A vast parkland, a major historical house which has so many associated buildings clustered around it, alongside its own church, it seems like a village in itself – and a garden of ingenuity, beauty and variety, which surprises and delights you as you explore its paths, its structure and colourful planting: this is Lanhydrock.
Closer to the house and church, on our July 2020 visit, we could see that the gardeners have been hard at work during the UK Covid19 lockdown, preparing the beds for new planting, which shows us the perfect symmetrical layout waiting for the lines to be softened with a kaleidoscope of colours and shapes and textures.
With every bend of the path we come upon new vistas which satisfy our innate sense of proportion and design, please the eye and fill us with a sense of peace and harmony.
Nothing compares to the joy of a capella harmony singing – in perfect pitch, of course, and under the tuition of an inspirational musical director… or how about four musical directors, one for each voice part?
Recently I took part in an Abba singing workshop led by the B Naturals, a fantastic A Cappella quartet.
We all gathered in a church hall in Leamington Spa and the group members, each taking on the task of training a different part – soprano, alto, tenor and bass – taught us four gorgeous Abba songs: Does Your Mother Know, Eagle, Name of the Game and SOS. When you sing Abba songs you realise how complex they are, and also how discerning and often very moving the lyrics are, relating to so many different life experiences.
The four workshop leaders – Nick Petts, Guy Wilson, Dave King and Jon Conway – worked together, interweaving with each other as they taught the parts. What a joy it was, along with a great sense of accomplishment, as we mastered the rich harmonies, and sang the songs all the way through.
As a singer who belongs to two very different local choirs – a traditional choir and a community choir – I have often marvelled at the precious gift of music in our lives. The experience of singing in harmony with others is pure joy and one of the nearest things to heaven I can possibly imagine.
This high spiritual quality of music was recognised by JRR Tolkien in his book The Silmarillion. This book sets out Tolkien’s created world, which grew with him throughout his life: the ancient drama to which characters in The Lord of the Rings look back. And it opens with The Music of the Ainur. He begins: There was Eru, the One, who in Arda is called Iluvatar: and he made first the Ainur, the Holy Ones, that were the offspring of his thought… propounding to them themes of music: and they sang before him, and he was glad….
Quite apart from the immense resources of classical choral music sung by traditional choirs, there is a vast repertoire of music suitable for arrangement for A Cappella Quartets and community choirs, and so many gifted composers and musicians who have created glorious music for us – the music of the Beach Boys, of Abba, of the Beatles among many, along with a wealth of songs of different types and genres from around the planet.
In the midst of a world where there is so much disharmony, tragedy and grief, let us uphold and celebrate one of the greatest and most spiritual gifts of all – joyous and uplifting music.
The other day I was at an inspirational concert in a village church in Warwickshire, Hatton Church, listening to a small choir called Amici sing a mixture of early music and contemporary music.
They sang a capella music by such composers as William Byrd, Orlando Gibbons and Ralph Vaughan Williams. On one occasion the conductor pointed out that five hundred years separated the composers of the two pieces they were about to sing.
The loveliest pieces I heard were Alleluia, I heard a voice by Thomas Weelkes (1576-1623); A Spotless Rose by Paul Mealor (b. 1975); Hail Gladdening Light by Charles Wood (1866-1926), Northern Lights by Ola Gjeilo (b. 1978) and Lux Aurumque by Eric Whitacre (b. 1970).
As I listened to the glorious harmonies that the singers created I found myself gazing up to the stained glass windows high above the altar. Listening to music like this is like a portal into another world, a higher spiritual dimension, opened up by the singers who produce those exquisite sounds.