On the Art and Inexact Science of a Good Ending to a Novel

On 3rd September on the third day of my Mystical Circles blog tour, blogger Rosie Amber hosted a guest post from me on her blog.On a journey (2)

This is part of a series in which I reblog the articles from that blog tour. So today’s post is the article Rosie Amber first published online, called:

On the Art and Inexact Science of a Good Ending to a Novel

Recently a fellow blogger piqued my interest with a piece about online book reviews. Amongst the observations she made, she referred to the attitude authors take to their reviews. She noted that many people have different interpretations of the star-ratings. Specifically she mentioned that she had experienced some asking her to take down three star reviews which they interpreted as negative.

As an author and reviewer myself, I review every book I read on Amazon and Goodreads. I will give a book 5 stars only if it hooked me, kept me enthralled, made me want to read on, answered the questions the author posed, AND delivered a strong, satisfying end. If all those things above are present, but the end does not satisfy, I will downgrade a star rating. I think you can in some way define an author’s theme, worldview, mindset (at the time of writing, anyway) from the way they choose to end a novel.

But having said this, I will admit to a challenge when I came to write the end of my novel Mystical Circles (out in a new edition with a new cover on 5 September). Ideally I would have liked to give two alternative endings, as John Fowles did in his novel The French Lieutenant’s Woman.

I don’t like an ending which ties up all the loose strands, and which is unequivocally happy or sad. My ideal ending is bittersweet. As in life, I believe that when all our dreams are fulfilled there will always be other aspects of the situation which have the potential to cause disruption in the future. One of my favourite endings is that to Jane Austen’s Pride and Prejudicebecause although the central story question is answered positively, it is also bristling with ironic little hints that life is not necessarily going to run smoothly for the main protagonist hereafter.

How I chose to end Mystical Circles was full of challenges because the raison d’etre of the story – a hothouse community called Wheel of Love who have gathered around a charismatic leader to learn how to achieve an ideal existence – derives all its emotional charge and dangerous dynamics from the psychological instability of the group members – and its leader.  The situation I outline in the novel – the attempt by a young woman journalist to rescue her younger sister from a mystical cult – could have a number of outcomes.

I think the key to a successful ending is that it must satisfy, whether it is happy, sad, tragic or bittersweet. I am conscious, too, that an unsatisfying end can undo much of the good work of an author.  As novelists the best we can do is to remain true to ourselves, to what we are trying to say within our stories. Though I admit we often don’t even know what we’re trying to say, until we’ve said it!

And back to reviews again; I love reviews of any star-rating where the reader has clearly read the book thoughtfully, and has genuine opinions to offer about plot, characterisation, theme. On Amazon the healthiest star-rating profile is a triangle with its broad side at the top. I am afraid I feel suspicious of books that have only five stars. Also I am often attracted to the one star reviews. I want to know, “What is the worst that can be said about this novel?” And, quixotically, some of the things said by the one star reviewers make me want to read the book. Human opinions are incredibly diverse, especially about books, and we must all respect that.

Genre: What is it Exactly?

On  2nd September on the second day of my Mystical Circles blog tour,Blog tour ad as at 26 August 2017 blogger Jenny in Neverland hosted a guest post from me on her blog.

This is part of a series when I shall be re-blogging those articles from that blog tour. So today’s post is the article Jenny first published, called:

Genre: what is it exactly?

As a writer, I believe we should be willing to explore new areas, and to step outside our comfort zone. And that applies very closely to us as readers too. I read a wide variety of books, both non-fiction, and fiction of all genres. I admit I do like psychological insight but I believe all good writers in every genre should incorporate that in their novels anyway.

I find that the way I think about genre is influenced by my own eclectic reading habits. I did have quite a bit of trouble trying to work out what genre I was writing in myself. Writers are given an enormous amount of advice these days, mostly from online sources, and amongst them is this adage: Write the kind of book you most love reading. But if you read a wide variety of books, how does this help?

Another piece of advice we find floating around the internet (perhaps propagated by the commercial publishing fraternity) is that an author should, when writing a pitch to a literary agent, be clear what genre he or she is working in, so the agent reading the letter can immediately think, “Whereabouts in the bookshop will this book will go?” Another piece of advice suggests you should name a few established authors to whom your novel could be compared.

All this is anathema to me – and to many other writers, I suggest. Yet we are forced into this kind of mindset.

So now, for the benefit of the readers of this article, I shall say that Mystical Circles is psychological suspense with a flavour of paranormal.

An example of my willingness to go into new areas is my recent attendance of the UK Games Expo, as one of five writers on the Authors Stand; and for a while, we were alongside a bestselling author and his legion of fans queuing up for signed copies: Ian Livingstone, the successful creator of the fighting Fantasy gamebooks series. So what do fighting fantasy and roleplay games have to do with books such as the ones I write?

I admit I knew nothing of the UK Games Expo until I was invited by the organiser, author Richard Denning, through his father John (a friend of mine) to come and exhibit/sell my books on the Authors Stall all weekend last June at the Birmingham NEC. It was a fabulous opportunity. The gaming world is one that I haven’t paid too much attention to, but the whole weekend was a revelation.

The atmosphere was wonderful, there was so much fun and good humour. I met and made contact with new authors, I had the chance to chat and learn better ways to promote myself as an author, and there was a great sense of camaraderie. The gaming world is one in which a vast number of “tropes” flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…

I gained some new insights into how my own work is indeed using some of those tropes, for instance, the predicament of the main protagonist as she finds herself in a deadly situation from which she must escape. Hidden chambers and secret passageways and dark rooms all find their place in the gaming world. There was an unexpected connection for me.

Mystical Circles is set in the real world but the world Craig inhabits moves further and further into a world of impossible ideals – and the paranormal, an area in which he has special gifts. Hidden chambers and secret passageways and dark rooms all act as symbols for states of mind – and thus their connection to the world of psychological suspense fiction. And finally, family relationships, which play a strong role in my novel. Problematic relationships between father and son, between two sisters, between twin brothers, between mother and son… I find these provide a fertile ground upon which the action of my novels can be played.

Which leaves me still with a fluid situation as regards genre; though now I write psychological suspense, the paranormal element is getting stronger, and maybe in the future I could move into areas of fantasy and magical realism. All is possible.

Forging Our Own Paths and Surviving the Internet Sirens

On 1st September at the beginning of my Mystical Circles blog tour, author and blogger Sacha Black hosted a guest post from me on her blog.  Print

In my next few posts I shall be re-blogging my posts and auhor interviews on that blog tour. So today’s post is the article Sacha first published, called “How To Survive the Internet Sirens.”

I’ve just returned from ScotsWrite, a Society of Authors Conference in Scotland. And one of the speakers at the conference was a lady who I might include under the category of internet sirens though I will admit she said some very interesting things and I will be taking up some of her ideas! So there’s always a few exceptions to a general rule…

How To Survive the Internet Sirens

In the writing and publishing world these days we are often told that it is no longer sufficient to be just an author. No, you have to be a promoter as well, and a self-publicist, and a PR specialist. You have to master the art of the press release, learn how to write appealing advertising copy, know how to pitch yourself to someone in a single sentence in a lift, and master numerous pieces of software in order to orchestrate them all skilfully with one end in mind – to sell your product, i.e. your new book.

This all begs the question of how you should manage your time so you can actually fit in writing the next book.

One way of going about it is to be a multi-tasker. Accomplish several different tasks a day by juggling them all and keeping them all in the air. Or if you are a list person, try to achieve a sense of control over your life by surrounding yourself with typed-up To Do Lists.  Or perhaps you might work with a noticeboard covered with Post It Notes.
Lest we forget, what started all this was a desire to create fiction, to bring people to life who never existed, to dream up worlds for them to inhabit, and sometimes to find that ‘they come alive. They are capable of the surprising act or word. They stand outside the plot, unconditioned by it’. And then there are other characters ‘who have to be pushed around…. have the obstinacy of nonexistence…..are inextricably bound to the plot… whose only importance is to… help to furnish the scene in which a living character moves and speaks,” as Graham Greene explained so eloquently in his novel The End of the Affair.One thing’s for sure; you will need to try to Mystical Circles Front Cover Final Version4hold onto your sanity, so you may need your drug of choice – whether that be herbal calming tablets, or numerous infusions of caffeine, or glasses of wine, or, probably the least advisable substance of all, cakes and biscuits, to keep you going. For you will also have to master how to put out Facebook ads, and how to drive people to your mailing list sign-up forms, and monitor the response you get, and adjust your ads accordingly.

In this quote, Graham Greene expresses the strange feeling authors can sometimes get about their characters, when the lines blur between the real world and the fictional world of their own creation. Sometimes we do indeed feel like characters forced here and there by an unseen hand, without any free will. I fear that in today’s climate we as authors can feel like that, when voices ‘out there’ are constantly telling us what to do to make ourselves visible, to get readers to pay attention to us, to direct the searchlight of attention upon us, notice our books, and buy them.

It feels as if we are drifting, boats upon the current, into that region of the ocean where we may hear siren voices luring us onto the rocks. Maybe the only answer is to do as Odysseus did in Homer’s epic poem The Odyssey, during his voyage home after the Trojan War, when he tied himself to the mast, and stopped up all the ears of the sailors on the ship, so they might sail safely past and out of the range of the siren voices.

Surely this isn’t the way it should be for creative people?

 

And yet, perhaps I have misunderstood; for when we study the biographies of past authors, we cannot help noticing that they had their own struggles, though maybe slightly different, conditioned by the culture of their time. Were we ever intended to exist in an ivory tower, as we write our books?

I think of a wonderful quote from JK Rowling, who said in a 2003 interview with Jeremy Paxman: I imagined being a famous writer would be like being Jane Austen. Being able to sit at home in the parsonage and your books would be very famous and occasionally you would correspond with the Prince of Wales’ secretary. You know I didn’t think they’d rake through my bins, I didn’t expect to be photographed on the beach through long lenses.’

Every individual creative person has their own struggles, though I grant that JK Rowling’s struggles at that point were probably different from ours right now, as we try to make some kind of impact upon the world with our stories.

Each novel that we write has to some extent emerged from our own lives, our own personal experiences, our own take upon the world, and so it feels as if we are giving from deep within ourselves. That is certainly the case with my novel Mystical Circles (out in a new edition on 5 September).  Much of the novel has arisen from my own personal experience.

But I feel we can take heart from these words of Sir Winston Churchill who although he eventually became such an iconic figure, suffered many setbacks and failures in his life. He was addressing an audience of school pupils who had gathered to hear words of wisdom from the great man. He said, “I only have 5 words to give you. They are Never, never, never give up.

The links for my recently re-released novel Mystical Circles may be found here:

AmazonCOM

AmazonUK

Book Blurb:

“Hi, you in crowded, stressed old London from me in the peaceful, perfect Cotswolds. Massive change of plan. I’m in love. Craig’s gorgeous, sexy, intelligent. Paradise here. Staying forever.”

Juliet, concerned that her younger sister has fallen in love with the charismatic Craig, leader of the Wheel of Love, sets off for the Cotswolds to investigate, fearful that Zoe has become entangled with a religious cult.

She arrives at Craig’s community hoping to rescue Zoe. But  intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.

 

 

 

 

Guest Post and Review: Vivienne Tuffnell, Author of ‘Little Gidding Girl’

I’m delighted to host author Vivienne Tuffnell today on my blog. Front cover of novel "Little Gidding Girl" by Vivienne TuffnellI’ve followed Vivienne’s blog Zen and the Art of Tightrope Walking now for several years, and reblogged one of her posts here; I’ve also read four of her previous books: Depression and the Art of Tightrope Walking, Square Peg, Away With the Fairies and Hallowed Hollow. Today she is here to talk about her inspiration for her new novel Little Gidding Girl.

Here is the blurb for the story:

At seventeen, Verity lost the future she’d craved when Nick, her enigmatic and troubled poet boyfriend, drowned at sea. At thirty-five, in a safe, humdrum and uninspired life, she finds that snatches of the life she didn’t have begin to force their way into her real life. This other life, more vivid and demanding than her actual life, begins to gather a terrible momentum as she starts to understand that her un-lived life was not the poetic dream she had imagined it might be. Doubting her own sanity as her other life comes crashing down around her in a series of disasters, Verity is forced to re-examine her past, realign her present and somehow reclaim a future where both her own early creative promise and her family can exist and flourish together. Exploring the nature of time itself, the possibilities of parallel universes and the poetic expressions of both, Verity searches to understand why and how Nick really died and what her own lives, lived and un-lived, might truly mean. ‘From the unknown spaces between what is, was, and will be, messages and sendings break through into Verity’s life: are they nightmares of a parallel reality or projections from a love that has flown? Vivienne Tuffnell keeps us guessing with utmost artistry as we trace the interweaving way-marks in pursuit of the truth. Little Gidding Girl kept me enthralled until the very end.’ – Caitlín Matthews, author of Singing the Soul Back Home, and Diary of a Soul Doctor

Now it’s time for Vivienne to tell us how the ideas for this novel first came to her. You’ll find my 5 star review of the novel at the end of this post.

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AUTHOR VIVIENNE TUFFNELL:

“We’re all mad here,”- the inspirations behind Little Gidding Girl.

 

One of the questions most writers get asked from time to time is “Where do you get your ideas?” and it’s also the most difficult to answer because it varies enormously for each writer and for every book. But being asked, “What was the inspiration behind your book?” is often simpler because it’s more precise.  So when Sheila asked me about the inspiration behind Little Gidding Girl, the real difficulty was casting my mind back about fourteen years ago to a period when I was almost bursting with creativity and ideas and winnow out what really inspired that particular book.

We’d moved to a new area and that is something that is always unsettling and unnerving, and within a few months of arriving I began writing again. I’d turned my back on writing for all sorts of reasons. Roadblocks where agents and publishers would take up a book with interest and then reject it or ask me to rewrite and then reject it again, created such tension in me that I became ill, almost fatally so, and to save my health and my sanity, I stopped writing altogether. Eight years had passed where I’d written nothing longer than a letter, when a whole novel sprang to my mind and poured out almost uncontrollably in an unprecedented flood. More novels followed, Little Gidding Girl  being among them, but its origins lie (as almost always for me) within the unconscious mind.

I’d begun dreaming again. Powerful, vivid, compelling and often lucid dreams that left me exhausted and haunted. One afternoon, I had a snooze and thought I’d woken up, and was getting dressed in brand new jeans that required a coat-hanger to ease the zip up, when my son burst into the room demanding something or other. He hadn’t knocked and I was upset and cross with him, and humiliated because the jeans were so tight, I had visible muffin-tops of fat spilling over the waistband.

The thing is, I don’t have a son.

I’ve never had a son, only a daughter, who at that stage was in her early teens. I woke again, properly this time, rather shocked and shaken by this experience. I made a note of the dream and let it go. More odd dreams followed. In one I was in a school science lab, attempting to teach something I didn’t understand, when the lab bench started to fade in and out and be replaced by a flower bed. In another, I went to the bottom of my garden to discover a massive trench (like in Time Team) and a row of shelves with finds laid out on them. But the finds were all modern rubbish and not archaeology.

A whole series of extraordinary dreams occurred, leaving me spell-bound and baffled, because they all seemed to connect to a life I’d never had but might have done. Like many women, I’ve experienced the loss of pregnancy in miscarriages. I’ve never grieved much, for those potential babies, but I have always felt a tiny bit sad that life circumstances and the revelation that I’m not much good with babies and children led me to decide that one child was all I should have. In another universe I might have been one of those earth-mother types, perhaps, but not in this one.

Around the same time, I’d begun to be a bit obsessed with Four Quartets. I’d never studied it at university, and a quote somewhere set me to seek out a copy and read it. It seemed to hold so much, so much that science and religion in their blunter, less mystical forms, simply did not express in ways I could relate to. I began to think about the paths I never took, the doors I never opened, the rose gardens I never stepped into, and it felt like the dreams were showing me glimpses of those other realities that never happened. Any belief that other paths might have been nicer, sweeter or more successful than the one I did take soon began to crumble. In the Narnia books, Aslan says that no one is ever told what would have happened, and yet, sometimes I believe we are shown a tiny vision of the other lives we might have lived. Sometimes it’s to comfort us, sometimes it’s to inspire us but always it is to root us in the reality of what is  rather than what might have been.

In Little Gidding Girl, the might-have-beens become the growing focus of Verity’s attention, forcing their way through in powerful ways that leave her unsettled and unstable. My agent asked me if she was insane and I still don’t know how to answer that. It makes me think of Alice in Wonderland:

 “But I don’t want to go among mad people,” Alice remarked.
“Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.”
“How do you know I’m mad?” said Alice.
“You must be,” said the Cat, “or you wouldn’t have come here.”

Perhaps now, like the Alice speaking to the Mad Hatter, I’d say: “I’m afraid so. You’re entirely bonkers. But I’ll tell you a secret. All the best people are.”

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Thank you Vivienne – this gives a fascinating insight into the background to your novel. I too have long been interested in paying attention to and recording dreams, and to learn that you were inspired to write Little Gidding Girl by your dreams particularly intrigues me.

MY REVIEW OF LITTLE GIDDING GIRL

A very sensitive book which represents an unusual exploration of grief and blends it with the philosophy expressed by TS Eliot in his poem ‘Little Gidding’ from ‘The Four Quartets’. The main protagonist Verity is living with unresolved emotions from the accidental death of her boyfriend nineteen years earlier. Though her present-day marriage is ostensibly happy and her life relatively comfortable, she has never stopped engaging on an unconscous level with the life she imagines she would have lived, had that boyfriend not died. Vivienne Tuffnell handles the female relationships in Verity’s life with sharp perception and wit, and I loved her descriptions of the New Age shop that Verity works in, whilst being exploited by the rather unpleasant owner of the shop, manipulative therapist Juliet. Verity’s “visions” of that alternative life are also handled in such a way that the reader strongly feels their weirdness and they carry a considerable shock factor in the narrative. Earlier on in the story I found Verity’s present-day husband a little too gentle and calm and sympathetic, but later on we come to share some of his own turbulent feelings at the strange inner journey his wife is taking. I loved this quote near the end of the story: That’s what grief is. A little bit of us dies when our loved ones do. We go down into death with them while the grief endures. When the grief pales we return with what gifts our loved ones gave us in life. A very thoughtful and haunting novel.

5 stars

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About Vivienne Tuffnell

Vivienne is a writer, poet, explorer and mystic.

You can follow Vivienne on Twitter

or visit her blog

 

 

 

 

 

 

Book Review: “How To Craft Superbad Villains: 13 Steps to Evil” by Sacha Black

I found this book an excellent resource for writers, especially for those of us who may be at the stage I was in at the time of reading – nearing the end of the first draft of my WIP, Director’s Cut – which I have now finished.How To Craft Superbad Villains by Sacha Black

Sacha Black equips the writer with plenty of tools to sharpen up and deepen their understanding of villainy. She writes with the knowledge and insight of one who is trained and qualified in Psychology. At times I found her handling of the subject almost too dense and over-analytical – especially in areas such as complexes, which has been the subjec tof one of my past blog posts , based on the writings of Carl Jung.

But then I realised that I could only benefit from Sacha Black’s close attention to this subject; what she writes here repays careful study, because it is so important for a fiction author to understand exactly what constitutes villainy. She is particularly good on the subject of mental health in fictional villains; as she rightly points out, it is no good giving one’s villain a mental health issue and then ascribing their villainy to that issue. She helps the reader focus on how complex the human psyche is and reminds us once again that as writers we must be faithful students of human nature. In addition, her own personal style is very lively, which makes the book more accessible, too, to a popular audience. I highly recommend Sacha’s book.

To see my own book on the writing craft, Perilous Path – a selection of articles containing tips, insights and reminders for writers, including a chapter on how to develop villainous characteristics in a fictional characer – click here

To read my own series of blog posts on how the theories of Carl Jung can help novelists, here are a few for you to dip into:

The collective unconscious

Complexes

Universal Archetypes

Synchronicity

I’ll be at the UK Games Expo at the NEC Birmingham 2-6 June 2017

I’ll be at the UK Games Expo at the NEC Birmingham UKGElogotomorrow Fri 2 June and all weekend signing copies of Mystical Circles, A Passionate Spirit and Perilous Path on the Authors Stand (F11) alongside Gareth Baker, (thrillers & fantasy); Darren W Pearce (fantasy & sci fi); Richard Denning (horror, fantasy & historical fiction); Jonathan Green (Fighting Fantasy gamebooks & Doctor who novels) & Ian Livingstone (creator of Fighting Fantasy interactive gamebooks).

Hope to see some of you there over the weekend!

Find Me on the Authors Stand at the UK Games Expo 2017 in Birmingham

From 2nd to 4th June 2017 logo for UK Games Expothere will be a big event for games players and lovers of fantasy, thrillers and roleplay at the NEC Birmingham.

There’ll be four authors at the Expo, of whom I am one. Click here to find out more about the authors Jonathan Green, Richard Denning, Gareth Baker and myself.

You’ll find us on Stand F11.

We’d love to see you at this exciting event! Click here to find out more about the show and how to book tickets.

My New Book ‘Perilous Path: A Writer’s Journey’ Out Now

I’m delighted to announced that my new book is out now and available to buy on Amazon, both as a paperback and as an ebook.front-cover-only

Perilous Path: A Writer’s Journey is a short informative and encouraging book of 126 pages, giving an insight into the writer’s life. It will appeal to aspiring writers, keen readers fascinated by the subject of literary inspiration and creativity, and anyone interested in how fiction writers get their ideas and go about creating full-length novels.

How do you find courage and motivation when your novel sinks in the middle?

How do you stay focused as a writer through success and disappointment?

How can great artists, musicians and psychologists give you inspiration?

You’ll find the answers to these questions and many others in this book.

Each chapter is a short article based on original material I’ve previously published online in answer to FAQs aspiring writers type into search engines.

And I can certainly say that before I get back to completing my new novel ‘Director’s Cut’, I’ll read through ‘Perilous Path’ myself paying close attention, because I need to take my own advice!

Beta readers have said this about the book:

I found it fascinating to read how one new writer began to write,  and continued to self-motivate in her determination to achieve her goals – and how her faith provides example and inspiration.

Some of the articles contain ideas about writing that I haven’t considered previously; some of them are more like friendly reminders of things I already know, or focus on interests that (like many readers and writers, I imagine) I share with the author.

Reading the book felt like having a “friend in the room” giving advice and sharing her experience of the writing process.

 

‘It’s written in a simple and engaging style. It doesn’t go in depth into theoretical techniques but seems like an encouragement, even if you have writer’s block, and a reminder of things, some of which I already know. Other authors might have gone into a lot of detail, on many of these subjects, going on for 20 pages on one particular theory or technique – and I wouldn’t be interested in reading that. But SC Skillman has written this in such a way as you feel you have a friendly guide on your shoulder.’

The book costs £4.74 for the paperback and £2.42 to download on your Kindle.

And if you do read and enjoy it please remember to leave a review on Amazon!

 

 

 

 

Angels and Supernatural Experiences: Book Review

Angel on My Shoulder: Inspiring True Stories from the Other SideAngel on My Shoulder: Inspiring True Stories from the Other Side

by Theresa Cheung

My rating: 5 of 5 stars

This is one of those books where you feel the title and cover image give a misleading idea of the contents. An Angel on My Shoulder was passed on to me and I admit from the cover I thought it was going to be rather sentimental. Instead I found it totally rivetting and full of authentic stories. Several things fascinated me about these:

1) I could identify with a number of them from my own experience, though I have tended to think of them as synchronicity;
2) Each one had a distinct element of the supernatural;
3) Far than being sentimental, they had a strength and simplicity which was compelling.

Many described sudden and shocking bereavement, which most of us dread. Yet the authors of the accounts had experienced a compelling supernatural intervention which totally changed their attitude to the tragedy, to death itself, and to the meaning of life, and lasted for decades afterwards – providing the sort of comfort and reassurance that some might only achieve, if at all, with years of counselling or psychotherapy.

The author’s stance in relating these stories is very measured and balanced. She fully accepts those who take a “reductionist” view of these events and prefer a rational explanation, and she invites us to make up our own minds.

I found the whole book very convincing, not least because of the cumulative effect of so many stories told by different people unknown to each other who had all had similar experiences. It had the same effect upon me as another book I’ve reviewed called Miracles.

In her summing up, the author refers to “organised religion no longer providing the structure and certainty that it used to” and I found myself thinking that although the church does indeed offer structure and certainty, more and more people feel unable to identify with it, because it doesn’t seem to meet their needs and appears irrelevant to their lives. But the stories in this book suggest, to one way of thinking, that God is finding other ways to connect with people totally outside the confines of “church”, finding ways to communicate his love to them – through angels.

Highly recommended.

View all my reviews

I Have a New Book Coming Out Soon

I’m pleased to announce I have a new book coming out soon, this time non-fiction.aps-on-bookshelf-at-kenilworth-books-13-feb-2016

It will be a short one, 100 pages, and  will be available in paperback as well as an ebook.

I’ve written it for all those who’d love to know  about the process of writing novels: whether they be aspiring writers, or simply keen readers who are curious about how novelists think up their ideas and go about creating fiction from them.

Here’s a taste of some of the topics I’ll cover in the course of the book:

  1. Universal themes in fiction
  2. Strategies to develop creative and imaginative writing
  3. How to create a novel that your readers won’t want to put down
  4. Three tips for creative works of realistic fiction
  5. How to know which point of view to use in a story
  6. How to develop villainous characteristic traits in your writing
  7. How can Carl Jung’s theory of archetypes help you in your creative writing?
  8. Inspiration for creative writers from artists
  9. Suggestions for writing the end of a novel
  10. Always on the outside looking in – does a bestselling novelist have a lesson to teach aspiring writers?

Each topic has a chapter to itself, and the book contains 33 chapters.

 

Here’s the blurb to whet your appetite:

How do you find courage and motivation when your novel sinks in the middle?

How do you stay focused as a writer despite all the setbacks and disappointments?

How can great artists, musicians and psychologists give you inspiration?

You’ll find the answer to these questions and many others in this book. SC Skillman offers deep insight into the faith and hope that is vital for one who walks the perilous path into the ‘promised land’ of the writing profession.

More soon when I’ll let you know the title and give you the cover reveal!