A vast parkland, a major historical house which has so many associated buildings clustered around it, alongside its own church, it seems like a village in itself – and a garden of ingenuity, beauty and variety, which surprises and delights you as you explore its paths, its structure and colourful planting: this is Lanhydrock.
Closer to the house and church, on our July 2020 visit, we could see that the gardeners have been hard at work during the UK Covid19 lockdown, preparing the beds for new planting, which shows us the perfect symmetrical layout waiting for the lines to be softened with a kaleidoscope of colours and shapes and textures.
With every bend of the path we come upon new vistas which satisfy our innate sense of proportion and design, please the eye and fill us with a sense of peace and harmony.
Since my last post in this series a reader has given me the story of a modern day angel encounter.
I’m grateful to my author friend Anna Hopkins for giving me this story, passed onto her by the lady vicar who experienced it.
This story took place in the days before mobile phones (rather like my story here in my previous post in this series!)
The lady, whom we shall call Audrey, had accepted two teaching engagements on either side of the Pennines, one for Saturday afternoon and one for Sunday morning. She was offered accommodation in both places, and decided she’d rather get to her Sunday place on Saturday night, than have to get up early.
So off she set. It was quite late, on a winter day, after a thick snowfall. Then disaster struck. She skidded into a snowdrift. It was dark and cold and she realised she had no emergency kit. She’d forgotten to bring a blanket, or a hot drink, or anything.
She knew there was no way she could move her car. It looked like she was in for a long, cold, dangerous night up in the hills, with all the possibilities of freezing to death – even if she ran the car heater as long as possible. All she could hope for was that someone would come along. So she shut her eyes and prayed, hard.
Then she heard engine noise behind her, and two great motorbikes drew up. On those motorbikes were two men, dressed in leathers. They seemed so big and tall.
Her first thought was, ‘Oh no, now on top of all this I’m going to be mugged!’
They knocked on her window and spoke to her. They never removed their helmets, just got her out of the fix.
Throughout this incident, she just thought they were bikers. Once they set her going on the road, she obviously couldn’t stop, so she looked in her rear view mirror to wave at them. But they were gone. They had come from the same direction as her, and so should have overtaken her.
They would not have had time to have roared off back the way they came in the few moments it took her to look in her mirror. Even then she didn’t think anything other than, ‘that’s odd’. It was only when she arrived at her destination, and recounted the story, that her host said, ‘They must have been angels.’
At which point Audrey put it all together – the size of them, their sudden disappearance – and realised she’d been saved by angels.
I’ve written about angels and supernatural experiences before on this blog. Check out these posts:
I admit I rather like taking nature walks where everyone we meet is social distancing… with a polite smile, other walkers withdraw into the shrubbery or the bracken and we pass each other by at a safe distance, or with jokes about whether we are on the right route and whether we’re going round in circles and have seen each other before.
So it was in Thickthorn Wood, Kenilworth. Only the sound of cars rushing past on the A46 between Warwick and Coventry in a newly-loosened lockdown slightly detracted from the exquisite melody of the birdsong.
Glorious rhododendrums and bluebells gave this woodland the feeling of an enchanted forest. I could almost imagine Merlin and Arthur making their way along the track on white horses, searching for Nimue to try and persuade her to cancel one of her magical conspiracies against the inhabitants of Camelot….
As the days of the lockdown pass, I’m becoming more aware of a new and powerful sense of renewal in the natural world.
Not only have I noticed this on my daily walks but I am hearing it from other people too.
“It’s like going back 50 years. Everyone is so much more ‘together’ and more friendly.”
“The sky is much bluer, the water in the River Avon is much clearer. The birdsong is outstanding.”
“Air quality has improved. There are no longer any chem-trails from planes flying over.”
I myself on my walks feel that nature is much brighter and more intense and more abundant than I have ever known before.
The light keeps shining on delicate buds and new baby leaf sprays about to burst open. The green is rich, the white is intense. It is all very spiritual.
I find myself being constantly ‘surprised.’ As I returned home from one walk, everything became more golden and more green until it was almost overwhelming.
Nature has flourished because human activity has been subdued.
This isn’t just the open countryside, it’s the pockets of green and the pathways and small areas of parkland nestled in between and alongside houses and canal and roads.
This is how it appears to me because we are all slowing down, the streets are quiet, we are not all engaging in frenzied activity and chasing achievement and Doing and Aquiring Things as we normally do.
“May this heal us from the sickness that brings death to the body; may this heal us from the sickness that brings death to the soul.”
I hope you are all well, and staying home, except for your one-daily-piece-of-exercise here in the middle of the COVID-19 crisis.
I must admit I’m finding plenty to do as a writer. ‘Paranormal Warwickshire’ has a new publication date: 15 Nov 2020. I’ve just returned the corrected proofs to my publisher, Amberley. Meanwhile I’m working on another novel and researching a new non-fiction book (more details in a few months’ time).
As for my daily exercise… what better location than one of those featured in my upcoming book ‘Paranormal Warwickshire’: The Saxon Mill, on the Guy’s Cliffe estate, Warwick; just 10 minutes walk from my home.
‘Paranormal Warwickshire’ can be pre-ordered here.
We set off from Paihia early in the morning and drove south through a landscape of velvety green hills uninterrupted by hedges or fences, dotted with a wide variety of trees, and occasionally by pretty white bargeboard houses in gardens. It felt as if we were surrounded by JRR Tolkien‘s hobbit country all the time: The Shire, that pastoral idyll which the hobbits called home. No wonder the makers of The Lord of the Rings and The Hobbit films settled upon this landscape as the ideal location for Hobbiton.
Further along in our journey we entered a region of verdant forest packed with trees so diverse and so attractively interspersed with giant tree ferns that they seemed planted by design.
When we arrived in Matamata we immediately saw the welcoming sign and those of us who have loved the world of Middle Earth for so long at once felt a sense of high excitement.
And yet, as we were to discover again and again throughout our stay in Matamata and our visit to Hobbiton, you don’t even need to have read the books or have seen the films to be thrilled by what has been done here to recreate this romantic vision of pre-industrial rural England.
This of course was what inspired JRR Tolkien. The irony is that he was influenced by the countryside between Birmingham and Warwick, in the UK, and by Sarehole Mill – and his vision of Mordor came from the industrial wastes he found. So Tolkien’s inspiration is very close to where I live. But I went halfway across the world to find it recreated here in New Zealand!
Upon entering the visitor information centre we found a sculpture of Tolkien’s most insightful creation: the tragic and chilling figure of Gollum, who had, long before, been known as Smeagol, one of the river folk, until he came into possession of the One Ring, and had been enslaved and possessed by his lust for ‘the Precious’. The One Ring to bring them all and in the darkness bind them.
I can imagine Matamata itself was an unassuming little ‘one-horse settlement’ before Peter Jackson found his ideal location for the Hobbiton film set nearby. It is astonishing to reflect upon the power of an iconic fantasy epic to catch the imagination of millions and transform the fortunes of one small town.
We had a delightful meal in The Redoubt and it built up our excitement at the prospect of visiting Hobbiton the next day. It was also an opportunity to sample a range of New Zealand red wines!
Early the next morning we arrived at The Shires Rest, a short distance outside Matamata, to join our tour of Hobbiton, led by a young man called James, who was, appropriately enough, English.
The tour bus took us through the rolling hills of the Alexander Farm, a vision of the undulating landscape of young children’s picture books, a perfect setting for the small, round, cheerful hobbits.
On the way James showed video clips of The Hobbit and The Lord of the Rings films, and also gave us plenty of fascinating facts about the making of the films, how this area came to be chosen as the site for the Hobbiton film-set, and why indeed there now exists here a perfect, robust and well-built rendition of hobbit country, for the delight of many thousands of visitors each year.
AS for Hobbiton itself, we all found it beyond our expectations, so perfectly realised, with exquisite attention to every detail: Bilbo’s sign on the gate announcing ‘No admittance except on party business’; the oak tree above Bag End, the line of washing, the wheelbarrows full of freshly harvested vegetables, the mill and bridge, the party field, Bilbo’s eleventy first birthday cake, the Green Dragon Inn and the tankards of beer.
Throughout Hobbiton we found exquisite English flower varieties, all in top condition. In fact, being here was indeed like being transported into JRR Tolkien’s original vision. It has been said that he wouldn’t have liked the idea of his books being turned into films, as he believed that the power of the imagination must determine how people see the world he created. Nevertheless I feel that he would have been awed by what has been achieved here. Hobbiton lacked only one thing: real life hobbits!
SC Skillman, psychological, suspense, paranormal fiction & non-fiction. My next book, Paranormal Warwickshire, will be published by Amberley Publishing on 15th June 2020 and is available to pre-order now either online, or from the publisher’s website, or from your local bookshop.
This is the fourth in a series of short reflections on places in Cornwall.
There will be few words, and mainly images.
The Lost Gardens of Heligan are an example of beauty recovered from loss and neglect following the devastation of War. Their recovery again emerged from the vision of Tim Smit who then went on to set in motion The Eden Project. Come here to share in the wonder of these gardens and be part of their witness to renewal of hope.
psychological, paranormal and mystery fiction and non-fiction.
My next book ‘Paranormal Warwickshire’ will be published on 15th June 2020 by Amberley Publishing.
I’m pleased to announced that I have signed a contract with history publishers Amberley Publishing for a book about Warwickshire to be published in June 2020. This will be a highly illustrated book full of stories arranged under themes from Shakespeare’s ghosts and spirits.
The book will explore some of the supernatural and spiritual stories in the region. It describes a number of Warwickshire’s most iconic locations which I believe have spiritual resonance and which I’ve visited many times.
I’m weaving into this insights from Shakespeare’s ghosts and spirits. And I’ve also been out and about interviewing and listening to people closely associated with the properties who have rich and fascinating stories to tell.
More news on this to follow!
psychological, paranormal, mystery fiction
Author of Mystical Circles, A Passionate Spirit & Perilous Path
I’ve recently been to see the film Tolkienabout the early life of the great author who created The Hobbit and The Lord of the Rings. As one who has loved the creations of Tolkien, both his writings and his art, since I was at university, I looked forward greatly to seeing this film.
I was aware that Tolkien’s family have distanced themselves from the film so I was intrigued to find out for myself what could be the cause of their objections.
Nicholas Hoult’s performance as young Tolkien is admirable, and I often found the story very moving. The film sets out to show what might be considered Tolkien’s formative years – his childhood move to Birmingham, the loss of his parents, the transfer of his care to a priest, his lives at school and university, the relationships he formed, his early relationship with Edith who became his wife, his experience in the trenches in the First World War and his early married life, moving towards the time when he began writing The Hobbit.
Some of the criticisms levelled at the film have included the fact that no mention is made of his Catholic Christian worldview which played a vital part in his conception of Middle Earth and can even more clearly be seen in The Silmarillion. But this didn’t strike me as a major fault in the limited context of this film, since I had not expected it to cover more than a few elements which may have played their part in the creation of Middle Earth.
The film opens with a grim scene in the trenches and we return to this again and again in flashback. Then we move on to idyllic sunlit forest – woodland at Sarehole Mill, known to have inspired Tolkien. Throughout the film we are offered scenarios in which the film-makers speculate about the experiences from which may have sprung many elements in Tolkien’s fantasy world: the eye of Sauron, the two Towers, the Nazgul, the Dark Lord, the Ents, the Elvish princess Arwen, the close Fellowship of the Ring, the devotion and loyalty of Samwise Gangee to Frodo; and behind the action we often hear the voices of Lothlorien.
I enjoyed all this, accepting that the film-makers could not necessarily be expected to stick to known facts. From the point of view of a writer myself, I know that often when we write, ideas arise from the unconscious, and we cannot even say necessarily where any of them came from: unless it strike us unexpectedly. Thus it would surely have been for Tolkien as he created Middle Earth.
I was fascinated, though, to learn of Edith’s love for Wagner’s Ring Cycle – a love I share – and how this would have influenced Tolkien. And also to learn of the influence of his professor in Philology, played by Derek Jacobi, who says: “There’s a comfort in distance, in ancient things.” Tolkien’s passion for creating languages, complete with structure and vocabulary, comes over strongly.
And the film ends again back in the woodland at Sarehole Mill with Tolkien encouraging his children to speak to the trees, and speaking to them of their power: “little people just like you… little in stature, not in spirit.”