A few photos from Baddesley Clinton, one of my favourite National Trust properties, a short drive from my home in Warwick.
This weekend Warwick hosted its annual Folk Festival.
Folk dancers and singers were out in force together with a wide variety of creative stallholders and vendors, and everywhere we saw bright coloured clothes and gypsy-style skirts and hats decorated with flowers.
In common with many others I love to watch to listen to folk songs and watch folk dancing; it strengthens our sense of community and connects us with our traditions and our agrarian culture of centuries ago.
There is always a tendency to idealize life in Britain before the industrial revolution, when those in the country villages practised all sorts of traditional customs, many related to our superstitious beliefs of the past.
And yet folk memory is strong within us, and it can never be eradicated. It reappears in so many ways in our contemporary lives; in lingering folk religion and folklore, in our language, and in our actions, whether conscious or unconscious.
I love to watch the mummers and the morris dancers, and to see their eccentric costumes and the vigorous, energetic dances.
This is a part of English society that we can well celebrate, long into the future.
What could be more poignant than a formerly grand mansion, standing on a cliff, now partially demolished, abandoned and desolate?
Gaping staircases you cannot climb; stone balconies you long to stand on to gaze at the view; empty windows you feel sure a shadowy figure should flit past.
Just such a gaunt mansion is Guy’s Cliffe House, our local romantic ruin, perched atop a cliff above the River Avon, catching the imagination of all who pass by on the other side of the river.
Gothic stone tracery, an ornate balcony, evidence of a flambuoyant builder, remain to tantalize you.
For one of those who occupied the house embellished it with Roman, classical, mediaeval and Gothic elements.
Guy’s Cliffe House so caught my own imagination during the past few years that I occasionally wished that, if I was hugely wealthy, I could pay for it to be restored to its former glory.
In reality, I’d like it to be made safe for people to enter and explore, and for new timber staircases and walkways to be constructed, so we could climb to those balconies and gaze at the view.
And I’d like all the original formal gardens to be restored so people can wander around in them and enjoy the romantic setting.
I feel that Guy’s Cliffe is a poignant illustration of what happens when wealthy property owners do not successfully pass on their property to an equally rich and prudent and competent heir.
One developer/house-breaker deliberately demolished part of the Guy’s Cliffe House, then all the contents were auctioned off, and and accidental fire and neglect did the rest.
We all find it difficult to understand how such a grand property gets damaged, ransacked and neglected like that.
8 foot tall bamboo now crowds close to the cave in the cliff, where Guy of Warwick, in the tenth century, returned from the Holy Land and mysteriously chose to live for two years, rather than reuniting with his wife and child in the house above.
And next to the house, the lovely chapel of Mary Magdalene contains Guy’s figure in stone, representing him to be 8 ft high.
It’s like another world – untouched, just left as it is.
So many windows. You feel somebody should appear in them.
We couldn’t fail to wonder and imagine as we took the guided tour around the house and grounds on 25 August 2013, guided by our host Adrian, with an excellent, fluent and richly informative talk.
If you’re in the area of Warwick then don’t forget to book a guided tour round Guy’s Cliffe after you’ve visited Warwick Castle!
This photo was taken on Milverton Hill, Leamington Spa between St James’s Church Old Milverton and the Saxon Mill, Warwick.
At about 4.30pm on Friday 7 June I walked with my two teenage children through the churchyard to reach this field.
A late summer afternoon in the English countryside is such a quiet, luminous, poignant time.
And it’s one of the loveliest times to be on Milverton Hill. You breathe in a green woody scent, a fragrance of light and sunshine.
As we walked through the churchyard to reach the field, we found a plaque in the grass:
8th June 1995-23rd April 2009
aged 13 years
sweet, rare, exquisite
Ruby was in my daughter Abigail’s year at school, and Abigail knew Ruby and her story, as many others in our area do, whose hearts were touched by Ruby’s three year struggle with cancer, and her death in 2009.
Sarah, cheerful and pleasant, said to Abigail, “You’re the age Ruby would have been. Tomorrow is her 18th birthday.”
Ruby’s dog Gracie was with them too. Propped against the flower containers by the plaque is a photo which shows this family pet with Ruby 5 years ago.
As we walked out through the gate onto Milverton Hill, beyond the church, I couldn’t help comparing the shortness of Ruby’s life to the transience of golden fields in the English countryside.
In this lovely field, popular with walkers, the cobweb tracery of Shepherd’s-Purse flowers, too, appear between the golden rapeseed flowers. Each petal is silk to the touch, and you feel the cool breeze as you face towards the church. Turning back again to face down towards the Guy’s Cliffe House ruin and the Saxon Mill, the trees seem sculpted against a radiant horizon of intense clarity, each golden flower backlit.
Golden fields don’t last long. But they do reappear each summer. And so will this little memorial to Ruby touch many hearts through future generations.
In each one of my places of inspiration I have found spirit of place : in India, at Ayers Rock/Uluru in Australia, in London, in the White Garden at Sissinghurst in Kent, and in Sydney Opera House. But today, I return to a place very close to home – it’s the Saxon Mill on the River Avon, just outside Warwick – and five minutes walk from where I live.
The Saxon Mill is a romantic building, which feeds a writer’s imagination – especially for those who write historical fiction. And just down the river is the gaunt, atmospheric ruin of Guy’s Cliffe House. I cannot walk along the river bank here, and stand opposite and gaze at it without imagining all sorts of stories – tales of romance, tragedy, ill deeds, ghosts…
Nearby, on Blacklow Hill, in 1312 King Edward II’s favourite Piers Gaveston was dragged by the Earl of Warwick’s heavy-gang, to a spot now known as Gaveston’s Cross, where he was savagely murdered. He was Edward II’s lover, and exerting much too much power over the kingdom for the Earl of Warwick’s liking. Even a grim tale like this can add to the romance of a place – separated as those events are from us by 700 years.
But what completes the delight of the Saxon Mill for me is its location on the River Avon. Tables and benches are set out overlooking the mill-pond; the old water-wheel may be viewed here too. I love the smell of it; dank, moist timber, full of darkness and age and mystery…
Further along is the footbridge over the weir. White water gushes down, foaming the river. The terrace overlooking the mill-race is filled daily with people eating and drinking and chatting and laughing; it’s a popular gathering place for locals and those who come from a greater distance.
We went there in the heavy snow of December 2010 to photograph the river and trees, looking like Wonderland.
Beyond the footbridge you may find a track which traverses the fields to Old Milverton Church – another path much enjoyed by walkers and dogs alike.
I associate the Saxon Mill with happy social gatherings, with a writer’s inspiration, with romantic wonderings… Very close to home, it has that unmistakeable spirit of place.
Do you have a favourite place, near to home, that inspires your imagination? I’d love to hear your stories and comments!