My proposed new non-fiction book, Spirit of Warwickshire, is currently in the early stages of its journey into the world.
Richly illustated with full colour photos by photographer Abigail Robinson, the book contains twenty short pieces about places in Warwickshire that I love, visit often, and believe to have spiritual presence.
I define a place of spiritual presence in these terms: “it affords us an opportunity to reflect upon the lives of those long dead, the interweaving of fate and destiny, and explore dynamic equivalents within our own lives.” As this suggests, many of the places I describe have strong historical character.
Because I love Shakespeare, and Warwickshire is Shakespeare’s county, I have headed each chapter with an appropriate quotation from the Bard that I feel corresponds either in spirit or in specifics to what I have independently written about each place.
Here’s a taste of what you may find in the book, visually: a sneak peek at some of the beautiful and high quality illustrations to be included.
Just off the road between Warwick and Kenilworth you will find Guy’s Cliffe Historic Walled Garden. It used to be the kitchen garden for Guy’s Cliffe House, the atmospheric mansion about which I have already written on this blog. You can read my post here. But after the last heir to the estate, Sub-Lieutenant Algernon Percy, died in the First World War, the estate was broken up. For years this walled garden was lost beneath thick undergrowth, but in the last few years, the garden has undergone restoration by a team of devoted volunteers.
I’ve visited the garden a few times, sited behind Hintons Nursery off the Coventry Road, Warwick; and my son Jamie, a horticultural student, has also spent some hours volunteering in the garden.
The garden now is testament to the dedication of those who’ve freely given their time and expertise and hard work to bring it to its present state. It’s an ongoing project and has been featured on Gardeners’ World.
Recently the gardeners have installed a new poppy wall mural to commemorate the Battle of Jutland, in which Algernon Percy, the last heir to the estate, died.
What an inspiration this garden is; and it is also full of atmosphere, invoking a strong sense of the lives of those who worked here and loved the garden and nurtured it in the past.
How to find it:
The Walled Garden is at the back of Hintons Nursery.
During all these events I was enormously impressed by Archbishop Justin. He engaged his audience with warmth and self-deprecating humour, telling several funny anecdotes; he answered questions with compassion, humility and wisdom; he told some astonishing stories about dangerous situations he has entered into around the world, during his reconciliation work.
He has visited some of the most dangerous places in the world and put his own life at risk (incuding an occasion when he was kidnapped). Above all, throughout these three days, he has been inspiring, encouraging and uplifting.
During the event on Friday 4th May Justin answered questions from people in their 20s and 30s and the first event of the day at the Cathedral was a Q and A session with teenagers.
It is so difficult to pick out any one thing among all the things I’ve heard him say during those three days, but one answer struck me in particular on Saturday morning. He had been describing his travels in countries torn by brutal conflict, who are in desperate need of the reconciliation work for which Coventry’s Cross of Nails ministry is famous. He was asked, “What is the greatest spiritual threat you’ve ever faced?”
He replied, “Sometimes I have met bad people – deeply evil people. And I have found that often these people can also be deeply charming, delightful and interesting. The danger then is that you might find yourself sucked into a collusive relationship. That’s why you need to be in a team, to guard against that – to ensure compromise doesn’t go too far.”
He said risk is essential to reconciliation. And certainly he has often taken extreme risks in his own reconciliation work. He also said that sometimes he is overwhelmed by the sorrow of the situations he encounters. His wisest word on the subject of reconciliation work? “You must start by reconciling yourself to God.”
Now I’ve begun work on my new book Spirit of Warwickshire, here’s a taster of what you’ll find in it.
The book, which I plan to release later this year with Luminarie, will contain a selection of articles about places in Warwickshire which I’ve visited and which have spiritual resonance. These will be places which carry meaning, places which have power, and places which set off chains of reflections, memories, dreams.
Each of my articles will be accompanied by a full colour original photo of the location by my photographer daughter Abigail Robinson.
This will not be a traditional tourist guide, but an individual take on various places that visitors to Warwickshire may well want to include on their itinerary. This is a guide for travellers of spirit, not just tourists. Here’s a glimpse of just some of the places that will be on my list of contents:
Holy Trinity Church, Morton Bagot: Water, Rock, Moon & Ancient Stone
Guys Cliffe House: Romantic Ruin
St Peter’s Church, Wootton Wawen: Saxon Sanctuary
Upton House: A Watered Garden
The Saxon Mill, Warwick: a Writer’s Delight
The Saxon Mill, Warwick: A Snowy Walk
Kenilworth Castle: Boxing Day
Kenilworth Castle: Queen Elizabeth’s Privy Garden
Kenilworth Castle : Christmas Wreath Making
Kenilworth Castle: A Dream Arising from Ruins
Kenilworth Castle: Elizabeth and Dudley
St Mary’s Church, Warwick: Inspiration from the Tower
Spring at Baddesley Clinton
Shakespeare’s , New Place, Stratford-upon-Avon: Garden of Curious Amusements
The Royal Shakespeare Theatre, Stratford-upon-Avon: Sir Antony Sher and Shakespeare
Folk Festival, Warwick
St James’s Church, Old Milverton: Country Graveyard
House of Bread, Shipston-upon-Stour: Sheep and Lamb
A place of inspiration is any place which arouses strong emotions, or perhaps memories, dreams, or reflections. The Castle Inn at Edgehill Oxfordshire is one such place.
A tavern was first built in this high location in 1742 – one hundred years after the date of the Battle of Edgehill which took place in the valley below. There, on 23rd October 1642 the forces of the Parliamentarians and the Royalists faced each other in the open field between Kineton and Radway. The English Civil War was just beginning. The King’s forces had been on their way to London via Birmingham and Kenilworth. The Parliamentarian forces had been heading for Worcester. And they accidentally came together in this bloody battle. The Civil War should have ended there. But it didn’t. The battle ended indecisively, but if the royalist forces had marched straight to London they would have gained the advantage, and the war would have been over.
Instead, they made one of those fateful wrong decisions upon which English history so often turns. The Parliamentarian forces got to London first, and a cruel war ensured. King Charles I had lost his best chance to win. His own personal story ended when he paid the highest price for his errors and bad choices, by being beheaded.
One of England’s most evocative and compelling ghost stories lingers around this place too. Since the time of the battle, haunting sounds and apparitions have been reported by many, at night, and particularly around the anniversary of the battle.
Above all this, the Castle Inn sits with its folly in the form of a castellated tower (in which you may book an overnight stay), a picturesque and intriguing attraction at Edgehill, offering refreshment, delicious meals and excellent service in its delightful beer garden, refurbished dining room and historic bar.
It’s one of my favourite pubs to visit, here in the heart of England. Though its attendant history is very sad – see the exhibition now on display at St Peter’s Church Radway – being a story full of tragedy and cruelty and fate, of the kind we love to reflect upon from our safe distance of centuries: until we start to compare it with several current situations of conflict in the world today.
Such, to me, qualifies it to be a place of spiritual resonance, because it affords us an opportunity to reflect upon our own lives, and upon the human story and its twists and turns of fate, from our perspective of centuries after the original historical events. When a place evokes strong feelings of pity, poignancy, compassion, to my mind, that makes it a special place.
And by the way the interior is delightful, the views are magnificent, the service excellent and the menu thoroughly enjoyable!
We are just back from Bavaria where we were inspired by King Ludwig II’s castles,
delighted by glorious mountain views, enjoyed delicious apple strudels
and slipped into Austria where we had a lot of fun on the Sound of Music Tour in Salzburg.
But the most outstanding feature of our holiday was our discovery of a truly intriguing character: King Ludwig II. Ludwig was a dreamer and visionary whose image is now ever-present in Bavaria.
Whilst visiting his three castles – the castle on an island in a lake, Herrenchiemzee, the fairy-tale like apparition high on a mountain crag, Neuschwanstein, and the exquisite vision in a valley, Linderhof, I was fascinated by his romantic idealism, his passionate devotion to the idea of being “an absolute king” dwelling in Castle Perilous, his love of immensely rich and precious interior decoration, his total disregard of the practical implications of his various passions, and his intense relationship with the great composer Richard Wagner. His story was often tragic, and his end terribly sad – he was declared mad and killed – yet Bavaria thrives on his legacy today.
There were several aspects of Ludwig which inspired me for a major character in my WIP. So this visit to Bavaria came at just the right time as I’m about to embark on the second draft. With such a complex character, I cannot be entirely sure whether his passion, intensity and commitment to a world of the imagination will infuse my villain, hero or anti-hero. That is yet to be determined…
Today’s post is number 8 in my series People of Inspiration (see below for links to my other posts in the series). Today I am inspired by two people who represent loving service to others, regardless of any artificial boundary that divides the people of this world.
Dan and Phillipa Mundayare two mission partners from Warwick, near where I live, who have been sent by the CMS (Church Mission Society) to work in Nepal. Phillipa teaches in the Khathmandu International Study Centre (KISC) – a school which takes children age 3-18 – and Dan is a palliative care specialist who has been helping the Nepalese government and medical profession to start and develop a service in their country to support those suffering from terminal illnesses who are nearing the end of their lives.
During their stay in the UK now for a few weeks, Dan keeps up the hours of acccreditation he needs, serving in our local hospice, Myton Hospice in Warwick.
I have known Dan and Phillipa as members of our church for nineteen years. They’re currently in England visiting family and talking to different groups of people about Nepal and their lives and work there. They spoke to our own small group one evening a couple of weeks ago, and I’ve now heard Phillipa speaking again today.
The reason why they both inspire me is because everything they do is rooted in love for others, regardless of their backgrounds, religion, gender, or any other artificial boundary that divides people.
Whilst in Nepal, Dan and Phillipa are serving others in every way they can. They have numerous opportunities to be “Salt and light” in the lives of others; Phillipa might find herself offering a listening ear and loving support to a young schoolgirl who has already been made to enter an arranged marriage; Dan might find himself visiting someone in a remote village who is suffering a painful terminal disease, with no specialist support or medical help at all.
If you’ve enjoyed this post you might like to check out my other posts in this series, People of Inspiration. You’ll find that I’m inspired by a diverse range of public figures, but now my people of inspiration may be branching out into other areas. Watch this blog for further articles in my People of Inspiration series, which is paralleled by another series, Places of Inspiration.
“Ashes are much hotter than flames”.This is an observation I heard online a few months ago, and you’d think, OK, what does that have to do with creative writers? Well, let me take you to the Australian Outback to explain.
The ‘swagman’ of Waltzing Matilda fame traditionally goes walkabout through the Outback of Australia with only 3 basic foodstuffs in his tucker bag: onions, flour and golden syrup. That’s so he can bake the essential carbs portion of his diet, damper, in the ashes of his fire, (to eat later with syrup) and also the onion, an indispensable companion to the ‘jumbuck’ that he’s poached from whichever sheep-station he happens to be passing through.
Here is the process of making damper, demonstrated by a honorary ‘bushman’ / exponent of bush-craft (alias a friend of my sister’s then living in a caravan in Stanthorpe, Queensland), a process which my daughter Abigail photographed while we were in Australia in 2007:
So what does this have to say to creative writers?
Simply this: writing a novel can be like making damper from scratch in the Australian bush. You gather together your basic requirements; wood for a fire, pot to make your damper in, flour and water, and off you go. Your fire must be just right; no more flames, but nice hot ashes, ready for the cooking. The pan is placed on the ashes and heated up ready to take the mixture, and for the lid to go on. Then the pan is covered with hot ashes and left to cook. the hot ashes are later swept away with a sprig of greenery. Every stage of the process requires careful attendance and skill. And finally you have your delicious result, ready to be devoured. But first you make it more palatable by putting golden syrup on it.
Just so do you gather your raw material for a novel in your mind, your life experiences and observations, your characters, their life-histories, your plot, your skill with words, and then you go about mixing them all together, through several drafts, each stage carefully attended to, so that your end result is just golden brown, and not burnt nor soggy. And then even when it’s perfect, it may be it needs that extra touch, with the syrup on top ie. the final polish.
So why is it that the book he created is so revered and has such a hold on our imagination now? – apart from its age and the wonderful fact of its survival?
I believe it’s because of the dedication, the patient concentration and the painstaking artistry that breathes out from the pages, and because of what inspired its creation: love and devotion.
Eadfrith created it “for the glory of God and St Cuthbert”.
St Cuthbert himself inspired so much reverence because he was a holy man, at one time bishop of Lindisfarne, who died as a hermit in 687 on Inner Farne (which I recently visited), and around whose body many miracles occurred.
The astonishing story of his body, which failed to decay for many years, records how he was carried for several decades by faithful monks around Northumberland, to escape Viking attack, before finally it was laid to rest in the spot over which Durham Cathedral was built. You can visit St Cuthbert’s Tomb in Durham Cathedral, a place which has a strong spiritual resonance and atmosphere of holiness.
The glorious book which is the Lindisfarne Gospels is a testament to patience, concentration, love and devotion.
For us now, to gaze at, or to work with, the patterns Eadfrith painted is a pathway to peace and joy – hence the popularity of Celtic colouring-in books for adults, partly because the act of colouring-in forces you to pay close attention and eliminate all distractions. Celtic designs based on the Lindisfarne gospels pop up everywhere – here’s an image of my lovely metal bookmark displaying Eadfrith’s designs – notice particularly his ornamental birds (Lindisfarne has long been a paradise for birds, so Eadfrith had plenty of them to model his designs on).
In creating the ornamental designs, Eadfrith needed to pay minute attention to the geometrical foundations and symmetry of the overall design – very little was left to chance or the “inspiration of the moment.”
The book he created is now revered not just for the beauty and skill within its pages, I believe, but because that beauty is a physical representation on this earth of a spiritual reality – goodness, peace, patience, holiness and love.
Eadfrith had to source, prepare, or make from scratch everything he used – the parchments of vellum; the pen from a thick reed or quill feather; the ink, from animal, vegetable and mineral raw materials, ground to a fine powder and then mixed with egg white. I have personal experience of something of this latter part of the process at least, because I did an icon-painting course a few years ago and we mixed artists’ pigment with egg-white to paint our own icons on pieces of wood we had ourselves prepared – see the photo here of my own icon of the Archangel Gabriel.
After Eadfrith had created the Gospels, he left the scriptorium and as far as we know he never painted or wrote anything else – not that I’m suggesting this is a model for creative writers of today!
I find his story awe-inspiring and uplifting because it gives me an image of a patient, devoted person sitting alone in a quiet place concentrating absolutely on a work of art, to the exclusion of all else. It makes me think of many others who have created great works in similar circumstances – those who have been perhaps in prison, like St Paul, or Cervantes who wrote Don Quixote, two amongst several examples: or those who have deliberately chosen to go apart into an isolated place like Eadfrith in the scriptorium, free of distractions.
To be free of distractions and able to fully concentrate and devote yourself to the task in hand is such a luxury now, such an ideal for writers and artists to aspire to.
If you like thrillers with more than a touch of the paranormal this is for you!
Janice an Amazon reviewer, took A Passionate Spirit on holiday with her and says I loved it, I was hooked from the very beginning, the characters got inside my head, and I couldn’t put the book down. I was really very surprised at how spooked I felt considering I was on a sunny beach in Tenerife very far removed from the Cotswolds. Thank you for a great read.
If you do, I suggest you read Mystical Circles first because it may add more depth to the background of some of the characters.
Sue W, an Amazon reviewer, has read both books, and says: This is something that I like in a book series – being reintroduced to characters at a different point in their lives, without a specific cross reference to the first story. …A Passionate Spirit provokes the reader into reflecting on the motivations of the characters. One that particularly fascinated me was James – remembering him from Mystical Circles, I found myself wondering about how he would have got from his life then, to his life now…. another way of saying that the character was believable in himself and not just a plot device…
But Sue does add that the two books could be read in any order and would still be enjoyable.Enjoy your holidays… and happy reading!