Book Review: “The Making of Us” by Sheridan Voysey

Here’s a book which should appeal to those of you who feel as if you’ve reached  a point in your lives where all that you hoped for has not been achieved; maybe it seems you have to let go of your dreams; and perhaps you simply don’t know where to go from here.

The Making of Us by Sheridan Voysey

 The Making of Us by Sheridan Voysey is the story of a pilgrimage on foot from the island of Lindisfarne (Holy Island) to the Shrine of St Cuthbert at Durham Cathedral. It’s  also a Christian-inspired self-help book enabling readers to reflect upon their own life journeys. Following the rhythm of the two pilgrims, (the author Sheridan Voysey and his friend DJ), we can visualise the landscape they travel, and feel the spiritual highs and the physical and emotional lows of the journey.

I met Sheridan at an author’s conference a couple of years ago. He told us his story, and spoke about his books and his broadcasting work, and then, having shared his own writing journey, he offered inspiration and guidance to the writers in the audience.

During the day he also offered his expertise as an experienced broadcaster, and asked for volunteers among us, to come up so he could interview us about ourselves and our books. I was one of those who volunteered, and it was a very helpful and enlightening exercise in the art of introducing yourself to a radio audience within a limited time-frame, in the most succinct and engaging way!

Sheridan is originally from Brisbane in Australia, though he now lives in Oxford in the UK.  I find his observations about Brisbane and Sydney particularly poignant as I lived in Brisbane myself for four and a half years before returning to live in the UK.

I have another personal connection with the subject of Sheridan’s book: I visited Lindisfarne (Holy Island) myself three years ago. This island is a very special place, and I felt a strong spiritual presence there; a retreat on the island offers several ways to reflect upon your life and your place in the world and in the universe.  During his promotional videos for the release of this book, Sheridan has included videos of Holy Island and of him walking across to the island from the mainland during low tide.

Through the medium of this physical journey between Lindisfarne and the Shrine of St Cuthbert, Sheridan teaches us much deeper values which may apply to our own lives, especially those of us who may define ourselves by any of the following:

  • who we know
  • our possessions
  • our status
  • our dreams and ambitions
  • our job titles.

Do you, perhaps, suffer from imposter syndrome This is an affliction that often applies to writers – even those whom the world might consider “successful”. Or, do you find that when people ask what you “do”, you respond with what you used to do?

These two pilgrims’ journey through the woods and fields and paths and roads of Northumberland then starts to parallel our own life journeys. During Sheridan’s description of the walk, he reflects upon periods in his own past life story. Places he and DJ visit give rise to memories of people he has known whom he now sees in a new light.

In all this, Sheridan’s purpose seems to be to shift our value systems, our vision of what really matters about our lives here on this earth. He interweaves biographical information about the Celtic saints Aidan and Cuthbert into his pilgrimage, giving us the opportunity to relate aspects of their journeys to our own.

One of the most striking sentences in the book is:

Maybe when identity is lost we can discover who we really are.”

And the most challenging question:

Could you be content having your contribution to the world left unknown or forgotten, yet known by God and pleasing to him?

At the end of the book, Sheridan gives a series of questions to reflect on for each chapter, and several blank journalling pages if you wish to use the book as the basis for a much more in-depth project of self-knowledge. The book could be used as a group resource as well as an individual one; but if you were to study and work with the book as part of a group, that group would need to be one in which you felt safe and secure.

He also offers his own contemporary Creed which you may download from his website sheridanvoysey.com.

I give this book the highest possible rating, 5 stars, and I recommend it to all those of you who resonate with what I’ve written in this review.

I received a complimentary copy of this title in exchange for a fair and honest review.

 

SC Skillman

psychological, paranormal, mystery fiction and inspirational non-fiction

Author of Mystical Circles, A Passionate Spirit, Perilous Path

What does Eadfrith, artist-scribe of the Lindisfarne Gospels, have to teach creative writers and artists today?

Nothing much, you may think – because Eadfrith was a seventh century monk in a monastery on an island, and we live in the fast, materialistic, time-pressured world of 2016.

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sunset on Lindisfarne

I’ve just spent three days on Lindisfarne (otherwise known as Holy Island), just off the Northumberland coast, where Eadfrith sat in the monastery scriptorium and scribed and decorated the Lindisfarne Gospels every day for two years between  696 and 698 AD, in order to commemorate the elevation of St Cuthbert’s relics. 

So why is it that the book he created is so revered and has such a hold on our imagination now? – apart  from its age and the wonderful fact of its survival?

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Display in the Lindisfarne Heritage Centre, Holy Island

I believe it’s because of the dedication, the patient concentration and the painstaking artistry that breathes out from the pages, and because of what inspired its creation: love and devotion.

Eadfrith created it “for the glory of God and St Cuthbert”.

St Cuthbert himself inspired so much reverence because he was a holy man, at one time bishop of Lindisfarne, who died as a hermit in 687 on Inner Farne (which I recently visited), and around whose body many miracles occurred.

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Sculpture in St Mary’s Church Holy Island, showing the monks who carried Cuthbert’s body to escape from Viking raiders

The astonishing story of his body, which failed to decay for many years, records how he was carried for several decades by faithful monks around Northumberland, to escape Viking attack, before finally it was laid to rest in the spot over which Durham Cathedral was built. You can visit St Cuthbert’s Tomb in Durham Cathedral, a place which has a strong spiritual resonance and atmosphere of holiness.

The glorious book which is the Lindisfarne Gospels is a testament to patience, concentration, love and devotion. preface to St Mark's Gospel, Lindisfarne Gospels

For us now, to gaze at, or to work with, the patterns Eadfrith painted is a pathway to peace and joy – hence the popularity of Celtic colouring-in books for adults, partly because the act of colouring-in forces you to pay close attention and eliminate all distractions. Celtic designs based on the Lindisfarne gospels pop up everywhere20160829_112732 – here’s an image of my lovely metal bookmark displaying Eadfrith’s designs – notice particularly his ornamental birds (Lindisfarne has long been a paradise for birds, so Eadfrith had plenty of them to model his designs on).

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Detail from the Lindisfarne Gospels, in St Mary’s Church Holy Island

In creating the ornamental designs, Eadfrith needed to pay minute attention to the geometrical foundations and symmetry of the overall design – very little was left to chance or the “inspiration of the moment.”

The book he created is now revered not just for the beauty and skill within its pages, I believe, but because that beauty is a physical representation on this earth of a spiritual reality – goodness, peace, patience, holiness and love.

Eadfrith had to source, prepare, or make from scratch everything he used – the parchments of vellum; the pen from a thick reed or quill feather; the ink, from animal, vegetable and mineral raw materials, ground to a fine powder and then mixed with egg white. I have personal experience of something of this latter part of the process at least, because I did an icon-painting course a few years ago and we mixed artists’ pigment with egg-white to paint our own icons on pieces of wood we had ourselves prepared – see the photo here of my own icon of the Archangel Gabriel.20160829_123557

After Eadfrith had created the Gospels, he left the scriptorium and as far as we know he never painted or wrote anything else – not that I’m suggesting this is a model for creative writers of today!

I find his story awe-inspiring and uplifting because it gives me an image of a patient, devoted person sitting alone in a quiet place concentrating absolutely on a work of art, to the exclusion of all else. It makes me think of many others who have created great works in similar circumstances – those who have been perhaps in prison, like St Paul, or Cervantes who wrote Don Quixote, two amongst several examples: or those who have deliberately chosen to go apart into an isolated place like Eadfrith in the scriptorium, free of distractions.

To be free of distractions and able to fully concentrate and devote yourself to the task in hand is such a luxury now, such an ideal for writers and artists to aspire to.