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Thoughts for Manchester

Following the news this morning of the tragic events in Manchester, I have held back my intended post, and am reblogging one of my fellow-bloggers’ posts as it seems to sum up all we can say and feel at this time, as the news unfolds, and as our hearts go out to all the mothers and fathers, family and friends of those children and young people senselessly injured and murdered after enjoying a pop concert on the night of Monday 22nd May 2017.

Suzie Speaks

I was awake at 3.00am and was horrified at the events in Manchester, my home city, last night. At present, 22 people have died and 59 have been injured after what is thought to be a suicide bomber detonated an explosive in the foyer at the Manchester Evening News (MEN) arena after an Ariana Grande concert had ended. The arena has a capacity of 18,000 people, and most of the audience in attendance were children, teenagers, young adults and their families. It’s the biggest loss of life in a terrorist attack since 7/7, and there are already children confirmed among those who have been killed. Children. 

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The Full Monty and What it Says About Not Being Controlled by Your Circumstances

Recently I watched the 1997 British comedy drama film  “The Full Monty” again. The Full Monty film posterThe reason why I love it is that it’s about “little” people deciding not to be controlled by their circumstances. Six men who in their different ways are suffering during the decline of the Sheffield steel industry, decide to do something nobody believes they can deliver on.

If you haven’t seen this wonderful film then I highly recommend it; read about it here. Somehow that message of hope is encapsulated in one of the outstanding elements of the film: the faces of the audience members in the club at the end. They express joy, laughter, fun and delight. Their reaction is a natural response to “local lads” demonstrating that if we choose, we can all have the courage to:

  1. compete with those who seem to be hugely successful “out there”
  2. get up on stage and run the risk of making fools of ourselves
  3. demonstrate that we will not allow ourselves to be controlled by our circumstances.

This is a universal message, relevant in so many different ways in today’s society. This is why “The Full Monty” is an inspiration to its audiences and why, using humour, it delivers a powerful truth, relevant to all our lives.

That’s Life – in the Eyes of Noel Coward

I’ve loved the work of Noel Coward since I first saw one of his comedies, in my teens. Noel CowardAmong many different archetypal character-types which I hold in my mind, is that of an indolent Noel Coward male lead, lounging against a mantelpiece wearing a silk brocade smoking jacket, elegant, mannered, and dispensing witticisms with the greatest of ease: the sort of individual who would instantly impress in a social setting; but what’s really going on behind that stylish, confident exterior? I had this image in mind when I created the character James in my novel Mystical Circles (and James reappears in A Passionate Spirit).

In Coward’s play Present Laughter, the male lead, Gary, a successful comic actor, lives out of the image of himself he projects on stage.

He is the focus of everyone else’s obsession.

Gary is a poser – he throws tantrums, acts in a theatrical manner, and hates it when others accuse him of “over-acting” – which he, of course, does all the time. Only his secretary and his supposedly-estranged wife see him in a plain unvarnished way.

Meanwhile, a strange, intense young aspiring playwright, Mr Maule, is obsessed with him and latches onto him and challenges him.

Gary want to get rid of them all, yet cannot see he himself is a magnet for them.

In this play, we see yet again the beloved Noel Coward tropes:

  1. A flouncing self-important male lead;
  2. A sullen fag-smoking housekeeper;
  3. A strange insecure subsidiary character who has a major effect upon the action;
  4. A femme fatale triple-crossing vamp married to the MC’s best friend, having an affair with the MC’s other friend, and with the MC himself.

In this play, the women who spend the night with Gary, and have to explain themselves to visitors in the morning, always:

  1. appear for breakfast wearing Gary’s dressing gown and his black silk pyjamas;
  2. say they had forgotten their latch-key, which was why they had to stay the night; and
  3. claim they slept in the spare room.

Just so do so many of us feel compelled to behave in predictable patterns, so that we might as well be following a script that’s been written for us.

It’s comedy, farce, satire … but isn’t it often just like life? Comedy is a wonderful vehicle for communicating truths. Don’t we find sometimes – especially in this society, and on the current political scene – that people behave as if they were characters in a farce, acting out a parody of themselves?

This is the human comedy.  And comedians only need to tweak real life a very little: just a slight exaggeration – for us to see how absurd this all is.

I think this is why, in moments of insight, we instinctively respond to good observational comedy, especially when it is delivered with warmth – for there are occasions when we recognise ourselves reflected back in the wit of the comedian. And when that is so, we might see opportunities to try and interrupt this pre-determined script, and start acting as if we genuinely do have free will, instead of behaving like characters pushed hither and thither by the plot…

The Fatal Flaw in Human Nature, Castles in the Air, and Dreams and Visions

My recent visit to an English Heritage castle, Goodrich Castle in Herefordshire, stirred up some reflections on life.20170501_124937-1

A visit to a medieval castle cannot help remind you that this great pile represents in stone the major themes in human nature: war, power, wealth, moral and economic hierarchies, social injustice and religion.

Of course what we choose to focus on when we visit a castle is conditioned by the story we attach to it; and when I visit my nearest EH castle at Kenilworth my mind is usually full of the intriguing romance between Queen Elizabeth I and Sir Robert Dudley Earl of Leicester, because that’s the angle English Heritage love to take.

However at Goodrich Castle, several different images whirled around my mind: a chapel in a gatehouse with arrow slits in it, murder holes, double portcullis, double gates, two drawbridges, luxury accommodation and all the contemporary mod cons for the aristocratic family and their friends, and the reminder that the 200 servants would have just dossed down anywhere they could find that was as warm and comfortable as possible.20170501_112727

I found myself thinking about three things:

First, social justice.

We’re very conscious of it now in our society, only because our eyes have been opened to it; perceptions have changed. To modern Christian eyes social justice has always been at the heart of the gospel. But has it? For many centuries the most dedicated Christians were oblivious to it. So has it always been there, and they were just wilfully blind? Or is it only there because we’ve formed a political agenda for it?

Second, religion and violence.

They were pious Christians with rich Chapels and they had all the arrangements in place to hurl boiling oil on people and shoot arrows at them through slits in the walls of their chapel even as they were worshipping. But can we ever judge those who lived in a different age by our own values and standards in very different times? Many who oppose the Christian faith now cite its history as evidence that it is sheer folly. To what extent can we judge the truth of a system of thought/ a religion/philosophy/worldview by its human history?

Third, human nature.

In church recently someone said to me, “He who expects nothing is never disappointed. My view is that human nature is fatally flawed. But that doesn’t mean I don’t think there could be some improvement.” This reminded me that the teachings of Jesus go against human nature. You cannot actually follow through the logical implications of Jesus’ teaching without battling human nature.

What is human nature anyway? With the benefit of hindsight we see the behaviour of medieval castle inhabitants as folly, and it all seems very black and white to us. Future generations looking back will see and think exactly the same about our behaviour now, in 2017, down in our very own microcosm.

Many of our own “dreams” are foolish, vain things – “wishful thinking, ” “pipe dreams”, “castles in the air”. They are not worthy of being fulfilled and are not designed to be fulfilled, but are destined to dissipate in the desert air.

All we can do is take little steps forward according to what seems right, or helpful, or appropriate to us at the time.

We always have to see our “dreams” in this context, of failed, fatally flawed, human nature. And to realise that we’re down here in the microcosm and can only see through a glass darkly, notwithstanding all our little dreams and visions.

 

 

New Cover Design Coming for Edition 3 of Mystical Circles To Be Published by Luminarie on 31 August 2017

Mystical Circles will be published by Luminarie in a new third edition on 31 August.

Instead of the present cover, it will have a new cover created by the designer behind the cover of A Passionate Spirit.author SC Skillman at booksigning at King Edward VI School Christmas Fair SUA 3 Dec 2016

The cover design will be darker and more mysterious than that for edition 2, in keeping with the tone of the story, and will harmonise with A Passionate Spirit.

Both novels  share themes of psychological tensions, spiritual threat, religious cults, paranormal, and shape-shifters; and both are set in the same Cotswolds manor house. Although each story can be read and enjoyed as a stand-alone, the second does follow on from the first, and draws through a couple of the characters who appeared before. So to demonstrate more clearly the connection between the two, a thematic relationship will be seen in the two cover designs.

More later when I’ll be able to give the cover reveal!

In addition my book of encouraging  tips, insights and reminders for writers, Perilous Path: A Writer’s Journey, will be published in a second edition with Luminarie, on the same date – 31 August 2017.

The new edition of each of the above books will be available as a paperback and as an ebook. Mystical Circles paperback will be priced at £8.99 to bring it into line with A Passionate Spirit, and Perilous Path will be available for £4.99.

Meanwhile I’ve reached 70,581 words in my third novel, Director’s Cut. This will continue the themes of my first two novels, with a strong emphasis on modern Gothic. I know the way the story is to end – but my main antagonist is more frightening, subtle and cunning than those in my first two novels, and the power struggle with the chief protagonist is nearing that ‘black moment’ when it seems all is lost. I still don’t know how she is to survive or to prosper, through the things she will learn from this encounter.Expectations (2)  Perhaps that’s the best way for it to be, when creating a first draft; to maintain a dynamic relationship with the characters and their inner worlds, there must be a strong element of uncertainty. If the author is to defeat the reader’s expectations, she must first defeat her own!

 

 

Find Me on the Authors Stand at the UK Games Expo 2017 in Birmingham

From 2nd to 4th June 2017 logo for UK Games Expothere will be a big event for games players and lovers of fantasy, thrillers and roleplay at the NEC Birmingham.

There’ll be four authors at the Expo, of whom I am one. Click here to find out more about the authors Jonathan Green, Richard Denning, Gareth Baker and myself.

You’ll find us on Stand F11.

We’d love to see you at this exciting event! Click here to find out more about the show and how to book tickets.

Joan of Arc: Mystical Experiences and Empowerment

The other day I saw an encore screening of George Bernard Shaw’s play “St Joan” from National Theatre Live.St Joan National Theatre Live I studied this play at university. Then, as in my recent viewing, I was entranced by the character of Joan herself, and by the words Shaw puts into her mouth.

Joan has  special resonance for me because when I was young, as a member of a children’s choir, I sang in a performance of Honneger’s “Joan of Arc at the Stake” – an oratorio with words by Paul Claudel, a Catholic poet. The performance was at the Royal Albert Hall; Mia Farrow played Joan, and Andre Previn conducted the London Symphony Orchestra. We sang the part of the children of Lorraine.

The character of Joan had a strong impact upon me. I remember several words from “Joan of Arc at the Stake” and they are largely from Joan herself, in which she described her visions and her mystical inspiration, in terms that totally encompassed their reality.

To me the central thing about Joan of Arc was “empowerment”.

Joan was an illiterate peasant girl who claimed she heard a trio of saints speaking to her; and on the basis of this she believed God wanted her to lead the French army to fight and defeat the English, and place Charles II on the throne of France. In 1431, when she was nineteen years old, the English led by the Earl of Warwick tried her on numerous charges, one of which was blasphemy, and sentenced her to be burnt at the stake. The part of the saints were sung by soloists in the music drama; and I felt that Paul Claudel  handled the whole work from the viewpoint that Joan’s experiences were real.  The work has been accused by critics of being several things, including weird, bizarre, sentimental and heavily Roman Catholic, but I loved it, just as I love Elgar’s “The Dream of Gerontius”, another musical work which has in the past had the same accusations levelled against it.

When I reflect upon Joan and the fascination she holds for me, I see her as someone who was marginalised, who had religious experiences which empowered her, and who refused to be controlled by her circumstances:

  1. Whether or not a postmodern assessment concludes that her ‘voices’ may be accounted for by mental illness – perhaps schizophrenia, or psychosis –  she definitely had profound religious experiences.
  2. She acted upon these experiences.
  3. She derived from them courage, strength and vision to prevail again huge male-dominated interests in Church, State and Army. Both Shaw and Claudel show her as clear sighted, strong and single minded against her powerful interrogators.

I think of similar cases of young girls and women who have had profound religious experiences which then impact the future course of their lives and the lives of many others:  Bernadette of Lourdes, St Therese of Lisieux and Julian of Norwich.

Part of the fascination of these individuals to me is that between them they usually demonstrate one of a number of recurring features, which tend to marginalise: these elements include being young, female, poor / of peasant background or illiterate; and suffering from serious illness, whether bodily or mental. Another element that often appears is the gift of healing. There are many other examples, of whom a good proportion have had visions or extraordinary powers of insight, on the basis of which they have gained enormous influence, and have captured the imagination of future generations.

What do you think? Can you offer other examples of young female visionaries who have had a big impact on the world and may have captured your imagination?

 

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