Blog Tour for ‘Creativity Matters’, a new inspirational anthology compiled by Wendy H Jones

I’m pleased to be hosting a stop on the blog tour today for an exciting new anthology for writers, Creativity Matters, the third of a series published by Scott and Lawson, and compiled by Wendy H Jones.

Wendy H Jones is a fellow author who has been a great encouragement to me and many other authors, and for this book she has invited a number of writers to contribute chapters. So you will find a wide variety of different types of writing represented here, together with varied outlooks and themes. This makes for a stimulating collection of encouraging pieces which seems set to be very popular among aspiring writers.

Wendy H Jones, author and compiler, Creativity Matters

AUTHOR BIOGRAPHY 

Wendy H Jones is the Amazon #1 international best-selling author of the award winning DI Shona McKenzie Mysteries. Her Young Adult Mystery, The Dagger’s Curse was a finalist in the Woman Alive Readers’ Choice Award. She is also The President of the Scottish Association of Writers, an international public speaker, and runs conferences and workshops on writing, motivation and marketing. Wendy is the founder of Crime at the Castle, Scotland’s newest Crime Festival. She is the editor of a Lent Book, published by the Association of Christian Writers and also the editor of the Christmas Anthology from the same publisher. Her first children’s book, Bertie the Buffalo, was released in December 2018. Motivation Matters: Revolutionise Your Writing One Creative Step at a Time, was released in May 2019. The Power of Why: Why 23 Women Took the Leap to Start Their Own Business was released on 29th June, 2020. Marketing Matters: Sell More Books was released on 31st July 2020. Bertie Goes to the Worldwide Games will be released on 5th May, 2022,  and the third book in the Fergus and Flora Mysteries will be published in 2021. Her new author membership Authorpreneur Accelerator Academy launched in January 2021. Creativity Matters: Find Your Passion for Writing, the third book in her Writing Matters Series, is published in September 2021.

BLURB

Have you always thought about writing a book but don’t know where to start? Are you an experienced author and want to spread your wings? Are you looking for inspiration for every step in your writing journey? This is a book for everyone who wants to write, whether history or contemporary, science fiction or humour, local fiction or set in a made-up world, fiction, non-fiction, memoir, there’s something here for you. Join thirteen authors as they share their passion for why you should write in their genre and find your own passion as you read.

It’s time for you to spread your wings, follow your dreams and find your passion for writing.

MY REVIEW OF CREATIVITY MATTERS

This book brings us the work of several different authors, who have each contributed a chapter about the particular genre in which they write, and why they love it. The editor and compiler, Wendy H Jones, herself provides three chapters: on writing Humour, Crime and Non-fiction. In her introduction, she promises “ideas will be popping up and exploding all around you.” She  encourages the readers to have confidence in their ability to try new genres.

I enjoyed the array of authors who share their passion in this anthology. Sheena McLeod opens up the subject of historical non-fiction; she was first motivated by a desire to convey little known stories about Scotland’s history.

Next, Janet Wilson sets out her thoughts and feelings about children’s books; what she writes is powerful and inspiring, and it rings with truth.

Allison Symes writes flash fiction, and I will certainly be following her recommendation to polish up my writing exercises, turn them into flash fiction and submit to writing competitions.

Fay Rowland offers a witty and funny piece about scriptwriting.  Joy Margetts expresses her own passion for historical fact-based fiction; her dedication to research is evident.  Kirsten Bett writes Cat Tales, and again her passion for this genre shines through.  Jennifer Ngulube’s piece on writing memoir is challenging and stirring.

Maressa Mortimer provides two chapters:  in the first, on writing faith-based fiction, I found her arguments moving, convincing and thought-provoking.  The second, on writing novels set in a different world, sparkles with infectious enthusiasm, and fills the reader with a “can-do” attitude.

Nanette Fairley moves and excites us with her thoughts on writing in the ‘Third Age’. Andrew Chamberlain’s chapter on Science Fiction and Fantasy, I found fascinating, and it may well be the chapter that most inspires me.

Wendy H Jones writes in a stimulating and enjoyable way about crime and mystery; she gives good practical tips on the topic of writing Humour; and makes some intriguing points on the subject of writing Romance.

I love the quote at the end of the book, under the title “What Now?”

Fortune favours the brave and the future belongs to those who are not afraid to step out.

This is certainly a book which will awaken fresh enthusiasm and new ideas in its readers and encourage writers to try out new genres.

AMAZON LINK TO BUY 

Please include the hashtag #CREATIVITYMATTERS  and the following social media handles when you are sharing your posts about the book. Wendy’s website may be found here.

FACEBOOK

https://www.facebook.com/wendyhjonesauthor

TWITTER

@WendyHJones

AMAZON AUTHOR PAGE

INSTAGRAM

https://www.instagram.com/wendyhjones/

Fiction Genre: What is it Exactly?

As a writer, I believe we should be willing to explore new areas, and to step outside our comfort zone. And that applies very closely to our lives as readers too.

I read a wide variety of books, both non-fiction, and fiction of all genres. I admit I do like psychological insight but I believe all good writers in every genre should incorporate that in their novels anyway.
I find that the way I think about genre is influenced by my own eclectic reading habits. Now, as I work on a new novel I still have trouble trying to work out what genre I’m writing in.

I have just received reports from five beta readers and am considering their thoughts, and working on polishing and sharpening my final draft. One of the big questions has been: what genre do they consider this novel to be?

Writers are given an enormous amount of advice these days, mostly from online sources, and amongst them is this adage: Write the kind of book you most love reading. But if you read a wide variety of books, how does this help?
Another piece of advice we find floating around the publishing scene is that an author should, when pitching to a literary agent, be clear what genre he or she is working in, so the agent reading the letter can immediately think, “Whereabouts in the bookshop will this book will go?”

Another piece of advice suggests you should name a few established authors to whom your novel could be compared.
All this is anathema to me – and to many other writers, I suggest. Yet we are forced into this kind of mindset.
So now, for the benefit of the readers of this blog, I shall say that my WIP is most likely to be gothic mystery.
An example of my willingness to go into new areas is my recent attendance of the UK Games Expo at the Birmingham NEC, as one of three writers on the Authors Stand.

So what do fighting fantasy and interactive and roleplay games have to do with books such as the ones I write?
The atmosphere at the Games Expo is always wonderful, there’s a great sense of fun, excitement and good humour. The gaming world is one in which a vast number of “tropes” flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…

My own fiction is indeed using some of those tropes, for instance, the predicament of the main protagonist as he finds himself in a deadly situation from which he must escape. Hidden chambers and secret passageways and dark rooms all find their place in the gaming world. There is an unexpected connection for me.
Hidden chambers and secret passageways and dark rooms all act as symbols for states of mind – and thus their connection to my fiction genre. Family relationships also play a strong role in my novels… I find these provide a fertile stage upon which the action can be played.
Which leaves me still with a fluid situation as regards genre; sometimes magical realism, paranormal, ghost story, gothic mystery, psychological suspense … all is possible.

Spring 2021 Writing News


Spring is almost with us and new hope is rising.

What’s new here in Warwick, during what we hope will be the final months of the final lockdown?


I’m following lots of online courses  – Pilates classes; online song rehearsals with community choir Songlines; a writing course with the amazing sitcom scriptwriter Paul Kerensa, which I do with my comedy blogger son Jamie; and a Write Funny course from the very talented and laugh-out-loud writer Fran Hill.  And on top of that, I’m doing a Dream Interpretation course – fascinating, challenging, and with plenty of potential for future novels too!

I’ve also taken up acrylic painting. Having been inspired by the Grayson Perry Art Club I’m painting new pictures regularly in a naive style. Lockdown art has been my salvation. Now I have my eyes on the Royal Academy Summer Exhibition…. in my dreams at least!

I’m also well on my way through the last revision of my magical realist novel Director’s Cut.
I hope soon to start working on a new non-fiction book for Amberley.  This will be Illustrated Tales of Warwickshire. The sequel to Director’s Cut is half-finished; it’s called Standing Ovation.

In other news, I’ve been recording readings from my books Paranormal WarwickshireMystical Circles, A Passionate Spirit, and Perilous Path, and uploading the videos to my You Tube channel.  Do listen to the stories here.  The videos have been edited by my film  and video expert daughter Abigail in Australia; on the film and video editing scene you can work for anyone anywhere in the world!

I hope you are all feeling the new hope in the air, and looking forward to good things yet to come, in a few months’ time.

Film Review: ‘Tolkien’ 2019 Film Starring Nicholas Hoult and Lily Collins: A True Picture of Tolkien’s Inspirations?

Tolkien film 2019
Tolkien film 2019

I’ve recently been to see the film Tolkien about the early life of the great author who created The Hobbit and The Lord of the Rings. As one who has loved the creations of Tolkien, both his writings and his art, since I was at university, I looked forward greatly to seeing this film.

I was aware that Tolkien’s family have distanced themselves from the film so I was intrigued to find out for myself what could be the cause of their objections.

Nicholas Hoult’s performance as young Tolkien is admirable, and I often found the story very moving. The film sets out to show what might be considered Tolkien’s formative years – his childhood move to Birmingham, the loss of his parents, the transfer of his care to a priest, his lives at school and university, the relationships he formed, his early relationship with Edith who became his wife, his experience in the trenches in the First World War and his early married life, moving towards the time when he began writing The Hobbit.

Some of the criticisms levelled at the film have included the fact that no mention is made of his Catholic Christian worldview which played a vital part in his conception of Middle Earth and can even more clearly be seen in The Silmarillion. But this didn’t strike me as a major fault in the limited context of this film, since I had not expected it to cover more than a few elements which may have played their part in the creation of Middle Earth.

The film opens with a grim scene in the trenches and we return to this again and again in flashback. Then we move on to idyllic sunlit forest – woodland at Sarehole Mill, known to have inspired Tolkien. Throughout the film we are offered scenarios in which the film-makers speculate about the experiences from which may have sprung many elements in Tolkien’s fantasy world: the eye of Sauron, the two Towers, the Nazgul, the Dark Lord,  the Ents,  the Elvish princess Arwen, the close Fellowship of the Ring, the devotion and loyalty of Samwise Gangee to Frodo; and behind the action we often hear the voices of Lothlorien.

I enjoyed all this, accepting that the film-makers could not necessarily be expected to stick to known facts. From the point of view of a writer myself, I know that often when we write, ideas arise from the unconscious, and we cannot even say necessarily where any of them came from: unless it strike us unexpectedly. Thus it would surely have been for Tolkien as he created Middle Earth.

I was fascinated, though, to learn of Edith’s love for Wagner’s Ring Cycle – a love I share – and how this would have influenced Tolkien.  And also to learn of the influence of his professor in Philology, played by Derek Jacobi, who says: “There’s a comfort in distance, in ancient things.”  Tolkien’s passion for creating languages, complete with structure and vocabulary, comes over strongly.

And the film ends again back in the woodland at Sarehole Mill with Tolkien encouraging his children to speak to the trees, and speaking to them of their power:  “little people just like you… little in stature, not in spirit.”

Here are some other posts I’ve written about Tolkien.

SC Skillman

Psychological, paranormal, mystery fiction

Author of Mystical Circles, A Passionate Spirit, Perilous Path.

l

 

 

Film Reviews: ‘Tolkien’ 2019 Starring Nicholas Hoult

Tolkien film 2019
Tolkien film 2019

I’ve recently been to see the film Tolkien about the early life of the great author who created The Hobbit and The Lord of the Rings. As one who has loved the creations of Tolkien, both his writings and his art, since I was at university, I looked forward greatly to seeing this film.

I was aware that Tolkien’s family have distanced themselves from the film so I was intrigued to find out for myself what could be the cause of their objections.

Nicholas Hoult’s performance as young Tolkien is admirable, and I often found the story very moving. The film sets out to show what might be considered Tolkien’s formative years – his childhood move to Birmingham, the loss of his parents, the transfer of his care to a priest, his lives at school and university, the relationships he formed, his early relationship with Edith who became his wife, his experience in the trenches in the First World War and his early married life, moving towards the time when he began writing The Hobbit.

Some of the criticisms levelled at the film have included the fact that no mention is made of his Catholic Christian worldview which played a vital part in his conception of Middle Earth and can even more clearly be seen in The Silmarillion. But this didn’t strike me as a major fault in the limited context of this film, since I had not expected it to cover more than a few elements which may have played their part in the creation of Middle Earth.

The film opens with a grim scene in the trenches and we return to this again and again in flashback. Then we move on to idyllic sunlit forest – woodland at Sarehole Mill, known to have inspired Tolkien. Throughout the film we are offered scenarios in which the film-makers speculate about the experiences from which may have sprung many elements in Tolkien’s fantasy world: the eye of Sauron, the two Towers, the Nazgul, the Dark Lord,  the Ents,  the Elvish princess Arwen, the close Fellowship of the Ring, the devotion and loyalty of Samwise Gangee to Frodo; and behind the action we often hear the voices of Lothlorien.

I enjoyed all this, accepting that the film-makers could not necessarily be expected to stick to known facts. From the point of view of a writer myself, I know that often when we write, ideas arise from the unconscious, and we cannot even say necessarily where any of them came from: unless it strike us unexpectedly. Thus it would surely have been for Tolkien as he created Middle Earth.

I was fascinated, though, to learn of Edith’s love for Wagner’s Ring Cycle – a love I share – and how this would have influenced Tolkien.  And also to learn of the influence of his professor in Philology, played by Derek Jacobi, who says: “There’s a comfort in distance, in ancient things.”  Tolkien’s passion for creating languages, complete with structure and vocabulary, comes over strongly.

And the film ends again back in the woodland at Sarehole Mill with Tolkien encouraging his children to speak to the trees, and speaking to them of their power:  “little people just like you… little in stature, not in spirit.”

Here are some other posts I’ve written about Tolkien.

SC Skillman

Psychological, paranormal, mystery fiction

Author of Mystical Circles, A Passionate Spirit, Perilous Path.

l

 

 

Film and Book Review: ‘Silence’ by Shusaku Endo: and The Film Starring Andrew Garfield

Silence by Shusaku Endo is one of the most compelling and powerful books I’ve ever read.Silence - a novel by Shusaku Endo I wrote about it in this way on my website as part of a blog post about an exhibition at the British Museum, Living With the Gods.

When I first read the book, several years ago, I think one of the most remarkable things about it is that the reader can see both sides and even have some understanding both of the Japanese and the Jesuit priest, despite the extreme cruelty of the torture to which the Christian converts are subjected.

I personally thought the priest Roderigues should apostatise and that it wouldn’t detract from the integrity of his faith at all, because how can we ever eradicate what is in the heart of another, especially in the face of words and actions forced out of them under torture?

But I admired the priest’s determination to stay true to his faith, as he understood it. I also felt I could make sense of the position of the Japanese, utterly determined to stop a foreign religion from adultering and diluting their own culture, from stealing hearts and minds in their own country devoted to their own religions. I saw both sides.

And in the film directed by Martin Scorsese which was released in 2010, I felt the same. Basically the Jesuit priest played by Andrew Garfield would be wisest, I considered, to recognise that the Japanese culture and mindset was utterly alien from his own cultural formulations of religion and utterly set on protecting their own cultural and religious identity.

I feel the same when I read about the Jesuit priests who came to England clandestinely in the sixteenth century to try and turn England back to Catholicism again:  God’s Secret Agents, an excellent book by Alice Hogge.  And also when I visit historical properties which were once strong Catholic houses whose occupants practised their faith against the direct orders of their government, and where persecution of priests is part of the house’s history.

No matter the rightness or the wrongness of their position, when viewed in hindsight, I still admire the priests’ passionate conviction in the face of fierce persecution and the prospect of being hanged drawn and quartered.

England ultimately became Protestant, and I don’t myself believe that the spiritual stakes as they saw them ever existed; or that the fate of anyone’s eternal soul ever stood in jeopardy according to whether they were Catholic or Protestant.

But they believed it. And that’s all that matters.

Were they wrong? This is the big question that hangs over all these heartrending, dramatic stories. And the same question hangs over all our lives, as we struggle for whatever cause or goal or dream we passionately believe in. We’re probably wrong, too. Or at least there’s a high probability we are.

But does that invalidate our passion, conviction, courage and persistence and fierce unrelenting resilience?

No. Because if it does invalidate it, then shall we all just give up now?

I know as a writer I will never give up, whatever the outcome may be.

SC Skillman

Psychological, paranormal and mystery fiction

Author of Mystical Circles, A Passionate Spirit and Perilous Path

Coming soon: Spirit of Warwickshire

 

The Brightest Heaven of Invention

Originally posted on the ACW “More than Writers” blog.
We all know who ascends the brightest heaven of invention.

SHAKESPEARE'S NEW PLACE photo credit Abigail Robinson
SHAKESPEARE’S NEW PLACE photo credit Abigail Robinson

Yes, it’s a muse of fire, which Shakespeare wished for in his Prologue to Henry V, as if the power of creativity were indeed a separate being, in this case from Greek mythology.
And I believe that it may sometimes be helpful to visualise our source of inspiration as a separate being – maybe an angel, if not a muse.
As writers, we love and work with metaphor and figurative language all the time, and one of the most loved devices is of course personification, which can often be highly effective in, for instance, comic writing.
A couple of years ago I went to a special event in the garden at New Place, site of Shakespeare’s former family home in Stratford-upon-Avon, Warwickshire: an event which stands out as my most imaginative and inspiring experience in that town, even with its rich supply of Shakespeare properties.
It was known as The Garden of Curious Amusements, and presented by the Shakespeare Birthplace Trust. The central idea of catching the muse was sparked off by the fact that Shakespeare researchers believe the Bard wrote his play The Tempest in his home during 1610/1611.
Can specific geographical locations of this earth hold an inspirational power? Does the muse reside there? Can we be infused with that muse by standing in that very place where a genius caught his or her most world-changing idea?
This notion was the launching pad for a group of  creative people who called themselves the United Nations Board of Significant Inspiration (UNBOSI for short), and through the medium of art, acrobatics, invention and acting, entertained the visitors who flocked to this attraction. Our purpose: each to take a marble and catch in it some of that muse which inspired Shakespeare, through the four elements of earth, air, fire and water.
The journey itself was full of fun, laughter and delight – and at the centre of this fanciful Art Happening may be found a profound question: is there a correlation between place, time and light-bulb moments? That may sound eccentric and zany; but through the path of the eccentric many of the greatest minds have found inspiration and ideas that have changed the world.
We can only imaginatively reconstruct what Shakespeare’s family home would have looked like. No house currently exists at New Place, but is instead represented by a series of gardens where we embarked on a hilarious but also ingeniously thought-provoking journey of “Muse Catching”.
Shakespeare’s family home no longer exists because it was demolished in 1759 in a fit of spite by a character Shakespeare himself might have created: the Reverend Francis Gastrell, the impetuous priest who owned the property and got so fed up with the Shakespeare tourists, he decided to burn the house down. At that time property owners could do what they liked with their properties and the idea that the authorities could step in and save a historically-important heritage building against the will of the owner was unthinkable.
But even a senseless, devastating act like this can sometimes bring unlooked-for benefits in the future. I feel that what I brought away from this entertainment in the garden was in its way more profound than the experience of looking round a carefully presented fifteenth century property and being told that he was born here and trying to feel some sense of awe and connection with the great poet.
So where is inspiration to be found? Is it present in the air, or does it lie hidden in the fabric of a special place? Or does it perhaps emanate from the ground? These and other ideas were played with at New Place on the day of my visit.
Upon entering the garden through the site of the original gatehouse, visitors cross an area which would formerly have been the service range, and where you may listen to an illustrated talk about the history of New Place. Then you will approach a circular area which delineates the space formerly occupied by “the heart of the house”, where there would have been a large medieval open hall with a fireplace in the centre of the room and a vent to let the smoke out.
Close to the centre you will find a bronze replica of a chair and desk which represents researchers’ best estimate of where Shakespeare himself may have sat writing his later plays during those final years up until 1613.
Near to the desk, a bronze tree appears, its branches bent to one side by the force of Shakespeare’s creativity; and beside it a bronze globe is worn smooth by that same force. The rough side of the globe symbolises a visualisation of white noise in outer space – which, the guide suggested to visitors, represents the idea that Shakespeare’s genius may help us make sense of the universe.
In “the heart of the house” during the special UNBOSI event, several information boards explored the idea that many world-renowned geniuses had their light-bulb moment by doing very silly things – or by having very silly things happen to them.
So let us be inspired by the creative, quirky and silly – for along that path there may flare up that muse of fire that would ascend the brightest heaven of invention.

The Power of a Picture: the Burton Dasset Hills Country Park, Warwickshire

It’s said that an image is much more powerful than words; which is rather a shame for authors who write books that don’t have any pictures!view from beacon on Burton Dasset Hills.jpg And so an author’s alternative is to paint a picture with words. Because, as author Isamu Noguchi says, We are a landscape of all we have seen.

In my new non-fiction book Spirit of Warwickshire I have chosen several places in Shakespeare’s county which I believe have spiritual presence; and each chapter is accompanied by a full colour photo of the highest quality, showing some of the spirit of each place. Many of the places are associated with Shakespeare, and each chapter is headed with a quote from the Bard of Stratford-upon-Avon, which I feel corresponds either in spirit or in specifics to what I feel about the place I describe.

And what a fascinating exercise it is to search for and find a Shakespeare quote to correspond with a piece you have written, inspired by your own independent thoughts and feelings:

Here’s one:

 Modest doubt is called the beacon of the wise.

And so might I meditate on the meaning of that at my first sight of the Burton Dasset beacon, which appears on the hill as you drive along the B4100 from Warwick to Banbury.Beacon on Burton Dasset Hills

A new visitor driving towards the Burton Dasset Hills Country Park from either Warwick or Banbury might have little idea of the view which will greet them from around the next bend in the road. panoramic view Burton Dasset Hills.jpgWithout warning, an extensive radiant visa rises into view, seen beyond the green hills of this former quarry, now a place which many sheep call home and to which a large number of visitors are attracted each year wiith their dogs and families, to walk, to picnic, and to admire the views from the highest point, crowned by a beacon.

Just such a beacon appeared to William Shakespeare as he wondered how he would encapsulate a beacon to the wise.

Inspiration from Brittany

By the time you read this I’ll be in the tiny fishing village of Port Manec’h in the south of Finistère, near France’s equivalent of Lands’ End, Pointe du Raz.Port Manec'h, Brittany

We are here at the invitation of my French friend Dominique who with her husband Philippe owns a lovely holiday cottage in Port Manec’h.

What a wonderful opportunity this is! – not only to try and resurrect my rusty French, but also to enjoy the glorious coastal and riverside scenery and the other treasures of Brittany with its turbulent history.

I’m hoping, too, that this time spent in the region of Névez will be a great inspiration to me as a writer. The novelist Jean-Luc Banalec sets his Inspector Dupin murder mystery novels in Névez, and says, I am constantly inspired  when I’m here…. I write my books here and they are a declaration of love to Brittany.

And it certainly seems Brittany itself is a major character in his scenarios:

Steeped in the enchanting atmosphere of Brittany and peppered with wry humor, Murder on Brittany Shores: A Mystery is a superbly plotted mystery that marks the return of Jean-Luc Bannalec’s international bestselling series starring the cantankerous, coffee-swigging Commissaire Dupin.

Ten miles off the coast of Brittany lie the fabled Glénan Islands. Boasting sparkling white sands and crystal-clear waters, they seem perfectly idyllic, until one day in May, three bodies wash up on shore. At first glance the deaths appear accidental, but as the identities of the victims come to light, Commissaire Dupin is pulled back into action for a case of what seems to be cold-blooded murder.

Ever viewed as an outsider in a region full of myths and traditions, Dupin finds himself drawn deep into the history of the land. To get to the bottom of the case, he must tangle with treasure hunters, militant marine biologists, and dangerous divers. The investigation leads him further into the perilous, beautiful world of Glénan, as he discovers that there’s more to the picturesque islands than meets the eye.

I hope that when I walk on those white sands in the Glénan archipelago, I’ll be as inspired as Jean-Luc Bannalec, perhaps, for the setting of one of my future novels!

An Interview on Linda’s Book Bag About My Newly Released Edition of Mystical Circles

On 9th September 2017 on the last day of my Mystical Circles blog tour, fellow blogger Linda Hill published an interview with me on her blog Linda’s Book BagBlog tour ad as at 26 August 2017 This is the final one in a series of  nine blog posts, in which I re-publish the stops on my blog tour.

So with my thanks to Linda, here’s the interview she first published on her blog on Saturday 9th September 2017:

An Interview with SC Skillman, Author of Mystical Circles

Mystical Circles cover

I know we shouldn’t judge a book by its cover but Mystical Circles by SC Skillman really appeals to me and so I’m delighted to be featuring it on Linda’s Book Bag today as part of the launch celebrations. I have an interview with SC Skillman that sheds light on Mystical Circles in a very enlightening way!

Published by Luminarie, Mystical Circles is available for purchase here.

Mystical Circles

Mystical Circles cover

“Hi, you in crowded, stressed old London from me in the peaceful, perfect Cotswolds. Massive change of plan. I’m in love. Craig’s gorgeous, sexy, intelligent. Paradise here. Staying forever.”

Juliet, concerned that her younger sister has fallen in love with the charismatic Craig, leader of the Wheel of Love, sets off for the Cotswolds to investigate, fearful that Zoe has become entangled with a religious cult.

She arrives at Craig’s community hoping to rescue Zoe. But  intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.

An Interview with SC Skillman

Welcome to Linda’s Book Bag. Firstly, could you tell me a little about yourself?

I was born and brought up in Orpington, near south London. As a child I was inspired by Enid Blyton. I started writing adventure stories at the age of seven; the love of writing that her stories first instilled into me has strengthened over the years. I studied English Literature at Lancaster University, and my first permanent job was as a production secretary with the BBC.

Later I lived for nearly five years in Australia before returning to live in the UK.

I now live in Warwickshire with my husband David, son Jamie and daughter Abigail. Nearby are three of England’s most famous destinations: the Royal Shakespeare Theatre at Stratford-upon Avon and the two great castles at Kenilworth and Warwick.

Without giving away the plot, please could you tell us a bit about Mystical Circles?

Mystical Circles is set in the beautiful Cotswolds hills, not far from my present home. It’s a psychological suspense with a hint of paranormal. When freelance journalist Juliet learns that her sister Zoe has fallen for the charismatic leader of a mystical cult in the Cotswolds, she sets off to investigate, and to rescue Zoe. But she is unprepared for what her investigations will uncover. Intrigues, liaisons and relationships flare and flourish or fizzle out quickly within this close circle, and despite her reservations, Juliet is drawn into the Wheel of Love… with completely unforeseen consequences.

(This sounds really intriguing!)

Your writing considers the themes of spirituality and human psychology. Why do you choose to write about these themes?

I’ve always been fascinated by the interaction of different complex personalities, an inexhaustible source of inspiration for a writer. The general inspiration for Mystical Circles arises largely from the advice I give an aspiring writer: read a lot, listen to people’s conversations, be observant about the details of your world, and especially about human behaviour and interaction.

More specifically, for the story, themes and characters of this novel, I drew upon my own past experience of “hunting in ‘Guru Land’”. My journey has led me from the insights of the late Laurens Van Der Post and the inspirational writings of the late Dr Raynor Johnson via a mystical mountain in the Himalayas (Mount Neelkanth near Badrinath) to a dream yoga course in Brisbane Forest Park.

I lived in Bayswater in London for eight years and during my time there I attended courses and lectures at the Theosophical Society in Gloucester Place, and investigated spiritualism at the Spiritualist Association in Belgrave Square and at the White Eagle Lodge, Kensington. I also became a member of the Centre for Spiritual & Psychological Studies which met at the Royal Overseas League, St James’s Street and spent a weekend with the group at Hawkwood College near Stroud in Gloucestershire. I additionally studied the teachings of Bhagwan Sri Rajneesh at his Body Centre in Belsize Park and at his Hertfordshire branch Medina Rajneesh. In both places I experienced Dynamic Meditation and his own brand of group therapy.

My most quirky New Age experience was in Australia, walking backwards through the rainforest as part of a residential Dream Yoga weekend held at Cosmos Lodge, Mount Nebo, Brisbane Forest Park.  It was on this occasion that the course leader, a dream interpretation guru called Greg, spoke the memorable words: ‘If you master the art of lucid dreaming, death will be a breeze.’  Something from all these experiences has played into Mystical Circles.

Many reviewers refer to the wonderful quality of your characterisation. Which is more important to you as a writer, character or plot and why?

I believe that character and their motivations and relationships drives plot, and plot often arises as you get to know your characters really well and watch them responding to and reacting against each other. An essential task when one plans a novel is to create a ‘bible’ for each character. I love observing people and listening to conversations and also I love writing dialogue. It’s one of my favourite things about writing fiction. From the point of view of a reader, I believe the greatest joy in reading novels is to be inside the heads of fictional characters. When we feel we are living inside the mind and heart of someone else, when we feel we share their joys and sorrows, and understand how they think, this is the greatest transformation of which a novelist is capable.

(Oh yes. You’ve summed that up beautifully. That’s exactly the experience I want as a reader.)

You’ve lived in Australia which has a strong aboriginal tradition of Dreamtime and now live in an area of the UK steeped in history. How far do you think living location impacts on a writer?

It has a strong impact. I have known of several novelists for whom “the spirit of place” is of paramount importance. Everywhere I have lived I have sought out these things: water (in rivers and lakes), trees and forests, beautiful gardens, castles and historical sites, high viewpoints with panoramic vistas.  All these things have a powerful emotional effect upon me.  Nevertheless I am aware, that wherever you go in the world ‘you’ are still there. You can never escape from yourself.

I set out to develop this idea in Mystical Circles, as I brought together several troubled individuals, many with problematic family relationships, in an idyllic location. All the members of the Wheel of Love (the cult group) have escaped from their normal lives, to come apart and find something special, a spiritual haven. Yet the one thing they cannot escape is themselves: their own hearts and minds and, most importantly, the emotional position they take about their past. I believe our greatest challenge in life is to understand ourselves, and understand the human heart. Being in a beautiful geographical location can impact us strongly, but not in the way we might hope, if we are trying to escape ourselves. In aboriginal spirituality, human lives and every aspect of the land have been so intimately linked over many centuries, that it was only the incursion of an alien culture which introduced negative influences. I have been deeply moved by aboriginal spirituality, through some of the places I’ve visited in Australia, and hope to incorporate this in a future novel.

When you’re not writing, what do you choose to read?

I read a wide variety of books both fiction and non-fiction, of different genres, and I always review them on Amazon and Goodreads. I have just finished reading How To Think Like Churchill by Daniel Smith and am halfway through a novel called The Life of Elves by Muriel Barber, and have several physical books and kindle books on my TBR piles. I will read Young Adult, thrillers, fantasy, comedy, historical, suspense, psychological, crime, paranormal, romance…  I love the novels of Phil Rickman, Susan Howatch, Dan Brown, CS Lewis, JRR Tolkien, JK Rowling and many others. In my teens I read through Thomas Hardy, Emile Zola, Dostoyevsky, Tolstoy, Dickens. And I also love Jane Austen and the Brontes.

If you could choose to be a character from Mystical Circles, who would you be and why?

I’d choose to be Theo. He is something fresh coming in from the outside into the hothouse environment of the group, and he is all about people on spiritual journeys and he believes in coming alongside them, without judging. He listens to people and helps them to see themselves differently and how they might move forward in their journeys of self-knowledge. But also he is someone whose background hides a mystery and that creates an extra sense of intrigue about him.

If Mystical Circles became a film, who would you like to play Zoe and why would you choose them?

This is easy because, as a keen film buff and TV drama fan, I have plenty of ideas for my dream cast! Currently, to play the part of Zoe, I feel I would like Sophie Turner (who plays Sansa in Game of Thrones). Firstly she looks right – she has long auburn hair and is physically my idea of Zoe.  She is a diverse actress, who used to be in Playbox Warwick near where I live – a wonderful youth theatre which my children attended – and can play a young naive, excitable character, which is how Zoe is when she precipitates the action of this novel.

If you had 15 words to persuade a reader that Mystical Circles should be their next read, what would you say?

Like troubled family relationships infused with spiritual and psychological tension? This book is for you.

Thanks so much for telling us a bit more about Mystical Circles and your interesting life!

About SC Skillman

SC Skillman Author photo WEB

SC Skillman studied English Literature at Lancaster University. She has previously worked within a BBC radio production office and later spent four years in Australia. She now lives in Warwickshire with her husband David, their son Jamie and daughter Abigail.

You can find SC Skillman on Facebook and follow her on Twitter. You can also visit her blog.

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