Cornwall Mini Series part 11: Falmouth Discovery Quay and Pendennis Castle

In this post, I take up again my Cornwall mini series which I started on 8th October 2019. I opened the series with the beach at Mawgan Porth and continued with a series of short reflections on different places easily reached from St Columb Major.

In early July 2020, we visited Cornwall again, during the first week after the UK’s Covid-19 lockdown had been relaxed. Once more we stayed in the delightful holiday cottage of Penty-Lowarth, in Quoit, near St Columb Major.

We visited a few different locations this time and I’ll be writing about them and sharing photos in my next few posts.

Today we visit Falmouth and Discovery Quay.

A curious atmosphere surrounds a visit to a place like Discovery Quay which is intended to host thousands of people during “normal” times.

We loved wandering through Discovery Quay even though it seemed suspended in a dreamlike quality of stillness.

Of course, the magnificent Maritime Museum had not yet re-opened after the Covid-19 lockdown. Very few people had begun to venture out yet, and we traversed the open space designed for large crowds, and for mass public entertainments, with a curious feeling of being in a time-loop.

I love this quote from the great novelist Joseph Conrad which I read on an informative noticeboard on the Quay:

The sea has never been friendly to man. At most it has been the accomplice of human restlessness.

There was a special quality to this experience, wandering through the quay, gazing at the boats, coming upon captivating views every few steps. Some of the many restaurants had begun to re-open and we enjoyed a relaxing lunch in The Shack, where the social distancing changes had been well organised, despite the fact that there were very few people to socially distance from.

Having visited Discovery Quay we then went on to visit Pendennis Castle.

Originally built by Henry VIII this has a fascinating history as it returned into use during Elizabethan times ad the Napoleonic Wars and World Wars I and II. Situated across the bay is the twin castle of St Mawes. The views from Pendennis Point are spectacular.

Again, few visitors were in evidence, though the social distancing arrangements were well in place.

We toured the Keep and the Half Moon battery alongside a small party of other visitors, and both tours were excellent, captivating and informative.

Check out the previous posts in my Cornwall mini series.

Part 1 Mawgan Porth

Part 2 Watergate Bay

Part 3 The Eden Project

Part 4 The Lost Gardens of Heligan

Part 5 Port Isaac

Part 6 Truro

Part 7 Trerice

Part 8 The Screech Owl Sanctuary

Part 9 St Michael’s Mount

Part 10 Tintagel

A Resurgence in Withdrawal – Covid-19 Lockdown Art

So many of us have reacted in different ways in the UK lockdown, some being energized and leaping into action in house and garden, others relapsing into lethargy, feeling flat and down and disorientated and bewildered by what’s going on in the world. Others may have taken up a new activity or found themselves behaving differently.

I’ve taken up art. An artist friend Jane lent me her artist’s supplies before the lockdown and then of course I had no chance to call on her to give them back. She urged me to use them, though I hadn’t painted for years.

The sumptuous thick squidgy texture and the brilliant colours of the acrylic paint called me, and the full set of artist’s brushes invited me to engage with them.

So I ordered a Strathmore art pad online and began painting.

At first I laid on blocks of colour in an abstract design…

bright coloured abstract design in acrylic paints SC Skillman lockdown art
bright coloured abstract design in acrylic paints SC Skillman lockdown art

Then I seized a chance to lavish cobalt blue onto the paper…

blue and purple iris in acrylic paint SC Skillman lockdown art
blue and purple iris in acrylic paint SC Skillman lockdown art

Then I thought I’d try a tree of life…

tree of life in acrylic paints SC Skillman lockdown art
tree of life in acrylic paints SC Skillman lockdown art

The next one was in freestyle, and ended up looking like a fabric design:

red and yellow design acrylic paints SC Skillman lockdown art
red and yellow design acrylic paints SC Skillman lockdown art

A beautiful blue borage flower caught my eye in a friend’s photo on Facebook. Some see it as a weed. I loved the colour and the symmetry.

borage flower in acrylic paints SC Skillman lockdown art
borage flower in acrylic paints SC Skillman lockdown art

The next day a photo of a quarry garden inspired me. My husband looked at my painting and identified the ‘path’ as a river, and that’s when I realised the photo is just a guide, and at a certain point lack of technical skill tips you over the edge into fantasy.

river and garden in acrylic paints SC Skillman lockdown art
river and garden in acrylic paints SC Skillman lockdown art

I love the combination of trees and parkland and rich verdant landscapes with man-made features such as a bridge and a carefully designed lake and a temple. Capability Brown, step forward.

parkland, lake, bridge and temple in acrylic paints SC Skillman lockdown art
parkland, lake, bridge and temple in acrylic paints SC Skillman lockdown art

My sister sent me her photo of rich rainforest on the Queensland/New South Wales border. I loved the perspective. Standing on the edge of a cliff, the viewer gazes down to the waterfall far below.

rainforest and waterfall in acrylic paints SC Skillman lockdown art
rainforest and waterfall in acrylic paints SC Skillman lockdown art

Following a week in Cornwall visiting some vibrant tropical gardens, I felt like capturing one of the many vistas at Trebah:

garden and bridge in acrylic paints SC Skillman lockdown art
garden and bridge in acrylic paints SC Skillman lockdown art

Each time I paint a picture there’s always a point when I think, ‘This is going to be a mess. This feels so random’.

Later I take a photograph of the picture, and when I look at the photo I think, ‘oh it’s not so bad after all’.

Viewing a photo of art enables me to see it more objectively. It also changes the colour slightly and makes it appear more muted and subtle, and even gives the image a different feeling.

Something happens in that moment, something liminal, which makes me feel happy.

I later shared the photos of the paintings on social media, and people responded to them. Each time I felt a sense of surprise. They feel naive to me, and yet it is thrilling to evoke a response from a simple image.

I’m a writer but I never forget how people will often respond to an image first.

Have you taken up anything new or creative in lockdown?

Perhaps feeling flat and dispirited and down has led to something unexpected, which has given you a sense of fresh possibilities?