A great garden is an image of paradise, in more than one religious outlook. Perhaps this is because within such a garden, all the very best of the natural world is taken by human ingenuity, and then gifted and skilled gardeners weave their own design and creativity into it. Our dreams become realised through a beautiful garden.
I remember once taking a tour with the Head Gardener here and he pointed out that the garden is defined by borders and obeys a structure closer to the house, and yet the further you wander from the house, the more you feel the garden becoming fluid and serpentine in its design, less structured, as if it is flowing into the land beyond.
And I remember him saying that they have protection rights over the view here, for the vistas are some of the garden’s most prized elements.
When I visited a few days ago (February 2019) the garden was of course still at the end of winter, beginning to move towards the opening-up time of spring.
Even so, its beauty is still apparent.
Enjoy the photos here and reflect upon how much we owe to those visionaries and dreamers who are able to bring what they imagine into reality, for the enrichment of the spirits of others.
psychological, paranormal, mystery fiction and inspirational non-fiction
Author of Mystical Circles, A Passionate Spirit, Perilous Path
Originally posted on the ACW “More than Writers” blog.
We all know who ascends the brightest heaven of invention.
Yes, it’s a muse of fire, which Shakespeare wished for in his Prologue to Henry V, as if the power of creativity were indeed a separate being, in this case from Greek mythology.
And I believe that it may sometimes be helpful to visualise our source of inspiration as a separate being – maybe an angel, if not a muse.
As writers, we love and work with metaphor and figurative language all the time, and one of the most loved devices is of course personification, which can often be highly effective in, for instance, comic writing.
A couple of years ago I went to a special event in the garden at New Place, site of Shakespeare’s former family home in Stratford-upon-Avon, Warwickshire: an event which stands out as my most imaginative and inspiring experience in that town, even with its rich supply of Shakespeare properties.
It was known as The Garden of Curious Amusements, and presented by the Shakespeare Birthplace Trust. The central idea of catching the muse was sparked off by the fact that Shakespeare researchers believe the Bard wrote his play The Tempest in his home during 1610/1611.
Can specific geographical locations of this earth hold an inspirational power? Does the muse reside there? Can we be infused with that muse by standing in that very place where a genius caught his or her most world-changing idea?
This notion was the launching pad for a group of creative people who called themselves the United Nations Board of Significant Inspiration(UNBOSI for short), and through the medium of art, acrobatics, invention and acting, entertained the visitors who flocked to this attraction. Our purpose: each to take a marble and catch in it some of that muse which inspired Shakespeare, through the four elements of earth, air, fire and water.
The journey itself was full of fun, laughter and delight – and at the centre of this fanciful Art Happening may be found a profound question: is there a correlation between place, time and light-bulb moments? That may sound eccentric and zany; but through the path of the eccentric many of the greatest minds have found inspiration and ideas that have changed the world.
We can only imaginatively reconstruct what Shakespeare’s family home would have looked like. No house currently exists at New Place, but is instead represented by a series of gardens where we embarked on a hilarious but also ingeniously thought-provoking journey of “Muse Catching”.
Shakespeare’s family home no longer exists because it was demolished in 1759 in a fit of spite by a character Shakespeare himself might have created: the Reverend Francis Gastrell, the impetuous priest who owned the property and got so fed up with the Shakespeare tourists, he decided to burn the house down. At that time property owners could do what they liked with their properties and the idea that the authorities could step in and save a historically-important heritage building against the will of the owner was unthinkable.
But even a senseless, devastating act like this can sometimes bring unlooked-for benefits in the future. I feel that what I brought away from this entertainment in the garden was in its way more profound than the experience of looking round a carefully presented fifteenth century property and being told that he was born here and trying to feel some sense of awe and connection with the great poet.
So where is inspiration to be found? Is it present in the air, or does it lie hidden in the fabric of a special place? Or does it perhaps emanate from the ground? These and other ideas were played with at New Place on the day of my visit.
Upon entering the garden through the site of the original gatehouse, visitors cross an area which would formerly have been the service range, and where you may listen to an illustrated talk about the history of New Place. Then you will approach a circular area which delineates the space formerly occupied by “the heart of the house”, where there would have been a large medieval open hall with a fireplace in the centre of the room and a vent to let the smoke out.
Close to the centre you will find a bronze replica of a chair and desk which represents researchers’ best estimate of where Shakespeare himself may have sat writing his later plays during those final years up until 1613.
Near to the desk, a bronze tree appears, its branches bent to one side by the force of Shakespeare’s creativity; and beside it a bronze globe is worn smooth by that same force. The rough side of the globe symbolises a visualisation of white noise in outer space – which, the guide suggested to visitors, represents the idea that Shakespeare’s genius may help us make sense of the universe.
In “the heart of the house” during the special UNBOSI event, several information boards explored the idea that many world-renowned geniuses had their light-bulb moment by doing very silly things – or by having very silly things happen to them.
So let us be inspired by the creative, quirky and silly – for along that path there may flare up that muse of fire that would ascend the brightest heaven of invention.
I’m delighted to reveal the cover design of my new book which is due out soon:The cover was created by graphic designer Annabelle Bradford.
Perilous Path: a writer’s journey is a short non-fiction book (106 pages) which will be available both as a paperback and also as a Kindle ebook.
It’s in the Self-Help / Creativity category and it’s for aspiring writers, keen fiction readers fascinated by the subject of literary inspiration and creativity, and anyone interested in how fiction writers get their ideas and go about creating full-length novels.
Here’s the blurb:
How do you find courage and motivation when your novel sinks in the middle?
How do you stay focused as a writer despite all the setbacks and disappointments?
How can great artists, musicians and psychologists give you inspiration?
You’ll find the answer to these questions and many others in this book. SC Skillman offers deep insight into the faith and hope that is vital for one who walks the perilous path into the ‘promised land’ of the writing profession.
Every chapter is an article previously published on the author’s blog Inside the mind of a writer, in answer to FAQs aspiring writers type into search engines.
For a sneak preview of the book, you can read one of the chapters in full here.
Highgrove Garden made me think of the plot of a children’s book, quirky, fun, playful. At every turn there is a new surprise, like something dreamed up by Lewis Carroll or Edward Lear. It was an odyssey through a quirky and unpredictable environment.
Vistas and views and angles, abundant ferns and eccentric topiary, temples, thatched tree house and giant slate pots abounded.
The downpour intensified as we went round, yet everyone was so entranced by the garden, it remained a minor issue – even when we waded through deep puddles on the unmade paths.
Moving through the garden is like progressing from one chapter to another in a beguiling story. If fairies inhabited this garden they would be the wild, anarchic spirits Shakespeare portrays in A Midsummer Night’s Dream. I particularly loved the juxtaposition of wilderness and artistry. HRH The Prince of Wales has invited artists and sculptors to run wild with their imagination; everywhere you may see the evidence of free expression and creativity.
In summary, this is a unique and profoundly inspiring garden.
A well-watered garden is a powerful image of creativity, abundance, fruitfulness.
When asked to describe or picture heaven, I often see it as a garden.
The Prophet Isaiah, wrote these words: And the LORD will continually guide you, And satisfy your desire in scorched places, And give strength to your bones; And you will be like a watered garden, And like a spring of water whose waters do not fail.
Isaiah’s choice of a garden for his image here is perfect, as are many of the images he chose for his prophecies: an image which is profound and powerful.
A few months ago during a visit to Hidcote Manor Garden, one of the National Trust’s greatest gardens, we heard the Head Gardener say that because we’ve had a late spring this year, 2013, the plants, like people, benefit from “a good long kip” and so later on, when they flower, they will be more plentiful, more colourful and more abundant.
As I spend time wandering around these gardens I reflect upon what engages me most in gardens I love:
* a series of small enclosed spaces which are like outdoor rooms – little ‘dens’ where you may sit and contemplate or dream or write or do anything else creative, which are shady, secret, beautiful, tranquil, hidden;
* a number of vistas and points from which you may glimpse things either near or distant which may intrigue or surprise;
* in a grand garden with a stunning planting scheme, I’m most enchanted by combinations of depth & colour & shape which evoke different emotions in the beholder; low misty feathery plants in front, then the tall bold gold shapes behind, and finally the purple spiky angular plants at the back: a profusion of different contrasting and complementary shapes and textures.
This is what I saw in the gardens at Upton House when I visited on Friday 23 August 2013.
A predominance of pink and gold with occasional glimmers of white, lilac, purple, burgundy.
A gentle, warm fragrance filled the air; butterflies flocked to the lavender, bumble bees feasted in every direction I gazed.
The whole was in dynamic motion, appearing to me as a vibration of life, shimmering above and around the blossoms.
We are all indebted to those whose gift is to design gardens, select plants, and work hard to create paradise on earth: surely the goal of all the great garden designers. In this life, there is a place for all of us; those who work, those who act, those who are practical, and those who come to see, and to drink deeply, who dream, who draw inspiration, who see visions, and who believe.
Great gardens are places that feed the imagination, provide a source of inspiration, nurture creativity, enrich our dreams, lift our hearts to the divine.