Heaven on Earth: The Joy of A Capella Harmony Singing with The B Naturals

What is the greatest musical instrument of all?

I believe it is the human voice.

Nothing compares to the joy of a capella harmony singing – in perfect pitch, of course, and under the tuition of an inspirational musical director… or how about four musical directors, one for each voice part?

Recently I  took part in an Abba singing workshop led by the B Naturals, a fantastic A Cappella quartet.

The B Naturals - Abba Workshop in Leamington Spa 3 Nov 2018
The B Naturals – Abba Workshop in Leamington Spa 3 Nov 2018

We all gathered in a church hall in Leamington Spa and the group members, each taking on the task of training a different part – soprano, alto, tenor and bass – taught us four gorgeous Abba songs: Does Your Mother Know, Eagle, Name of the Game and SOS. When you sing Abba songs you realise how complex they are, and also how discerning and often very moving the lyrics are, relating to so many different life experiences.

The four workshop leaders – Nick Petts, Guy Wilson, Dave King and Jon Conway –  worked together, interweaving with each other as they taught the parts. What a joy it was, along with a great sense of accomplishment,  as we mastered the rich harmonies, and sang the songs all the way through.

As a singer who belongs to two very different local choirs – a traditional choir and a community choir – I have often marvelled at the precious gift of music in our lives. The experience of singing in harmony with others is pure joy and one of the nearest things to heaven I can possibly imagine.

This high spiritual quality of music was recognised by JRR Tolkien in his book The Silmarillion. This book sets out Tolkien’s created world, which grew with him throughout his life: the ancient drama to which characters in The Lord of the Rings look back. And it opens with The Music of the Ainur. He begins: There was Eru, the One, who in Arda is called Iluvatar: and he made first the Ainur, the Holy Ones, that were the offspring of his thought… propounding to them themes of music: and they sang before him, and he was glad….

Quite apart from the immense resources of classical choral music sung by traditional choirs, there is a vast repertoire of music suitable for arrangement for A Cappella Quartets and community choirs, and so many gifted composers and musicians who have created glorious music for us – the music of the Beach Boys, of Abba, of the Beatles among many, along with a wealth of songs of different types and genres from around the planet.

In the midst of a world where there is so much disharmony, tragedy and grief, let us uphold and celebrate one of the greatest and most spiritual gifts of all – joyous and uplifting music.

Inspiration from JRR Tolkien in Oxford

My recent visit to Oxford to see the exhibition of Tolkien: Maker of Middle-earth was a revelation to me and full of inspiration.Tolkien-maker of middle-earth

You may find the exhibition in the  ST Lee Gallery, Weston Library, next to Blackwell’s Bookshop on Broad Street. It’s packed with fascinating objects and letters, and drawings: Tolkien’s own exquisite illustrations for The Hobbit and  The Lord of the Rings, plenty of original letters giving intriguing biographical information about him, authentic items and furnishings from his own home, a magnificent  projection of a 3D model of the map of Middle-earth and many other  delights for all those who love Tolkien and the fantasy world which flowered from his creative genius.

I love The Hobbit, The Lord of the Rings, and The Silmarillion: I first came to The Lord of the Rings when I was at university in Lancaster; and for many of us then it was a cult book; the world of Middle-earth so absorbed us that Tolkien’s characters, and situations from Frodo and Sam’s epic journey, would appear in our conversations without any need for explanation or context. Over the years I have been moved and enchanted by the  powerful illustrations of places in Middle-earth such as Rivendell, but until I came to this exhibition in Oxford I confess I had no idea that Tolkien was himself such a gifted artist and had actually himself drawn and hand-coloured much of the artwork with which I have been captivated.

These are just a few of the many gems I discovered from the exhibition:

Tolkien spent twelve years writing The Lord of the Rings, in order to provide his publisher George Allen & Unwin with “something more about hobbits” as a sequel to The Hobbit – his publishers were hoping for a lucrative series like Swallows and Amazons

He squeezed that writing into his evenings, after full days spent on academic work in his role as English professor at the University, family life, and socialising, etc.

The words In a hole in the ground there lived a hobbit…. came to him while he was doing some marking of student papers, and he scrawled those words in an empty space on a paper he was marking. He did nothing with that idea for several years, it just lay in his mind, waiting its time (just like the ring itself lay waiting…)

His first concept of Treebeard was as an evil character but eventually he transformed the Ent into a good character

The village near Birmingham where he lived as a young child inspired him for Hobbiton.

He kept having wonderful ideas for additions to The Lord of the Rings, such as an exquisitely-rendered facsimile of a seriously war-damaged and bloodstained ancient manuscript, and a fascinating epilogue, a letter from Aragorn to Sam Gangee years after the events of The Lord of the Rings, but his publishers would decide against incorporating them for various reasons including because they thought it cost too much…

After the Tolkien exhibition we spent a considerable amount of time in Blackwell’s, losing ourselves among the special Harry Potter displays and Tolkien and CS Lewis sections not to mention among the pages of the Paddington Bear London pop-up book…

Then we enjoyed a fascinating tour of the Oxford Colleges, as you’ll see from some of the photos here.

Oxford is the city of dreaming spires and has a rich and complex history,  a tapestry of darkness and light, which perhaps suggests just a few reasons why it is also, for creative people, a city of lightbulb moments…