On this blog I will be featuring a series of glimpses into the book, and sharing some of the photos from the book alongside a few tasters from each of the places I have visited.
Warwickshire is a county steeped in the supernatural, as befits the county of Shakespeare and the many ghosts and spirits that he conjured up in his works. In Paranormal Warwickshire I investigate the rich supernatural heritage of this county at the heart of England in places both grand and everyday, including Guy’s Cliffe, the Saxon Mill, Kenilworth Castle, Warwick Castle, Stoneleigh Abbey, and the Royal Shakespeare Theatre, as well as in the towns of Rugby, Nuneaton and Leamington Spa.
The series Glimpses of Paranormal Warwickshire begins on Friday 14th August 2020.
Like the fussy angel played by Michael Sheen in the deliciously funny and clever ‘Good Omens’ by Neil Gaiman and Terry Pratchett?
More, perhaps like this angel depicted by Vincent Van Gogh?
or maybe like the powerful and moving Knife Angel that appeared at Coventry Cathedral in 2019?
Or perhaps even, the guardian angel Clarence.
We met him in the 1946 film It’s a Wonderful Life.
In the TV sitcom Rev, the main character Adam Smallbone (played by Tom Hollander) reaches a point where he has been betrayed, lost his church, his self-respect, and his vocation, and feels he has failed all those who believed in and depended on him.
In a state of despair, he goes up a hill carrying the cross intended for the Easter Sunday service. At the top of the hill he meets a homeless man (played by Liam Neeson) who dances and sings with him, knows and understands what’s going on for him, and offers consolation and hope. He transforms how Adam feels about his situation. Then he disappears.
This kind of encounter takes on the shape of what I would call an angel encounter.
This I would define as: a situation where you are in personal crisis of some kind, and you are helped in a timely manner by a person who appears unexpectedly, transforms your situation, and then disappears quietly. Throughout the encounter, this stranger seems surrounded by an aura of graciousness, gentleness and kindness.
I’m starting a new series of occasional posts here on my blog, entitled:
I know many people hold on to belief in angels – whether they be guardians, guides, or protectors – even in this supposedly secular, materialistic society in which we live here in the UK.
In this book Peter Stanford gives a history of humankind’s belief in angels, beginning long before the historical origins of the Christian faith, and continuing right up to the present day, with the interest in angels ever popular through folk religion and other spiritual outlooks.
Peter Stanford uncovers much intriguing material, and also includes an examination of the appearance of angels in great art. Throughout he maintains an objective, academic approach which he combines with his own views.
Today, many of those who believe in angels see them as ‘independent agents’, outside traditional faith structures.
As Stanford says, People have… believed in angels for millennia… the only difference today is that this reliance on angels as dwellers in time and space is happening outside of organised religion… Angels once… largely belonged in religious narratives and institutions… but… have somehow detached themselves from the declining institutions and are now thriving on their own.
At the end of the book Stanford remarks: I have lost count while researching and writing the book of how many times I have been asked if I “believe” in angels.
Many other authors too have written on the subject of angels, from a wide variety of viewpoints. A popular author on the subject is Theresa Cheung and I blogged about her book Angel On My Shoulder on 28 February 2017
The book is full of authentic first-person accounts. Several things fascinated me about these:
1) I could identify with a number of them from my own experience, though I’ve tended to think of them as synchronicity; 2) Each one had a distinct element of the supernatural; 3) Far than being sentimental, they all demonstrate strength and simplicity.
Several describe sudden and shocking bereavement. In each case the narrator of the story has experienced a compelling supernatural intervention which has totally changed their attitude to the tragedy and to death itself, and has provided the sort of comfort and reassurance that others might achieve only through long-term counselling or psychotherapy.
The author’s stance in relating the stories is measured and balanced. She fully accepts those who take a “reductionist” view of these events and prefer a rational explanation, and she invites us to make up our own minds.
I found the whole book very convincing, not least because of the cumulative effect of so many testimonies from different people unknown to each other, who have all had similar experiences. It had the same effect upon me as another book I’ve reviewed calledMiracles by Eric Metaxas.
In her summing up, Teresa Cheung refers to organised religion no longer providing the structure and certainty that it used to (maybe because so many feel it doesn’t meet their needs, and appears irrelevant to their lives). The stories in this book suggest, to one way of thinking, that many may be connecting with “the divine” totally outside the confines of “church” – through angels.
This, interestingly, is the same conclusion that Peter Stanford comes to.
In this occasional series on my blog, I’ll consider modern-day angel encounters.
I’ve written about angels and supernatural experiences before on this blog. Check out these posts:
I’ve been looking forward to this for several months, as I wondered which of the photos (taken either by myself, by my son Jamie or my daughter Abigail) would be chosen for the front cover! Would it be the very atmospheric night shot of St Mary’s Warwick against an inky blue sky, the path into the graveyard to the left, and light spilling out from the windows? Would it be that iconic view of Warwick Castle that everyone sees as they cross the bridge into Warwick? Would it be one of our moody images of mysterious Guy’s Cliffe?
Well, now I know, and I’m thrilled with the cover. I hope you too find that it intrigues you, and stirs your imagination.
Warwickshire is a county steeped in the supernatural, as befits the county of Shakespeare and the many ghosts and spirits that he conjured up in his works.
The towns and villages of Warwickshire, its castles, houses, churches, theatres, inns and many other places both grand and everyday have rich and complex stories to tell of paranormal presences.
In this book I investigate the rich supernatural heritage of this county at the heart of England in places such as Guy’s Cliffe House, the Saxon Mill, Kenilworth Castle, Warwick Castle, St Mary’s Church in Warwick, Nash’s House in Stratford-upon- Avon, the Royal Shakespeare Theatre and Stoneleigh Abbey, as well as in the towns of Rugby, Nuneaton and Leamington Spa.
I explore the spiritual resonance of each location, recounting the tales of paranormal activity associated with it and examining the reasons for this within the history of the place.
Paranormal Warwickshire takes the reader into the world of ghosts and spirits in the county, following their footsteps into the unknown. These tales of haunted places, supernatural happenings and shadowy presences will delight the ghost hunters, and fascinate and intrigue everybody who knows Warwickshire.
I’m pleased to announced that I have signed a contract with history publishers Amberley Publishing for a book about Warwickshire to be published in June 2020. This will be a highly illustrated book full of stories arranged under themes from Shakespeare’s ghosts and spirits.
The book will explore some of the supernatural and spiritual stories in the region. It describes a number of Warwickshire’s most iconic locations which I believe have spiritual resonance and which I’ve visited many times.
I’m weaving into this insights from Shakespeare’s ghosts and spirits. And I’ve also been out and about interviewing and listening to people closely associated with the properties who have rich and fascinating stories to tell.
More news on this to follow!
psychological, paranormal, mystery fiction
Author of Mystical Circles, A Passionate Spirit & Perilous Path
The UK Games Expo had not been on my radar until Richard Denning one of the Games Expo directors and a historical and fantasy novelist, kindly offered me space on the Authors Stand in the Birmingham NEC during the weekend Friday 2 – Sunday 4 June 2017.
This was a fabulous opportunity. The gaming world is one that I haven’t paid too much attention to in the past, but the whole weekend was a revelation. The atmosphere was vibrant; colourful characters and a dazzling variety of games and gaming accessories abounded, all contributing to the fun and good humour which was evident among the exhibitors and visitors.
I met and learned from other authors on the stand:
I also met Ian Livingstone, fantasy author and entrepreneur, and co-founder of the Fighting Fantasy series of gamebooks.
He came to do a signing and long queues formed as his fans flocked to the stand to have their books signed and to chat to him.
I had the chance to exchange ideas and learn better ways to promote myself as an author, and there was a great sense of camaraderie among all those exhibiting their books on the stand.
Meanwhile, many cosplay enthusiasts strolled past in wonderful costumes.
Transformation was the name of the game as so many took on the personnas of multifarious game characters and archetypes.
We also had a photo opportunity with a Dalek, who passed by the Authors stand and demanded, “What is A Passionate Spirit?”
The gaming world is one in which a vast number of “tropes” flourish: adventure, quests, danger, violence, fantasy, history, steampunk, sci fi…
I gained some new insights into how my own WIP is indeed using some of the gaming tropes, for instance, the predicament of the main protagonist as she finds herself in a deadly situation from which she must escape – hidden chambers and secret passageways and dark rooms all find their place in my novel, and these elements are very popular in the gaming world.
Also the Gothic genre – which I now work within – has a close relationship with the gaming world. So there was an unexpected connection for me, together with the fact that I’m using paranormal and supernatural elements more and more in my fiction, and also would like to move more into fantasy in the future.
Perhaps I have inspired you to try the UK Games Expo yourself next year!
This is one of those books where you feel the title and cover image give a misleading idea of the contents. An Angel on My Shoulder was passed on to me and I admit from the cover I thought it was going to be rather sentimental. Instead I found it totally rivetting and full of authentic stories. Several things fascinated me about these:
1) I could identify with a number of them from my own experience, though I have tended to think of them as synchronicity;
2) Each one had a distinct element of the supernatural;
3) Far than being sentimental, they had a strength and simplicity which was compelling.
Many described sudden and shocking bereavement, which most of us dread. Yet the authors of the accounts had experienced a compelling supernatural intervention which totally changed their attitude to the tragedy, to death itself, and to the meaning of life, and lasted for decades afterwards – providing the sort of comfort and reassurance that some might only achieve, if at all, with years of counselling or psychotherapy.
The author’s stance in relating these stories is very measured and balanced. She fully accepts those who take a “reductionist” view of these events and prefer a rational explanation, and she invites us to make up our own minds.
I found the whole book very convincing, not least because of the cumulative effect of so many stories told by different people unknown to each other who had all had similar experiences. It had the same effect upon me as another book I’ve reviewed called Miracles.
In her summing up, the author refers to “organised religion no longer providing the structure and certainty that it used to” and I found myself thinking that although the church does indeed offer structure and certainty, more and more people feel unable to identify with it, because it doesn’t seem to meet their needs and appears irrelevant to their lives. But the stories in this book suggest, to one way of thinking, that God is finding other ways to connect with people totally outside the confines of “church”, finding ways to communicate his love to them – through angels.
I bought this book recently in a National Trust gift shop, and found it captivating. Rosalind Kerven explores the raw material from which many of our great fantasy novelists have derived their archetypes. She includes “mystical tales of faery royalty, mischievous goblins, helpful house-elves, changelings and enchantments across the British isles”, with spotlight features on “faery folklore, faery morals, the various faery tribes, and spells and dealings between faeries and mortals”. As a paranormal thriller writer I loved this wonderful survey of centuries of folklore and faery mythology in England, Ireland, Scotland and Wales.
The book reminded me too of why I was so fascinated by the idea of supernatural malevolence hidden beneath mystical beauty (a common theme in faery lore and in Arthurian legends) which was part of my inspiration for “A Passionate Spirit.”
Rosalind Kerven covers all the major themes in traditional tales of the faery realm, including what she describes as “typical Faery perversity”, spells that are both mischievous and malevolent, and the toxic nature of any deals struck by a faery with a mortal. Reading these tales reminds us that any mortal who ultimately comes out well from dealing with a faery, is extremely lucky!
Shakespeare had it exactly right with his fairies in “A Midsummer Night’s Dream”, showing them having fun with and mocking the folly of the human beings, then putting things to rights once they have tired of their sport, wryfully signing off with the words, “If we shadows have offended…” In widespread stories down through the centuries, faeries are shown behaving towards mortals rather like a supernatural gang of brigands running a protection racket. These tales made me reflect upon how much they say of the life experience of their creators; an explanation for the changing fortunes we all encounter in this world.
There is so much here that we can identify with on the level of our own unconscious: “The transformation of a familiar path into an endlessly looping labyrinth” – for which a well-known antidote is to “remove one’s coat, turn it inside out and put it on again”; the experience of being “pixy-led”; the idea of obtaining “faery sight” which reveals a parallel world. I can see from this book how deeply influenced JK Rowling was by British folklore, in the Harry Potter novels: Dobby is set free when his master gives him an item of clothing; Harry is deposited as a baby on the Dursleys’ doorstep, by magical agency; and the idea of veritaserum, to name just three examples among countless others.
Highly recommended for adults interested in a survey of archetypal themes in folklore and mythology, though not suitable as a storybook for young children; they are best introduced to fairy tales and folklore through the many other books aimed specifically at their age-groups.
One of the joys of this New Year for me has been reading the reviews of A Passionate Spirit that are starting to come in via Net Galley.
It has reaffirmed for me that although a review may not carry a 5 star rating, nevertheless an honest review from a reader who seriously engaged with the novel is of great value.
Charlie G says this: “I was pulled in, hook, line and sinker, picking up my kindle at every opportunity to find out what happened next and the end was not disappointing.
I would absolutely recommend this book to anyone interested in cults, the supernatural and thrillers in general.
What I especially loved were the author’s notes at the end, talking about her inspirations for the novel, including the Australian cult, The Family, which sent me scurrying off to the google for an hour after I’d finished the book. A great read.”
Maxine (Booklover Catlady) says this on Amazon: “The book tackles the dark side of cults and cult-thinking as well as introducing some spiritual elements, not all that are in the light so to speak either. Who are these people and what is the hold they seem to have on the house? Why are weird paranormal events happening all around? Zoe and her husband and loyal friend Alice are tested, and it’s not easy.
I enjoyed the book very much towards the end as the reveals began and things began to slot into place…. The ending is really good and I liked the fact the pace really picked up and I could feel some thrills at last….. If you like books with some paranormal twists and focus in it you may well enjoy A Passionate Spirit.”
Since last week’s post I’m starting to see the light flooding through into my cave. I’m moving around on my crutches (and sometimes without them.) I went to the Maundy Thursday, Good Friday, and Easter morning services at my church (St Mark’s Leamington Spa) and then later on Easter Sunday I was out at a local beauty spot, Burton Dasset Hills, near Banbury, enjoying the lovely views and watching a white Scottie dog barking excitedly at two very indifferent and unimpressed sheep!
My novel, A Passionate Spirit, has been sent to a publisher and so this is a very opportune time for me to be taking a break.
I promised you the fruits of any creative thinking I manage to do. One thing I’ve learned is this: when you spend a significant amount of time in a cave, you stand to discover who your angels and demons are: because they’re all in there with you. I’ve identified 4 demons, the details of which I won’t reveal here, save for one: that is ‘the demon of compulsion to compare myself, unfavourably, with others’ – and in particular, other authors and their perceived success. It’s good that I’ve identified and named these demons for that is the first stage to banishing them.
Of the angels, I can say that I’ve received one fruit of creative thinking; I’ve recognised where my point of interest now lies, as an author: it’s actually the point of breakthrough. I’m interested in spiritual / paranormal / supernatural / otherworldly things breaking through into the real, solid, contemporary world. I’m interested in the crack – the clash of worlds and worldviews and different understandings of life / the universe and the way it operates – and most critically of all, how the people in this ordinary world react to and handle it.
A creative person , I realised, gets an idea and runs with it – and then, somewhere along the way, discovers something striking, surprising, unusual, a new angle – which gives the project an outstanding quality.
More insights from the cave next week – although I may then be walking out of it!