him.

In a state of despair, he goes up a hill carrying the cross intended for the Easter Sunday service. At the top of the hill he meets a homeless man (played by Liam Neeson) who dances and sings with him, knows and understands what’s going on for him, and offers consolation and hope. He transforms how Adam feels about his situation. Then he disappears.

This kind of encounter takes on the shape of what I would call an angel encounter.

This I would define as:  a situation where you are in personal crisis of some kind, and you are helped in a timely manner by a person who appears unexpectedly, transforms your situation, and then disappears quietly. Throughout the encounter, this stranger seems surrounded by an aura of graciousness, gentleness and kindness.

I’m starting a new series of occasional posts here on my blog, entitled:

Angel Encounters.

I know many people hold on to belief in angels  – whether they be guardians, guides, or  protectors – even in this supposedly secular, materialistic society in which we live here in the UK.

In 2019 I attended an author talk as part of the Warwick Words History Festival, held in the church of St Mary Magdalene in Warwick. Author Peter Stanford spoke about his latest book Angels: A Visible and Invisible History 

Cover of Peter Stanford's book Angels A Visible and Invisible History
Cover of Peter Stanford’s book ‘Angels: A Visible and Invisible History’

In this book Peter Stanford gives a history of humankind’s belief in angels, beginning long before the historical origins of the Christian faith, and continuing right up to the present day, with the interest in angels ever popular through folk religion and other spiritual outlooks.

Peter Stanford uncovers much intriguing material, and also includes an examination of the appearance of angels in great art. Throughout he maintains an objective, academic approach which he combines with his own views.

Today, many of those who believe in angels see them as ‘independent agents’, outside traditional faith structures.

As Stanford says, People have… believed in angels for millennia… the only difference today is that this reliance on angels as dwellers in time and space is happening outside of organised religion… Angels once… largely belonged in religious narratives and institutions… but… have somehow detached themselves from the declining institutions and are now thriving on their own.

At the end of the book Stanford remarks: I have lost count while researching and writing the book of how many times I have been asked if I “believe” in angels. 

Many other authors too have written on the subject of angels, from a wide variety of viewpoints. A popular author on the subject is Theresa Cheung and I blogged about her book Angel On My Shoulder  on 28 February 2017 

The book is full of authentic first-person accounts. Several things fascinated me about these:

1) I could identify with a number of them from my own experience, though I’ve tended to think of them as synchronicity;
2) Each one had a distinct element of the supernatural;
3) Far than being sentimental, they all demonstrate strength and simplicity.

Several describe sudden and shocking bereavement. In each case the narrator of the story has experienced a compelling supernatural intervention which has totally changed their attitude to the tragedy and to death itself, and has provided the sort of comfort and reassurance that others might achieve only through long-term counselling or psychotherapy.

The author’s stance in relating the stories is measured and balanced. She fully accepts those who take a “reductionist” view of these events and prefer a rational explanation, and she invites us to make up our own minds.

I found the whole book very convincing, not least because of the cumulative effect of so many testimonies from different people unknown to each other, who have all had similar experiences. It had the same effect upon me as another book I’ve reviewed called Miracles by Eric Metaxas.

In her summing up, Teresa Cheung refers to organised religion no longer providing the structure and certainty that it used to (maybe because so many feel it doesn’t meet their needs, and appears irrelevant to their lives). The stories in this book suggest, to one way of thinking, that many may be connecting with “the divine” totally outside the confines of “church” – through angels.

This, interestingly, is the same conclusion that Peter Stanford comes to.

In this occasional series on my blog, I’ll consider modern-day angel encounters.

I’ve written about angels and supernatural experiences before on this blog. Check out these posts:

https://scskillman.com/2017/02/28/angels-and-supernatural-experiences-book-review/

and https://scskillman.com/2018/10/16/the-brightest-heaven-of-invention/

Also you may like to visit some of the following bloggers to learn more of what different people believe about modern angel encounters: http://www.thepsychicwell.com/spirituality/connecting-with-angels-spirit-guides/modern-day-angels-and-miracles/

http://www.crystalwind.ca/angelic-paths/the-angelic-realm/calling-all-angels/angels-and-spiritual-life-things-you-need-to-know

https://www.beliefnet.com/inspiration/7-modern-miracles-that-science-cant-explain.aspx

Next week I’ll start this off with my own story describing an experience which took place several years ago.

What do you think? Do you believe you have a guardian angel?  Have you a story of an “angel encounter”? Do share in the comments below.

Guardian Angel Clarence (played by Henry Travers) with George Bailey (played by James Stewart), in the 1946 movie It’s a Wonderful Life

 

The Art of Writing Backwards: a Novelist’s Sleight of Hand?

When you saw that title what did you imagine?  A scene from Alice through the Looking Glass?

mirror writing credit Mind Map Inspiration
mirror writing credit Mind Map Inspiration

One of those high speed reverse sequences in a magical fantasy film, when everything rewinds? Or perhaps a time-slip scenario?

Or simply an image of mirror writing?

Would it be wonderful if we could indeed start at the end and then proceed to the beginning? Or would it rather be a nightmare? Of course, TS Eliot encapsulated this idea when he wrote: The end of all our exploring will be to arrive where we started and know the place for the first time.

In one of the chapters of my book Perilous Path I looked at the seemingly paradoxical idea of writing a book in reverse. In many ways this idea appeals to me. After all, when we consider the obstacles a writer confronts during the creation of a novel, it seems that all the problems are wrapped up in the tyranny of time. The journey of a novel is often about getting to know your characters and allowing them to reveal to us what we’re writing about. 

Robert McKee in his excellent book Story says every story has a controlling idea; and the controlling idea is embedded in the final climax of the story. In fiction, controlling ideas are below the surface. So in one sense the process of writing a story does indeed involve travelling backwards, on an unconscious level. You will find more about this in my chapters in Perilous Path inspired by the theories of Carl Jung.

Our controlling idea, I believe, may not necessarily be fully worked out on a conscious level. It is hidden deep in the unconscious and the act of writing a work of fiction may simply be the working out of this, and the process of bringing it to the surface, and out into the light. Thus on an unconscious level we do indeed write backwards.

Some novelists start a first draft with their characters, and begin telling the story, and go where their characters take them. Finally the controlling idea is revealed. Then we might say they go into reverse, moving back again, and imposing structure in subsequent drafts. Others plan the novel out in detail using the 3-act structure, plotting out the story points before they begin writing. Perhaps, for them, the controlling idea is already out in the light and clearly defined.

Examples of controlling ideas include: ‘Goodness triumphs when we outwit evil’ (The Witches of Eastwick by John Updike). ‘Justice prevails when an everyman victim is more clever than the criminals.’ (The Firm by John Grisham).’To love with integrity requires personal worldview transformation’ (Pride and Prejudice by Jane Austen). Here are some very helpful blogs upon the subject of The Controlling Idea by Shawn Coyne and Steven Pressfield.

My writers guide Perilous Path may also be helpful; signed copies are available and may be ordered from this website.

Inspiration from Fantasy Novelist Philip Pullman, President of the Society of Authors

During the Covid19 lockdown, the Society of Authors are presenting a number of webinars with notable authors, and the other day I attended “Afternoon Tea with Philip Pullman”.

I was keen to hear from the author of a fantasy trilogy that captivated me, “His Dark Materials“. 500 of us attended, all waiting with drinks and snacks to hear what the President of the Society of Authors might have to say to us from his Oxford study. When he came on, he showed us his working space; untidy, spilling over with miscellaneous items such as his jacket slung over an open box of labels, files and paper and books. I was greatly encouraged to see this; no compulsion to tidy up his workspace there!

He was asked what the Society of Authors means to him, and he said, “It simply means that I am part of a body of people who have experienced some of the disappointments and hopes and occasional successes that I have.

On his wall is a giant map of the world and it seems this is a major inspiration for him. He says he doesn’t plan his novels. As he starts his thoughts might be as vague as, “I think she should go north” or “It would be rather nice if she went to Central Asia.”

He loves maps, and for one of his earlier novels, “The Ruby and the Smoke” (another novel I love) he sourced ordnance survey maps of London in 1872.

I myself have a giant map of Warwickshire which I plan to put up on the wall near my working area. It helped me for my book “Paranormal Warwickshire” (due to be published by Amberley 15 November 2020) and I hope it will be useful for my next book too (more of that later).

Philip Pullman came over as a genial, laidback, engaging schoolmaster-like character – after all, he was an English teacher in an Oxford school for several years – and his approach was helpful and encouraging.

I enjoyed his reply to the question: “Do you have a particular age group in mind as a target audience when you begin to write?”

His answer was:

“No. I don’t. When you write a book you should do what you want to do; ignore everybody’s advice. It’s none of their business. When your book’s out, it becomes democratic. Then, everybody’s totally entitled to think exactly what they want to about the book.”

He told us that, before starting “His Dark Materials”, the concept of the daimons (which may be defined as ‘the external physical manifestation of a person’s inner self, that takes the form of an animal’) was in his mind for a while but he had no idea what to do with it.

Then one day he was wandering in the garden and near a rock when he thought, “Children’s daemons change, adult’s daemons don’t.”

“That was the most exciting moment I’ve ever experienced as a storyteller.”

It was (just like the idea about the boy wizard that came to J K Rowling on that train journey), the key to unlock his unconscious – and, for him, all the characters and actions and events of Lyra’s alternative world followed.

There is a powerful lesson for authors here: we must listen to that first instinctive prompt, hold onto it, and follow through, even if other voices try to break in and interrupt it. That’s one of the reasons why I don’t feel it’s wise to seek other people’s opinions on a work-in-progress. Finally, his most practical answer came in reply to the perennial question posed to authors:

“Where do your ideas come from?”

“I don’t know where they come from but I know they come to my desk, and if I’m not there they go away.”