Today I share my review of ‘Miss Graham’s War‘, the latest novel by Celia Rees, which has been released in a new edition, having spent some time on sale as ‘Miss Graham’s Cold War Cookbook’.
‘Miss Graham’s War‘ is a very complex and gripping account of life in Germany in the immediate aftermath of the Allied victory over Germany in 1945. The main protagonist Edith Graham, a lover of recipes and cooking, goes out from England to take part in what is known as the Control Commission, in the British Zone, to try and help the education system in Germany recover. However she is also asked to act as a spy seeking out wanted Nazis in hiding. I learned a huge amount about this period, of which I had previously known very little. It opened my eyes to how the ordinary people of Germany suffered in the first few years after the War, both those who still sympathised with Nazism, and those who had not agreed with Hitler’s ideology, but who had kept quiet to save their lives.
The structure of the book, interspersed with recipes from the time, was fascinating. The recipes and ingredients were very revealing; some horrifying, as they revealed the desperately low rations for people in Germany at that time.
For instance, one recipe was for Moltkestrasse Tea: pine needles chopped fine, and boiling water. Used to ward off hunger by those who have nothing else.
Another minimal recipe for the near-starving, deprived of rations, involved finely-cut-up human hair, to provide some element of minerals and vitamins.
A third example is Prison Camp Soup – fish bones and skin; water; and buckwheat, or whatever else you can get. Note: we have no equivalent, unless you count the Irish a hundred years ago reduced to eating grasses in the Famine.
Other recipes evoked another world entirely: I loved the German cake recipes, especially one for Bee Sting Cake, which is essentially sweet dough, baked, topped with honey, butter, sugar and almonds, and filled with a custard cream. In wartime circumstances, with rations low, but with the ingredients cunningly sourced from somewhere and hoarded out of sight, a slice of that would have been pure heaven. Such cakes of course belong to the famous ritual Kaffee und Kuchen. Another recipe, for asparagus flan, sounded gorgeous; some of the recipes I thought I really must try out myself (but not the ones with human hair, fish bones and pine needles).
The book gives many harrowing details of war crimes committed by the Nazis. It is packed with characters who have different motivations, which can be confusing to the reader, but ultimately we are carried along with the decency and goodness of Edith’s character, and the passion of Harry, whom she loves, and who will later go to Israel and become a member of Mossad. Fate intervenes, along with tragedy. Depending on your point of view it may be said that Edith’s quest ultimately results in poetic justice, or not. Here on earth, we have no final answer to the mystery of human wickedness, or a perfect resolution to the quest for justice. But this story is very compelling and there are many chequered characters to arouse our emotions.
It is the kind of story which may haunt you for some time afterwards, as you wonder about war, and about the aftermath of war, and the disastrous decisions that are made in such times, that attempt to correct injustices but only sew new tragedy and pain for the future, even after the actual fighting has ended.
A highly recommended book for those who can’t get enough of historical fiction and books about the history of the 20th century.
Today I share my review of ‘Witch Child‘ by Celia Rees, now out in a special 20th Anniversary edition. This is a compelling historical novel of the arrival of a group of Puritans in New England in 1650, of their encounters with the Native Indians, and a tale not only of religious intolerance but of the deep-seated fear human beings have of anybody who dares to be different.
Having just finished reading The Taming of the Queen by Philippa Gregory, about Catherine Parr and the dangerous path she trod through religious fanaticism and intolerance, I feel my senses have been sharpened to this theme of rejection of women for being different. It seems that historical fiction is an excellent vehicle for this theme but sadly the theme is also highly relevant in today’s world.
Witch Child is a Young Adult novel and has been firmly established on the schools curriculum for the challenging issues it raises, vital for children to wrestle with, themes of intolerance, the true nature of freedom, the forces of conservatism, spirituality and female independence.
The book opens with a horrific account of the persecution of a woman in late 17th century England. Through the eyes of a young girl, we learn how her grandmother is dragged away – feared and reviled as a witch for her role of village “wise-woman and healer” – tortured then hanged for witchcraft. We are confronted with the intense hatred, fear and hysteria that flares up among the local ‘authorities’ (often self-appointed); their fanaticism aroused by another opportunity to publicly shame, humiliate and destroy a woman for being different.
As I read the story of Mary’s departure for the New World with a group of Puritans, I was keen to refresh my knowledge of this period of English history. As it happened, the Puritans sought freedom in another land to practice their own brand of religion freely. Ironically they took all their own prejudices and narrow-mindedness with them and transplanted it into the communities they built in New England.
I was moved by Mary’s growing connection with her two allies from the local Indian tribe, White Eagle and Jaybird. They too knew what it meant to be ostracised for bring just what they were. The themes of nature-connection are strong between the girl trained in ways of herbalism and intuitive healing, and the native people with their deep spirituality and knowledge of the earth and their environment, as with all First Nation peoples.
I loved the overriding structure of the book, pages of an authentic historical journey, found sewn into a late 17th century quilt, and the mystery with which the book ends. I know the author wrote a sequel, but this book left the way wide open for me to imagine exactly how I wanted it to end and what I hope happened to Mary next.
A compelling story from an author who has just brought out a new book, this time for adults, called Miss Graham’s War. Set in Germany in 1946, and published by Harper Collins in May 2021, this will be my next read.
The Tudors have been popular for the last few years, in books and films and TV programmes. And whatever we think of Henry VIII as a man, he was certainly a gift to history. For he must be one of the most memorable of all characters in the story of Britain. Never mind that he was a monster and a psychopath. It seems that Tudor propaganda has won out through the centuries, and many prefer to think of him as a colourful over-the-top character who started up the Church of England, ate an enormous amount, and killed a few wives on the way.
Although I myself love history, and read history books as well as historical fiction, I know that many, perhaps, learn most of history through reading historical fiction. That is why I believe our high quality historical novelists are so important to us, because they engage us in history and encourage us to imagine what it must have been like to be there, and to deal personally with characters like Henry VIII.
Such is the case with ‘The Taming of the Queen’ by Philippa Gregory which is the story of Henry’s last wife, Kateryn Parr. This novel was published in 2015 and although I have read several books of historical fiction by other authors, I haven’t read many Philippa Gregory novels, other than ‘The Boleyn Girl’. However I found this story of Kateryn compelling, and Gregory drew me in so that I felt I was there with Henry’s sixth Queen, navigating the mercurial character of the monster she was forced to marry, while keeping her love for Thomas Seymour a secret.
I was also captivated by Kateryn’s passion and intelligence, and her commitment to religious reform, as she led a theological study group in her palace rooms. Kateryn’s tragedy was, in the world of the Tudor court, “Nobody likes a clever, passionate woman.” We see that in the case of the religious reformer and courageous preacher Anne Askew who was ultimately tortured on the rack then burned at the stake.
One of my favourite characters in the novel is Will Somers, the King’s Fool. He is so witty and clever, an acrobat, a juggler, a commentator and observer of the action rather like the Chorus in ancient Greek tragedies. He made the King laugh, he lightened the mood, then when his political satire became too close for comfort, he acted silly to relieve the tension.
“It is easier to stand on your head than keep the king in one mind,” he says. At another point, he remarks, “If I were a wise man I would be dead by now.”
In reading the story of Kateryn, I think the best safeguard any Queen of Henry might have would be her ladies-in-waiting and her gentlewomen of the bedchamber. All the queens depended on their ladies’ 100% loyalty and trustworthiness, their ability to sniff out danger ahead, and to warn of conspiracies in the making. Kateryn relied on Catherine Brandon, Anne Seymour, and her own sister Nan.
Nan, we are told, has served six of Henry’s queens and buried four. Nan forewarns Kateryn she is being targeted for criminal proceedings against her on the grounds of heresy; and as we can see from this novel, Henry changed his mind week by week about what constituted heresy. Bishop Stephen Gardiner (one of the top nasties of the Tudor court, along with the Duke of Norfolk) is assembling a case against Kateryn.
“He’s coming for you, Kat,” warns Nan, “and I don’t know how to save you…. they are changing the law ahead of me. I can’t make sure you obey the law because they are changing it faster than we can obey.”
Thomas Seymour, the man Kateryn loves and believes she has lost, tells Kateryn that he must marry; the Seymours need an alliance at court and he needs a wife who will speak for him; his choice is 12 year old Princess Elizabeth whom Kateryn knows “has a childish adoration for Thomas.”
Alongside this we are constantly brought face to face with the volatile, psychotic King – obese, an addictive over-eater, tormented by the pain of his leg ulcer and his inner demons.
Meanwhile conspiracies continue, and the question of what religion Henry believes shifts daily. A Howard plot to remove Kateryn, replace her with Mary Howard, and bring the country back to Catholicism, is revealed.
When Kateryn is forewarned that Henry has signed a warrant for her arrest, she is able to make her case to him. She submits to him and presents herself as an ignorant, subserviant woman, for the safety not only of herself, but also “of all who depend on this tyrant for their freedom. I can rack my pride. I can dislocate my shame.” Thus the Queen is “tamed”. He then physically abuses her; he whips and humiliates her in a shocking scene (I am not sure if historical evidence exists for this).
But by her willingness to appear “tamed,” Kateryn wins her life, and ultimately survives her marriage to Henry. The novel concludes after Henry’s death with Kateryn exalting in her freedom; she says she is free to be herself at last, may pursue her passions and interests, her commitment to religious reform, and write her books.
I must admit that reading this story I feel surprised that Kateryn didn’t suffer from post traumatic stress disorder afterwards; and perhaps she did. Tragically she only lived a further 18 months because (foolishly, we may believe, taking the long view) she married Thomas Seymour; and having become pregnant, she died shortly after childbirth. The fate of her little daughter Mary Seymour, following the execution of Thomas the following year, is unknown to history. It is thought she died around the age of two; but no evidence of this exists. Perhaps the truth will come to light one day.
Ultimately I found this book an emotionally engaging, enlightening and intellectually stimulating read, and Philippa Gregory’s reputation as ‘the contemporary mistress of historical crime’ is well deserved.
Today I share my review of this enchanting novel by nature writer Delia Owens.
‘Where the Crawdads Sing‘ by Delia Owens is set in the swampland of the North Carolina coast. Kya, the main protagonist, is abandoned by her family members one by one until, at the age of seven in the year 1952, she is left all alone, continuing to live in the family’s “swamp shack ” on the edge of the lagoon. Kya fends for herself, navigating the lagoons and waterways of the wetlands by boat, and living independently into her adulthood, gaining her reputation among the people of nearby Barkley Cove as “the marsh girl”.
I found the descriptions of the wetlands around Kya’s lagoon utterly compelling. Delicate, exquisite, and using the most fluid, inspired, original use of vocabulary, Owens weaves pictures of a breathtakingly beautiful and remote region. I found myself longing to visit those wetlands.
Delia Owens herself is a nature writer, and a wildlife scientist who formerly lived and worked in a camp in Africa for several years. This is her first novel, and it is astonishingly beautiful.
As Kya’s story progresses in 1952, another story runs alongside it in a different time-frame, in 1969-70, when the adult Kya finds herself accused of murder. Although the plot is interesting, I longed to return to the description of Kya’s life as a child fending for herself in the wetlands, which has a spiritual, dreamlike quality.
I think I love this book so much because of the appeal and fascination of the idea of “the wild child.” I have always loved stories which centre upon this theme. High among my childhood favourites, the stories of Pippi Longstocking by Astrid Lindgren held my imagination. Pippi is a wild child, and she was my heroine. I was enthralled by the idea of a child who finds herself living an independent life utterly free of the constraints that adults impose upon children. Reading these books as adults, we may read into that situation all the judgements of our social conditioning; yet, in the world of fiction, this trope is powerful and archetypal.
The story goes on to tell of the older Kya’s relationships with two young men, one of whom is found dead in the mud beneath the local fire-tower, and the progress of the murder trial in which Kya is the Defendant. I will say no more about the plot for fear of spoilers bur suffice it to say that very close to the end there is an amazing twist.
Today I share with you my review of Spirited by Julie Cohen, published by Orion July 2020.
I loved this book; I found it enchanting, and it gripped me throughout. Set in the mid nineteenth century in England and India, the story covers spiritualism, so-called “spirit photography”, the oppression of women in Victorian times, and the power of women to assert their identity and to triumph over suffocating prejudice.
The novel reminded me of Affinity by Sarah Waters, published by Virago, another book which captivated me.
Fans of that book will love this one. Curiously, the colour and design of the covers on both books is very similar.
Julie Cohen’s mastery of atmosphere is compelling and as she builds the sense of mystery, the sympathy of the reader must surely rest with all three main characters, with Jonah who has returned to England from tragic events in India; with Viola, who responds to her grief at her father’s death by giving herself heart and soul to her photography; and to Henriette, strong and resilient, who rises above the cruelty and abuse she has received in the past.
Blended into all this is an intelligent and powerful debate about life after death and the various things we cling to in order to uphold our beliefs. Very highly recommended.
I waited quite a long time for Waterstones to send me this book; and having received it, I spent the next few hours devouring this story of William Shakespeare’s family and the tragic death of his 11 year old son Hamnet.
Living as I do near Stratford-upon-Avon I have visited all the Shakespeare properties a number of times. I will never experience Shakespeare’s Birthplace the same way again, now I have read this book. As I enter the rooms, I will imagine Ann Hathaway giving birth here, to her twins Judith and Hamnet; and in another room I will think of her laying out Hamnet’s body with loving care, sewing him into his shroud; and in another, of John Shakespeare browbeating William, or of his sister questioning or advising him.
Ann in this story is called Agnes; William himself is never named but called either ‘the Latin Tutor’ or ‘her husband’ or ‘their father / brother’. So we think of him in his relationships as an ordinary family man, rather than being distracted by the weight of his awesome reputation, over five centuries later.
The story initially moves back and forwards between two time-frames: the time of Agnes’ pregnancy with Suzanne, and the turbulent reaction of the families, and her subsequent marriage to Will; and then to the final 24 hours of Hamnet’s life, 13 years later as he falls victim to the Bubonic Plague. Life and death, beginnings and endings, are constantly interwoven, folding back on each other.
I found the book very intense, full of exquisite moment-by-moment accounts of highly emotional events, and the long period of Agnes’ grief, while her husband is in London on one of his long absences.
Will’s sister Eliza is the go-between in that she, unlike Agnes, is literate and can write the letters Agnes dictates and read the letters Will sends in return. Some have thought William Shakespeare very unloving to his wife and family, spending so much time away from them; but in this story we are offered a much more sympathetic picture. Will asks Agnes to come to London to live with him but she refuses as she fears Judith’s delicate health will suffer in the disease ridden city streets.
Ultimately with his London money Will is able to buy the gracious mansion at New Place; and I loved the descriptions of Agnes creating her dream garden there, planting many fruit trees and medicinal herbs and keeping bees and a host of cats.
The epiphany in this story comes with Agnes’ realisation of the true significance of her husband’s new tragedy ‘Hamlet’.
This is a book which will certainly have you scurrying to Google to check up on the known facts of William Shakespeare’s life and family members. You will see him in a new light and may also be deeply moved by the reality of life and death in 15th & 16th century England. A very highly recommended book.
This is a book which will probably arouse many different emotional reactions in the reader: fascination, inspiration, astonishment, disgust, anger, depression… you name the life situation the reader is in, and that will determine his or her response to On This Day She by Jo Bell, Tania Hershman and Ailsa Holland.
Many different women, across all periods of history and many nations, continents and cultures, are represented in this book. Their lives and achievements encompass the full range of human endeavour, and the vast majority you may never have heard of, because history chose not to include them in its pages. But the cumulative effect of reading their biographies, all arranged under days of the calendar, is disturbing and uplifting by turns.
Some of these women were enormously successful and influential in their own individual spheres; others were treated with gross injustice and / or met untimely and tragic deaths. Some of them are indeed now acknowledged and recognised for their achievements – for example, the woman who invented the game of Monopoly (Lizzy Magie) but who never received either the credit or the income from her invention, which instead went to Charles Darrow.
I do believe there are signs of encouragement. In our world today, we all know about Greta, Malala, An Sang Su Chi, Nicola Sturgeon, Jacinda Ardern, Angela Merkel. Looking at history, we all know the names of such women as Elizabeth I, or Agatha Christie, or Florence Nightingale, or Jane Austen, or Mother Teresa. We do have a number of prominent women in the world today, whom we need to support and honour. This book reminds us that there have been many, many gifted women throughout history who have not been so honoured; in fact, far from that, they have been crushed and denigrated and marginalised. There is still a very long way to go before all members of the human race are treated equally, regardless of gender, and the many other factors which divide us.
Whilst reading this book, one of the many thoughts that came to my mind was this: JK Rowling, whom many admire, is strongly opinionated. She expresses her opinions fearlessly in the public arena, which she has every right to do. But would her opinions receive the same response if she was a man?
This book makes you see history differently and through a new lens. Hard-hitting, discerning and sharp, the authors show us the way exceptional female movers and shakers have been rendered invisible by history. Much of this, the authors claim, is the consequence of a lazy use of “generic” language, and sentences framed to denigrate women and represent their role and purpose negatively. They give an example of this in the way in which Catherine of Aragon is summarised by history books as having “failed to provide Henry VIII with a male heir”. This can be rephrased as “Catherine and Henry had no surviving sons.” It’s still accurate, but the balance has been changed. Language needs to evolve to redress this false view of human life.
One astonishing quote in the book, from a man, explains that by ‘person’ he did not of course mean ‘woman’ – he only meant ‘man.’ This is certainly a step further from the assertion that of course the term ‘man’ is always taken by us all to mean ‘human beings.’ Personally I try to use the term ‘humankind’ as much as possible or ‘we’ or ‘human beings’. I do believe language has power; it determines our unconscious presumptions. The words we use do matter; they condition our attitude to the world, and lie behind all our prejudices and false judgements of others.
Among the entries in this books you will find archaeologists, nuclear physicists, mountaineers, peace activists, poets, novelists, artists, anti-slavery campaigners, environmentalists, human rights lawyers, anthropologists, fighter pilots, Viking warriors, nuclear scientist and many more. This book doesn’t presume that women have always been good. Tyrannical rulers are also included. The thesis of the book does not include moral judgements on that level; simply the invisibility of women in our histories.
You will find a woman who completed a course of undergraduate study at Cambridge University but were told she could not be awarded a degree because of being a woman; a female artist who created a famous self-portrait which was by default attributed to her husband; and numerous women who have been defined as ‘muses’ or ‘assistants’ to the more famous men in their lives, when they were in fact equal creators in their own right.
I highly recommend this book to all.
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This account of the koala-rescue campaign in bushfire-ravaged Kangaroo Island is gripping and very emotional. Accompanied by superb photos, arborist Kailas Wild tells a story sometimes dramatic and inspiring, and at other times sad and heartrending, packed with tense and harrowing descriptions of koala rescues.
As one of the few professional tree-climbers/ experienced koala handlers called to Kangaroo Island following the wildfires that swept through parts of Australia in 2019, Kailas used his rope climbing equipment to scale 30 metre high burnt trees to flag down traumatised koalas, bundle them into pet carriers, and drive them to the animal hospital for treatment – or sometimes to be euthanised.
As you read the book you feel amazed he didn’t suffer long-lasting mental health difficulties following this incredibly harrowing and challenging time on Kangaroo Island. He is, indeed, very open about his emotional distress and his mental trauma. Throughout the book the reader is moved by his skill and courage, in this dangerous and tough work.
Kailas gives many fascinating details of his work, including for example his knowledge of how to test the structural integrity of a fire damaged tree before he starts climbing; his endurance of scratches from the claws of frightened koalas; and the best way to handle them, to avoid the very real danger of being bitten by their knife-sharp teeth. The photos are often dramatic and impactful; shots of him up a tree trying to reach a koala on an adjacent tree, images of a burnt koala, photos which make clear his own mental trauma, visible in his face.
His working days among the burnt plantations involved 10-12 hours of physically and emotionally draining labour. He spent “days alone amongst burnt trees and dead animals… and even the successful rescues are traumatic.”
After a considerable time in which he feels a lack of co-ordination and resources, he finally gets the help he needs from two other wildlife rescue experts – Deb and Fraya. The efforts they go to as the terrified koalas resist capture is astonishing. Their own stress is compounded by the knowledge of the stress to which they are subjecting the koalas – and then at the end the rescued animals may have to be euthanised.
The author is very open about the toll this takes on his mental health. He also considers the ethics of human intervention in the lives of wild animals suffering an environmental disaster; does his work compromise the ability of the wild animals to live independently when released back to the wild, having become over-reliant on humans? He also describes the moment when they realise the risk of injury to the koalas themselves outweighs the benefits of attempting rescue.
Finally the time comes when Kailas and his colleagues realise they have done everything they can, and the remaining koalas, having already survived this long, will most likely thrive.
A deeply moving book for all those who love animals, care about environmental issues and are interested in wildlife conservation, but also an account of courageous human endeavour and compassion, in the face of ethical dilemmas.
What’s new here in Warwick, during what we hope will be the final months of the final lockdown?
I’m following lots of online courses – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill. And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!
I’m also well on my way through the last revision of my magical realist novel Director’s Cut. I hope soon to start working on a new non-fiction book for Amberley. This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.
In other news, I’ve been recording readings from my books Paranormal Warwickshire, Mystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel. Do listen to the stories here. The videos have been edited by my film and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!
I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.
That was the first appearance of Isabella M Smugge, under that name, out in the world.
I was one of those who left a comment on the post, and many of us were intrigued by the idea of Isabella; I mentioned that I felt I knew her: “Isabella M Smugge turns up at conferences and also moonlights as what I call ‘an internet siren’ – someone who is addicted to telling everyone else online how successful they are and how they did it and how if you exactly follow their own prescription of how they achieved it you too can be enormously successful and make millions.“
On 19th February 2021 a novel is published, with Isabella as its main character, which hadn’t been consciously planned at the time its author Ruth Leigh wrote that blog post. And today I’m part of the blog tour telling you about that novel.
In May Ruth published another post about her despair at the false picture people give about their lives online. The truth, she said, is always in brackets. Then Isabella re-appeared.
Among those who read the post was a literary agent who got in touch with Ruth and invited her to work up two opening chapters of a proposed book about Isabella, and he would see if he could find a publisher for her. The outcome is now clear; the book will be published by Instant Apostle on 19th February 2021.
Now I’ve read the book I realise Isabella reminds me of so many people: Patsy in Absolutely Fabulous; Margot Leadbetter in The Good Life; the “awful aristos” in Ghosts; Meryl Streep’s character in The Devil Wears Prada.
Here’s my own review of the book:
This book is very much a surprise. We can begin to read it thinking it will be a waspish comic satire on the internet phenomenon of aspirational lifestyle influencers, who pretend their lives are perfect, and make everyone else feel they have to live up to it.
In fact the book is a very poignant and touching story about contemporary family life and relationships, the control of social media over our lives, our emotional wounds from the past, our lack of self-knowledge, and our deep need for non-judgemental friendship. To me, the style and atmosphere of the story brings it into the same realm as novels such as ‘The Battersea Park Road to Enlightenment’ by Isobel Losada, and The Handbag and Wellies Yoga Club’ by Lucy Edge, although this book has more of a Christian flavour.
Isabella has moved with her husband and three children from London to a Georgian rectory in Suffolk. She is judgemental, disdainful, and her diary entries often include bitchy remarks at the end of paragraphs. She looks down on others and considers herself “a cut above”. She reminds me of Margot Leadbetter in ‘The Good Life’, and Patsy in ‘Absolutely Fabulous’. In fact I can even hear her superior, cut-glass tones. She also reminds me of Meryl Streep’s character in ‘The Devil Wears Prada’. In waspish, top journalist style, she fills her account with brand names and scatters her prose with knowing references.
As the story progresses, the author inserts little tell-tale holes in Isabella’s flawless, polished and assured account of her perfect life – the fact that she’s moved to a place where no-one has even heard of her; her painful memories of warring parents and a broken home; her controlling, social-climbing husband; her memories of hateful boarding school; her awareness that the children clearly prefer Sofiya, the Latvian au pair, to their own mother; and her grumpiness as she works so hard to get them to pose for her social media posts.
As we read on, through Isabella’s diary, we hear a clear warning to take care who we get inspired by. Ruth Leigh has perfectly caught the phraseology of internet sirens like Isabella; all the snooty superior buzzwords and phrases. Isabella is in fact a flawed narrator, with nil self-knowledge and is often delusional.
We learn that because of her own wounded upbringing Isabella is setting herself impossible standards in a futile attempt to “prove” herself. And in the process she is eroding her own spirit, and has lost touch with her humanity.
In the end a moving and very thought-provoking book which looks set to be the first of a series.
A short while before reading and commenting on Ruth’s blog post, I had met her for the first time in real life – at a writers’ conference in St Luke’s Church, Great Colmore Street in Birmingham in March 2020. I now look back on that event fondly, as it was one of the very last real life events we were all able to attend before the Covid pandemic took a grip and the government enforced lockdown. A few months later, Ruth shared with us her exciting news. Following the publication of that blog post she had won the interest of a publisher for her proposed novel based upon Isabella, and she had begun to write the book.
I’m now delighted to be part of Ruth’s blog tour for her new book and I invited her to answer a few questions.
Ruth, first, I’d love to know a little about your background and family and about other things you do besides writing.
I’m originally from Epping Forest; I met my husband in the Sixth Form at school, which was a glorified dating agency. When we finally got round to going out, I was living in Exeter while he resided at the family home in Buckhurst Hill, Essex. We managed that for eight years until we got married and I returned to the county of my birth, which I had always sworn I’d never do. After my marriage, we moved to Suffolk, where we live with three children aged 17, 14 and 12, plus chicken, quail and a kitten, in the middle of nowhere in a draughty Victorian semi. My favourite thing in the world is reading (anything except sci-fi) and I like walking, playing board games (to win) and chilling out with friends.
When did the germ of the idea for this book come to you? Was it in your mind long before you wrote that blog post? When in your life, and in what situations, did you first start to come across the ‘role models’ who, we might say, inspired the character of Isabella?
I hadn’t thought of writing a novel until the afternoon of 7th May 2020. I invented my frightful snobbish influencer for an April blog post, and thought no more of her until literary agent Tony Collins messaged me to say he thought there was a book in her. It was only then that I switched from freelance writer to first-time novelist. I’d assumed I’d made every aspect of Isabella up until one day I was chatting to an old friend from ante natal classes, and she said, “Ruth, this woman is a mix of all those people we used to see at toddlers who turned up on time, perfectly made up, beautifully dressed and confident while we slumped in the corner wearing stained clothing and paper pants.” I realised that that was exactly who she was, along with a good dash of all the people who post on social media about their perfect lives and make normal folks feel massively inadequate.
What made you want to write about this sphere of life? What in your own background and experience led you to this?
I can honestly say that I’d never planned to write fiction and certainly not fiction about a posh, rich woman who makes a living by being an Instagram influencer. I made Isabella up for a funny blog and then, weirdly, when Tony asked for two sample chapters, I discovered that I knew all about her private life. A husband, children, a Latvian au pair, a hideous mother, a terrifying agent and a mysterious past all came pouring out.Isabella is brilliant at what she does, and considerably younger than me so I found myself researching what it is that lifestyle bloggers actually do. I followed a few on Instagram and found some great hashtags and ideas. As far as my own background and experience go, Isabella is the opposite of me in many ways. She’s come from money, went to private school, is incredibly confident (at least on the surface) and has no shame about showing off constantly on all her platforms. The sad, deeply-buried memories have elements of me in them, and her move from metropolitan life (London in her case, Essex in mine) to a small rural village is my experience too. However, she marches into the playground expecting everyone to be terribly impressed that she’s there, while I slowly made friends and built up a life in a much less glamorous way. From my wide reading, a vast repository of facts and half-remembered stories have played into this novel. Possibly that’s why I enjoyed inventing this woman and her life so much.
Who have you written this book for? What do you see as your target audience?
That’s an excellent question and quite a difficult one too. I suppose the answer would be just about everyone. I love writing that makes me laugh and creates a world I can inhabit, and I hope that Isabella will prove to be someone that people can pick up and enjoy. The cover is pink, many of the main characters are female, but I’d hope that male readers would enjoy it too. There’s nothing wet about Isabella. She’s handy with her fists, doesn’t take anything lying down and tells her husband where to go when he annoys her.
Tell me about your daily routine – if you have one!! What part does creative writing play in your day? Are you highly disciplined?
The alarm goes off at 8.15 and I ignore it. I roll out of bed at 8.30, make breakfast and a hot drink for the two younger children and deliver it to their bedsides, along with gentle encouragement to sit up and log into school. Then I make a pot of tea and breakfast (unless I’ve got an early Zoom call) and take it upstairs to the bedroom where my husband and I consume it, chat and sometimes do the crossword. At this point, the cat joins us and sticks her head into my husband’s pint of water on the bedside table. Back in the summer, bed was where I did all my writing. Now I head downstairs to the dining room and sit down at my desk (a Christmas present), fire up the laptop, go through my emails and work out what I need to start writing first. I’ve got lots of freelance clients, so I will generally have some interviews to conduct, transcribe and then write up. I’ve got my own blog, Big Words and Made Up Stories plus two others I contribute to and for me, that’s creative writing. I love trawling in the header tank of ideas in my brain and seeing what I can fish out. About twice a week I walk the mile and a half into the village to the market and that’s my thinking and planning time for the next Isabella book. I tend to finish working around 6.00, then we have dinner (my husband cooks it) and watch television or play a board game together. Add in plenty of dishwasher loading and unloading, washing, drying and putting away clothes, seeing my elderly parents and picking up random items scattered around various rooms and you have my life. Highly disciplined? Exactly the opposite.
What other things do you love besides writing?
Reading has to be the thing I love most. Without it, I don’t know where I’d be. I really like playing games but I am so highly competitive that the children have banned me from playing Monopoly with them. I love wandering around and gazing at the architecture and spotting little quirky things that fire off ideas in my brain. I enjoy going round museums and wandering along a pebbly beach on a cold windy day. I love chatting, to anyone, but particularly close friends.
Thank you Ruth for those fascinating and detailed answers which I hope will whet the appetite of my blog-readers to lay their hands on your book!
Meet Isabella Smugge – as in ‘Br-uge-s’, naturally! Instagram influencer, consummate show-off and endearingly self-unaware. With a palatial home, charming husband and three well-mannered children, she is living the County Life dream.
Newly arrived in the country, Isabella is ready to bring a dash of London glamour to the school gate and gain a whole new set of followers – though getting past the instant coffee, terrible hair and own-brand sausage rolls may be a challenge!
But as her Latvian au pair’s behaviour becomes increasingly bizarre and a national gossip columnist nurses a grudge, Isabella finds herself in need of true friends and begins to wonder if her life really is as picture-perfect as she thought…