Entering through the courtyard coach-house tea-rooms, we emerged out on the path to the castle.
Powerful beams intermittently bathed Guy’s Tower and the ramparts in mauve and green and blue, and the stalls of the Christmas Market were decked out in myriad lights.
As we entered the path to the light trail, I felt every trace of the anxiety and low spirits and fear and disappointment of this Covid-oppressed year melt away, and in its place all the excitement and wonder of childhood, at the magical vision that had been created in this iconic castle and its grounds.
We walked past the market stalls and along the trail, entering the castle courtyard through the arch to behold the battlements and gatehouse, Caesar’s Tower, the State Apartments, Time Tower and Elfrida’s Mound all washed by waves of alternating colours.
The voice of an actor broadcast around the courtyard the story of Sir Fulke Greville who after his arrival in 1604, transformed the castle into a grand palatial residence and created exquisite gardens here. He also, as a poet, entertained many famous literary figures here, among whose numbers William Shakespeare would have appeared.
Through the windows of the State Apartments we saw glimmering Christmas trees. Although visitors were not allowed to enter the Castle due to Covid restrictions, nevertheless we were able to gaze at the gorgeous decorations within the rooms.
Having circled the coutryard we left through the arch and made our way around past the Mound and down the slope and across the bridge to the island. In every aspect the castle and its grounds was transformed into something beyond this physical world. It is a beautiful, magical sight anyway, in broad daylight; but with the play of lights it was truly dreamlike.
Traversing the island and returning across the bridge we all climbed the slope to the left leading out into the fields beyond the Peacock Garden.
The giant trebuchet was irradiated with purple light, and the boathouse seemed like a gingerbread house from a child’s storybook.
All the while the full moon perfectly harmonised with the man-made light displays. The backdrop of trees glittered with rich colour, floodlit to set out in sharp relief the ones in front.
Every detail of the monkey puzzle tree glowed with crimson light.
There we passed numerous brightly coloured illuminated tents; and then a field of what looked like giant luminous fungi – in reality multi coloured open umbrellas on the grass.
We headed across the field to the illuminated tunnel where several couples couldn’t resist taking romantic selfies surrounded by the glittering lights.
We emerged into the peacock garden with is glowing Christmas tree and every feature of the garden delineated in lights.
Within the Orangery glittering Christmas Trees could be seen.
As we completed the trail and made our way out of the castle, an then on the long walk through the illuminated woodlands back to the car park, we took with us the joy and enchantment of this wonderful light trail.
Many of us share a fascination with the power of nature, and we love to gaze at storms and mighty waterfalls and erupting volcanos and turbulent seas and raging rivers – as long as we are in a safe viewing spot, and not in the middle of them.
And so we were among those drawn once again to the Saxon Mill, near to my home in Warwick. Our purpose: to gaze in wonder and exhileration, and experience the drama of the swollen river Avon. I felt as if we were on an island surrounded by the dynamic power of racing water.
The Saxon Mill is of course one of my haunted locations in my new book Paranormal Warwickshire. Do check it out here: http://bitly.ws/8xJJ
Here’s another of my haunted locations for Paranormal Warwickshire.
Abbey Fields in Kenilworth is much loved by the local people and I have continuously visited this atmospheric place ever since my children were young.
The ancient abbey ruins, the beautiful old church of St Nicholas and its enchanting churchyard, the view of Kenilworth Castle, the lovely lake and the Finham Brook that runs through Abbey Fields – all combine to make this a place that draws many back again and again.
Recently I walked along the path beside the Finham Brook, noticing how high and lively the waters ran, and an old lady turned to me and said she had come out from her home where she lived alone, and setting aside all worry about the ongoing pandemic, she found joy and consolation in gazing at these tumbling waters. She always finds it in Abbey Fields. She echoed my thoughts exactly.
A place haunted by many happy memories… and by other curious tales too which you might find in my new book Paranormal Warwickshire.
Out now, it may feed a curiosity about atmospheric places, enhance your knowledge of English history, and also provide a welcome retreat from the current woes of the UK, as you enjoy the many photographs. An ideal gift this Christmas, it’s available everywhere good books are sold.
I loved what Hilary said about the process of writing. It seems that she does not subscribe to the belief that we must create a structure beforehand, and plan out our work in detail. In regard to her Thomas Cromwell trilogy, the idea she caught was the notion that the truth behind an apparently “evil” character in English history may be far more complex. And then her curiosity and her love of historical research took her on a long and compelling journey. She talks of catching ideas, and of writing scenes and chapters out of order, and I loved it.
In the past I have indeed tried to create a structure beforehand, and I found it not at all helpful. So personal experience has taught me that Hilary Mantel’s way of writing is more to my taste.
When you begin to write a novel, it can often be impossible to say from which source the inspiration has come – and how far back in the past that inspiration had its source.
Now my latest book Paranormal Warwickshire has been published, I am getting back to work on my next novel Standing Ovation.
Thsi is the second in a magical realist series starring Dylan Rafferty, young musically gifted rebel.
The first book, Director’s Cut, sees Dylan tackling a very troubled family in a large house in south London haunted by a family curse.
Dylan seeks to escape the overwhelming influence of his own family and the conventional path they want him to follow through education and his future career. He discovers his favourite actress is filming a TV drama in a nearby Jacobean mansion. He sets off, eager to crash the set and meet her. He succeeds; and she’s delighted by this unusual, intense, talented boy. But Dylan discovers a deeply dysfunctional family who believe themselves afflicted by an inter-generational curse. The house is haunted by ghosts of previous generations. Dylan comes to believe he alone can save these people through the power of his own musical genius As he plunges deeper into the spiritual and psychic deadlock in the house, he encounters a supernatural being, and finds that he must cross the boundary between this world and another dimension.
The story awaits further editing, and I’d also welcome any willing beta readers!
Meanwhile I’m completing the sequel.
In Standing Ovation, Dylan has moved forward from the position he was in at the end of Directors Cut, but he now seeks a quantum leap in his career.
He’s in Stratford-upon-Avon, staying with his friend Xavier, a stage manager at the Royal Shakespeare Theatre. Then he lands a post as personal assistant to his idol, Konstantin Kosoff, mentally and physically fragile concert pianist, currently controlled by his two highly dubious brothers. Dylan enters another highly dysfunctional and dangerous household and plunges into a position only vacant because the two previous post-holders died in mysterious circumstances.
There are several people who might inspire me for some aspect of my fictional great pianist. I already have in mind the central inspiration; but that may change as I continue the novel, because when writing we may find elements entering the story from the subconscious. I won’t be able to tell how strong a part any of these elements may play until the story decides for itself, and reaches completion.
Do you other writers out there find Hilary Mantel’s approach rings a bell for you? Or do you rely on creating structure beforehand, and planning out the novel in detail? I’d love to know your own creative practice!
I am fascinated by ghosts and the paranormal and have a couple of books detailing the haunted places local to me as well as going on a very creepy ghost tour of Hampton Court Palace, at night, where we had to walk alone, in the dark through the Haunted Gallery, where there have been numerous reports of sightings of Catherine Howard, running to find Henry the VIII begging for mercy at the time of her arrest. We didn’t see anything but the fascination remains and for that reason, despite not really reading digital books, I agreed to be involved in this blog tour.
This was an informative book providing not only an account of paranormal sightings and experiences in Warwickshire but a brief history of the places covered. Shakespeare’s Stratford featured and throughout the book quotes from the playwright were used as chapter highlights, which was a nice touch. Stunning pictures gave visual context for those less familiar with Warwickshire and I was struck as I was reading this book that it would make a nice accompaniment for a visit to Warwickshire.
I read this as a digital book, but in my opinion it is definitely a book that would be better experienced in physical form in terms of an easier ability to flick back through the pages and refer back, as I like to do. Nonetheless an interesting little book which should appeal to anyone with an interest in Warwickshire and it’s history and most definitely anyone interested in the county’s history of paranormal activity.
I’ve just finished the book Paranormal Warwickshire. Being born and bred in Leamington Spa, I wasn’t sure what I would learn from this book. I loved the book, and was especially interested in the final article in the Leamington chapter. Not only does the author visit the more familiar buildings with all the stories attached, told by the people living or working there, but also many less well known. I certainly recommend this well- presented book, packed full of photographs.
It was a very exciting moment when I received my box of books.
Here’s an early review from fellow author and blogger Ritu Bhathal, who received an advance review copy:
A fantastic book filled with tales of ghostly sightings across the county of Warwickshire. SC Skillman has found some intriguing stories and researched their background and possible origins. The results are fascinating and eye-opening. I especially loved the accompanying photographs, old and new, showing the different castles and buildings where these events are said to have taken place. Warwickshire was where I grew up, and we regularly visited places like Warwick Castle, Kenilworth Castle, Stratford-Upon-Avon and Leamington Spa, so this book held an extra special interest for me. Thank you to the author for providing me with an arc, for an honest review.
Thank you Ritu and I’m so glad you enjoyed the book!
Thank you so much to the author for entrusting me with an advanced readers copy for an honest review.
I have always been fascinated by the paranormal and have had a far few ghostly and strange experiences myself, so this book by S. C. Skillman caught and kept my attention throughout.
It’s a well-researched, detailed and beautifully photographed book. Some of the images within are by S.C. Skillman herself.
If you like tales of haunted castles, churches, theatres, hotels, manor houses and many more locations beside, (a ghost can hang out anywhere they feel drawn to,) this is for you!
The collection begins in Warwick and moves on to various locations in Warwickshire: Kenilworth, Stratford-upon-Avon, Lapworth, Alcester, Rugby, Nuneaton (Birthplace of George Eliot,) and Leamington Spa.
Some of my favourite tales within included ghostly tales from theatres: in Stratford-upon-Avon, Royal Shakespeare Theatre. The ‘grey lady’ ‘is thought by by many to be the spirit of Elisabeth Scott, and is one of the theatre’s most well-known ghosts.’ ‘She appears so real she is often mistaken for a lost theatregoer.’ ‘It seems that many who have loved this theatre in their lifetimes cannot turn away from this magical and evocative place.’
And in Rugby Theatre: ‘One of the stories told here is of a woman seen floating down the stairs. It is thought she was an usherette in former times…’
It’s an interesting collection and one that will encourage you to explore the paranormal. After reading, you will want to visit these locations first hand to see if you experience the haunting visitations described within. Who knows, you might even want to become a paranormal investigator!
Thank you Marje for your review. And for all who’d like to visit Marje’s blog, it’s here.
And if you’d like the chance to hear me reading from the book and answering questions from those who came to my Facebook Live launch event, do check it out here: https://www.facebook.com/scskillman
You can buy the book on all major online retail sites, and order it from your local bookshop.
This is the tenth and final post in a series of ten posts which will take us up to the date of publication of my new book Paranormal Warwickshire, out from Amberley Publishing on 15th November. This richly illustrated compilation of strange tales from Shakespeare’s county can be pre-ordered now from all online bookstores, and from Warwick Books and Kenilworth Books.
The town of Royal Leamington Spa underwent a dramatic transformation beginning from the early 1700s when the 4th Earl of Aylesford discovered a mineral spring on his land. Subsequently, a few further twists and turns of the story raised the fortunes of this sleepy little village called Leamington Priors, until it had attained the highest reputation with The Beau Monde, and re-invented itself as a desirable Regency health resort. Aristocrats and the wealthiest members of society would flock here, to take the waters. The town met with the approval of Queen Victoria, which is why she’s celebrated with a statue in front of the Town Hall.
I found several curious anecdotes and strange tales in Leamington Spa; these surround the railway station, which plays a significant role in Leamington Spa’s history from the 19th century on; the elegant building, formerly known as the Masonic Halls, now known as Victoria House; and a certain residential property in Leam Terrace which was proving difficult to sell.
Here’s an extract from Paranormal Warwickshire:
Throughout the 18th and early 19th centuries, you could only reach Leamington Spa by Crown Prince stagecoach, and the journey from London took nine hours. But in 1844 everything changed with the formal opening of the Warwick and Leamington Branch Railway, and the first railway station in the town. This brought Leamington Spa within four hours journey of London. That station building was replaced in 1852. Posters advertised the town as a “Modern Holiday and Cure” resort. In 1939, despite initial negative reaction stirred up by the local press, the Great Western Railway opened an Art Deco station to replace the original building of 1852. The building is listed Grade II.
Both passengers and station staff report paranormal occurrences. Stephen worked there from 2012 to 2016.
“My job was night-time security officer,” he says……
Stephen has several stories to tell of strange events in the station at night, when the station is closed to passengers, and no trains run.
“Once, at about three or four in the morning, across the tracks I saw a lady on Platform 2. I challenged her. ‘Excuse me, what are you doing in the station? How did you get in here?’ She looked at me as if she’d heard me, turned away and carried on walking. I ran down underneath and up the stairs to find her, and she had gone. So I got onto the CCTV and there was nothing there. But I had seen her clearly. I had to make a phone call to report her so as to make sure there was no danger of someone being on the track. We have to cover ourselves.
“Another time, I was walking around when I saw that a door I had previously locked was standing open. So I went to check the door. It was on Platform 1. The door slammed on me as I went to it. I thought it must have been the wind, and locked it.
“A lot of paranormal activity takes place in the offices upstairs. I went upstairs to check the place out and the door was open. I went back, and the door was closed.”
This is corroborated by other members of staff who regularly see and hear things including doors slamming and electrical equipment turning on and off.
One staff member said, “When we first moved into the top floor offices the people who had been there previously had obviously left in a hurry. I regularly have paperwork thrown about. Doors are left open and I hear footsteps. I find it is often a quick way to end a meeting having a door slam for no logical reason. I’ve now learned to live in harmony with the ghosts.”
Nuneaton is strongly associated with one of the greatest of English novelists, George Eliot, who was born on the Arbury Hall estate here and brought up in Nuneaton; this background afforded her the opportunity to meet people in all walks of life, the ‘high-born’ and also the working people. From these she found much inspiration and demonstrated her insight through her many fictional characters. George Eliot is rightly celebrated in the town of her birth and upbringing. In harmony with her own literary focus, I found that some of the most extraordinary tales in my book come from working people in their everyday environment.
As we have seen, George Eliot was a radical intellectual; her novella ‘The Lifted Veil’ (an example of the Victorian horror genre), published in July 1859, is unique amongst her works for its supernatural premise. It explores themes of extra-sensory perception, the essence of physical life, the possibility of life after death, and the power of fate.
I believe that if George Eliot had been alive and writing her novels 200 years later she would have been keen to bring her spirit of enquiry into the extraordinary series of events reported by ordinary working people in their workplaces at Queens Road, Nuneaton, in the late 20th/early 21st century.
Queens Road was in former times the main street of the town until it was split into two parts by the Nuneaton ring road. In Queens Road, strange events are reported by the staff of several retail businesses – and none more so than those who have worked at number 62. Angela, the former lessee, experienced supernatural disturbances there for several years along with many staff members and customers,
Angela first bought no. 60 Queens Road in order to start up a business with her partner Dawn, selling video games and movies.
Having made a success of this, they leased 62 and turned their business into a big two floor music store. Entertainment Exchange opened in 1994 and became the biggest music / gaming / film collectors store in the West Midlands. This culminated at the height of the business in their having twenty-five staff on the rota at any given time.
Both buildings are extremely historic and atmospheric; Angela’s account focuses on 62 where she spent most of her time during the twenty years she traded there. As from 2014, Angela no longer owned or operated from either of these two buildings.
Angela’s story begins on the day before her store opened at 62, when she spent four hours upstairs alone in the shop, with the door to the street locked, pricing vinyl and laying out displays. As she was putting LP’s in racks, she saw something in the corner of her eye in the direction of the old office: a small dumpy woman dressed in black with dark hair which she wore in a bun at the back of her head. Shocked, Angela turned her head straight to the store room door and the image vanished in front of her.
from Paranormal Warwickshire by SC Skillman
Angela’s story is developed further in my book, and this experience was the first in a series of astonishing events, experienced independently by herself and her partner, many of her customers and staff, and by those who had worked in the building during the decades before her ownership
Rugby has a picturesque town centre rich with history, as I found when I joined an entertaining historical and paranormal tour there. Not only did we learn a lot about Rugby, and about English history, but we also heard several colourful tales recounted by a highly skilled raconteur.
On Henry Street you will find Rugby Theatre, with which several paranormal tales are associated. In 1946 the Rugby Amateur Theatre Society was formed with the intention of founding a permanent theatre in the town. In 1949 the Society obtained a former cinema on the current site, and set about converting it into a theatre.
One of the stories told by the theatre fraternity here is that of the ghostly figure of a woman who is seen floating down the stairs. It is thought she was an usherette in former times, who is still taking tickets and escorting people to their seats once they have come past the box office.
Another story concerns the Circle. This is believed to be haunted by the apparition of a man who fell over the balcony and died. He loved the theatre so much he is often seen in his former place and people have actually got out of his way when he went to the seats.
from Paranormal Warwickshire by SC Skillman
To find out more curious tales about this theatre, and several other locations in Rugby, why not preorder Paranormal Warwickshire, out from Amberley Publishing on 15th November 2020.